Contemporary Still-life Photography
CONTEMPORARY STYLE
Used to refer to a time rather than an aesthetic, Contemporary art generally describes pieces created after 1970 or being made by living artists anywhere in the world. This immediacy means it encompasses art responding to the present moment through diverse subjects, media and themes. Contemporary painting, sculpture, photography, performance, digital art, video and more frequently includes work that is attempting to reshape current ideas about what art can be, from Felix Gonzalez-Torres’s use of candy to memorialize a lover he lost to AIDS-related complications to Jenny Holzer’s ongoing “Truisms,” a Conceptual series that sees provocative messages printed on billboards, T-shirts, benches and other public places that exist outside of formal exhibitions and the conventional “white cube” of galleries.
Contemporary art has been pushing the boundaries of creative expression for years. Its disruption of the traditional concepts of art are often aiming to engage viewers in complex questions about identity, society and culture. In the latter part of the 20th century, contemporary movements included Land art, in which artists like Robert Smithson and Michael Heizer create large-scale, site-specific sculptures, installations and other works in soil and bodies of water; Sound art, with artists such as Christian Marclay and Susan Philipsz centering art on sonic experiences; and New Media art, in which mass media and digital culture inform the work of artists such as Nam June Paik and Rafaël Rozendaal.
The first decades of the 21st century have seen the growth of Contemporary African art, the revival of figurative painting, the emergence of street art and the rise of NFTs, unique digital artworks that are powered by blockchain technology.
Major Contemporary artists practicing now include Ai Weiwei, Cecily Brown, David Hockney, Yayoi Kusama, Jeff Koons, Takashi Murakami and Kara Walker.
Find a collection of Contemporary prints, photography, paintings, sculptures and other art on 1stDibs.
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Style: Contemporary
Lychee
By Mark Drew
Located in Hudson, NY
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Digital Pigment
$1,200
"The Abby Garden", Penzance, Cornwall, UK, 2010
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Silver Gelatin
"Trip Hammer", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Paper, Pigment
"Cutting Dies", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Paper, Pigment
"Oil Distribution Manifold", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexp...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Paper, Pigment
Cloud Horses, New Mexico, 2002
Located in Hudson, NY
CURRENT EXHIBITION - runs through February 26th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
"Marston Excelsior", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexpo...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Paper, Pigment
"1940", New York, 2010
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Pigment
Dark Flower
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 2 of 25.
If the...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Paper
"Gas & Gasoline", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexpo...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Paper, Pigment
"Solex Carburetor 1928", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Paper, Pigment
Dahlia
Located in Denton, TX
Edition of 25
Signed, titled, dated, print date and numbered by Jan Van Leeuwen
Kallitype, Van Dyke print, 16 x 12 in.
Printed 1999
Category
20th Century Contemporary Still-life Photography
Materials
Other Medium
Apple Blossoms
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Pigment
Phone Bank
By Ted Adams
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame.
"I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them."
While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission.
The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter.
This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Silver Gelatin
"Dartmoor Pony, in Haytor Rock, Dartmoor", Devon, UK, 2010
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Silver Gelatin
Bubbles, Adirondacks
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
In her new exhibition Churilla draws from her years spent as a swimmer, lifeguard, and athlete to capture the forgotten freedom and exuberance of days of youth spent on the water. Viva la Vida is a mix of timeless portraits and candid photographs "I’ve always been drawn to the water- now my art, my sense of athleticism, freedom and oasis have merged in a way", says Churilla. Her nod to iconic photographers from the past, such as Edward Weston, and Herbert List, is apparent in her portrait work.
In another Christian & Nathan Fletcher is in the midst of a surf crusade off the coast of Islamorada, Florida. Christian pioneered a new revolution in surfing style with his aerial techniques. The artist’s genuine connection to her subjects allows the viewer to forget the presence of a camera and to be drawn into the personal narrative.
The invitational image Longboard Afternoon, taken at Ditch Plains, Montauk, focuses on the portrayal of the atmosphere rather than the individual subjects. With a 70’s feel the viewer is intrigued by the layers of life, activity and parallel moments shared by silhouettes of surfers carrying longboards at hazy days end.
One such image, Gustavo, depicts a male figure seated poolside with head bowed. The pose and the wet sheen to his hair and skin give the subject a classic, sculptural look.
All the photographs exhibited in are in various sizes are printed on heavy weight cotton paper with the traditional glossy baryta surface in rich tones of black and white.
Her artist mother, Barbara Churilla, involved her in creating art, sculpture, painting and photography from an early age. She was raised in Princeton, New Jersey. She graduated from School of Visual Arts in NYC with a BFA in Photography. Lynda began her photo assisting career with legendary photographer Bruce Weber. Over a period of almost a decade she traveled the world with Weber learning not only knowledge of photography, but also life. Eventually becoming his trusted first assistant before embarking on her own photography adventure.
Churilla’s work has been celebrated in American Photo, where she was heralded as one of the young visionaries of 21st century. She has photographed numerous celebrities, such as Cameron Diaz, Jewel, Olivier Martinez, Coldplay, Pet Shop Boys...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Pigment
"Chelsea, NYC, April 2004", New York, 2004
Located in Hudson, NY
By focusing on pattern instead of the specific object, Alleman brings new life to the commonplace street vendor coffee cup.
Thomas Alleman’s urban landscapes convey the pulsating e...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Pigment
"Speed Lever", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Paper, Pigment
"The Shape of Time", New York, 2009
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Pigment
"Cityscape", New York, 2010
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Pigment
Window and Street Scene titled "The Watcher in the Window"
Located in Fredericksburg, VA
This captivating photograph by Tom Sauerwein blurs the lines between still life and street scene, reality and reflection. Taken at a storefront in historic downtown Fredericksburg, t...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Photographic Paper
"Pressure Gauge", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life.
There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Paper, Pigment
Joshua Rocks
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 1 of 15.
If the...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Pigment
Peter Andrew Lusztyk - WYD? Photography 2022, Printed After
Located in Greenwich, CT
WYD?
Digital C-Print / Archival Pigment Print
Edition of 5 per size
Available sizes:
24 x 24 in.
36 x 36 in.
Refined Sugar Collection.
Since this print will be shipped directly fro...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Peter Andrew Lusztyk - ACAB, Photography 2022, Printed After
Located in Greenwich, CT
ACAB
Digital C-Print / Archival Pigment Print
Edition of 5 per size
Available sizes:
24 x 24 in.
36 x 36 in.
Refined Sugar Collection.
Since this print will be shipped directly fro...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Peter Andrew Lusztyk - ... Photography 2022, Printed After
Located in Greenwich, CT
...
Digital C-Print / Archival Pigment Print
Edition of 5 per size
Available sizes:
24 x 24 in.
36 x 36 in.
Refined Sugar Collection.
Since this print will be shipped directly from...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Photograph of a Primitive Shelf titled "Primitive Stillness"
Located in Fredericksburg, VA
This intimate photograph by Fredericksburg native Tom Sauerwein captures the quiet poetry of everyday objects arranged with care. With a sharp eye for light and balance, Sauerwein transforms a primitive shelf...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Photographic Paper
RAVEN SKULL, Diptych from Comparative Anatomy Portfolio
Located in New York, NY
DIANNE KORNBERG
RAVEN SKULL,Diptych from Comparative Anatomy Portfolio, 1993
selenium toned gelatin silver print ed.15
18 x 32 in. 45.7 x 81.2 cm.
Category
1990s Contemporary Still-life Photography
Materials
Silver Gelatin
"Starburst" Photography 24" x 36" inch Edition 1/15 by Larsen Sotelo
Located in Culver City, CA
"Starburst" Photography 24" x 36" inch Edition 1/15 by Larsen Sotelo
Not framed. Ships in tube
Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish
Shot wi...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Ink, Giclée, Rag Paper
Individually framed Alphabet Suite, Edition 3/10, hand signed and numbered.
Located in New York, NY
Igor Vishnyakof limited edition (3/10) individually framed hand gold glazed sepia photographs.
All pieces are hand signed and numbered by the artist.
This installation was featured...
Category
1990s Contemporary Still-life Photography
Materials
Photographic Paper, Archival Pigment
Star Dahlia - #2 of 5
Located in Aramits, Nouvelle-Aquitaine
Printed on archival fine art paper and signed, dated and numbered by the artist.
Edition #2 of 5.
About the artist: "I always felt that plants have a secret life. First, you don't ...
Category
Late 20th Century Contemporary Still-life Photography
Materials
Archival Pigment
Wedgwood Wonderlust with Mushrooms
By JP Terlizzi
Located in Lenox, MA
From "The Good Dishes" and "Creatures of Curiosity" Collection
Wedgwood Wonderlust with Mushrooms
36" x 24"
Edition of 5 +2AP
Other sizes and Edi...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Pigment
Biblioteca Palatina, Parma
Located in New York, NY
Biblioteca Palatina, Parma, 2011
Chromogenic lambda print
39.5 x 47.5 inches edition of 5
47.5 x 59 inches edition of 5
71 x 88.5 inches edition of 5
Born in Florence in 1953, ev...
Category
2010s Contemporary Still-life Photography
Materials
C Print
"Leftover" Southern, turtle, food, conceptual, still life photography, white
Located in Atlanta, GA
This listing is for an unframed print.
Born in Buffalo, NY, Atlanta-based photographer Shannon Davis has lived in the South longer than anywhere else. She’s asked locals, “How long ...
Category
2010s Contemporary Still-life Photography
Materials
Archival Paper, Archival Pigment
Dark Sun No. 58
Located in New York, NY
For the past 30 years Barbara Jaffe has used her 4x5 inch view camera and a variety of black & white and expired pos/neg Polaroid films to create photographs that are a tribute to th...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Pigment
In me the circle is ever turning (Crabapple)
Located in New York, NY
In me the circle is ever turning (Crabapple)
2023
Signed, titled, dated, and numbered on label, verso
Archival pigment print
28 x 21 inches
(Edition of 5 + 2 APs)
$3,000
16 x 12 ...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Biblioteca Palatina, Parma
Located in New York, NY
Biblioteca Palatina, Parma, 2011
Chromogenic lambda print
39.5 x 47.5 inches edition of 5
47.5 x 59 inches edition of 5
71 x 88.5 inches edition of 5
Born in Florence in 1953, ev...
Category
2010s Contemporary Still-life Photography
Materials
C Print
Jean-Luc Mylayne, N°476, Décembre 2006 – Mars 2007 - Contemporary Photography
Located in Hamburg, DE
Jean-Luc Mylayne (French, b. 1946)
N°476, Décembre 2006 – Mars 2007, 2020
Medium: Inkjet print on paper
Dimensions: 50 x 40 cm
Edition of 25: Hand-signed and numbered, verso
Conditio...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Inkjet
Firestorm/Time for Change by Marcy Palmer, 2020, 24k gold leaf on vellum
Located in Denton, TX
Firestorm/Time for Change by Marcy Palmer presents a collection of golden seed pods, bursting out from a black background. This photograph is made of 24k ...
Category
2010s Contemporary Still-life Photography
Materials
Gold Leaf
Joy of life by Hans Withoos
By Hans Withoos
Located in New York City, NY
Fine art inkjet print on special paper rag
Ask us for framing options
Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...
Category
2010s Contemporary Still-life Photography
Materials
Plexiglass, Color, Archival Pigment, Digital Pigment
"Drift 05" Landscape Photography 30" x 20" Edition of 10 by Rowan Daly
By Rowan Daly
Located in Culver City, CA
"Drift 05" Landscape Photography 30" x 20" Edition of 10 by Rowan Daly
Digital print on Ultra Smooth Fine Art Paper
Unframed - ships rolled in a tube
DRIFT
Behind the scenes of...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Digital, Archival Pigment
An indrawn breath (Chocolate Cosmos)
Located in New York, NY
An indrawn breath (Chocolate Cosmos)
2023
Signed, titled, dated, and numbered on label, verso
Archival pigment print
28 x 21 inches
(Edition of 5 + 2 APs)
$3,000
16 x 12 inches
(...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
She is the cauldron (Larkspur, Hound’s Tongue, Greater Masterwort)
Located in New York, NY
She is the cauldron (Larkspur, Hound’s Tongue, Greater Masterwort)
2023
Signed, titled, dated, and numbered on label, verso
Archival pigment print
28 x 21 inches
(Edition of 5 + 2...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Merry meet again (Daffodil)
Located in New York, NY
Merry meet again (Daffodil)
2023
Signed, titled, dated, and numbered on label, verso
Archival pigment print
28 x 21 inches
(Edition of 5 + 2 APs)
$3,000
16 x 12 inches
(Edition o...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Wedgwood Sapphire Garden with Pineapple Beets
By JP Terlizzi
Located in Lenox, MA
From "The Good Dishes" and "Creatures of Curiosity" Collection
Wedgwood Sapphire Garden with Pineapple Beets
36" x 24"
Edition of 5 +2AP
Other sizes and Editions available
Artist's Bio:
US, Born in New Jersey, 1962
Lives in New York City. NY
JP Terlizzi (American, b.1962) is a New York City photographer whose contemporary practice explores themes of memory, relationship, and identity. His images are rooted in the personal and heavily influenced around the notion of home, legacy, and family. He is curious how the past relates and intersects with the present and how the present enlivens the past, shaping one’s identity.
Born and raised in the farmlands of Central New Jersey, JP earned a BFA in Communication Design at Kutztown University of PA with a background in graphic design and advertising. He has studied photography at both the International Center of Photography in New York and Maine Media College in Rockport, ME.
His work has been exhibited widely in galleries including shows at The Center for Fine Art Photography, Vicki Myhren Gallery at the University of Denver, The Griffin Museum, Tilt Gallery, Panopticon Gallery, Candela Gallery, The Los Angeles Center of Photography, University Gallery at Cal Poly, Sohn Fine Art in Lenox, MA, and The Berlin Foto Biennale, Berlin, Germany, among others. His solo exhibits include shows at Foto Relevance...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Pigment
E Shipley Zambezi with Blueberry Onion Cup
By JP Terlizzi
Located in Lenox, MA
From "The Good Dishes" and "Creatures of Curiosity" Collection
E Shipley Zambezi with Blueberry Onion Cup
36" x 24"
Edition of 5 +2AP
Other sizes and Editions available
Artist's Bio:
US, Born in New Jersey, 1962
Lives in New York City. NY
JP Terlizzi (American, b.1962) is a New York City photographer whose contemporary practice explores themes of memory, relationship, and identity. His images are rooted in the personal and heavily influenced around the notion of home, legacy, and family. He is curious how the past relates and intersects with the present and how the present enlivens the past, shaping one’s identity.
Born and raised in the farmlands of Central New Jersey, JP earned a BFA in Communication Design at Kutztown University of PA with a background in graphic design and advertising. He has studied photography at both the International Center of Photography in New York and Maine Media College in Rockport, ME.
His work has been exhibited widely in galleries including shows at The Center for Fine Art Photography, Vicki Myhren Gallery at the University of Denver, The Griffin Museum, Tilt Gallery, Panopticon Gallery, Candela Gallery, The Los Angeles Center of Photography, University Gallery at Cal Poly, Sohn Fine Art in Lenox, MA, and The Berlin Foto Biennale, Berlin, Germany, among others. His solo exhibits include shows at Foto Relevance...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Pigment
Gien Jardin du Palais with Broccoli Tiger Beets
By JP Terlizzi
Located in Lenox, MA
From "The Good Dishes" and "Creatures of Curiosity" Collection
Gien Jardin du Palais with Broccoli Tiger Beets
36" x 24"
Edition of 5 +2AP
Other sizes and Editions available
Artist's Bio:
US, Born in New Jersey, 1962
Lives in New York City. NY
JP Terlizzi (American, b.1962) is a New York City photographer whose contemporary practice explores themes of memory, relationship, and identity. His images are rooted in the personal and heavily influenced around the notion of home, legacy, and family. He is curious how the past relates and intersects with the present and how the present enlivens the past, shaping one’s identity.
Born and raised in the farmlands of Central New Jersey, JP earned a BFA in Communication Design at Kutztown University of PA with a background in graphic design and advertising. He has studied photography at both the International Center of Photography in New York and Maine Media College in Rockport, ME.
His work has been exhibited widely in galleries including shows at The Center for Fine Art Photography, Vicki Myhren Gallery at the University of Denver, The Griffin Museum, Tilt Gallery, Panopticon Gallery, Candela Gallery, The Los Angeles Center of Photography, University Gallery at Cal Poly, Sohn Fine Art in Lenox, MA, and The Berlin Foto Biennale, Berlin, Germany, among others. His solo exhibits include shows at Foto Relevance...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Pigment
Flying V (Sky and Water Series)
Located in Denton, TX
Edition of 25
Signed, titled, dated and numbered.
Paper size: 17 x 22 in. Image size: 16 x 16 in.
Keith Carter is an American photographer who is known for his dreamlike black and w...
Category
2010s Contemporary Still-life Photography
Materials
Archival Pigment
Spring A
By Doris Mitsch
Located in New York, NY
This is a photograph of pink flowers against a black background by Doris Mitsch, offered by CLAMP in New York City.
40 x 32 inches
(Edition of 7)
25 x 20 inches
(Edition of 7)
17....
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Pigment
$1,875
Tulip Fountain by Hans Withoos
By Hans Withoos
Located in New York City, NY
Fine art inkjet print on special paper rag
Ask us for framing options
Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...
Category
2010s Contemporary Still-life Photography
Materials
Plexiglass, Color, Archival Pigment, Digital Pigment
Wonderland Orange Poppy (Clear)
Located in New York, NY
Wonderland Orange Poppy (Clear)
2022
Signed and numbered on label, verso
Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs)
16 x 12 x 1.5 inches
Th...
Category
2010s Contemporary Still-life Photography
Materials
Pigment
White Hyacinth (Green Wrapping Paper)
Located in New York, NY
White Hyacinth (Green Wrapping Paper)
2022
Signed and numbered on label, verso
Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs)
14 x 11 x 1.5 inch...
Category
2010s Contemporary Still-life Photography
Materials
Pigment
Tulip Thijs Boots (Miami Green)
Located in New York, NY
Tulip Thijs Boots (Miami Green)
2023
Signed and numbered on label, verso
Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs)
13.5 x 9 x 1.5 inches
T...
Category
2010s Contemporary Still-life Photography
Materials
Pigment
"Pomegranate" Photography 19.5" x 13" inch Ed. 1/3 by VLADIMIR CLAVIJO-TELEPNEV
Located in Culver City, CA
"Pomegranate" Photography 19.5" x 13" inch Ed. 1/3 by VLADIMIR CLAVIJO-TELEPNEV
Author's direct print on wood
Vladimir Clavijo-Telepnev was born in 1962 in Moscow, in the family of...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Wood, Pigment
"Break", contemporary, abandoned, china, factory, industrial, color photograph
Located in Franklin, MA
Rebecca Skinner’s “Break” was photographed at an abandoned china factory and is part of a series documenting the loss of industry in America. The 12 x 18 inch color photo with satin...
Category
2010s Contemporary Still-life Photography
Materials
Metal
French Contemporary Photo by Jean-Michel Rousvoal - Butinage
By Jean-Michel Rousvoal
Located in Paris, IDF
Title: Butinage
Size: 97x130 cm (without frame) / $3,000 - 112x144cm (with frame) / $3,400
Printed art print on Epson printer with Epson pigment inks. This art print is the number ...
Category
2010s Contemporary Still-life Photography
Materials
Varnish, Pigment, Canvas
"Needles" Photography 49" x 39" in Edition of 3 by Kseniya Vashchenko
Located in Culver City, CA
"Needles" Photography 49" x 39" in Edition of 3 by Kseniya Vashchenko
Not framed. Ships rolled in tube.
Available sizes:
Edition of 15: 29.5" x 24" in
Edition of 7: 39" x 31" in...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Digital Pigment
Earl
Located in Saint Louis, MO
Dressed to the nines! This wonderful portrait of Ken treats the doll with the same sensitivity as a human subject - and in doing so, sheds light on the interior lives of the doll. As...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Pigment
$1,375
"Drift 8" Landscape Photography 40" x 30" Edition of 10 by Rowan Daly
By Rowan Daly
Located in Culver City, CA
"Drift 8" Landscape Photography 40" x 30" Edition of 10 by Rowan Daly
Digital print on Ultra Smooth Fine Art Paper
Unframed - ships rolled in a tube
DRIFT
Behind the scenes of ...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Digital, Archival Pigment
"Empire" Photography on Wood 29"x25" inch Ed. 2/3 by VLADIMIR CLAVIJO-TELEPNEV
Located in Culver City, CA
"Empire" Photography on Wood 29"x25" inch Ed. 2/3 by VLADIMIR CLAVIJO-TELEPNEV
Direct print on wood
Russian architecture of the 40-50s of th 20th century.
Vladimir Clavijo-Telepnev was born in 1962 in Moscow, in the family of creative people. His father, Pedro Clavijo, was a Columbian journalist and a radio reporter. His grandfather by his father's side, Edmundo Clavijo Cubilios, was a famous Columbia's photograph and artist. His grandfather and grandmother by his mother's side, Vladimir and Margarita Telepnevs, were painters.
In 1986 Vladimir graduated from the Moscow Polygraphic Academy, faculty of graphic art, specializing in painting, graphics, and polygraphic design.
PRIVATE COLLECTIONS:
ELTON JOHN
PRINCESS MICHAEL of KENT MARIE CHRISTINE
PETER GREENAWAY
DMITRY MEDVEDEV
NURSULTAN NAZARBAEV
Vladimir's work of arts were put up for auction at PHILLIPS de Pury in 2003 in New York, in 2008 in London and New York, in 2010 in New York; at GENE SHAPIRO in 2008, 2009, 2010, 2011 in New York and at HERITAGE AUCTIONS in 2011 in New York.
EXHIBITIONS:
2013
Group exhibition at the Gulbenkian Foundation, Lisbon, Portugal;
Solo exhibition at the AZOR ROZA Gallery, Moscow, Russia.
2012
Group exhibition of the best iconography for Lewis Carroll's "Alice", "A Mad Tea-Party", The Story Museum, Oxford, UK;
Group exhibition "Museum's Centenary: a Photographer's View" at the Pushkin Fine Arts Museum;
Solo exhibition at the ZEPPELIN Gallery, Moscow, Russia.
2011
Group exhibition at the ART MOSCOW FAIR.
2010
Pushkin Fine Arts Museum opened a section of photography with the participation of Vladimir Clavijo-Telepnev, the only Russian exhibitor.
2009
"Wayfaring Territory" group exhibition, St. Petersburg, Peter-and-Paul Fortress, Russia.
2008
"Joyance Territory" group exhibition in the Rumyantsev villa, St. Petersburg, Pskov, Belostok, Voronezh, Mikhailovskoye (all in Russia), and also in Berlin, Germany;
Solo exhibition at the VINZAVOD Exhibition Center.
2007
Solo exhibition at the MILLIONAIRE FAIR, Moscow, Russia;
Participation at the Moscow Fine Art Fair, MANEZH Exhibition Center.
2006
Art London, "Russian Asia", a joint project of Inna Khegai and the Artek Gallery, London, UK;
Solo exhibition at the ESPECRTO Gallery in Krasnodar.
2005
Personal exhibition within the framework of the Russian Movie Week in Paris, Paris-Art-Moscow, Espace Cardin, Paris;
personal exhibition at the MILLIONAIRE FAIR, Moscow;
exhibition at the Grossman Gallery, Williams Visual Arts Buildings, Easton, Penn;
personal exhibition at the Grand Hayat Hotel gallery, Dubai, Arab Emirates;
exhibition at the STUDIO Gallery, Moscow Russia;
exhibition of the Cherry Orchard project jointly with his student, Yulia Bochkova at the JAMES Gallery, Moscow;
the Moscow Romanticism exhibition at the Wisconsin University Art Gallery, U.S;
exhibition at the Tomsk House of Artists, Russia.2005: exhibition at the Benshaeb art gallery, Paris, France;
2004
Exhibition at the STUDIO Gallery, Moscow, Russia;
Exhibition at the LEAGUE Art Gallery, Kolomna, Russia;
Exhibition at the Krasnoyarsk Museum Center, Russia.2004: exhibition at Art-Service Gallery Center, Moscow, Russia;
Exhibition at the Novosibirsk Art Museum, Russia;
Exhibition at the Benshaeb art gallery, Paris, France;
Exhibition at the HAY HILL gallery, London, U.K.2004: exhibition within the framework of the Russian Nights festival at the Art Hall of the Pacific Design Center, Los Angeles, California.
2003
Russian Post Modernism Nostalgia exhibition, New York, U.S;
Exhibition at the LUMIERE, Moscow, Russia;
Exhibition at the Russian Modern History State Central Museum;
A participant at the 40 Views as to the Image of Comme de Garcon art...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Wood, Black and White
Contemporary still-life photography for sale on 1stDibs.
Find a wide variety of authentic Contemporary still-life photography available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add still-life photography created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of red, purple, blue, orange and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Chad Kleitsch, Tyler Shields, Isabelle Menin, and Patty Carroll. Frequently made by artists working with Pigment Print, and Archival Pigment Print and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Contemporary still-life photography, so small editions measuring 0.5 inches across are also available. Prices for still-life photography made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $150 and tops out at $61,000, while the average work sells for $2,500.
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