City Landscape Photography

A Thousand Windows is an exploration of building facades that become infinite reticles of repetitive cells, which contain in them the concept of unify...

Shirley Harryman Pop Gun Archival Pigment Print Year: 2024 Visible Size: 11 x 11 inches Framed: 20.5 x 20.5 inches Signed: On Label COA provided *White gallery frame with standard p...

Black and white fine art long exposure waterscape - cityscape photography. Archival pigment ink print as part of a limited edition of 15. All Gerald Berghammer prints are made to ord...

Bryan Atkinson Marolf’s Archival Pigment Print Year: 2024 Visible Size: 7.5 x 9.5 inches Framed: 13 x 17 inches Signed: On Label COA provided *White frame with standard plex Bryan ...

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. The Factory is a dynamic C-Type Matte Print by Contemporary photographer Chris Fraze...

Black and white fine art cityscape - landscape photography. Ice Skating, Central Park, New York City, USA. Archival pigment ink print, edition of 9. Signed, titled, dated and numbere...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

Hobo on Bowery Street by Rollercoaster by Michael Ormerod is an 8" x 10" black and white photographic print on Hahnemuhle paper from a limited edition of 10 prints. Featured in the...

Googie sign photography at its finest, the iconic and memorable Space Age Lodge, in Gila Bend, Arizona. Photograph by Richard Heeps from his Dream in Colour series, looking like a pa...

Empty Town with Post in Foreground by Michael Ormerod is an 8" x 10" black and white photographic print on Hahnemuhle paper from a limited edition of 10 prints. Featured in the 202...

Driving (Strange Love) 2003, 30x96cm, Edition of 10, digital C-Print, based on a 35mm analog Negative strip, signature label and certificate, artist Inventory No. 30004. Not mount...

'Malone Street', the American open road leading to snow capped mountains in Keeler, California. This artwork is part of Richard Heeps' 'Dream in Colour' series. This artwork is a li...

ABOUT THIS PIECE: French photographer Ludwig Favre recently visited La Muralla Roja in Calpe, Spain. His pictures of architecture carry the same romantic feel of a Parisian shooting ...

Arles #08, 2108 [From the series Landmarks] 20x20cm, Edition of 10. Archival pigment print, based on an original Polaroid on beautiful PHOTO RAG ® ULTRA SMOOTH paper, 305gsm, 100% ...

Lord Fauntleroy KCMO-240926-09 2024 Archival Pigment Print on Hahnemuehle Baryta Rag 315gsm Size: 20 x 9.34 inches (60.96 x 60.96cm) Edition: 17 Signed, titled and dated on label COA...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. Image size: 14.5 x 14.5" Sheet size: 17 x 24" "Tattoo Parlour, New Orleans" b...

Reportage from Albania - Tirana  is a vintage photograph realized in the Late 1970s. Good conditions.

Star (Lost in Time) - 2019 Lost in Time The desert is not a lifeless dusty place. Abandoned places. Waiting…Suspended in time. 20x24cm, Edition of 7,...

Wolff Buchholz Title: Manhattan Skyline Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches

Stardust Casino (1969) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) A night scene of the Stardust Casino, Las Vegas Nevada USA, circa 1969. Addit...

Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected ...

Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned indust...

Black and White Fine Art Cityscape Photography. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed ...

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. This print may be available in another size, please contact the gallery for more information. "Ice Cream Stand...

Series: Diamond Dust All available sizes & editions for each size of this photograph: 31" X 46.5" - Edition of 10 Diamond Dust Collection Diamond Dust is a glittering material t...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited ed...

'New york, New York', 2017 - Edition of 7 plus 2 Artist Proof. Digital C-Print Based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2017-169. Not mo...

ABOUT THIS ARTIST: Austin Bell is a photographer from North Carolina that shoots a variety of landscapes. His current focus is capturing basketball courts in Hong Kong, be it aeriall...

I remember something - 2006, 50 × 108 cm, Edition of 3 plus 2 Artist Proofs. printed on Canson Baryta Prestige mounted on Dibond. Signed on back with Certificate. About myself I w...

Black and white fine art cityscape - landscape photography. The towers of san Gimignano, Tuscany, Italy. Archival pigment ink print, edition of 7. Signed, titled, dated and numbered ...

Highly detailed mesmerizing birds' eye view of urban architectural landscape Flying High by Christian Stoll 48 x 67 inches (122 x 170cm) signed edition of 7 32 x 40 inches (81 x 10...

Black and white fine art long exposure waterscape - landscape photography. Manhattan skyline with breakwater in foreground, New York city, USA. Archival pigment ink print as part of ...

'Homage to Giorgio de Chirico' Edition 1/10, 20x30cm, 2012, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free, Signature label and Certificate. Tao Ruspoli (born 7 Novem...

'Ryan Gossling' (Stay) - 2006, 20x20cm, Edition of 2/10, digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory No. 2447.02 Not mounted. Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting star of the nineteen-nineties), not only takes into account the exponentially expanded significance of photography in the art market, but also attributes to photography an extreme degree of conformity to the “operating system” of the visual arts. This admittedly ironic equation of photography and the visual arts is new. It is repeated with much more earnestness in Lisa Chollondencko’s High Art (USA) from the same year. Artistic photography has finally become established in a cinematic context.

 
Stay Stay (USA, 2005) could have fitted in seamlessly here. Considering that the films High Art and Pecker establish photography as an ideal art form at the end of the millennium, director Marc Forster (Monster’s Ball, Finding Neverland) takes a step backward; he revives an anti-technical, intuitive concept of art, including the customary clichés about madness and genius. This choice documents less an anachronistic notion of art (especially considering that painting is currently experiencing a Renaissance) than instead the appraisal that paintings are more suitable for representing the free objectification of the mind. Stay is not an artist-film but rather a psycho-thriller in which the borders between dream and reality become blurred.
 The psychiatrist Sam Foster (Ewan McGregor) has saved his girlfriend, the artist Lila (played by Naomi Watts) from committing suicide. Now he is attempting to keep another patient, the art student Henry Letham (Ryan Gosling...

Stefanie Schneider's Mini 'Blue Bridge' from the series: Stranger than Paradise. signed in front, not mounted. Digital Color Photographs based on a Polaroid. Polaroid sized open E...

Kalli Brelsford Downtown Views – Looking Up Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provide...

Fox (Ghost Town) - 2020 Sketches of a downtown disappearing. 40x40cm, Edition of 7, plus 2 Artist proofs. Digital silver gelatin print based on a Polaroid. Signed on back with Ce...

ABOUT THIS ARTIST: Austin Bell is a photographer from North Carolina that shoots a variety of landscapes. His current focus is capturing basketball courts in Hong Kong, be it aeriall...

My own private Travel Diary - Bishop, CA - Fellini and Trouble - 2001, 20x85cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid Slide. Signature labe...

Black and white fine art long exposure waterscape - panorama landscape photography. Canal Grande with gondola at night, Rialto viewpoint, Venice, Italy. Archival pigment ink print, e...

Bryan Atkinson Bullock Family Chapel Archival Pigment Print Year: 2024 Visible Size: 7.5 x 9.5 inches Framed: 13 x 17 inches Signed: On Label COA provided *White frame with standard...

Parked In Paris from the Paris In Colour Series 1956-61 By Peter Cornelius 40 x 60 inches / 101 x 152 cm paper size Printed 2022 Archival pigment print Framing and size options available - Please enquire About: Peter Cornelius (1913–1970) was a German photographer and photojournalist. The goal he set himself was to capture: “the right colours at the right moment”. He was never concerned with a pure, apparently “right” picture of “reality”. After World War II, he began his career with reportage, landscape and sailing photography...

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. Hong Kong Football is a dynamic C-Type Matte Print by Contemporary photographer Chri...

Allee, Tuxedo Park, 2018 pigment print on watercolor paper, signed dated and numbered on face 16 1/4 X 13 edition of 4/25 $1,500 24 x 20, edition of 25, $2...

Piazza della Repubblica, Rome is a black and white vintage photo, realized in second half 20th century .  Good conditions and aged. It belongs to a historical and nostalgic album i...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Photographer Ludwig Favre was born in Senlis, France in 1976. Favre ...

Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited ed...

Black and white fine art long landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions ...

a Piece of Bitte Lebn (Pieces of Berlin), 2012, 31/50, Lambda C-Print, 30x30cm signed Certificate, mounted on Alu-Dibond Florian Reischauer's project 'Pieces of Berlin' Berlin – fo...

a Piece of Sightseeing XI (Pieces of Berlin), 2015, 3/10, Lambda C-Print, 30x30cm signed Certificate, mounted on Aluminium INSTANTDREAMS Gallery presents Florian Reischauer's projec...

Kay Tibbs Lightning Strike Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal...

Black and white fine art long exposure cityscape - landscape photography. Manhattan Skyline with wave breakers at night, New York City, USA. Archival pigment ink print, edition of 5....

'Notre Dame 5' 2010, Edition of 10 plus 2 Artist Proofs, archival Pigment Print, based on a Polaroid 810 transfer process, 27.3x20cm, not mounted, Signed, embossed stamp and artist c...

ABOUT THIS ARTIST: Austin Bell is a photographer from North Carolina that shoots a variety of landscapes. His current focus is capturing basketball courts in Hong Kong, be it aeriall...

Hamburg-Rathaus #01 - From the series Been there, done that - 2006 20x20cm, Edition of 10. Archival pigment print, based on an original Polaroid on beautiful PHOTO RAG ® ULTRA SM...

Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned indust...