Early 2000s Landscape Photography
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Period: Early 2000s
The Rochlitzer's Raspberry Rocket (front), Bonneville, Utah, 2003 - Car Photo
Located in Cambridge, GB
Belly Tank Lakester 'Raspberry Rocket', captured in the iconic home of speed, Bonneville Salt Flats, Richard's bold graphic car contrasts in size against the vast landscape in the ba...
Category
Contemporary Early 2000s Landscape Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Teakettle Road, California - The Sundance Series - American landscape photograph
Located in Cambridge, GB
Titled the 'Sundance Series', these artworks are a development of traditional landscape photographs and they have created a unique perspective as if captured through a telescope or a...
Category
Contemporary Early 2000s Landscape Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Movie Road, California - The Sundance Series - American Landscape Color Photo
Located in Cambridge, GB
Titled the 'Sundance Series', these artworks are a development of traditional landscape photographs and they have created a unique perspective as if captured through a telescope or a...
Category
Contemporary Early 2000s Landscape Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
View from Bombay Beach, Salton Sea, California - Color photography
Located in Cambridge, GB
Cool shades of blue are key to this serene waterscape below sea level in the Salton Sea. The suspended cloud creates a dreamy symmetry.
This artwork is a limited edition of 25, glos...
Category
Contemporary Early 2000s Landscape Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Three Girls V (Last Picture Show)
Located in Morongo Valley, CA
Three Girls V (The Last Picture Show) - 2006,
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature label.
Ar...
Category
Contemporary Early 2000s Landscape Photography
Materials
Photographic Paper, C Print, Color, Polaroid
Amboy Road, California - The Sundance Series - American landscape color photo
Located in Cambridge, GB
Titled the 'Sundance Series', these artworks are a development of traditional landscape photographs and they have created a unique perspective as if captured through a telescope or a...
Category
Contemporary Early 2000s Landscape Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Untitled - Oilfields
Located in Morongo Valley, CA
'Untitled' (Oilfields), 2004, 60x60cm, Edition 3/10, digital C-Print, based on an expired Polaroid, Certificate and Signature label, artist Inventory Nr. 1196.03, unmounted
Last pho...
Category
Contemporary Early 2000s Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Volcano II, animal, wildlife, color photography, gorilla, jungle, green
Located in München, BY
Edition of 5
more sizes on request
A mountain Gorilla in the rainforest in the Volcanoe National Park, Rwanda.
For years, Joachim Schmeisser has been photographing the last giants...
Category
Contemporary Early 2000s Landscape Photography
Materials
Archival Pigment
Movie Road, California - The Sundance Series
Located in Cambridge, GB
Titled the 'Sundance Series', these artworks are a development of traditional landscape photographs and they have created a unique perspective as if captured through a telescope or a...
Category
Contemporary Early 2000s Landscape Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Motel Entrance, Desert Shores, Salton Sea, California - American architecture
Located in Cambridge, GB
You can feel the heat in this classic mid-century modern Americana Motel palm tree print. Captured by Richard Heeps in the Salton Sea, California.
This artwork is a limited edition ...
Category
Contemporary Early 2000s Landscape Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Lake Tenaya Panorama
By Mark Klett
Located in Sante Fe, NM
Influenced by late nineteenth-century expeditionary photographers such as Timothy O'Sullivan, who documented the "unexplored" territories of the West, Mark Klett visually explores th...
Category
Contemporary Early 2000s Landscape Photography
Materials
Inkjet
Kibo - Platinum Palladium Print, Elephant, black and white photography, wildlife
Located in München, BY
Edition 12
The Platinum-Palladium process is the most stable and aesthetically rewarding of all black and white photographic printing techniques. Produced by coating specially manuf...
Category
Contemporary Early 2000s Landscape Photography
Materials
Platinum
Crow Burial II (Sidewinder)
Located in Morongo Valley, CA
Crow Burial II (Sidewinder) 2005
20 x 20 cm,
Edition 4/10,
digital C-Print based on the Polaroid,
Artist Inventory 3505.04,
not mounted
Some artists document the world as it is;...
Category
Contemporary Early 2000s Landscape Photography
Materials
Photographic Paper, C Print, Color, Polaroid
8 Minutes at Glacier Point
By Mark Klett
Located in Sante Fe, NM
Influenced by late nineteenth-century expeditionary photographers such as Timothy O'Sullivan, who documented the "unexplored" territories of the West, Mark Klett visually explores these landscapes and the marks left on them by man. His images, like O'Sullivan's, have a human context - whether it be the lights of a city, a hat, foot or shadow jutting into the frame, or debris/artifacts left behind by ancient or modern passers-by. Working mostly in the desert Southwest...
Category
Contemporary Early 2000s Landscape Photography
Materials
Inkjet
Old Angled Tree, misty Morning, Madeira Landscape, Pigment Print, Limited
Located in Vienna, Vienna
Black and white fine art landscape photography. Old angled trees in foggy morning light on the beautiful island of Madeira, Portugal. Archival pigment ink print as part of a limited ...
Category
Contemporary Early 2000s Landscape Photography
Materials
Digital Pigment
5MPH, Rhyolite, Nevada - American Landscape Color Photography
Located in Cambridge, GB
Part of Richard Heeps 'Dream in Colour' Series, this beautiful dusk picture captures the sunset in the valley. It was photographed in what was once a goldmine, now a ghost town. The...
Category
Contemporary Early 2000s Landscape Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Antelope Canyon, Detail, USA, abstract monochrome photograph, limited edition
Located in Vienna, Vienna
Black and white fine art landscape photography. Antelope Canyon sandstone formation detail, Page, Arizona, USA. Archival pigment ink print as part of a limited edition of 9. All Gera...
Category
Contemporary Early 2000s Landscape Photography
Materials
Archival Pigment
Texaco Marine, North Shore Marina, Salton Sea, California
Located in Cambridge, GB
Part of Richard Heeps 'Salton Sea' Collection, this large advertising sign on the bank of California's largest marina, once a popular celebrity ...
Category
Contemporary Early 2000s Landscape Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Zion, California - The Sundance Series
Located in Cambridge, GB
Titled the 'Sundance Series', these artworks are a development of traditional landscape photographs and they have created a unique perspective as if captured through a telescope or a...
Category
Contemporary Early 2000s Landscape Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
South Vist, Outer Herbides, Scottland
Located in Sante Fe, NM
Pentti Sammallahti is a benchmark figure in contemporary Finnish photography. His works depict nature eroded and broken down by civilization, but he does not put man and the environm...
Category
Contemporary Early 2000s Landscape Photography
Materials
Silver Gelatin
Oasis I (The Desert in Sepia) - 21st Century, Polaroid, Landscape
Located in Morongo Valley, CA
Oasis #1 (The Desert in Sepia) - 2019
Where once there was water there is no more, the Oasis is gone.
20x24cm,
Edition of 7, plus 2 Artist proofs.
Archival C-Print based on a Po...
Category
Contemporary Early 2000s Landscape Photography
Materials
Archival Paper, Photographic Paper, Color, Polaroid
Crow Burial - Contemporary, Polaroid, Analogue, Photography
Located in Morongo Valley, CA
Crow Burial III (Sidewinder) 20 x 20 cm, 2005,
Edition 4/10, digital C-Print based on a Polaroid.
Artist Inventory 3507.04,
not mounted
“It was Stefanie Schneider, who inspired me...
Category
Contemporary Early 2000s Landscape Photography
Materials
Photographic Paper, C Print, Color, Polaroid
After the French (Contemporary Archival Pigment Print, Sepia Tone Landscape)
Located in Hudson, NY
Sepia toned archival pigment print, edition 4 of 25
Item size: 24 x 20 inches, 100% cotton rag paper
Image size: 22 x 17 inches
This modern, sepia toned landscape print was made by ...
Category
Contemporary Early 2000s Landscape Photography
Materials
Archival Pigment
Black White And Gray - signed limited edition - fine art abstract landscape
By Tim Graham
Located in London, GB
Very large and exquisite, intensely vivid Archival Pigment print - signed and numbered by photographer on front - this paper size - edition of 10 only this size.
40x30" inches / 101...
Category
Modern Early 2000s Landscape Photography
Materials
Archival Pigment
Trailer Yard, Port of Tacoma, Washington (Industrial Aeiral Photograph)
Located in Hudson, NY
Contemporary aerial photograph of industrial truck field
Archival digital print, edition of 25 (#253)
Image size 23.5 x 29 inches with 2 inch border $2000
Image size 31 x 39 inches ...
Category
Contemporary Early 2000s Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
Untitled
Located in Sante Fe, NM
This print is currently featured in our exhibition, Warm Regards, and will be available to ship after the show closes June 24th, 2017.
Pentti Sammallahti is a benchmark figure in co...
Category
Contemporary Early 2000s Landscape Photography
Materials
Silver Gelatin
Stefanie Schneider Polaroid sized unlimited Mini 'Trickle' (29 Palms) - signed
Located in Morongo Valley, CA
Stefanie Schneider Polaroid-sized unlimited Mini 'Trickle' (S29 Palms, CA) - 2007 -
signed in front, not mounted.
1 Archival Color Photograph based on the Polaroid.
Polaroid siz...
Category
Contemporary Early 2000s Landscape Photography
Materials
Archival Paper, C Print, Color, Lambda, Polaroid
Stefanie Schneider Polaroid sized unlimited Mini 'Planes' - signed
Located in Morongo Valley, CA
Stefanie Schneider Polaroid sized unlimited Mini 'Planes' - 2001 -
signed in front, not mounted.
1 Digital Color Photograph based on the Polaroid.
Polaroid sized open Editions 1...
Category
Contemporary Early 2000s Landscape Photography
Materials
Archival Paper, C Print, Color, Lambda, Polaroid
high tide at Herring Cove Beach, Provincetown
By Frank Yamrus
Located in New York, NY
Archival pigment print (Edition of 11)
Signed, dated, and numbered, verso
This photograph is offered by ClampArt, located in New York City.
Please note that prices increase as editi...
Category
Contemporary Early 2000s Landscape Photography
Materials
Archival Pigment
Above Lake Tenaya
By Mark Klett
Located in Sante Fe, NM
Influenced by late nineteenth-century expeditionary photographers such as Timothy O'Sullivan, who documented the "unexplored" territories of the West, Mark Klett visually explores these landscapes and the marks left on them by man. His images, like O'Sullivan's, have a human context - whether it be the lights of a city, a hat, foot or shadow jutting into the frame, or debris/artifacts left behind by ancient or modern passers-by. Working mostly in the desert Southwest...
Category
Contemporary Early 2000s Landscape Photography
Materials
Inkjet
Dubrovnik, Old Cobblestone City Croatia
By Roman Loranc
Located in Carmel, CA
Stunning photograph of Dubrovnik which was captured by the well known contemporary photographer.
Hand printed photograph
Gifted by the artist
Category
Early 2000s Landscape Photography
Materials
Silver Gelatin
$2,250 Sale Price
25% Off
Untitled
Located in Sante Fe, NM
This print is currently featured in our exhibition, Warm Regards, and will be available to ship after the show closes June 24th, 2017.
Pentti Sammallahti is a benchmark figure in co...
Category
Contemporary Early 2000s Landscape Photography
Materials
Silver Gelatin
Desert Mountain, Scottsdale, Arizona
By Robert Voit
Located in New York, NY
Chromogenic print on Kodak Endura paper
Signed and numbered on label, verso
24 x 20 inches
(Edition of 4)
61 x 50 inches
(Edition of 6)
This photograph is offered by ClampArt, loca...
Category
Contemporary Early 2000s Landscape Photography
Materials
C Print
Mecca
Located in New York, NY
Listing includes framing with UV plexi, free shipping in the US, and 14-day return policy.
Corinne Vionnet
Mecca from the series "Photo Opportunities"
15 x 20 inch archival pigmen...
Category
Early 2000s Landscape Photography
Materials
Photographic Paper, Pigment, Archival Pigment, Digital Pigment
Airport (The Last Picture Show) - Polaroid, analog, landscape
Located in Morongo Valley, CA
Airport (The Last Picture Show) 2005
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and signature label.
Artist inven...
Category
Contemporary Early 2000s Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Chikui Cape Trees, Muroran, Hokkaido, Japan
Located in Sante Fe, NM
Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential am...
Category
Contemporary Early 2000s Landscape Photography
Materials
Silver Gelatin
Shiprock Storm, limited edition photograph, signed and numbered, archival
Located in Sante Fe, NM
Shiprock Storm, limited edition photograph, signed and numbered, archival.
*No more than 50 prints of this image will be made, all three sizes combined.
For nearly a decade, Mitch D...
Category
Contemporary Early 2000s Landscape Photography
Materials
Archival Pigment
Boulders Beach, South Africa
Located in Sante Fe, NM
This print is currently featured in our exhibition, Warm Regards, and will be available to ship after the show closes June 24th, 2017.
Pentti Sammallahti is a benchmark figure in co...
Category
Contemporary Early 2000s Landscape Photography
Materials
Silver Gelatin
Punta Brava, Study 7, Ensenada, Mexico
Located in Sante Fe, NM
Edition 2 of 45
Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains high...
Category
Contemporary Early 2000s Landscape Photography
Materials
Silver Gelatin
Ice World - signed limited edition - fine art abstract landscape
By Tim Graham
Located in London, GB
Huge and exquisite, intensely vivid Archival Pigment print - signed and numbered by photographer on front - this paper size - edition of 5 only this size.
60 x 40" inches / 152 x 10...
Category
Modern Early 2000s Landscape Photography
Materials
Archival Pigment
Italian Woods (Contemporary Archival Pigment Print, Sepia Tone Wooded Landscape)
Located in Hudson, NY
sepia toned archival pigment print, edition 4 of 25
Item size: 24 x 20 inches, 100% cotton rag paper
Image size: 22 x 17 inches
This modern, sepia toned landscape print was made by ...
Category
Contemporary Early 2000s Landscape Photography
Materials
Archival Pigment
Signed limited edition Landscape print, Black White, Contemporary Archi, Venice
Located in Sant Cugat del Vallès, Barcelona
An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Venice ‘ who was captured on film in 2...
Category
Contemporary Early 2000s Landscape Photography
Materials
Photographic Film, Archival Paper, Black and White, Giclée, Pigment, Arc...
Curved Break Wall (Archival Aerial Landscape Photograph of Turquoise Water)
Located in Hudson, NY
Minimalist aerial landscape photograph of turquoise blue water and curved break wall
Archival digital print, Edition of 25 (#094)
Image size 23.5 x 29 inches with 2 inch border, made to order
Also available in the following sizes:
Image size 31 x 39 inches with 2 inch border $3200
Image size 38.5 x 48 inches with 2 inch border $4500
The aerial photographs of pilot and photographer John Griebsch capture natural and man-made landforms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs turquoise blue water above Lake Michigan near Chicago, IL. When seen from above, the break wall that spirals into the blue water resembles an abstract line on a minimalist abstract canvas.
Artist statement:
My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph.
I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive.
Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour.
My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail.
In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space.
The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections.
I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne.
More about the artist:
Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan Spiritus...
Category
Contemporary Early 2000s Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
Ponte Fondamenta Bonini, Venice, Italy - River, Bridge, Canal, Night, Reflection
Located in Denton, TX
Ponte Fondamenta Bonini, Venice, Italy by Michael Kenna is a black and white photograph depicting a night time scene of an empty bridge over a calm river.
Gelatin Silver Print
Mat s...
Category
Contemporary Early 2000s Landscape Photography
Materials
Silver Gelatin
Beach Box Red + Yellow
By Judy Gelles
Located in New York, NY
Beach Box Red + Yellow
2004
Signed, titled, dates, and numbered in ink, verso
Archival pigment print (Edition of 25)
14 x 11 inches (35.6 x 27.9 cm)
Price includes cost of framin...
Category
Contemporary Early 2000s Landscape Photography
Materials
Archival Pigment
Five Green Ponds, Batavia, NY (Archival Digital Aerial Landscape Photograph)
Located in Hudson, NY
Minimalist aerial landscape photograph of green ponds with a white barrier
Archival digital print, Edition of 25 (#072)
Image size 23.5 x 29 inches with 2 inch border, made to order
Also available in the following sizes:
Image size 31 x 39 inches with 2 inch border $3200
Image size 38.5 x 48 inches with 2 inch border $4500
The aerial photographs of pilot and photographer John Griebsch capture natural and man-made landforms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs five green ponds above Batavia, New York. When seen from above, the stark white barrier that divides the green bodies of water resembles an abstract line on a minimalist abstract canvas.
Artist statement:
My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph.
I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive.
Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour.
My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail.
In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space.
The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections.
I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne.
More about the artist:
Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan...
Category
Contemporary Early 2000s Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
Iron Ore Piles, Gary, IN (Modern Industrial Aerial Shot of Orange & Brown Ore)
Located in Hudson, NY
Archival digital print, edition of 25
23.5 x 29 inch image with 2 inch border, unframed
*additional sizes available are listed in the detail section
John Griebsch learned how to fly...
Category
Contemporary Early 2000s Landscape Photography
Materials
Archival Paper, Digital
Dreamgirl (triptych) - analog, Polaroid, Contemporary, 21st Century, Color
Located in Morongo Valley, CA
Dream girl (Stranger than Paradise) - 2000
Edition of 10
3 x 58x56 x 0.1 cm,
58 x 188 cm installed.
3 Analog C-Prints, hand-printed by the artist.
based on the 3 Polaroids.
Signat...
Category
Contemporary Early 2000s Landscape Photography
Materials
Metal
Sky No. 28, 25 Pixels
By Stuart Allen
Located in New York, NY
Signed, titled, dated, and numbered (1/1) in pencil, verso
Pigment print on rag paper
30 x 24 inches, sheet
This artwork is offered by ClampArt in New York City.
Category
Abstract Geometric Early 2000s Landscape Photography
Materials
Archival Pigment
Golden State Freeway Looking Southeast Over Fernanando Pass, 2004
By Michael Light
Located in New York, NY
From the acclaimed series "LA Day (2004)", this photograph by Michael Light is available as a 40 x 50 inch editioned print of the Golden State Freeway Looking Southeast Over Fernando Pass.
Listing includes framing ($1,000 value with non-glare museum glass), free shipping to the continental US, and a 14 day return policy.
Michael Light
Golden State Freeway Looking Southeast Over Fernando Pass, 2004
Image Size: 40 x 50 inches
Frame Size: 42 x 52 x 2 inches
Edition 3 of 10
Signed and editioned on verso
Artist Biography -
Michael Light was born in 1963. The pre-eminent aerial photographer of his generation, he is the recipient of a Guggenheim Fellowship for photography and his work is in the collections of major museums from SF MoMA to the Victoria and Albert. Prior to taking up aerial photography, Light conceived of and put together the book Full Moon - the first look at NASA photography as fine art - and a project which was published in multiple editions selling several hundred thousand copies around the world. In a way Full Moon had a bearing on Light's subsequent aerial work, as he continues to see and explore the terrestrial world much as the astronauts saw the moon.
For the last 15 years Light has been flying his own small aircraft primarily over the American West investigating how both man and nature make their mark on the landscape. To date Light has completed 18 separate Western projects - each of which comprises an oversize handmade artist's book as well as more traditional prints. Largely documenting the impact of man and industry on the land (but not immune to the sublime) Light's subjects range from Utah's gold and copper mines and the (over)development of places like Sun City, AZ and Lake Las Vegas, NV to contrasting Arizona's Meteor Crater - the largest meteoric impact site in the Americas - with James Turrell's Roden Crater...
Category
Early 2000s Landscape Photography
Materials
Photographic Film, Pigment, Archival Pigment, Digital Pigment
Migration
Located in New York, NY
Archival pigment print
Signed and numbered, verso
20 x 24 inches
30 x 40 inches
40 x 53 inches
(Total edition of 15)
This artwork is offered by ClampArt, located in New York City.
...
Category
Contemporary Early 2000s Landscape Photography
Materials
Archival Pigment
Double Bay Ferry (Tilt Shift Landscape Photograph of Ferry with City Skyline)
Located in Hudson, NY
Color landscape photograph of urban skyline and ferry in Double Bay in Sydney, Australia
"Double Bay Ferry", by Keith Loutit, printed in 2008 in part of the artist's 'Small Worlds P...
Category
Contemporary Early 2000s Landscape Photography
Materials
Archival Paper, Archival Pigment
Cypress Tree Sunbeams - Black & White Landscape Photograph
Located in Soquel, CA
Beautiful black and white photograph of cypress trees with light radiating through by Jeffrey Conley (American, b. 1969), c.2006. A first tier, silver gelatin test print (one of one...
Category
American Realist Early 2000s Landscape Photography
Materials
Archival Paper, Silver Gelatin
Offloading Gantry for Paper Mill Near Martinsville, VA (Industrial Aerial Print)
Located in Hudson, NY
Archival digital print, edition of 25 (#200)
Image size 23.5 x 29 inches with 2 inch border $2000
Image size 31 x 39 inches with 2 inch border $3200
Image size 38.5 x 48 inches with 2 inch border $4500
The aerial photographs of pilot and photographer John Griebsch capture natural and man-made landforms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs the offloading gantry for a paper mill...
Category
Contemporary Early 2000s Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
Mono Lake, California
By Robert Voit
Located in New York, NY
Chromogenic print on Kodak Endura paper
Signed and numbered on label, verso
24 x 20 inches
(Edition of 4)
This photograph is offered by ClampArt, located in New York City.
At first...
Category
Contemporary Early 2000s Landscape Photography
Materials
C Print
Gardaland, Lago di Garda
By Robert Voit
Located in New York, NY
Chromogenic print on Kodak Endura paper
Signed and numbered on label, verso
24 x 20 inches
(Edition of 4)
61 x 50 inches
(Edition of 6)
This photograph is offered by ClampArt, loca...
Category
Contemporary Early 2000s Landscape Photography
Materials
C Print
Apple Orchard & Shadows (Framed Archival Digital Aerial Landscape Photograph)
Located in Hudson, NY
Framed minimalist aerial landscape photograph
of apple trees and shadows against bright white snow
'Apple Orchard and Shadows Near Sodus, NY', 2011
Archival digital print, Edition of 25 (#153)
Image size 19.3 x 29 inches with 2 inch border
27.5 x 36.5 inches in black frame with 8-ply mat and non-glare glass
Also available in the following sizes (unframed):
Image 19.3 x 29 inches with 2 inch border $2000
Image size 31 x 39 inches with 2 inch border $3200
Image size 38.5 x 48 inches with 2 inch border $4500
Image size 40 x 60 inches with 2 inch border $6800
The aerial photographs of pilot and photographer John Griebsch capture natural and man-made land forms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs an apple orchard from above near Sodus, NY. The trees cast dramatic shadows on the bright white snow, creating beautiful contrast. When seen from above, the shadows and tree's stark black forms against the white snow can be likened to a minimalist abstract painting.
Artist statement:
My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph.
I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive.
Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour.
My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail.
In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space.
The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections.
I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne.
More about the artist:
Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan Spiritus...
Category
Contemporary Early 2000s Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
Stump (Contemporary Archival Pigment Print, Sepia Tone Landscape of Forest)
Located in Hudson, NY
sepia toned archival pigment print, edition 1 of 10
50 x 40 inches, 53 x 43 inches framed
This modern, sepia toned landscape print was made by artist, David Halliday in 2000. The se...
Category
Modern Early 2000s Landscape Photography
Materials
Archival Pigment
Woven Woods near Zurich, NY (Archival Digital Aerial Photograph)
Located in Hudson, NY
Archival digital print, edition of 25 (#161)
Image size 19.3 x 29 inches with 2 inch border $2000
Image size 26 x 39 inches with 2 inch border $3200
Image size 32 x 48 inches wi...
Category
Contemporary Early 2000s Landscape Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
Branches
By Marc Yankus
Located in New York, NY
Archival pigment print
Signed, titled, numbered, and dated, verso
22 x 17 inches, sheet
(Edition of 15)
44 x 32 inches, sheet
(Edition of 9)
This photograph is offered by ClampArt...
Category
Contemporary Early 2000s Landscape Photography
Materials
Archival Pigment
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