Unframed Landscape Photography

Out on the road - 2020 Edition of 7 plus 2 Artist Proofs, digital C-Print based on the Polaroid, not mounted. Signed on the back and with certificate. Artist inventory - PL2019-...

Actor George Hamilton (in blue) takes off in a speedboat with friends Ruth Luthi, Sabine Korte and Mike Belami, during a stay in St Tropez. September 1968. Slim Aarons The High Life...

Color fine art waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on...

Outback Dreams - 29 Palms, CA - 2010 50x130cm. Archival C-Print, based on the 3 original Polaroids. Signature label and certificate. Artist Inventory # 1933. Not mounted. THE G...

MASSIMO LISTRI Palazzo Real II, Amsterdam (From the series Perspectives), 1992 C-print Edition of 5 120 x 150 cm 39.5 x 47.5 inches edition of 5 47.5 x 59 inches edition of 5 71 x...

Verbier Vacation, 1964 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Holiday-makers take the sun on a mountain top in Ver...

The gallery has the most extensive New York City landscape art photography, due to our abiding love for the city. We present the work of different photographers, some of whom are eme...

Palm Springs, 1970: This coveted photograph, captured by society photographer Slim Aarons, features midcentury socialites in front of the turquoise swimming pool of the iconic Kaufma...

Ed. 1/5, unframed. Framing options available. With his passion for formal technique and composition, internationally renowned photographer Nathan Coe’s works exude a deep reverence ...

Grand tour 19th century photograph of Notre Dame Cathedral, late 19th century. Matted. Unframed.

Aerial Views, Tulip Fields 05 is a limited-edition photograph by German contemporary artist Bernhard Lang. Available dimensions and editions: - 60 x 75 cm: edition of 10 - 96 x 120 ...

A large scale photograph of lush emerald green nature biotope, a highly detailed observation of the natural beauty of Northern California's coastal redwood...

Daisy and Austen in front of Trailer (Till Death do us Part) - 2005 Including Stefanie Schneider's signed monograph "Instantdreams". 64 pages, hardcover, published by Avenso, 2014. ...

On the Way to Big Sur (The Last Picture Show) - 2000 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory number: 969. ...

The fire service in Lyford Cay, on New Providence Island in the Bahamas, April 1966 Slim Aarons Lyford Cay Fire Service Slim Aarons Estate Edit...

A topless swimmer in Saint-Tropez, on the French Riviera, August 1971. Saint-Tropez Seafront, 1970 Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with cer...

Sardinia is a photograph taken by Amanda Ludovisi in 2018. It represents a tranquil wave by the shore in Sardinia, which delicate colors. This is a gi...

The Mosque of Muhammad Ali  is a black and white vintage photo, realized in Mid 20th Century by the photographer C. Zachary. Good conditions and aged. The photo depicts the Mosque ...

"Unlikely Companions" In this image, a large tusked elephant in Amboseli enjoys the grass that grows on the plains while two birds wait in the background ...

Redwoods by Erik Pawassar 42 x 117 inches (107 x 298cm) signed edition of 7 48 x 135 inches (122 x 343cm) six panels of 48 x 22.5 inches signed edition of 7 31 x 88 inches (79 x 224cm) signed edition of 7 archival fine art pigment print signed & numbered by artist on label custom/larger sizes are available on request _________________________ Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...

Deep Mirroring Forest 007 is a limited-edition photograph by German contemporary artist Bernhard Lang. This photograph is sold unframed as a print only. It is available in 5 dimens...

Hand printed by artist. Edition 1/40 Limited edition of 40 total in all sizes. Retired Negative - Retired from printing!!

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Negative Date 2002 Print Date 2005 Edition 35/50 Excellent Condition Purchased Directly from Artist Considered a 20x24

View from 29 Clinton Street, 1989 From a 6cm x 4.5cm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Artist Proofs ...

Almost Paradise (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 894. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

"Tulle no. 53, Taos, NM" is a color photograph, limited edition, signed and numbered by Thomas Jackson. Thomas Jackson's Emergent Behavior is inspired by the instinctual self-organi...

American photographer Julius Shulman’s images of Californian architecture have burned themselves into the retina of the 20th century. A book on modern architecture without Shulman is inconceivable. Some of his architectural photographs, like the iconic shots of Frank Lloyd Wright’s or Pierre Koenig’s remarkable structures, have been published countless times. The brilliance of buildings like those by Charles Eames, as well as those of his close friend, Richard Neutra, was first brought to light by Shulman’s photography. The clarity of his work demanded that architectural photography had to be considered as an independent art form. Each Shulman image unites perception and understanding for the buildings and their place in the landscape. The precise compositions reveal not just the architectural ideas behind a building’s surface, but also the visions and hopes of an entire age. A sense of humanity is always present in his work, even when the human figure is absent from the actual photographs. Today, a great many of the buildings documented by Shulman have disappeared or been crudely converted, but the thirst...

Airstream (29 Palms, CA) - 1999 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 280. Not mounted. A Germ...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Aditya Dicky Singh Untitled Photograph on fine-art Hahnemuhle archival paper 44" x 65" unframed (112cm x 165cm) 2017 Edition 1/15 *Should you wish the photograph to be printed ...

Slim Aarons Poolside Pairs 1970 (printed later) C Print Estate signature stamped and numbered edition of 150 January 1970: The Kaufmann Desert House in Palm Springs, California, de...

Palm Springs Palm Trees (Californication) - 2023 50x49cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

Crushing - 2017, 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2017-792. Not mount...

This rare photograph #28, taken during The Central Park Gates Project in 2005 by Christo and Jeanne-Claude, was never released to the public as the couple were not satisfied with the image. Every initial photograph, numbered #25 to #30, had to be retaken by their primary photographer, Wolfgang Volz. This copy is from the unpublished edition, making it a unique and highly collectible piece. The project, which consisted of 7,503 gates along 23 miles of pathways, transformed the park into a vibrant, immersive art...

Dusk (The Last Picture Show) - 2005 Edition 4/5, 38x36cm each, 131x127cm installed including gaps. 9 Analog C-Prints, hand-printed by the artist on Archive Fuji Crystal Paper, based...

"Scotland 0030" Photography 18" x 24" Edition of 20 by Ben Cope Unframed - ships rolled in a tube Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic sculpture ...

Stefanie Schneider Polaroid-sized unlimited Mini 'Angie' (Heavenly Falls) - 2016 - signed in front, not mounted. 1 Archival Color Photograph based on the Polaroid. Polaroid siz...

Aditya Dicky Singh Untitled Photograph on fine-art Hahnemuhle archival paper 65" x 44" unframed (165cm x 112cm) 2017 Edition 1/15 *Should you wish the photograph to be printed ...

Our gallery has the most extensive art photography of New York City, due to our abiding love for the city. We present the work of different photographers, some of whom are emerging t...

Mountains (Strange Love) - 2003 40x60cm, Edition of 5 plus 2 Artist Proofs. Archival C-Print, based on a 35mm film. Signature label and certificate. Not mounted. A piece of Ste...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Majorettes on Parade by Michael Ormerod is available as a 24" x 34" print on Hahnemuhle paper from a limited edition of 10 prints. Featured in the 2024 posthumous solo exhibition, ...

Low Tide Edition of 25 signed and numbered by the artist A fishing boat is moored on the beach at low tide in Zanzibar. JJK is a pseudonym for one of the world's most successful ph...

This 1660 winter landscape photograph, captured by society photographer Slim Aarons, features an individual skiing at Sugarbush, a mountain resort in Vermont, April 1960. This is an...

El Venero 1971 (printed later) Chromogenic Lambda print Printed Later Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. El Venero, th...

Slim Aarons Estate Print - The Carlton Hotel - Oversize A Cadillac with Florida plates parked outside the Carlton Hotel, Cannes, France, circa 1955. (Photo by Slim Aarons) silver...

observation of a Mediterranean beach scene in Nice, France, on a hazy summer day Nizza by Frank Schott 25.5 x 40 inches (65 x 102cm) edition of 25 signed 48 x 75.5 inches (122 x ...

'Venice #7' 2024 A photograph captured with a Polaroid camera. Printed on the finest archival paper, these limited edition photographs are designed to withstand the test of time, pr...

Iconic futuristic architectural design of midcentury prefab "Futuro" in Great Tetons Yellowstone landscape, designed by Finnish architect Matti Suuronen...

Baby you can drive my Car (Bombay Beach) - 2019 80x80cm, Edition of 5 plus 2 Artist Proofs, Archival C-Print based on a Polaroid. Signed on the back ...

Gaia Diptych #127 by Jaume Llorens 24cm x 18cm Black-and-White print on Premio Kozo 180gsm White Paper by Awagami Factory Edition of 10 + 2 Artist's Proofs Crane Kalman Brighton ga...

Thomas Ruff - TRIPE 12 - Seeringham. Munduppum inside Gateway. Date of creation: 2018 Medium: Inkjet giclée on Rag Photographique Paper Edition: 50 + 5 A.P. Size: 40 x 50 cm Conditio...

Stamford Bridge (1920) Limited Edition Silver Gelatin Fibre Print (Photo by Alfred Hind Robinson/Getty Images Archive) Stamford Bridge, Chelsea Foo...

The photographers note regarding this work is "Woman with a fox terrier crossing a square, Germany 1930s." This work comes to you as a new Fine Art Print on Hahnemühle William Turne...

Hotel du Cap Eden-Roc 1976 Guests by the pool at the Hotel du Cap Eden-Roc, Antibes, France, August 1976. 40 x 30" inches / 101 x 76 cm paper size. Photo by Slim Aarons Archival ...

Platinum/Palladium (there was no pull down for this) Print Date 2025 Hand printed by artist Edition 1/15 Outer dimensions 16x20" Corner Mounted

'Cadaques' , 2017 20x30cm, Edition 2/10. Archival Pigment Print. Signature label and Certificate. Not mounted. Published in Tao Ruspoli's Monography 'Midway on our Life's Journe...