Wildlife Photography

Animal Locomotion: Plate 730 (Tiger Walking), 1887 - Eadweard Muybridge Inscribed with Muybridge's letterpress credit, series title, plate number and date, stamped with Museum of Edi...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 57 inches 67 x 81 inche...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 61 inches 67 x 86 inche...

Kate Moss and Elephant Nepal photographed by iconic Arthur Elgort. All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done an...

Elephant in front of a grey/green background – for lovers of travel and animals. PREISS FINE ARTS is one of the world’s leading galleries for fine art photography representing the m...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 55 inches 67 x 77 inche...

This photograph is an edition of 30 and is signed by the photographer.

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 56 inches 67 x 79 inch...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 54 inches 67 x 75 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "What is the key to having an edge in my genre of photograph in 2016? It cannot purely be technical camera fluency as that would enfranchise photographers across the globe – many of whom doubtless know their camera guide appendix far better than me. Nikon may have made me an ambassador, but not on the basis of my understanding of page 239 of the manual. Of course an innate sense of compositional balance and unerring focusing ability helps, as does a literacy in the language of light. But again, whilst this may narrow down the field, none of these skills are uncommon. I am always conscious of the fact that in 2016, everyone is a photographer. My firm contention is that the key to taking transcending photographs in the field, is access to great content and this comes from research, perseverance, occasional bouts of bravery and most of all logistical excellence. These variables collectively morph into one goal – “precision’”. Without an obsession with precision, the game is down to luck and luck, by definition, is a leveller. I take issue with those that say wildlife photography is about luck, because as I grow older (and looking in the mirror I see that I have aged a great deal camping in Alaska over the last 10 days), I can reasonably argue that research and logistical excellence tilt the odds in the favour of the applicants. I want to be the best – why settle for anything less in this trade? This is not ego talking, it is natural to be the best you can be. To succeed will not be about me learning about new functions on the camera, it will be through a constancy in my commitment to homework. Alaska is the perfect example of this dynamic. To go on photographic assignment there is much more a test of map work, spontaneity, people skills and quick thinking than it is of photographic prowess per se. To do a good job in this remarkable wilderness requires a respect for logistics – indeed that is what a lead photographer in the true wild must be – a logistics expert. Let’s start with a simple check. Google “Best places to photograph grizzly bears in Alaska” and there will be about 30 options articulated. The favourite places are designed for “weekend warrior” cameramen. Brooks Falls in Katmai for instance is effectively a zoo – with heavy park warden presence and soulless viewing stands. There is no joy for me in a place like this – and I did pop in to seek that confirmation this week. I am better than sitting on a stand with a long lens along with 40 amateurs. Kodiak Island has a huge number of bears, but because big game hunting is legal there, the bears are skittish and sometimes dangerous. Hallo Bay – site of the Disney Film “Bears’” has let the success go to their heads and the bear viewing is overrated, expensive and too accessible. They also regulate far too heavily. I know, I spent two days there last week being told where to sit. That is like asking Liam Gallagher not to swear. Most of Google’s 30 favourite places, hold no visceral grip on me – they are main-stream and dull. Setting up sensible and practical remote control positions leans me towards remote river banks and the summer salmon runs. Each river has its own unique salmon run and the times not only vary between rivers over a 12 week period, but each river has a different pattern each year. If the salmon run a specific river starts on July 22nd one year, they could run 7 – 10 days either side of it the next year. This requires a need to be spontaneous and be on the ground picking up grass roots detail. “How are the fish running” became my opening gambit the second half of July. I am no fisherman either. Over these last 10 days, I have had one picture in mind – a wide angle remote control shot of a big bear on a river’s edge. Something immersive and very close. But the 2016 season has not been predictable – berries have been plentiful and bears love berries as much as salmon, so traffic in some rivers has been abnormally light. But bush plane by bush plane I narrowed down my focus to an area I knew well – 70 miles south of Illiamut on the Alaskan Peninsula. We deliberately flew very low over Funnel Creek earlier in the week and saw at least six adult bears fishing up river and so we touched down in the tiny village of Illiamut to discuss logistics. Every village in Alaska has a landing strip. The next day, we were dropped off by float plane...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Edition Size: 12 Framed Size: 67 x 94 inches Price includes David Yarrow's custom black ash frame, white archiv...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 43 x 46 inches 59 x 63 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "This powerful portrait of a huge coastal brown bear in Funnel Creek, Katmai National Park, Alaska works because of the eye to eye face off...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 67 x 95 inches *Please inqu...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 67 x 81 inches *Please inquire for availability of standard size* All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "He is the king of the food chain, the king of the animal...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 67 x 102 inches All prints...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 78 inches 67 x 112 inch...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Available sizes: 67 x 100 inches All prints...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

Thomas Brummett has been working as an artist and professional photographer since 1983 when he graduated with a Master of Fine Arts from the Cranbrook Academy of Art. His work has be...

NINE FRANCOIS produces close-up photographs of animals which are presented against a stark white background. The artist shoots up close – very close – with a wide angle lens, and fr...

NINE FRANCOIS produces close-up photographs of animals which are presented against a stark white background. The artist shoots up close – very close – with a wide angle lens, and fr...

Signed by the artist. This piece is available at least four different sizes so contact us as availability is subject to change. ARTIST'S STATEMENT: I use photography to express selec...

Signed by the artist. This piece is available at least four different sizes so contact us as availability is subject to change. ARTIST'S STATEMENT: I use photography to express selec...

Signed by the artist. This piece is available at least four different sizes so contact us as availability is subject to change. ARTIST'S STATEMENT: I use photography to express selec...

Signed by the artist. This piece is available at least four different sizes so contact us as availability is subject to change. ARTIST'S STATEMENT: I use photography to express selec...

Signed by the artist. This piece is available at least four different sizes so contact us as availability is subject to change. ARTIST'S STATEMENT: I use photography to express selec...

From Nine Francois' "Animalia" series, Zebra 1 is one of 48 available animal images. Nine produces close-up photographs of animals which are presented against a stark white backgroun...

Signed by the artist. This piece is available in five different sizes so contact us as availability is subject to change. ARTIST'S STATEMENT: I use photography to express selective t...

Signed, dated and numbered on front of print. Titled on back of print. Edition 4/25. This pieces comes overmatted with archival, white, custom overmatt measuring 39 x 38 inches.

Signed, dated and numbered on front of print. Titled on back of print. Edition 3/25. This pieces comes overmatted with archival, white, custom overmatt measuring 39 x 38 inches.

Signed, dated and numbered on front of print. Titled on back of print. Edition 12/50. This pieces comes overmatted with archival, white, custom overmatt measuring 24 x 24 inches.

Signed, dated and numbered on front of print. Titled on back of print. This print is edition number 1/50. Includes custom, archival overmatting measuring 34 x 28 inches.

Signed, dated and numbered on front of print. Titled on back of print. Edition 2/25 in this size. This piece includes the custom, archival overmat measuring 39 x 32 inches.

Original archival digital pigment print or platinum print comes in three different sizes and the two mediums. Please contact us for availability. Digital Archival Prints: 7 x 11 i...

Original archival digital pigment print or platinum print comes in three different sizes and the two mediums. Please contact us for availability. Digital Archival Prints: 9 x 11 i...

Original archival digital pigment print or platinum print comes in three different sizes and the two mediums. Please contact us for availability. Digital Archival Prints: 11 x 11 ...

Original archival digital pigment print or platinum print comes in three different sizes and the two mediums. Please contact us for availability. Digital Archival Prints: 11 x 11 ...

Original archival digital pigment print or platinum print comes in three different sizes and the two mediums. Please contact us for availability. Digital Archival Prints: 8 x 11 i...

Original archival digital pigment print or platinum print comes in three different sizes and the two mediums. Please contact us for availability. Digital Archival Prints: 8 x 11 i...

For decades Michel Comte has been shooting protagonists from the world of art, film and entertainment. However, he does not only take photos – perhaps more than any other artist Comt...

Albert Watson is a veteran of international fine art-, fashion- and commercial photography, a non-conformist intellectual and uncompromising creative force. The multitalented photogr...

Monkey with a Wizzard Hat, photographed by Albert Watson in 1992. All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and ...

My photographs reflect both genuine interest in my subject as well as a respect for the element of serendipity. I strive for both calculation and discovery in my work, studying my su...

My photographs reflect both genuine interest in my subject as well as a respect for the element of serendipity. I strive for both calculation and discovery in my work, studying my su...

My photographs reflect both genuine interest in my subject as well as a respect for the element of serendipity. I strive for both calculation and discovery in my work, studying my su...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

Photo of an Elephant with Sleeping People, India. Signed, numbered, and dated on verso. Please contact us for additional sizes. Cavalier Galleries ...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

Nick's exquisite photographs arouse deep emotions. They inspire a sense of awe at the beauty of creation and the sacredness of life. It's almost impossible to look through his work without sensing the personalities of the beings whom he has photographed. JANE GOODALL...

Nick's exquisite photographs arouse deep emotions. They inspire a sense of awe at the beauty of creation and the sacredness of life. It's almost impossible to look through his work without sensing the personalities of the beings whom he has photographed. JANE GOODALL...

Signed, dated and numbered on front of print. Titled on back of print. Edition of 50. Also available as an 15 x 15 inch size and now available in a 30 x 30 inch size by special request. Prices and availability subject to change. Please contact us. The African lion in Lion's Stare was a 20 years old male called Subu, and he lived at Colchester Zoo...