Sky Landscape Photography
12
to
98
1,310
444
214
486
1,032
378
346
325
336
189
367
547
Overall Height
to
Overall Width
to
1,261
82
40
19
18
15
8
7
5
1
8,243
7,255
4,574
3,045
2,526
2,515
1,931
1,920
1,800
1,748
1,732
1,626
1,557
1,537
1,346
1,221
1,089
1,047
862
759
1
161
1,632
1
1
3
13
11
26
36
41
94
82
57
53
45
827
735
691
560
375
Art Subject: Sky
Diptych 1, from the series All the faults of the world, Printed on canvas
Located in Miami Beach, FL
Archival pigment print on Hahnemuhle smooth canvas.
Edition of 4
Unframed
_____
In recent years -through the use, production, and appropriation of content hosted
on the net- The art...
Category
2010s Contemporary Landscape Photography
Materials
Canvas
Foggy Morning, single Tree, black & white gelatin silver art photography, framed
Located in Vienna, Vienna
Gerald Berghammer - Limited Edition 3/9
Silver Gelatin Prints, Selenium Toned, Printed 2019
Signed, numbered, dated by Artis.
Handmade wood frame, da...
Category
2010s Contemporary Black and White Photography
Materials
Photographic Film, Photographic Paper, Black and White, Silver Gelatin
Falla 7, from the series All the faults of the world, Printed on canvas
Located in Miami Beach, FL
Falla 7, by Rodrigo Etem
From the series All the faults of the world
Digital print printed on Hahnemuhle smooth canvas
37" x 20" inches
Ed 4
Unframed
In recent years -through the us...
Category
2010s Contemporary Landscape Photography
Materials
Canvas
Approach Road to Bonneville, Utah - American Landscape Photo
Located in Cambridge, GB
Approach Road to Bonneville Salt Flats.
The iconic photograph of an open road in America, leading to the famous Bonneville Speedway.
This artwork is a limited edition of 25, gloss p...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Balance
Located in Santa Monica, CA
Lennon’s photographs serve as allegorical vehicles in this time of heightened awareness for our planet’s peril.In surveilling these ever-changing skies, Atmospheria celebrates the be...
Category
2010s Contemporary Color Photography
Materials
Dye Transfer
Falla 1, from the series All the faults of the world, Printed on canvas
Located in Miami Beach, FL
Falla 1, 2021
Archival pigment print on Hahnemuhle smooth canvas.
From the series All the faults of the world
37 x 20 inches.
Edition of 4
Unframed
In recent years -through the use...
Category
2010s Contemporary Landscape Photography
Materials
Canvas
Falla 5, from the series All the faults of the world, Printed on canvas
Located in Miami Beach, FL
Falla 5, 2021
Archival pigment print on Hahnemuhle smooth canvas.
From the series All the faults of the world
37 x 20 inches.
Ed 4
Unframed
In recent years -through the use, produc...
Category
2010s Contemporary Landscape Photography
Materials
Canvas
Diptych 5, from the series All the faults of the world, Printed on canvas
Located in Miami Beach, FL
Archival pigment print on Hahnemuhle smooth canvas.
from the series All the faults of the world
37 x 39.5 inches.
Ed of 4
Unframed
In recent years -through the use, production, an...
Category
2010s Contemporary Landscape Photography
Materials
Canvas
Summertime (Malibu) - analog, mounted
Located in Morongo Valley, CA
Summertime (Malibu) - 2004
Edition 4/5,
39x37cm.
Analog C-Print, hand-printed by the artist, based on a Polaroid.
Artist inventory Number 660.04.
Mounted on Aluminum with matt...
Category
Early 2000s Contemporary Landscape Photography
Materials
Metal
Muscular Nude Man on Dreamy Surreal Road to Destiny
Located in Miami, FL
A hunched-over nude man on an endless sunset road conjures up big themes. Time, distance, life, death, rebirth, and infinity are weaved together in a purposely enigmatic and dreamli...
Category
1970s Surrealist Nude Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
Clouds 10
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 11
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Heard of Elephants on African Plane at Sunset
Located in Miami, FL
Silhouetted elephants trek across a desolate African landscape are backlit by a soulful sunset. Color photographer Mitchell Funk pushes the boundaries of animal portraiture with a pr...
Category
1980s Contemporary Color Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
Clouds
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 3
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 2
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Limited Edition Color Photograph 1/10 - Lonesome Road, Utah 2018 20 x 24
By Howard Lewis
Located in White Plains, NY
Limited Edition Color Photograph 1/10 - Lonesome Road, Utah 2018. Taken on extensive photographic travel through the West in 2018.
About Howard Lewis:...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
SAKURA 16, 4-25 – Risaku Suzuki, Night, Tree, Spring, Cherry Blossom, Japan Art
Located in Zurich, CH
RISAKU SUZUKI (*1963, Japan)
SAKURA 16, 4-25, 2016
Chromogenic print
Sheet 120 x 155 cm (47 1/4 x 61 in.)
Frame 124 x 158.8 x 5.7 cm (48 7/8 x 62 1/2 x ...
Category
2010s Contemporary Landscape Photography
Materials
C Print
Yusurika 029 – Yoshinori Mizutani, Colour, Photography, Tree, Nature, Art, Sky
Located in Zurich, CH
Yoshinori MIZUTANI (*1987, Japan)
Yusurika 029, 2015
Archival pigment print on Hahnemuhle Fine Art Baryta paper
Sheet 145.6 x 97 cm (57 3/8 x 38 1/4 in.)
Edition of 3 plus 2 artist's...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Open Road, Californian Road Sepia Landscape
By Roman Loranc
Located in Carmel, CA
Negative Date 2002
Print Date 2005
Edition 35/50
Excellent Condition
Purchased Directly from Artist
Category
Early 2000s Black and White Photography
Materials
Silver Gelatin
Yusurika 005 – Yoshinori Mizutani, Colour, Photography, Tree, Nature, Art, Sky
Located in Zurich, CH
Yoshinori MIZUTANI (*1987, Japan)
Yusurika 005, 2015
Archival pigment print on Hahnemuhle Fine Art Baryta paper
Sheet 145.6 x 97 cm (57 3/8 x 38 1/4 in.)
Edition of 3 plus 2 artist's...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Yusurika 002 – Yoshinori Mizutani, Colour, Photography, Tree, Nature, Art, Sky
Located in Zurich, CH
Yoshinori MIZUTANI (*1987, Japan)
Yusurika 002, 2015
Archival pigment print on Hahnemuhle Fine Art Baryta paper
Sheet 145.6 x 97 cm (57 3/8 x 38 1/4 in.)
Edition of 3 plus 2 artist's...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Loneliness- Signed limited edition nature print, Tree, Field, Green panorama
Located in Barcelona, Barcelona
Loneliness - Signed limited edition archival pigment print, 2011 - Edition of 8
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity.
Signed + numbered by artist with certificate of authenticity.
Archival pigment print available sizes :
42 x 90 cm/ 16.53 x 35.43 in- Edition of 8
56 x 120 cm / 22.04 x 47.24 in- Edition of 8
Laurent Campus is an Italian freelance producer and photographer.
In addition to an academic training in international trade, he has forged a solid musical, pictorial and cinematographic culture which led him gradually and naturally to the photography he has been practicing for more than twenty years full-time professionally.
Its customers are brands that have supported the film industry for many years ( L'Oréal, Renault, DIOR, GENERAL MOTORS, FranckProvost, FranceTV, Canal +, EPSON, CANON, FESTIVAL DE CANNES, HFPA, VUELING, CARL F. BUCHERER , IWC, ParisMatch,…) as artists (filmmakers, actors, musicians) or producers and distributors.
He has gravitated for more than 20 years at the heart of French and international cinema.
Cinema photographer and reporter, making of :
“Cannes Film Festival official” photographer
"Official Golden Globes ceremony” photographer
SONY Spain Photo...
Category
2010s Contemporary Color Photography
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment
Norwegian Northern Lights: Colorful Square Photo with Star Trails
Located in London, GB
100×100 cm / 104×104 cm with frame, no flass.
Edition of 10; Ed. no. 1/3
Archival quality fine art pigment print limited art edition
Artist signed + numbered certificate of authenti...
Category
2010s Contemporary Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment
Heaven's Above
Located in Santa Monica, CA
Lennon’s photographs serve as allegorical vehicles in this time of heightened awareness for our planet’s peril.
In surveilling these ever-changing skies, 'Atmospheria' celebrates the...
Category
2010s Black and White Photography
Materials
Dye Transfer
Mont Llia, Wales (One single stone in field)
Located in Sante Fe, NM
Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...
Category
1990s Contemporary Black and White Photography
Materials
Silver Gelatin
Among the Ancient
Located in Boulder, CO
A limited Edition Print by National Geographic Photographer Keith Ladzinski from his series “Rooted: The Importance and Beauty of Trees”. Over the last 10,000 years, the planet has l...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Archival Paper, Photographic Paper
Quiet- Signed limited edition landscape fine art print, Contemporary black white
By Sam Thomas
Located in Barcelona, Barcelona
Quiet - Limited edition pigment print - Limited Editions of 8
Field under the snow, peaceful landscape with only one tree , rural France, 2006
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity.
Signed + numbered by artist with certificate of authenticity.
Archival pigment print available sizes ( Image size , the white margin is not counted):
30 x 65 cm / 11,81" x 25.59" - Edition of 8
48 x 101.6 cm / 18.89" x 40” - Edition of 8
A custom size is possible, it will be included in the nearest edition of 8
Sam Thomas...
Category
Early 2000s Modern Landscape Photography
Materials
Archival Paper, Photographic Film, Photographic Paper, Black and White, ...
Clouds 6
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Clouds 7
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment, Plexiglass
Suspended Sky
Located in Santa Monica, CA
Lennon’s photographs serve as allegorical vehicles in this time of heightened awareness for our planet’s peril.
In surveilling these ever-changing skies, 'Atmospheria' celebrates the...
Category
2010s Black and White Photography
Materials
Dye Transfer
Blaze
Located in Santa Monica, CA
Lennon’s photographs serve as allegorical vehicles in this time of heightened awareness for our planet’s peril.
In surveilling these ever-changing skies, 'Atmospheria' celebrates the...
Category
2010s Color Photography
Materials
Dye Transfer
Sultan Sun
Located in Santa Monica, CA
Julian Lennon's debut exhibition at the William Turner Gallery highlights the dama of nature's atmospheric forces, revealing his passion for the...
Category
2010s Other Art Style Landscape Photography
Materials
Dye Transfer
Outer Herbides, Scottland (Coastal Landscape w/Rainbows)
Located in Sante Fe, NM
Pentti Sammallahti is a benchmark figure in contemporary Finnish photography. His works depict nature eroded and broken down by civilization, but h...
Category
Early 2000s Contemporary Black and White Photography
Materials
Silver Gelatin
Midnight Smoke
Located in Santa Monica, CA
Lennon’s photographs serve as allegorical vehicles in this time of heightened awareness for our planet’s peril.
In surveilling these ever-changing skies, 'Atmospheria' celebrates the...
Category
2010s Landscape Photography
Materials
Dye Transfer
Ískalt Blár (Icelandic)
Located in Santa Monica, CA
Lennon’s photographs serve as allegorical vehicles in this time of heightened awareness for our planet’s peril.
In surveilling these ever-changing skies, 'Atmospheria' celebrates the...
Category
2010s Landscape Photography
Materials
Dye Transfer
Riviera (Malibu) - analog, mounted
Located in Morongo Valley, CA
Riviera (Malibu) - 2004
Edition 4/5,
39x37cm.
Analog C-Print, hand-printed by the artist, based on a Polaroid.
Artist inventory Number 668.04.
Mounted on Aluminum with matte U...
Category
Early 2000s Contemporary Landscape Photography
Materials
Metal
Renaissance - Revival 18
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Renaissance project in 2016.
Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever.
“Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell
There are 18 pieces in the RENAISSANCE collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Large Landscape Vintage Forest Nature Lake Tree Blues Oranges Wildlife Indian
Located in Norfolk, GB
Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper
66" x 44" unframed (167cm x 112cm) 2022
Edition 1/10
*Should you wish the photographs to be printe...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink
Renaissance - Revival 16
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Renaissance project in 2016.
Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever.
“Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell
There are 18 pieces in the RENAISSANCE collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 17
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Renaissance project in 2016.
Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever.
“Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell
There are 18 pieces in the RENAISSANCE collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 14
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 15
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Renaissance project in 2016.
Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever.
“Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell
There are 18 pieces in the RENAISSANCE collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Limited Edition Color Photograph - New York aerial, Central Park, 2018 20 x 24
By Howard Lewis
Located in White Plains, NY
Limited Edition Color Photograph - New York aerial, Central Park, 2018. When the ban on taking the doors off of helicopters for photography was lifted ...
Category
2010s Contemporary Landscape Photography
Materials
Archival Pigment
AGALLILIA PEAK, MONUMENT VALLEY, ARIZONA
Located in Carmel, CA
AGALLILIA PEAK, MONUMENT VALLEY, ARIZONA (1920s) provides a close-up of Monument Valley on a cloudy day. This silver gelatin photograph is Plate 36 in the Forman Hanna Compendium (Forman Hanna ~ Pictorial Photographer of the Southwest) by the University of Arizona, Tucson, Arizona. Hand signed on verso.
FRAME SIZE: 22.5" H x 18.5" W x 1" D
CONDITION: Museum quality
PROVENANCE: Purchase history included.
ABOUT FORMAN HANNA
Raised in a small Texas town...
Category
Early 20th Century Black and White Photography
Materials
Silver Gelatin
The River Jordan. First view of a free state, crossing the Ohio River to Indiana
Located in Dallas, TX
Digital C-Print
Image size: 17 x 70.75 inches, Paper size: 21 x 74.75 inches
Edition of 8
Signed, titled, dated and numbered by Jeanine Michna-Bales
Series: Through Darkness to Light: Photographs Along the Underground Railroad...
Category
2010s Contemporary Landscape Photography
Materials
Digital
Oil Derrick, Santa Barbara
By Rolfe Horn
Located in Carmel, CA
Signed, numbered and dated on mount recto. Signed, dated, numbered and titled with artist's copyright stamp on mount verso. Edition of 25 in size
Category
21st Century and Contemporary Black and White Photography
Materials
Silver Gelatin
Renaissance - Revival 12
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Pink Room
Located in New York, NY
THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information.
ABOUT THIS ARTIST: Minjin Kang and Mijoo Kim are a creative duo, who have been inspirin...
Category
2010s Color Photography
Materials
Photographic Paper
Renaissance - Revival 13
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Mirror lake
Located in London, GB
'Mirror lake'
Italy 2022
Photograph is a giclée print on Hahnemühle photo rag Baryta 308 Gsm fine art paper, from a limited edition of 20.
Photograph is...
Category
2010s Naturalistic Landscape Photography
Materials
Giclée
Cowboy TV (framed) - large photograph of iconic western in American landscape
By Frank Schott
Located in San Francisco, CA
large scale original photograph of vintage TV set with iconic western movie in American wild west landscape
Cowboy TV by Frank Schott
30 x 40...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Archival Pigment, Archival Paper, Archival Ink, Photographic Paper, Plex...
Renaissance - Revival 10
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Limited Edition Black and White Photograph - "Lion's Roar" 20 x 24
By Howard Lewis
Located in White Plains, NY
Limited Edition Black and White Photograph - "Lion's Roar" 20 x 24
This is image is "The Lions' Roar" from the Aerials series.
I’ve long been fascinated by weather and most recentl...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment
Renaissance - Revival 11
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Color Photography
Materials
Plexiglass, Archival Pigment
Limited Edition Black and White Photograph, Clouds, Sky - "Searching" 20 x 24
By Howard Lewis
Located in White Plains, NY
Limited Edition Black and White Photograph, Clouds, Sky - "Searching"
This is image is "Searching" from the Aerials series.
I’ve long been fascinated by weather and most recently...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment
Lost in clouds, UK channel 2014 - # 1 / 5 Limited Edition Fine Art Photography
Located in Brussels, BE
This is # 1/5 Fine Art Print Limited Edition 70 cm x 100 cm
VADOR THE SPACE SHOW is the first exhibition of photographs by Stefan Darte which is currently being held in Brussels in t...
Category
2010s Contemporary Color Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
Sunrays 7, Jordan 2015 - # 1 / 7 Limited Edition Fine Art Photography
Located in Brussels, BE
This is # 1/7 Fine Art Print Limited Edition 42cm x 60 cm
VADOR THE SPACE SHOW is the first exhibition of photographs by Stefan Darte which is currently b...
Category
2010s Contemporary Color Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
Read More
This Photo of the Salton Sea Captures a Serene Moment Amid an Environmental Disaster
Addison Jones shares how she got this gorgeous minimalist shot while immersed in the stink of dead fish.
This Photo of Big Sur Reveals the Awesomeness and Intimacy of Nature
When a beachcomber accidentally stepped in front of Jeffrey Conley’s camera, a perfect moment was captured.
Sebastião Salgado Takes Us on a Close-Up Journey to Amazônia
The famed Brazilian photographer tells us about the seven years he spent immersed in the Amazon rain forest.
Savor Ansel Adams’s Landscapes and Those of His Ambitious Successors
A new exhibition examines images by the master photographer alongside works by photographers who influenced him and contemporary creators.
These Artists Are Changing the Nature of Landscape Photography
Developing images using contaminated water or printing them on expired photo paper are just a couple of ways today's talents are putting their own spin on tradition.