Land Photography

This listing is for an unframed print. Framing options are available. Virginie Drujon-Kippelen is a photographer whose work explores the visual representations of the natural world,...

Rodrigo Katayama Nature Abstraction #3, Rainforest (Color Abstract Photography) 71 x 48 inches Edition of 5 Archival Pigment Print Framed

"Reflection 1" Color Nature Photography by Shooting Star Designs Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and number...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. "Birdy Dream," a photograph by Anne Valverde, captures the ethereal beauty of a mist-enshrouded forest, with the word 'dream' crafted in neon lights, seamlessly integrated into the landscape. Valverde's artistry is evident in her ability to blend the artificial glow of neon with the organic forms of nature, creating a harmonious tableau that whispers of the unseen and the imagined. The forest scene is alive with varying textures of foliage, dominated by the large fronds of ferns that fan out across the frame. The mist rolls through the trees like a gentle tide, blurring lines and softening the world to a palette of muted greens and grays. In this dreamscape, the neon 'dream' is both a literal and figurative illumination—a call to the magic that lies in the heart of the wild. The neon text, positioned amongst the forest floor, is like a secret waiting to be discovered, a reminder that even in the dense and tangled growth, there is space for dreams to take root and flourish. The soft light from the sign pierces the fog, symbolizing clarity and hope amidst uncertainty. Valverde's "Birdy Dream" is a tribute to the quiet strength of nature and the power of dreams to persist in even the most unlikely places. It's a visual poem that invites contemplation, asking the observer to consider the myriad of dreams that live hidden beneath the canopy, in the soul of the forest, and within us all. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

RISAKU SUZUKI (*1963, Japan) Water Mirror 21, WM-68, 2021 Chromogenic print Sheet 120 x 150 cm (47 1/4 x 59 1/8 in.) Edition of 5 (#1/5) Framed A Label signed by the artist is provi...

This loose albumen silver print is signed and numbered in the negative. Printed c. 1880s.

"Past Peak" Color Nature Photography by Alexandra Steedman Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered by ...

This listing is for an unframed print. Framing options are available. Virginie Drujon-Kippelen is a photographer whose work explores the visual representations of the natural world,...

This listing is for an unframed print. Framing options are available. Virginie Drujon-Kippelen is a photographer whose work explores the visual representations of the natural world,...

UNTITLED #2, 2021 Archival Pigment Print, Framed; white frame with antireflective art glass 30 x 46 cm Edition of 10 + 2 AP Other dimensions from a smaller editions also available Series: Tree Huggers from the Future Signed on verso About: "On a recent walk in my favourite area of woodland I came across a group of time travelling eco tourists, appearing one by one from a brilliantly bright space suspended over a small pond. They had come back to our time to study trees and invited me to document their research. Apparently they knew I would say yes. Twice now our trips have coincided, almost as if they knew where and when I would be going on holiday, and I must admit, I hope our paths cross again, as I find them strangely photogenic." - George McLeod...

Edward Alfano is a contemporary photographer working in Southern California. Alfano photographs all across the world, his most photographed regions are China, Italy, and Huntington ...

'An Ephemeral Pond in Summer,' is a black and white landscape photograph taken near the Chattahoochee River. Additional sizes are available. This listing is for an unframed print, edition 1/10. Richard Skoonberg is inspired by the work of Eliot Porter...

In expressing his narrative of “The Western Abandon” Cody concentrates his focus on abandoned farms, crumbling homes, neglected churches, aging cemeteries, forgotten cars and other o...

Edition of 9 Signed, titled, dated and numbered by Jeanine Michna-Bales Digital C-print Paper size: 21 x 28.5 in., Image size: 17 x 24.5 in. From the series, Through Darkness to Light...

Archival Black and White Pigment print, from an Analogue Negative ABOUT THE ARTIST Nicolas Auvray was born in France. After several years living in various countries around the wor...

As both a musician and photographer, Stacy Widelitz strives for the same level of emotional expression in his photographs as he does in his music. He b...

The River Jordan. First view of a free state, crossing the Ohio River to Indiana by Jeanine Michna-Bales is a panoramic photograph of a river taken a...

'A Hidden Geometry,' is a black and white landscape photograph taken near the Chattahoochee River. Additional sizes are available. This listing is for ...

This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. Frame measures 12 by 9 inches. Cecilia Montalvo & Charlie McCullers are a collaborative team. Characterized by the dynamic nature of the land-sea interaction, barrier islands are places with many shape narratives, and inversions. A barrier island is ephemeral, an instance of simultaneity, above and below what we call the surface. Mangroves straddle these mirror worlds, walking on water, making something out of nothing. Light rushes through every keyhole and seam in palm forest...

Signed, dated and marked "$600" on the back of the mount.

Arbol De Vida Mexico, 2022 31" x 55" / Edition of 15 - $7,500 Also available: 24" x 42.5" / Edition of 20 - $4,500 40" x 71" / Edition of 10 - $12,5...

Arterial Poetry Mexico, 2022 24" x 36" / Edition of 20 - $3,500 Also available" 31" x 46.5" / Edition of 15 - $7,500 40" x 60" / Edition of 10 - $12,500 60" x 90" / Edition of 7 ...

“Written In Water" The Delta Series Mexico, 2022 Available sizes: Edition of 20: 24” x 36” (61 x 91.4 cm) $3,500 Edition of 15: 31” x 46.5” (78.7 x 118.1 cm) $7,500 Edition of ...

“Gaia’s Lungs” from the Delta Series Mexico, 2022 Available sizes: 24 × 36 in / Edition of 20 31 × 46.5 in / Edition of 15 40 × 60 in / Edition of 10 - $12,500 60 × 90 in / Editio...

This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. Frame measures 12 by 9 inches. Cecilia Montalvo & Charlie McCullers a...

Classic C.C. Cook B&W photo of the Water Jump, "Green Mountain" Saratoga July 30, 1928 Photo Sz: 9 1/2"H x 11 1/2"W Frame Sz: 15"H x 17"W

Irving Park Tree, Study 2, Portland, Oregon, USA by Michael Kenna presents a sublime scene. A single tree stands alone in the park, framed by the bright le...

South Texas: Cash Creek and coastal prairie, Matagorda County by Peter Brown presents a sublime scene. A calm river cuts through the green grass field, leading to a tree in the distance. White fluffy clouds fill the bright blue sky. The prairie field is painted with a soft glowing light, creating a tranquil scene. South Texas: Cash Creek and coastal prairie, Matagorda County by Peter Brown is listed as a 16 x 24 inch archival pigment print, with the paper size measuring 22 x 26 inches. This photograph is available in an edition of 25 and is signed and numbered in black ink on print margin. South Texas: Cash Creek is from Peter Brown's series, Hometown Texas Available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

'Spring on the Chattahoochee' is a black and white landscape photograph taken near the Chattahoochee River. Additional sizes are available. This listing is for a framed print measuri...

In expressing his narrative of “The Western Abandon” Cody concentrates his focus on abandoned farms, crumbling homes, neglected churches, aging cemeteries, forgotten cars and other o...

'Winter Opus' is a black and white landscape photograph taken near the Chattahoochee River. Additional sizes are available. This listing is for an unframed print, edition 1/10. Richard Skoonberg is inspired by the work of Eliot Porter...

The series 'Trespassing' explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded...

This early silver gelatin print is signed in pencil on the front of the mount, with the artist's stamp, numbering and title in pencil in the artist's hand on the back of the mount. T...

This is a black and white photograph in which the photographer took the shot over the body of water. One can see the ripple of water where a fish is about to rise out of the water. A...

"Tulip Poplars #1, Lilburn, GA" is a nocturne photograph of an urban tree featuring hues of green, orange and purple. This listing is for a framed print. ...

RISAKU SUZUKI (*1963, Japan) Water Mirror 14,WM-75 2014 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 5/5 (last available edition) Framed ‘Water Mirro...

'The River Calls' is a black and white landscape photograph taken near the Chattahoochee River. Additional sizes are available. This listing is for an unframed print, edition 1/10. ...

The series 'Trespassing' explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded...

The Castello di Paraggi near Portofino, Italy, August 1977. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Collecto...

The Castello di Paraggi near Portofino, Italy, August 1977. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Collecto...

1958: Faraglioni Rocks on the Italian island of Capri. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Collector wil...

1958: Faraglioni Rocks on the Italian island of Capri. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Collector wil...

1958: Faraglioni Rocks on the Italian island of Capri. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Collector wil...

Guests at the Hotel Il San Pietro in Positano, Italy, August 1979. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stampe...

Guests at the Hotel Il San Pietro in Positano, Italy, August 1979. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stampe...

Pierre Vincent Marais and his wife Isabelle holiday with friends at Gelliceaux House, their home on the island of Mustique in the Grenadines, February 1...

Pierre Vincent Marais and his wife Isabelle holiday with friends at Gelliceaux House, their home on the island of Mustique in the Grenadines, February 1...

February 1989: Pierre Vincent Marais holidays with friends on the island of Mustique in the Grenadines. Slim Aarons Estate Edition, Certificate of Aut...

North Texas: Plowed Field, Patricia by Peter Brown presents a sublime scene. The plowed, warm toned dirt stretches far into the horizon, leading to the bright blue sky. Lush green grass frames the edge of the soil. North Texas: Plowed Field, Patricia by Peter Brown is listed as a 19.25 x 24 inch archival pigment print, with the paper size measuring 22 x 26 inches. This photograph is available in an edition of 25. This photograph is signed and numbered in black ink on print margin by Peter Brown. North Texas: Plowed Field, Patrica is from Peter Brown's series, Hometown Texas. This photograph is available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

Faraglioni Rocks on the Italian island of Capri, August 1974. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Collec...

Faraglioni Rocks on the Italian island of Capri, August 1974. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Collec...

The mansion of Remy de Haenen on a peninsula in the bay of St. Jean at Eden Rock on the Caribbean island of St Barts (Saint-Barthelemy), March 1973. The house is now a hotel Slim Aa...

This is a limited edition fine art photography of the beautiful English countryside featuring the Lake District, capturing the light and quiet tranquility of the landscape. The ph...

H-Allen Benowitz is a self-taught photographer, born and raised in Brooklyn, NY, and a graduate from the Interboro Institute of Business in Manhattan, migrated to Miami, FL in the 19...

Artist Commentary: This image was taken in Michigan on a frozen lake. I like how the texture of the ice plays against the black lines of the tree branches Keywords: water, winter, o...

Edition of 25 Archival pigment print Paper size: 22 x 17 in. Signed, titled, dated and numbered in pencil on print verso by Keith Carter Series: Ghostlight *Frame not included Keit...

Museum Edition AP 1 Signed, titled, dated and numbered by Esteban Pastorino Diaz Photograph is light jet print mounted on dibond with acrylic facemount, wall mount on back. Printed 2...

This mid-1960s aerial seascape photograph, captured by society photographer Slim Aarons, features a high angle view of people swimming next to the ketch 'Traveler II' , Stocking Island...

The series 'Trespassing' explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded...

This is a limited edition fine art photography of the beautiful English countryside featuring the Lake District, capturing the light and quiet tranquility of the landscape. Gallery f...