Flower Landscape Photography

Julie London - Portrait Julie London Jazz Singer Beverly Hills Hotel Hollywood by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. J...

Blue Lotus, 2003 is a contemporary color photograph by Japanese artist Tadayuki Naito. Naito created a series on the blue lotus, a flower of peace and hope. The artist’s desire was t...

Chalk Streams 9, 2023 - Sunlight on Water of Natural English Forest Ecosystem by Ellie Davies Chalk Streams 9 is a stunning C-Type Print on Fuji Maxima Matte Paper. This size print ...

Field of Pink Tulips, Color Nature Photography by Geoffrey Baris Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and number...

These are three 11 x 8.5 inch (45 x 60 cm) original hand-printed original cyanotype photographs sold together. Cyanotypes are an antique photographic process dating back to the nine...

'May Morning in Yellow' 60 x 40" Master Edition Limited edition (1 of 5) archival photograph, hand signed and numbered. Unframed _________________ Illumina...

Kate's Dream is a limited edition photograph by Nancy C. Woodward. This is a limited edition photograph with a plexifacemount. It 24" x 20". It is filled with Blues and Green co...

'Compliments of the May Morning' 60 x 40" Master Edition Limited edition (1 of 5) archival photograph, hand signed and numbered. Unframed _________________...

'The Optimism of Spring' ('Mono No Aware' Series) 24 x 36" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ The cherry blossoms burst...

Gaia Diptych 129 - Black and White Natural Beach Environment in Europe by Jaume Llorens Bach Gaia Diptych 129 is is a 45cm x 18cm Black and White Photographic print on Premio Kozo 1...

'Youth and the Wise' ('Mono No Aware' Series) 24 x 36" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ Woven together into richly textured, poetic photographic artworks is the acknowledgement that in all things there is balance: In the sensual interplay of light and shadow; in virial life and peaceful dormancy; in the enduring and the effervescent. Using intricate layering of double exposure photographic techniques, Sophia expresses the moments of chaos and harmony; and of the fleeting magic and serene stillness within...

Minimalist landscape photograph of black and white lilies on water "Lily Pond", photographed by Betsy Weis in 2006 archival inkjet print on watercolor paper 20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass Wire backing for easy installation, ready to hang as is Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

'Youth and the Wise' ('Mono No Aware' Series) 40 x 60" edition Limited edition archival photograph, hand signed and numbered, unframed _________________ Woven together into richly te...

Oleander (Life on Mars) - 2024 20x20m, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 22313....

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Night Garden (2006)
 50 x 67 cm, Edition of 5 and 2 Artist Proofs. Photography printed in Canson Baryta Prestige 340gr. Signed on back with Certificate. Not mounted. About mysel...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. Lillies is a dynamic C-Type Matte Print by Contemporary photographer Chris Frazer Sm...

These are two separate 11 x 8.5 inch (45 x 60 cm) hand-printed original cyanotype photographs sold sold together. They are the same image but one is printed from the negative and the...

Minimalist landscape photograph of black and white lilies on water "Dusk Lilies", photographed by Betsy Weis in 2006 archival inkjet print on watercolor paper 20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass Wire backing for easy installation, ready to hang as is Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds and nearby trees are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed, $1800. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Suburbia (Suburbia) - 2004 Edition of 5, 60x80cm each, 200x170cm installed. 6 analog C-Prints, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface, based on 6 o...

Rebecca Swanson, Flower Child II, Limited Edition Photograph, 15x15. It is available with a plexifacemount frame or white frame (allow 3-4 weeks). This stunning image is filled fushia and a vibrant yellow color. This is an edition of 15. Also available in 30x30. Rebecca Swanson’s work is inspired from her childhood in Ohio, growing up with her mother, an avid gardener, and her grandmother, an accomplished china painter. Her work is cultivated by the natural world, with its universal fragility and beauty we share with all plants and flowers. She “paints” with her camera, blending the abstract forms of nature with subtle colors to build intimate portraits of perfect, individual blooms. Her utopia is New York City with its parks, waterfronts, and botanical gardens. Rebecca studied drawing, painting, photography, and sculpture at the Cleveland Institute of Art and moved to New York to work as a textile designer. Rebecca has been exhibiting since 1995 in renown locations including the New York City Leica Gallery. Her photographs can be found in corporate collections including Banana Republic, St. Regis, Marriott and Omni hotels and in hospitals throughout the country. She has photographed gardens for Bette Midler’s New York Restoration Project. Private collectors include Ina Garten...

Lotus Flower Study 1, Vietnam - no. 21348 Archival pigment ink print, edition of 7. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed with 4...

Harriet At Mougins Viscountess Harriet de Rosiere at Mougins, near Cannes in France. Paper size 12 x 12" inches / 30 x 30 cm Estate Stamped Collection Edition to 150 Photo by ...

Bird and Hibiscus Cibachrome print, 1980 Signed and dated by the artist in pencil lower right (see photo) Deaccessed from the Reader's Digest Association Collection (#18717) with label (see photo) Purchased from Lieberman & Saul Gallery, between 1986 and 1993 when the name oif the gallery changed to Julie Saul Projects Very small edition Provenance: Lieberman & Saul Gallery, New Yokr, NY (until 1985) (label verso) Reader's Digest Association (label) Condition: Excellent Image size: 9-7/8 x 9-7/8" (25 x 25 cm.) Frame size: 20-1/2 x 16-1/2" Suzanne Camp Crosby Posted by FMoPA Apr 7, 2021 FMoPA In Focus 0 Suzanne Camp Crosby, Gasparilla Ship, 2004 In December of 2020 beloved Tampa photographer and educator Suzanne Camp Crosby died. She had taught generations of students at the Hillsborough Community College where she had been a professor of photography for 38 years. Camp Crosby had the prestigious honor of being the 2004 City of Tampa Photo Laureate and the exhibition resulting from that body of work, Suzanne Camp Crosby: 2004 Photo Laureate City of Tampa Public Art – Big Picture Project, was presented at the Tampa Museum of Art that same year. Other awards include a Southeast Artist Fellowship from the National Endowment for the Arts and Southeastern Center for Contemporary Art in 1978-79. Suzanne Camp Crosby, Paper Flowers, c. 1990 The Florida Museum of Photographic Arts (FMoPA) has gratefully accepted the task of helping to place the photographic archives of this beloved artist. This collection includes more than 725 photographs spanning her career of over 40 years. A broad selection of this work will be brought into the collection of FMoPA, with an exhibition to follow in the summer of 2022. Other institutions in the area are also considering simultaneous showings. University of Tampa student Alyssa R. Miller has signed on to help with the documenting and digitizing of this body of work. This will help make it possible to distribute photographs to other institutions, with limited works to be sold to help finance the efforts. Examples of her photography are already currently held in the collections of FMoPA, the Tampa Museum of Art (TMA), Los Angeles County Museum of Art, and the New Orleans Museum of Art, among many others. Three wonderful examples of her talent are currently on view at the TMA’s exhibition Her World in Focus: Women Photographers from the Permanent Collection, on view until June 27, 2021. Suzanne Camp Crosby, Doris Day at Clothesline, 1980 Camp Crosby’s solo exhibitions include Suzanne Camp Crosby: Kid City, 2009 at FMoPA, and multiple exhibitions at the HCC Galleries, where she eventually became the Program Manager for the Visual Art and Dance departments in addition to her teaching and exhibitions. She also taught and received her MFA at the University of South Florida in Tampa. Additional schools where she was an instructor include the University of Central Florida in Orlando, FL, and the St. Petersburg College, Clearwater campus. Camp Crosby specialized in creating thematically directed photographs, created by adding unexpected objects or people to mostly everyday scenes. Her artwork is often playful and witty. Early work included tender black and white compositions often using her children or friends to create evocative scenes. Later photographs brought in color and experimentation. Examples include the juxtaposition of life-sized 2-D paper doll cut-outs of 1950s movie stars to real-life mundane household settings, as well as a wide selection of other artificial items placed into real-life settings. As a visual storyteller, she continued to explore and experiment with ideas and themes throughout her lengthy career. Courtesy The FLORIDA MUSEUM of PHOTOGRAPHIC ARTS Suzanne’s artwork is in many permanent collections, including the Tampa Museum of Art, the USF Museum of Contemporary Art, the Orlando Museum of Art, the Polk Museum of Art, the Florida Museum of Photographic Arts, the Leepa-Rattner Museum of Art, the New Orleans Museum of Art, the Los Angeles County Museum of Art, Walt Disney World Corporation, Tropicana Corporate Collection, City Bank, Tampa Electric Company, Shriner’s Hospital, Tampa General Hospital, Hillsborough Community College, City of Tampa Public Art, City of Orlando Public Art, and the von Liebig Art Center. From ARTFORUM JULIE SAUL (1954–2022) Julie Saul, who through her long-running eponymous New York gallery did much to elevate contemporary photography within the art world, died February 4 in Tampa after a battle with a rare form of leukemia. Saul was known for her willingness to show an eclectic range of works in media ranging from painting to sculpture to video to ceramics by an equally diverse range of artists, but it was her eye for both traditional and avant-garde contemporary photography that cemented her reputation and that of her gallery, which she first established in 1986 in SoHo, then a frontier for the arts. Saul was born in Tampa on New Year’s Eve in 1954 to a father who was head of a sewn-products company and a housewife mother, a native New Yorker and volunteer docent whom Saul would later credit with introducing her to the arts. “Tampa had no museums, but she would take us to museums in New York,” she told the Tampa Bay Timesin 2003. “We had a house that wasn't filled with great art, but there were great reproductions and great art books.” In 1979, Saul moved to New York, obtaining her master’s degree from New York University’s Institute of Fine Arts in 1982. Four years later, with partner Nancy Lieberman, she opened Lieberman Saul Gallery at 155 Spring Street in SoHo, showing contemporary photography at a time when not many others were. “One thing that drew me to photography from the very beginning—and it still holds—is that photography is an affordable medium. Almost anybody can afford to collect photographs,” she told the Association of International Photography Art Dealers (AIPAD) in 2010. “Fundamentally, photography is a medium and what makes work great is the idea behind it and how well it’s executed.” Among the photographers whose work Saul championed are Nikolay Bakharev, Morton Bartlett, Eugene Bellocq, Andrew Bush, Sally Gall, Luigi Ghirri, Andrea Grützner, Sarah Anne Johnson, Adam Magyar, and Arne Svenson...

Minimalist landscape photograph of black and white lily pads on water "End of Summer", photographed by Betsy Weis in 2006 archival inkjet print on watercolor paper 20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass Wire backing for easy installation, ready to hang as is Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Finnish Photographer Christoffer Relander’s We Are Nature series blurs the line between the natural world and the human form to such a degree that it is impossible to tell where one ...

Artist Statement For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both i...

RISAKU SUZUKI (*1963, Japan) Water Mirror 14, WM-77, 79 (Diptych), 2014 Chromogenic print (2x) Sheet 120 x 155 cm (47 1/4 x 61 in.) Frame 124 x 159 x 5 cm (48 7/8 x 62 5/8 x 2 in.) D...

Harriet At Mougins Viscountess Harriet de Rosiere at Mougins, near Cannes in France. 48x48" inches / 122 x 122 cm paper size Estate Stamped Collection Edition to 150 Photo by ...

Rebecca Skinner’s “Wicked Tulips” is an 8 x 24 inch color photograph capturing a vibrant field of tulips in bloom, offering a breathtaking palette of colors primarily dominated by so...

Archival Black and White Pigment print, from an Analogue Negative, Framed in a white Shadow box fram “Joshua’s Hand” reaches into the sun despite the rays of heat beating down on it...

Alternative sizes and media available: 16 x 16 16 x 20 16 x 24 20 x 20 20 x 30 28 x 28 28 x 35 30 x 45 40 x 40 40 x 50 40 x 60 Matte photo paper or canvas available on...

Title: "Wild grace" Medium: Archival pigment print on premium matte photo paper Dimensions: 20 x 27 cm / 7.8 x 10.6 inches (unframed) Limited Edition Each photograph is printed o...

This listing is for an unframed print. Framing options are available. Thad Lee is an award-winning filmmaker, a writer of essays, screenplays, and poetry, and a versatile photograph...

This is a color photography of a lotus flower as part of our flower / still life series. Image dimensions: 16 x 21.5 in. Edition of 25. External dimensions: 22.5 x 28 in. Matted with 8 ply museum archival matt. Signed, numbered by photographer on a certificate of authenticity. About this series: With great patience and respect, the photographer observes the life cycle of the flower, viewing the subject much like a portrait photographer views a person, choosing the particular instance which in his view represents the essence of the flower. We feel the piece evokes a certain poetic, quiet, Zen beauty. The photographer was a London Central Saint Martins graduate and lived in a short spell in a monastery in Japan, and now primarily lives in Japan. ----- The artist was born in the UK in 1971, and after leaving Central Saint Martin’s in London in 1992, determined to explore a deeper sense of meaning, and contemplate life, he journeyed to Japan where he lived in a Zen Buddhist monastery and lived and studied in a temple in the mountains of Yamanashi for months, during which he studied Zen Buddhism and joined the monks in their daily prayers and routines. Over time, the subject matter for this series is borne out of a respect of the inner life of living things, Nature, in this instance and a sense of “mono no aware” (the art of impermanence). His artist vision has drawn influences from his Western artistic culture, Japanese classical aesthetics, and the 1933 classical text, “In Praise of Shadows” by Japanese literary titan, Junichiro Tanizaki (1886–1965). Tanizaki, as translated by scholars, examines the singular standards of Japanese aesthetics and their stark contrast with the value systems of the industrialized West. He writes: “We find beauty not in the thing itself but in the patterns of shadows, the light and the darkness, that one thing against another creates… Were it not for shadows, there would be no beauty.” “Shadows” presumably refers to the subtle interplay between light and darkness, not a stark dualism between black and white. Hence, the quiet beauty expressed in shadows of light and darkness as a living flower moves through the passage of life. The art of impermanence refers to a “pathos” (aware) of “things” (mono), deriving from their transience. The flower is a perfect metaphor for the expression of impermanence and beauty. Each flower has its own distinctive character and temperament, and is in constant dynamic motion. Through the passage of its life, it blossoms to its greatest peak, turning always towards the light until they eventually give up their petals. The artist documents this process through hundreds of images over time, essentially capturing the essence of the life of the subject. Both the visual aesthetic and process of his art calls to mind the transcient nature of things and reminds us to rejoice what we do have. In his gold series - Gold, in turn associated with the sacred, the divine, with supernatural powers and even immortality, has been recognized since ancient times in all the great civilizations as a noble material. Gold leaves have been used to decorate shrines, temples, statues, armor, jewelry since ancient times. At different times of the day, the light reflects off the gold differently as the day progresses, providing a visual context in which the celebration of life was captured. The artist has been recognized for his work for example, with a merit award at the Art Directors Club 87th Annual Awards N.Y. (2008). His work has been in group exhibitions as a runner up at the National Portrait Gallery in London as part of the Taylor Wessing London – Elle Commendation Portrait Awards, and at the Kiyosato Photo Art Museum in 1999. A successful photographer, the artist’s commercial clients include Adidas, Estee Lauder, Hugo Boss and shot celebrities for magazines / editorials featuring Sam Smith, Jeremy Renner, Gwyneth Paltrow, David Fincher, Zhang Ziyi...

RISAKU SUZUKI (*1963, Japan) SAKURA 19,4-357, 358, 359 (Triptych) 2019 Chromogenic print (3x) Sheets 155 x 120 cm (61 x 47 1/4 in.) Overall 155 x 360 cm (61 x 141 3/4 in.) Edition of...

Hell's Gate, American landscape photograph from Richard Heeps' series, Dream in Colour. This beautiful bright capture of the desert flower was taken at the gateway to Death Valley sh...

Rebecca Swanson, Sun Ray II, Limited Edition Photograph, 15x15. It is available with Plexifacemount or white frame as shown. This stunning image is filled soft pinks and yellow. T...

RISAKU SUZUKI (*1963, Japan) SAKURA 16,4-22 2016 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 4/5 Framed The Sakura (Japanese term for ‘cherry blosso...

Edition of 25 Titled, dated and numbered in black ink on print margin. Paper size: 16 x 20 in. Image size: 11 1/2 x 16 3/4 in.

Fleur Du Mal - Black & White Original Polaroid Photograph by Pia Clodi Framed Not unlike many of Pia Clodi’s works, Fleur Du Mal is a celebration of the ana...

Edition of 10. Fujicolour / DMEL: professional photo paper (from Kodak).

'May Morning in Yellow' Limited edition (1 of 25) archival photograph, hand signed and numbered. Unframed _________________ Illuminated among painted pools...

ABOUT THIS ARTIST: Timo Helgert is a German artist, best known for his viral virtual installations. His work draws inspiration from classical escapism and draws elements from modern ...

ABOUT THIS ARTIST: Timo Helgert is a German artist, best known for his viral virtual installations. His work draws inspiration from classical escapism and draws elements from modern ...

Inflorescence is a cyanotype Work on paper by Cynthia MacCollum. This original artwork is 28 x 10 on archival paper. It is currently unframed. Macollum uses actual plants and flow...

Artioli captures beauty through his camera, creating artistic, painterly images by intentionally moving the camera during long exposures. These images represent "the impression" of a...

Rebecca Swanson, Mirror Mirror VI, Limited Edition Photograph, 30x30 image on 34x34 paper. The image is 30x30 with a 2" white border all around. This stunning image is filled fushi...

Gaia 116 - Black and White Diptych of Moonlight and Night Sky with Flowers by Jaume Llorens Bach Gaia 116 is a45cm x 18cm Black and White Phot...

RISAKU SUZUKI (*1963, Japan) Water Mirror 16, WM-628 2016 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 2/5 Framed ‘Water Mir...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

Gaia 127 - Black and White Murmuration of Birds in Sky and Trees Diptych by Jaume Llorens Bach Gaia 127 is a 45cm x 18cm Black and White print on Premio Kozo 180gsm White Paper by A...

Gaia 128b - Black and White Natural Landscape near Lake Banyoles in Catalonia by Jaume Llorens Bach Gaia Diptych 128b is a 45cm x 18cm Black and White Photographic print on Premio K...

RISAKU SUZUKI (*1963, Japan) Water Mirror 17, WM-717 2017 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 1/5 Framed ‘Water Mirror’is a condensation of ...

RISAKU SUZUKI (*1963, Japan) SAKURA 10,4-72 2010 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 3/5 Framed The Sakura (Japanese term for ‘cherry blosso...

Roberta Fineberg’s After a Storm, 2024 captures cobalt-blue palm trees against a technicolor sunset skyline in Palisades Park, Santa Monica, LA. Referencing the LA fires, upheaval,...

RISAKU SUZUKI (*1963, Japan) SAKURA 17,4-179 2017 Archival digital print Sheet 40.7 x 50.9 cm (16 x 20 in.) Edition of 5; Ed. no. 3/5 Framed The Sakura (Japanese term for ‘cherry bl...

Gaia 078 - Black and White Diptych of Cloud in Sky with Flower in Grass by Jaume Llorens Bach Gaia 078 is a 45cm x 18cm Black-and-White print on Premio Kozo 180gsm White Paper by Aw...

Gaia 098 - Black and White Diptych Waves Crashing on Shore with Natural Flora by Jaume Llorens Bach Gaia 098 is a 45cm x 18cm Black and White Photographic print on Premio Kozo 180gs...