Miniature Still-life Photography

Sepia Toned Landscape of Net in Water and Reflection from Tonga 17 x 17, edition of 25 Silver Gelatin Print, unframed David Halliday's series consists of sepia-toned still lives of...

"My artwork is always in progress. There is not a goal. There is not a category for my work. It is all about enjoying the process of every moment. On a blank sheet of washi calli...

This depicts a chair in the manner of Mexican surrealist modernist Pedro Friedeberg with a dried flowers. It is a hand signed, titled and dated vintage silver gelatin print photograph. and bears the artists studio stamp verso. Naomi Siegler Savage (1927 – 2005) was an American woman photographer. A native of Princeton, New Jersey, Naomi Savage was the niece of artist Man Ray. She first studied photography under Berenice Abbott at the New School for Social Research in 1943, following this with studies in art, photography, and music at Bennington College from 1944 until 1947. The next year she spent in California with her uncle, studying his techniques. When she returned to New York in 1948, she combined her love of music with her skill in photography by taking portraits of the best known composers of day: Aaron Copland, John Cage, Virgil Thomson, etc. (over 30 in all). In 1950 she married the architect and sculptor David Savage, with whom she moved to Paris, living there for some years. During her career Savage received an award from the Cassandra Foundation in 1970, and a photography fellowship from the National Endowment for the Arts in 1971. In 1976 she received the silver award from the Art Directors Club. Later in life, Savage returned to live in Princeton, where she died. Savage was heavily influenced by her uncle, the avant garde artist Man Ray, prompting her to experiment with the medium of photography, combining traditional techniques with more unusual processes, including some of her own design. She worked extensively with photogravure and photoengraving, transforming these mechanical printing techniques to be used for aesthetic effects rather than duplication. Unlike many photographers, Savage considered the metal plate that photographs are etched on to be a work of art in its own right. She pioneered the use of using the photographic metal plate to produce a three dimensional form with a metallic surface. Savage explored variations in color and texture in her work often by using inked and intaglio relief prints. Many of her works were created by combining media such as collage, negative images, texture screening, multiple exposure, photograms, solarization, toning, laser printing on metallic foils. Her works focus on a variety of subject matter and imagery, which has included portraits, landscapes, human figures, mannequins, masks, toys, kitchen utensils, dental and ophthalmological equipment. Her approach represents an involvement with "process as medium," and an interest in art as image manipulation, a pursuit shared by contemporaries like Robert Heinecken, Betty Hahn, and Bea Nettles. She has experimented extensively with photogravure and photoengraving, employing these mechanical printing techniques for aesthetic effects rather than duplication. Savage uses inked and intaglio relief prints to explore variations in color and texture, and considers the metal plate on which the photograph has been etched to be a work of art in its own right. She has also combined media--collage, negative images, texture screening, multiple exposure, photograms, solarization, toning, printing on metallic foils--and made laser color prints. Several of her pieces are owned by the Museum of Modern Art, and she is represented as well in the collections of the Art Institute of Chicago, the International Center for Photography, the Fogg Art Museum, the Museum of Fine Arts, Houston, and the Madison Art Center. A photo engraved mural depicting the life of Lyndon Baines Johnson is a centerpiece of the Lyndon Baines Johnson Library and Museum. A collection of her papers relating to the life of Man Ray is held by the Archives of American Art at the Smithsonian Institution. She was included in the show Making Space at MoMA in 2017. It shone a spotlight on the stunning achievements of women artists between the end of World War II (1945) and by Lee Krasner, Helen Frankenthaler, and Joan Mitchell; the radical geometries by Lygia Clark, Lygia Pape, and Gego; and the reductive abstractions of Agnes Martin, Anne Truitt, and Jo Baer; the fiber weavings of Magdalena Abakanowicz, Sheila Hicks, and Lenore Tawney; and the process-oriented sculptures of Lee Bontecou, Louise Bourgeois, and Eva Hesse. The exhibition also featured treasures such as collages by Anne Ryan, photographs by Gertrudes Altschul, Naomi Savage, Ruth Asawa, Carol Rama, and Alma Woodsey Thomas...

A dark wood dresser, a collection of objects—family photos, porcelain turtle statues, a china plate, a bottle of perfume—meaningful objects that tell...

Shani Mootoo’s nostalgic images of her childhood home in Trinidad reveal an intimate and compelling story. Her ‘History Revisited’ series—photographs of interior rooms, furniture and...

Untitled Flower # 156 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 10" x 10” 18" x 18” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" ...

Framed still life photograph of an indigo blue Morning Glory flower on a solid black background “Untitled 36” by Chad Kleitsch, this image is part of the artist’s “Botanical Mind” s...

Fine Art Print, limited editions.

Rebecca Skinner’s “Interior III” is a 12 x 18 inch color photograph taken from inside an abandoned farmhouse in North Dakota. The viewer gets a glimpse of the beautiful landscape thr...

Untitled - Number 149 (White), by Chad Kleitsch, 2010 Contemporary still life photograph of white tulip flower on white background Archival pigment print on Hahnemuhle photo rag matt...

Hand printed by artist. Signed and numbered. Mint Condition.. 9/75 Dry mounted onto archival acid free board. 16x20" The artist is no longer living.

Sepia Toned Still Life of an Antique Shoemaker's Tool from Tonga 17 x 17, edition 9 of 25 Silver Gelatin Print, unframed David Halliday's series consists of sepia-toned still lives of antique objects from Tonga, a Polynesian sovereign state and archipelago comprising 169 islands, of which 36 are inhabited. He took these still lives during his trip there in 1997. Tonga was once at the center of a vast trading empire stretching...

Contemporary still life photograph of dandelion flowers on a white background Untitled- Flower 147 (White) by Chad Kleitsch Archival pigment print on Hahnemuhle photo rag matte pape...

Flower 1- Limited edition pigment print - Limited Editions of 15 Close-up on a round flower on an round background, unframed. Signed + numbered by artist with certificate of auth...

Sepia Toned Photograph of Eight Wooden Bailers 17 x 17, edition of 25 Tonga was once at the center of a vast trading empire stretching 500,000 square ...

11 x 14 inch image is an edition of 45. Four other sizes are available. Story of "The Rising" The final surrender to the fire that burns away that which is not part of our true selv...

Mina Afshari was born in Tehran, Iran. Her life and art are shaped by her journey from oppression to freedom. Growing up in Iran, she witnessed even the most basic human rights being...

David Hamilton was a British photographer and film director best known for his photography of young women and girls. In addition to he composed photographs of flowers, men, landscape...

This image was featured in Mina Afshari's solo exhibition at the Whatcom Museum. Included in the museum's permanent collection at the museum. This image was the winner of GBAO (Great...

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later by Cole Weston from the original negative now housed and retired at the Center for Creative Photography in Tuscon, Arizona. From the Estate of Cole Weston through inheritance with the Weston Gallery...

Hand printed by the artist. Signed in pencil on recto, signed and titled on verso. Mint condition. Framed when it was purchased. Silver gun metal grey frame.

Photography, fine art print. Reminiscence on the Onyx Wall at the Villa Tugendhat. Done somewhere in Slovakia. Could be delivered im different sizes. SalamonArt certificate will be d...

Candle Stand, 2017 15" X 12" framed sepia toned silver gelatin print This vertical sepia toned silver gelatin print still life of a candle stand was captured by photographer, David...

Untitled- Flower 147 (White) by Chad Kleitsch Contemporary still life photograph of dandelion parachutes Archival pigment print on Hahnemuhle photo rag matte paper 18 x 18 inch image...

Contemporary still life photograph of white flower with light pink, orange center Untitled- Number 74 (White) by Chad Kleitsch Archival pigment print on Hahnemuhle photo rag matte pa...

Contemporary still life photograph of white flower with light pink, orange center Untitled- Number 74 (White) by Chad Kleitsch Archival pigment print on Hahnemuhle photo rag matte pa...

This image was featured in Mina Afshari's solo exhibition at the Whatcom Museum and also part of their permanent collection. 11 x 14 inch image is an edition of 45. Four other sizes...

11 x 14 inch image is an edition of 45. Four other sizes are available. Story of "Innocence" Biographical photograph of being pulled into the world of academia in preparation for ap...

The picture is a part of photographs which Kallay done in 1965 for a German book publisher about NYC.

Picture done during a nostalgic evening. Could be also delivered framed, smaller size as well, price upon request, signed by the author. Limited to 5.

Sepia-toned gelatin silver print, mounted to archival board Signed, dated, and numbered, verso 9 x 9 inches (Edition of 50) 15 x 15 inches (Edition of 30) This artwork is offered ...

10 x 10 inch image on 11 x 17 inch paper, $900 unframed All editions are printed on Hahnemuhle Photo Rag Matte Paper with Epson archival quality inks available in editions of 25 in...

This image was featured in Mina Afshari's solo exhibition at the Whatcom Museum. 11 x 14 inch image is an edition of 45. Four other sizes are available. Story of "Upside Down I" S...

Vintage Hand Colored Albumen print

11.25 x 11.25 inches unframed Archival pigment print edition of 12 Some of David Halliday's most engaging works are those from his Box Series in which he merges traditional ideas about light and composition with contemporary experiments. In this series an empty cookie tin becomes a tiny studio for food objects. Halliday carefully styles his photographic subjects inside and, allowing only natural light to seep in through a circular window. The results feel less like still lifes and more like intimate portraits of human sustenance. In these photographs, the fleshy curves of a fig, the slick bodies of sardines, even the homeliest porcini mushrooms possess a degree of nobility, providing a refreshing contrast to the compulsive relationship we so often have with food, reminding us to slow down and savor with gratitude. In this particular image, the waxy texture of a solid hunk of salty parmesan cheese and its crumbles is gently brushed with the natural diffused light, echoing techniques associated with a Vermeer painting! About the work: The Past Still Present: A master of light, New Orleans photographer David Halliday produces lush and elegant images that are both classical and modern. Using window...

Untitled Flower # 49 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Untitled Flower # 28 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Untitled Flower # 14 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Untitled Flower # 57 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Untitled Flower # 31 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Untitled Flower # 28 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Untitled Flower # 112 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" ...

Untitled Flower # 23 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Untitled Flower # 07 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Untitled Flower # 09 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Untitled Flower # 44 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Untitled Flower # 79 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Untitled Flower #06 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x ...

Untitled Flower # 156 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 10" x 10” 18" x 18” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" ...

Untitled Flower # 94 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Untitled Flower # 77 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Rebecca Skinner’s “Left” is a 18 x 12 inch color photograph of a vintage chair and table in an abandoned hospital. With satin finish, the image is infused directly into metal making ...

Untitled Flower # 152 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" ...

Untitled Flower # 68 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Untitled Flower # 52 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Untitled Flower # 56 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Untitled Flower # 16 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Untitled Flower # 30 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Untitled Flower # 18 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Untitled Flower # 05 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...