Bird Landscape Photography

Black and white fine art long exposure waterscape - landscape photography print. Archival pigment ink print, edition of 7. Signed, titled, dated and numbered by artist. Certificate o...

Composing non-living objects is completely different- especially when it comes to birds. I know it can maybe seem macabre at first, but I love photographing both living and non-livin...

Black and White Fine Art waterscape long exposure photography - Boat house in fog at the beautiful Almsee, Austria. Archival pigment ink print, edition of 9. Signed, titled, dated an...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 20. All Gerald Berghammer prints are made to ord...

The photograph shot in England, Picnic with Birds, 2001 by Leonard Freed is a 5" x 7" gelatin silver photograph, stamped “vintage” by the Freed estate on ...

Artist-photographer RF’s saturated color photograph of a white house on a hill. a fruit tree in the yard, and two turtle doves perched outside a birdhouse addresses fact and fiction,...

Down To Earth Duchess circa 1990 by Christopher Simon Sykes Deborah Cavendish, nee Mitford, the Duchess of Devonshire, feeds the chickens at Chatsworth House, Derbyshire, 1990 Thi...

"Unlikely Companions" In this image, a large tusked elephant in Amboseli enjoys the grass that grows on the plains while two birds wait in the background ...

Gaia Diptych #127 by Jaume Llorens 24cm x 18cm Black-and-White print on Premio Kozo 180gsm White Paper by Awagami Factory Edition of 10 + 2 Artist's Proofs Crane Kalman Brighton ga...

Greater Roadrunners by Cheryl Medow is a limited edition color photograph, featuring two roadrunners amidst a hazy landscape. The sand filled terrain with desert shrubs leads back to mountains in the distance. The two birds are alert, perhaps looking for their next meal or watching for approaching predators. Greater Roadrunners is listed as a 21 x 24 inch archival pigment print, with the image size measuring 16 x 20 inches. This size is available in an edition of 10. This photograph is signed and numbered in pencil, and blind stamp on print margin. It is also signed, titled, dated, and print type in pencil on print verso. Available in multiple sizes with varying edition sizes. *Frame not included Santa Barbara art photographer Cheryl Medow creates images that entice the viewer to enter her world, both real and imagined. Cheryl Medow's background in the arts is diverse, but interconnected. Medow studied ceramics at the famed Chouinard Institute and received a BA in Art from UCLA, concentrating on life drawing with charcoal and pastels. Continuing her art education, she studied printmaking at Hand Graphics in Santa Fe, New Mexico. With a wealth of materials and techniques, Medow layers her photographs and weaves them together to create visual narratives. There have been numerous articles written about her work. Avian Alchemy by Becca Cudmore was published by Audubon News/Culture on June 5, 2015, Proof. National Geographic - An Altered Reality by Becky Harlan...

Edition of 25 Signed, titled, negative date, print date and numbered. Sepia toned gelatin silver Michael Kenna's black and white photographs are powerful and alluring. His imagery t...

Gaia Diptych #114 by Jaume Llorens 24cm x 18cm Black-and-White print on Premio Kozo 180gsm White Paper by Awagami Factory Edition of 10 + 2 Artist's Proofs Crane Kalman Brighton ga...

Please be aware that all prints are produced to order and lead times are between 5-10 days. Mirando al Cielo 2 is a beautiful 30cm x 30cm Digital Print on 50cm x 50cm Cotton Paper....

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

Fine Art paper Hahnemuhle 310 g + archival pigment ink, ed. 7/20 Shipping in a tube, artwork can be framed & delivery in a crate upon simple request Laurence Gallien is a French pho...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Seagulls - 21st Century Contemporary Landscape Color Photograph Print This photograph is part of photographer and artist, Pia Clodi's collection of 75 prints for Artist Collective: Peaches and Mint. Peaches and Mint is an Artist Collective, bringing the works of photographers working with medium format...

Sea Gull in San Fransisco Edition of 25 signed and numbered by the artist A Sea gull is flaying in front of the Golden gate Bridge. In the background you can see the Skyline of San ...

Up up and away - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artis...

Sailor's Light Seascape - Black & White Landscape Photograph Gorgeous black and white textured screen to negative by California landscape photographer Robert Tracy (American, 1926-2...

'Towards Your Heart' Limited edition archival photographic triptych. Unframed, hand signed and numbered (Edition number 3 of 25) _________________ It is not the size Nor power from which you fly But towards your heart The wild Atlantic explodes in raw abandon, given scale in this daring dance by the graceful flight of the sea bird. Sophia's poetic photographs are an exploration of the balance in all things: in the sensual interplay of light and shadow; in wild raw energy and serene stillness; in chaos and harmony; in the enduring and the effervescent. They are a contemplation of the awareness that everything in existence is temporary, they speak of the ephemeral nature of all things. Moments, feelings, experiences cherished and appreciated in their impermanence, for that is where the beauty comes from. 'I work in a balancing act of control and freedom; of discipline and guidance, whilst simultaneously relinquishing all authority and throwing the odds to the winds, to chance encounters and the unexpected'. Photographic triptych: each of three parts measuring 30 x 20 inches. Each printing is bespoke to order and can be printed on a single paper 30 x 60 inches. Please contact me for further information, or send a message with your order. Limited edition of 25 Archival Print on Hahnemühle Photo Rag® paper, one of the most beautiful and high quality art papers available. The luxurious matt finish provides a reflection free image that is rich in detail, depth and tone. Hand signed, titled and numbered to the lower right corner on an approximately 1 inch white border. Each print comes with a Certificate of Authenticity featuring a signature and edition number. Other sizes available * Please note that images of the artwork in situ and framed are an indication of how the piece can look, and in the context of other artworks. The artwork is being sold unframed. ________________________________ About The Artist Sophia Milligan...

Plane ghost - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4638. Not mounted. ...

Please be aware that all prints are produced to order and lead times are between 5-10 days. Mirando al Cielo 3 is a beautiful 30cm x 30cm Digital Print on 50cm x 50cm Cotton Paper....

This print is currently featured in our exhibition, Warm Regards, and will be available to ship after the show closes June 24th, 2017. Pentti Sammallahti is a benchmark figure in co...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

Please be aware that all prints are produced to order and lead times are between 5-10 days. Mirando al Cielo 11 is a beautiful 30cm x 30cm Digital Print on 50cm x 50cm Cotton Paper....

Work : Artist Proof edition (A/P). The work is not framed. The Frame is for illustrative purposes only. Artwork will carefoully shipped and packaged flat in a sturdy cardboard box. ...

Archival pigment print Signed and numbered, verso 12 x 12 inches (Edition of 10) 25 x 25 inches (Edition of 10) This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Evžen Sobek...

Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper 60" x 36" unframed (152cm x 91cm) 2022 Edition 1/8 *Should you wish the photographs to be printed ...

Northern Carmine Bee-Eater and Grevy's Zebra by Cheryl Medow is a 21 x 24 inch archival pigment print, available in an edition of 10. This photograph features a colorful bird perched on a branch, with three zebras in a grassy field in the background. The image size 16 x 20 inches, the paper size is 21 x 24 inches. This photograph is signed and numbered in pencil, and blind stamp on print margin by Cheryl Medow. This photograph is signed, titled, dated, and print type in pencil on print verso by Cheryl Medow. This photograph is available in multiple sizes: Paper size: 14 1/2 x 18 in., Image size: 10.4 x 13 in., Edition of 25, $1700 Paper size: 21 x 24 in., Image size: 16 x 20 in., Edition of 10, $2300 Paper size: 31 x 36 in., Image size: 24 x 30 in., Edition of 6, $2900 Santa Barbara art photographer Cheryl Medow creates images that entice the viewer to enter her world, both real and imagined. Cheryl Medow's background in the arts is diverse, but interconnected. Medow studied ceramics at the famed Chouinard Institute and received a BA in Art from UCLA, concentrating on life drawing with charcoal and pastels. Continuing her art education, she studied printmaking at Hand Graphics in Santa Fe, New Mexico. With a wealth of materials and techniques, Medow layers her photographs and weaves them together to create visual narratives. There have been numerous articles written about her work. Avian Alchemy by Becca Cudmore was published by Audubon News/Culture on June 5, 2015, Proof. National Geographic - An Altered Reality by Becky Harlan along with National Geographics Sunday Stills, Sunday, July 12, 2015 and an article in Inspire Adobe Photoshop For The Birds by Alyssa Coppelman in August. In 2016, Medow was included in the SLIDESHOW Night at the Annenberg Space for Photography in Century City, California. She received the Juror's Award at PhotoPlace Gallery in Middlebury Vermont for Great Blue Heron With Chicks Revisited and her print will be exhibited from March 23 through April 22 and White Ibis With Fish will be part of the Online Gallery Annex at PhotoPlace. Medow was a finalist in the 89th Annual International Competition at The Print Center in Philadelphia given the Olcott Family Award. She is also a finalist at the LensCulture Earth Awards 2015. In 2015, Medow's images were exhibited at The G2 Gallery in Venice, CA and at Flock: Birds On The Brink / Ganna Walksa Lotusland, curated by Nancy Gifford...

"Spirit of the Camargue" In this iconic black and white image, the Camargue horses wild, untamed essence is on full display. Coupled with their all-white coats and bold features, th...

The perfect wave picture is a mystery… also a dream… I saw a photo in a magazine as a very very small child when in dreamed of surfing someday… it stayed with me for years… Then years later I located a copy of an antique Life Magazine...

Chinstrap Penguins, Deception Island, Antarctica, 2005 - Sebastião Salgado Stamped with photographer’s copyright blind stamp Signed, inscribed on re...

22" x 17" edition of 7 + 2 AP $1,400 unframed 36" x 24" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

Guests lounging by the indoor swimming pool of the Gasthof Post in Lech, Austria, February 1979. Slim Aarons Gasthof Post Pool Chromogenic Lambda print Printed Later Slim Aarons Est...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

Archival pigment print on Fine Art paper 305g (Matt Appearance). Limited edition of 7 for all print Sizes. Title : " Bleus Refuges" (EN : Blue Shelters) Artist : Johann Fournier (FR)...

Bird and Hibiscus Cibachrome print, 1980 Signed and dated by the artist in pencil lower right (see photo) Deaccessed from the Reader's Digest Association Collection (#18717) with label (see photo) Purchased from Lieberman & Saul Gallery, between 1986 and 1993 when the name oif the gallery changed to Julie Saul Projects Very small edition Provenance: Lieberman & Saul Gallery, New Yokr, NY (until 1985) (label verso) Reader's Digest Association (label) Condition: Excellent Image size: 9-7/8 x 9-7/8" (25 x 25 cm.) Frame size: 20-1/2 x 16-1/2" Suzanne Camp Crosby Posted by FMoPA Apr 7, 2021 FMoPA In Focus 0 Suzanne Camp Crosby, Gasparilla Ship, 2004 In December of 2020 beloved Tampa photographer and educator Suzanne Camp Crosby died. She had taught generations of students at the Hillsborough Community College where she had been a professor of photography for 38 years. Camp Crosby had the prestigious honor of being the 2004 City of Tampa Photo Laureate and the exhibition resulting from that body of work, Suzanne Camp Crosby: 2004 Photo Laureate City of Tampa Public Art – Big Picture Project, was presented at the Tampa Museum of Art that same year. Other awards include a Southeast Artist Fellowship from the National Endowment for the Arts and Southeastern Center for Contemporary Art in 1978-79. Suzanne Camp Crosby, Paper Flowers, c. 1990 The Florida Museum of Photographic Arts (FMoPA) has gratefully accepted the task of helping to place the photographic archives of this beloved artist. This collection includes more than 725 photographs spanning her career of over 40 years. A broad selection of this work will be brought into the collection of FMoPA, with an exhibition to follow in the summer of 2022. Other institutions in the area are also considering simultaneous showings. University of Tampa student Alyssa R. Miller has signed on to help with the documenting and digitizing of this body of work. This will help make it possible to distribute photographs to other institutions, with limited works to be sold to help finance the efforts. Examples of her photography are already currently held in the collections of FMoPA, the Tampa Museum of Art (TMA), Los Angeles County Museum of Art, and the New Orleans Museum of Art, among many others. Three wonderful examples of her talent are currently on view at the TMA’s exhibition Her World in Focus: Women Photographers from the Permanent Collection, on view until June 27, 2021. Suzanne Camp Crosby, Doris Day at Clothesline, 1980 Camp Crosby’s solo exhibitions include Suzanne Camp Crosby: Kid City, 2009 at FMoPA, and multiple exhibitions at the HCC Galleries, where she eventually became the Program Manager for the Visual Art and Dance departments in addition to her teaching and exhibitions. She also taught and received her MFA at the University of South Florida in Tampa. Additional schools where she was an instructor include the University of Central Florida in Orlando, FL, and the St. Petersburg College, Clearwater campus. Camp Crosby specialized in creating thematically directed photographs, created by adding unexpected objects or people to mostly everyday scenes. Her artwork is often playful and witty. Early work included tender black and white compositions often using her children or friends to create evocative scenes. Later photographs brought in color and experimentation. Examples include the juxtaposition of life-sized 2-D paper doll cut-outs of 1950s movie stars to real-life mundane household settings, as well as a wide selection of other artificial items placed into real-life settings. As a visual storyteller, she continued to explore and experiment with ideas and themes throughout her lengthy career. Courtesy The FLORIDA MUSEUM of PHOTOGRAPHIC ARTS Suzanne’s artwork is in many permanent collections, including the Tampa Museum of Art, the USF Museum of Contemporary Art, the Orlando Museum of Art, the Polk Museum of Art, the Florida Museum of Photographic Arts, the Leepa-Rattner Museum of Art, the New Orleans Museum of Art, the Los Angeles County Museum of Art, Walt Disney World Corporation, Tropicana Corporate Collection, City Bank, Tampa Electric Company, Shriner’s Hospital, Tampa General Hospital, Hillsborough Community College, City of Tampa Public Art, City of Orlando Public Art, and the von Liebig Art Center. From ARTFORUM JULIE SAUL (1954–2022) Julie Saul, who through her long-running eponymous New York gallery did much to elevate contemporary photography within the art world, died February 4 in Tampa after a battle with a rare form of leukemia. Saul was known for her willingness to show an eclectic range of works in media ranging from painting to sculpture to video to ceramics by an equally diverse range of artists, but it was her eye for both traditional and avant-garde contemporary photography that cemented her reputation and that of her gallery, which she first established in 1986 in SoHo, then a frontier for the arts. Saul was born in Tampa on New Year’s Eve in 1954 to a father who was head of a sewn-products company and a housewife mother, a native New Yorker and volunteer docent whom Saul would later credit with introducing her to the arts. “Tampa had no museums, but she would take us to museums in New York,” she told the Tampa Bay Timesin 2003. “We had a house that wasn't filled with great art, but there were great reproductions and great art books.” In 1979, Saul moved to New York, obtaining her master’s degree from New York University’s Institute of Fine Arts in 1982. Four years later, with partner Nancy Lieberman, she opened Lieberman Saul Gallery at 155 Spring Street in SoHo, showing contemporary photography at a time when not many others were. “One thing that drew me to photography from the very beginning—and it still holds—is that photography is an affordable medium. Almost anybody can afford to collect photographs,” she told the Association of International Photography Art Dealers (AIPAD) in 2010. “Fundamentally, photography is a medium and what makes work great is the idea behind it and how well it’s executed.” Among the photographers whose work Saul championed are Nikolay Bakharev, Morton Bartlett, Eugene Bellocq, Andrew Bush, Sally Gall, Luigi Ghirri, Andrea Grützner, Sarah Anne Johnson, Adam Magyar, and Arne Svenson...

I was visiting Newfoundland when I spotted this opportunity for a wonderful picture, spanning two worlds. My wife and I had gone on a 2-hour hike with my sister ending in a beautiful...

The Gapstow Bridge in a snow blizzard in Central Park. This archival color photograph by fine art photographer Mitchell Funk is signed, dated and numbered 2/15, lower right recto. Ot...

Guests lounging by the indoor swimming pool of the Gasthof Post in Lech, Austria, February 1979. Slim Aarons Gasthof Post Pool Chromogenic Lambda print Printed Later Slim Aarons Est...

Guests lounging by the indoor swimming pool of the Gasthof Post in Lech, Austria, February 1979. Slim Aarons Gasthof Post Pool Chromogenic Lambda print Printed Later Slim Aarons Est...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

Composing non-living objects is completely different- especially when it comes to birds. I know it can maybe seem macabre at first, but I love photographing both living and non-livin...

The Robin Rice Gallery announces the new exhibition VISITOR by photographer Bill Phelps. Through light and shadow, a gaze, a mindset, Bill Phelps fourth solo show at the Robin Rice ...

Color white fine landscape photography. Archival pigment ink print as part of a limited edition of 8. All Gerald Berghammer prints are made to order in limited editions on Hahnemuehl...

In his latest show, Benjamin Heller invites us to enter a poetic space of echo and convergence. As a photographer, sculptor, and performer, movement is key in this body of work, that is punctuated by self portraits selected from the series "The Long Walk: Analog Narratives". This series features pieces collected over an extended period of time spent traveling. It is a window to the interior landscapes he seeks to find reflected in the world, to contain a sense of this intimate vastness. All of the images can be viewed as variations on a self-portrait. The places of intimacy and sense of vastness contained in the photographs can convey a sense of transport that enhances the viewer's visual experience. The "echoes" we find in the show reside in multiplicities of human and physical forms, rolling natural curves, and animals in flight; all intended to provide a resonance with the contours of earth, water, and wind. The result is an array of images captivating in themselves, but also given new meaning in the context of Robin Rice's skillful curatorial arrangement. Her intuitive placement creates a graphic narrative for the viewer to follow and decipher, encouraged by the convergence of the poetic titles of the works. Traces of poetry, sculpture, the lines of the body, lived experience are also evoked in Heller's photographs, in movement and action. He also finds inspiration in photographer Duane Michals' framing of expressive narratives, and in Sally Mann's felt sense of powerful physical presence. Photographer Miranda Penn Turin, in reviewing the exhibition, said "I can almost hear a soundtrack, and it's the sound of wind". The invitational image is entitled "Fall," a graceful figure, suspended in a glowing arc, light streaming upwards, eyes closed in rapture. This light sits in contrast to the infinite shadow of the black background, conjuring a certain atmosphere. Heller believes that it is shadows that allow the viewer to reside in the experience – this image does just that. These imagined environments speak to our converging lives and the echoed moments we experience, embodying for each viewer, just what Benjamin Heller connects with while photographing. Another view of self portraiture at the front sign in desk, is an image reading, "and the soul wanted to move," between the keys of a typewriter. This show is a mirror of a desire to move. The black & white images capture simultaneously this movement and stillness, asking us to pause between the natural forces that rise and fall. Heller employs multiple-exposure and a fixed 4x5...

Hungary - Manipulated photography. As the country where Wei Xiang has lived for more than 30 years, Hungary has become a continuous source of inspiration for the artist. Evocative la...

Leaving (The Last Picture Show) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and signature label. Artist inv...

Edition of 6 Signed and numbered in pencil, and blind stamp on print margin. Signed, titled, dated, and print type in pencil on print verso. Paper size: 31 x 36 in. Image: 24 x 30 in...

Araquém Alcântara Peacock, Brazil, 2014 70 x 105 cm 27.5 x 41 inches Edition of 10 100 x 150cm 40 x 60 inches Edition of 10 120 x 180 cm 47 x 71 inches Edition of 10 Archival Pig...

ADDITIONAL SIZES AND FRAMING: Additional sizes are available. Please inquire for more information on larger sizes. We offer fully archival professional framing for all prints for an ...

Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...

Edition of 6 Signed and numbered in pencil, and blind stamp on print margin. Signed, titled, dated, and print type in pencil on print verso. Paper size: 31 x 36 in., Image size: 24 x...

A seagull flies in the sky of the bay of San Fransisco. Edition of 25 signed and numbered by the artist JJK is a pseudonym for one of the world's most successful photo artists. In ...

Edition of 5 Signed and numbered in pencil, and blind stamp on print margin Signed, titled, dated, and print type in pencil on print verso. Paper size: 42 x 34 1/2 in., Image: 40 x 3...

South African landscape photography. Richard Heeps' work takes you on a journey and the road is a reoccurring theme, often the location is ambiguous allowing you to see your own road...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...