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Shani Mootoo
Christine's Arrangement 1/10 - still-life, color, photography, giclée print

2020

About the Item

A dark wood dresser, a collection of objects—family photos, porcelain turtle statues, a china plate, a bottle of perfume—meaningful objects that tell a story. This is the Trinidadian home that artist and celebrated writer Shani Mootoo grew up in. She returned to take photos of its interior rooms that both her family and time had transformed. This nostalgic series is called ‘History Revisited.’ “It is there in that house that I see my roots and I wanted to record the marks on it before time takes it away forever.” Shani Mootoo This print is matted, framed (21 x 27 inches). Print size is 12 x 18 inches. It is also available in two larger sizes, 16 x 24 (framed 25 x 33 inches, edition of 8, $2,600); and 21 x 31.5 inches (30.5 x 40 inches framed, edition of 5, $3,400). An accomplished writer, filmmaker, painter and photographer Shani Mootoo earned a BFA from the University of Western Ontario, and an MA in English from the University of Guelph. Her novels have been longlisted for the Man Booker Prize and shortlisted for the Giller Prize. Mootoo's paintings have been exhibited in solo and group exhibitions locally and internationally, most notably at the Vancouver Art Gallery, the Queen’s Museum in NYC, the Contemporary Arts Museum in Houston, and at the Venice Biennale. Shani Mootoo was born in Ireland and raised in Trinidad. She lives in Prince Edward County, Ontario.
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    Known for her photographic portraits of interior spaces, Shani Mootoo reveals the curious and often emotive personal narratives of her subjects.  This giclee print by Shani Mootoo is editioned, 1/5. The work is matted, framed. Unframed size is 21 x 31.5 inches. It is also available in two other sizes, 12 x 28 (framed 21 x 27 inches, edition of 10, $2,000); and 16 x 24 inches (25 x 33 inches framed, edition of 8, $2,600.). Mootoo describes how this image was created: "I was at my printer's studio working on a body of photographs when we were interrupted by a customer who needed his attention for a few minutes. I agreed on a pause so that that customer could be accommodated, and my printer suggested I roam the garden, as there was a lot to see there. Just before the exit to the garden was a room crammed with pastel knick-knacks. A glass sliding door stood closed between me and this room, which seemed to be a combination of very special private space and a storage room. I immediately had the sense that I was seeing a photograph waiting to be taken and, as I had my Sony Rx100m7 camera around my neck, I ran back to my printer and asked if I could go into the room. He generously said, 'By all means, go wherever you'd like".  On entering, there wasn't much room to negotiate, but I was struck by the carefully...
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