Rainforest Photography

Between the Trees 9, 2014 - Misty and Fog Natural Landscape in Ancient Woodland by Ellie Davies Between the Trees 9 is a stunning Digital C-Type Print on Fuji Maxima Matte paper ava...

Fires 9, 2018 - Autumnal Seasonal Landscape in Ancient English Woodland by Ellie Davies Fires 9 by Ellie Davies is a stunning Digital C-Type Print on Fuji Maxima Matte paper, availa...

Between the Trees 5, 2014 - Mist and Fog Natural Landscape in Ancient Woodland by Ellie Davies Between the Trees 5 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, ava...

Edition of 5 more sizes on request A mountain Gorilla in the rainforest in the Volcanoe National Park, Rwanda. ​For years, Joachim Schmeisser has been photographing the last giants...

Abruzzo, located in southern Italy, is known as the ‘green region of Europe’ because of the system of parks and nature reserves covering more than one-third of its territory. It has one of the highest biodiversity indexes in Europe, and one of the richest areas of flora in the world. In Abruzzo, Michael Kenna found a cultural identity that elsewhere, for the most part, has been lost to globalization and instant communication. Kenna photographed medieval ruins, ancient villages and a countryside rich in traditional cultivation. As curator Vincenzo de...

An incredibly rich albumen silver print mounted to a two-toned board with a typeset title underneath the image.

Brunch At Brennans Sunday brunch at Brennan’s restaurant, New Orleans. 30x30" inches / 76 x 76 cm paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons P...

Brunch At Brennans Sunday brunch at Brennan’s restaurant, New Orleans. Paper size 48 x 48" inches / 121 x 121 cm Estate Stamped Collection Edition to 150 Photo by Slim Aarons...

A woman combing her hair by a waterfall at Rose Hall, Jamaica, December 1971. Visual description: A tanned white woman smiles and combs her long brown hair by a waterfall at Rose H...

A woman combing her hair by a waterfall at Rose Hall, Jamaica, December 1971. Visual description: A tanned white woman smiles and combs her long brown hair by a waterfall at Rose H...

Brand-new addition to the Foggy Woods Collection of forests in northern California near San Francisco. New as of May 14, 2024. This is a hand-printed contact photograph using the ant...

"Tropical Landscape" is a captivating photograph by the artist Ksenia Kokovashina. The breathtaking view over the tropical landscape transports the viewer into an atmospheric natural...

This photography series corresponds to the artist's "restless being" paintings. After completing the painting series, which depicts rocks covered with various lichen varieties, Williams took the painted rocks...

Other Possible Forests unfolds a horizon of vital potentialities, where listening serves as a conduit for exploring the natural world, immersing us in its molecular memory and transp...

'Fern Forest I' is a bird's-eye view Archival Inkjet Print by photographer Morgan Silk. It is available in this size of 17" x 24" in a limited edition of 25. Morgan Silk has been ...

Brunch At Brennans Sunday brunch at Brennan’s restaurant, New Orleans. 48 x 48" / 122 x 122 cm paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons Printe...

"Salle Sauvage" is part of international artist, Natalie Lennard's series Birth Undisturbed. “The bearing of children ought to become as free from danger and long debility to civilised woman as it is to the savage.”— Thomas Huxley ‘Salle Sauvage’ translates to ‘primitive room’, a term coined by renowned obstretician Michel Odent in reference to his hospital in Pithiviers, France, with rooms designed to accommodate the primal instincts of labouring women. Here, a glass Cube set within the urban landscape of London becomes a metaphor for Odent’s primitive room and a woman’s connection with nature through homebirth. It is as though the walls of a living room have become transparent admitting our spectatorship into the private space of a birthing woman, perhaps for our enlightenment as well as vicariousness. “Buscar la forma” say the women of the Yucatan in Mexico, meaning to find your style, in contrast to the Western medical model...

Alexandre Manuel Zhangjiajie I, China, 2018 12x12 inches Edition of 10 Silver Gelatin Print

Brazilian Rainforest 40 x 60 inches - Edition of 10 Archival Pigment Print Unframed ABOUT THE ARTIST: Born in São Paulo, Sérgio Ranalli manages to combine journalistic objectivity ...

Indian Summer III (The Last Picture Show) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid, Certificate and Signature label Artist Inventory No 18549. Not mounted. Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters. Schneider works with the chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dream scapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018 / 2019. “It was Stefanie Schneider, who inspired me to start the company THE IMPOSSIBLE PROJECT after seeing her work, which seems to achieve the possible from the impossible, creating the finest of art out of the most basic of mediums and materials. Indeed, after that one day, I was so impressed with her photography that I realized Polaroid film could not be allowed to disappear. Being at the precise moment in time where the world was about to lose Polaroid, I seized the moment and have put all my efforts and passion into saving Polaroid film. For that, I thank Stefanie Schneider almost exclusively, who played a bigger role than anyone in saving this American symbol of photography.” –Florian Kaps, March 8th 2010 (“Doc” Dr. Florian Kaps, founder of “The Impossible Project”) What makes Stefanie Schneider’s work so unique is that it’s immediately recognizable. Perfect ‘wabi-sabi’ in appearance and content. Dream like, colorful with depth and vision. From start to finish, a truly self made artist with a distinctively female perspective. Exhibitions Selected (selected) 2018 Participation Bombay Beach Biennale, Bombay Beach, USA (G) March Available to All, Rough Play Projects - Site Specific, Joshou Tree, USA (G) curated by Deborah Martin with Adam Berg, Doron Gazit, Kellan Barnebey, Chris Sanchez, Aili Schmelzt 2017 BLICKFELD Analoge Fotografie, Kommunale Galerie Steglitz-Zehlendorf (G) (catalog), (upcoming)
 Rosegallery, Bergamot Station, Santa Monica (G) Magie des Moments, Kunstverein Bad Homburg Artlantis, Bad Homburg (G) 2016 
Instantdreams, Instantdreams Gallery, Berlin 

(S) 2015
 Desert Voices, De Re Gallery, Los Angeles (G) with Pamela Littky The Ballery in Heat, The Ballery, Berlin (G) 
Blue Nudes, De Re Gallery, Los Angeles (G) 

 2014

 Summer Show, Galerie Catherine et André Hug, Paris, France (G) 6 Finalists, Saatchi Gallery London (G) 
Instantdreams, De Re Gallery, Los Angeles (S)
Grand Opening, De Re Gallery, Los Angeles (G) with Banksy, Andy Warhol, Alison Bignon, Sophie Dickens, Victor Gingembre and others
 2013 
Heather's Dream, Short, nominated for the German Short Film Award 2013 (Deutscher Kurzfilmpreis)
Images For Images (Artists fir Tichy), GASK - Gallery of the Central Bohemian Region,  Kutná Hora, Czech Republic, (G) with Richard Prince, Nan Golding, Shirana Shahbazi, Sophie Calle, Martin Kippenberger, Arnulf Rainer, Thomas Ruff, Katharina Grosse, Jonathan Meese & others (catalog) 
The Girl behind the White Picket Fence, Galerie Catherine et André Hug, Paris, France (S)
 Heather's Dream, Short, German Competition Short Film Festival Oberhausen 
Multimedia Presentation with Artist Stefanie Schneider, Palms Springs Art Museum, Annenberg Theater
 The Polaroid Years: Instant Photography and Experimentation, The Frances Lehman Loeb Art Center, Poughkeepsie, NY, (G) with Ansel Adams, Bruce Charlesworth...

A waterfall hidden from plain sight in a canyon tucked away in the American West The American West is home to more beauty than one can ever comprehend Explore the National Parks an...

Archival pigment print Signed and numbered, verso 16 x 24 inches (Edition of 10) 20 x 30 inches (Edition of 7) 30 x 45 inches (Edition of 3) This photograph is offered by ClampArt, located in New York City. While working as a Guggenheim fellow to document Vietnamese war amputees in 2012, Pipo Nguyen...

Brunch At Brennans, 1960 Sunday brunch at Brennan’s restaurant, New Orleans. 20x20” / 51 x 51 cm - paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons Pr...

Archival Pigment Print All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"- Edition of 5 + 2 Artist Proofs 50" X 60"...

Archival pigment print Signed and numbered, verso 16 x 24 inches (Edition of 10) 20 x 30 inches (Edition of 7) 30 x 45 inches (Edition of 3) This photograph is offered by ClampArt, located in New York City. While working as a Guggenheim fellow to document Vietnamese war amputees in 2012, Pipo Nguyen...

Campbell Falls Picnic A family enjoy a picnic on the bank of the Whiting River near Campbell Falls Massachusetts USA 1959 Gorgeous print measuring a very large 40 x 40" inches / c...

“Reflections No. 5” is part of a body of work called “Reflections” created by artist Rachel Berkowitz. This series is a performative, process-based series that resulted in the creati...

Digital photography made in 2015 for a series of male figurative fine art forms in nature. Natural lighting in the woods in California. Human form is a part of the nature, for...

Rinko KAWAUCHI (*1972, Japan) Untitled, from the series 'the eyes, the ears', 2005 Lambda print Sheet 30,5 x 25,4 cm (12 x 10 in.) Frame 31,5 x 26,5 x 2,5 cm (12 3/8 x 10 3/8 x 1 in....

Toned gelatin silver print Signed, titled, dated, and numbered, recto 14 x 11 inches, sheet (Edition of 25) 20 x 16 inches, sheet (Edition of 25) 24 x 20 inches, sheet (Edition of...

Pando Forest #6 is available in an Edition of 5 + 2 Artist Proofs. Laval's new body of work continues her ongoing exploration of light in nature. Combining the natural landscape with a radical manipulation of light, Laval creates an other-worldly scape that bridges the gap between our reality and one that could only ever be imagined. The Pando Forest is an incredible display of vegetation in Utah's Fishlake National Park in the United States. Comprised of over 40,000 individual trees, this forest is really one living organism. Connected by one enormous root system, the forest continues to exist by producing clones of itself in response to environmental stresses. Creating small, temporary interventions in the organic landscape, Laval takes natural and artificial light and observes the interaction in nature through reflective surfaces. Marine blues and plush magentas describe this living organism, while radiant aquamarines...

Pando Forest #6 is available in an Edition of 5 + 2 Artist Proofs. Laval's new body of work continues her ongoing exploration of light in nature. Combining the natural landscape with a radical manipulation of light, Laval creates an other-worldly scape that bridges the gap between our reality and one that could only ever be imagined. The Pando Forest is an incredible display of vegetation in Utah's Fishlake National Park in the United States. Comprised of over 40,000 individual trees, this forest is really one living organism. Connected by one enormous root system, the forest continues to exist by producing clones of itself in response to environmental stresses. Creating small, temporary interventions in the organic landscape, Laval takes natural and artificial light and observes the interaction in nature through reflective surfaces. Marine blues and plush magentas describe this living organism, while radiant aquamarines...

Archival pigment print Signed and numbered, verso 24 x 18 inches (Edition of 10) 40 x 30 inches (Edition of 7) 56 x 42 inches (Edition of 3) This photograph is offered by ClampArt...

Campbell Falls Picnic A family enjoy a picnic on the bank of the Whiting River near Campbell Falls Massachusetts USA 1959 Gorgeous print measuring a very large 30 x 30" inches / c...

A woman combing her hair by a waterfall at Rose Hall, Jamaica, December 1971. Visual description: A tanned white woman smiles and combs her long brown hair by a waterfall at Rose H...

Diptych 4, 2023 Archival pigment print on Hahnemuhle smooth canvas. From the series All the faults of the world 37 x 39.5 inches. Edition of 4 Unframed In recent years -through the...

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later from the original negative, now retired and housed at the Center for Creative Photography...

I find comfort in forests, especially the few remaining old-growth stands of the Pacific Northwest. Life is churning in such places. Death and rebirth create a rich musk of decay, th...

I find comfort in forests, especially the few remaining old-growth stands of the Pacific Northwest. Life is churning in such places. Death and rebirth create a rich musk of decay, th...

I find comfort in forests, especially the few remaining old-growth stands of the Pacific Northwest. Life is churning in such places. Death and rebirth create a rich musk of decay, that is accompanied by the acidic aroma of conifers. Occasionally, a sweet waft will come to you from some unknown source, and the peat-softened ground muffles a sound, leaving one with a sense of quiet and calm. The green pallet soothes the eyes. You touch a tree that has fallen decades ago, perhaps a giant Sitka four feet in diameter, and it stains your hand. Soot, lichens, fungus, and a variety of microscopic detritivores have left their mark. You catch a glimpse of a rodent that is living in the hulk. A small snake...

I find comfort in forests, especially the few remaining old-growth stands of the Pacific Northwest. Life is churning in such places. Death and rebirth create a rich musk of decay, th...

I find comfort in forests, especially the few remaining old-growth stands of the Pacific Northwest. Life is churning in such places. Death and rebirth create a rich musk of decay, th...

I find comfort in forests, especially the few remaining old-growth stands of the Pacific Northwest. Life is churning in such places. Death and rebirth create a rich musk of decay, th...

I find comfort in forests, especially the few remaining old-growth stands of the Pacific Northwest. Life is churning in such places. Death and rebirth create a rich musk of decay, th...

I find comfort in forests, especially the few remaining old-growth stands of the Pacific Northwest. Life is churning in such places. Death and rebirth create a rich musk of decay, th...

I find comfort in forests, especially the few remaining old-growth stands of the Pacific Northwest. Life is churning in such places. Death and rebirth create a rich musk of decay, th...

I find comfort in forests, especially the few remaining old-growth stands of the Pacific Northwest. Life is churning in such places. Death and rebirth create a rich musk of decay, th...

I find comfort in forests, especially the few remaining old-growth stands of the Pacific Northwest. Life is churning in such places. Death and rebirth create a rich musk of decay, th...

I find comfort in forests, especially the few remaining old-growth stands of the Pacific Northwest. Life is churning in such places. Death and rebirth create a rich musk of decay, th...

I find comfort in forests, especially the few remaining old-growth stands of the Pacific Northwest. Life is churning in such places. Death and rebirth create a rich musk of decay, th...

Daniel Mansur WALD 1, 2019 60 x 88.5 inches 150 x 225 cm Also available in: 47 x 71 inches 120 x 180cm 60 x 88.5 inches 150 x 225 cm Edition of 6 copies overall Archival Pigm...

Miguel Winograd's work explores the relationship between people and their environment, narratives of social conflict, and the dense interconnections of...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

Knit One, Pearl One 3, 2011 - Autumnal Leaves and Trees in English Woodland by Ellie Davies Knit One, Pearl One 3 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, avai...