Wildlife Photography

In this series, Zilberberg creates animal montages as an expression of self-therapy. As an urbanite, functioning day-to-day in a fast-paced, built environment can be emotionally unse...

Available Sizes: 37.5 x 30 in Edition of 15 50 x 40 in Edition of 10 60 x 48 in Edition of 5 Over 40,000 years ago, we began to depict animals in cave drawings. Throughout history, ...

"Tiger's Retreat" A Royal Bengal tiger cools off in a dark pool of water in the jungle of India in this iconic capture of one of the most incredible animals roaming the Earth. Ex...

Listing includes framing with UV Plexi, free shipping, and a 14 day return policy. Becoming Arihanta, Sahastrabahu Temple, Gwailor (2012) by Karen Knorr 24 x 30 inches (27 x 33 inches framed) Archival pigment print Edition 3 of 5 - Last edition available at this price Signed on artist certificate and acquired directly from the artist. Karen Knorr Artist Biography While Knorr’s images take some of their inspiration from the Indian tradition of personifying animals in literature and art, there is another almost subconscious strain to her work. Going back to the time of cave painting we see that these early visual artists not only recorded their lives and surroundings, but used art to express themselves. The depiction of animals in symbolic and powerful ways and the urge to create these images with the best tools at hand is a line stretching from these unnamed cave painters to Karen Knorr. Playfully combining technologies and genres, Knorr mixes digital...

Color wildlife photograph from 1991 by photojournalist Thomas Mangelsen. The work features a herd of zebras gathered around a watering hole. Signed, dated, and editioned 33/950 along lower from margin. Currently hung a complementary black frame with a cream matting. Dimensions Without Frame: H 24.5 in. x W 35 in. Artist Biography: A Nebraska native, Mangelsen’s love of nature, his life outdoors and business success were heavily influenced by his father. An avid sportsman, Harold Mangelsen took his sons to favorite blinds along the Platte River in Nebraska to observe the great flocks of ducks, geese and cranes that migrate through the valley. From these adventures, Mangelsen learned important lessons for photographing in the field, most notably patience and understanding animal behavior. In 1965, Mangelsen began studying business at the University of Nebraska. In 1967, Tom transferred to Doane College in Crete, Nebraska, where he changed his major and graduated with a bachelor’s degree in biology. Tom continued postgraduate study in zoology and wildlife biology at the University of Nebraska and Colorado State University. In 1970 Mangelsen moved to Nederland, Colorado. He spent two years living in the Rocky Mountains in an old mining shack without electricity or running water with his English setter, black lab and raccoon. Tom continued to work on his photography and studied arctic alpine ecology at the University of Colorado’s Mountain Research Station near Nederland. There he met Bert Kempers, a CU film producer, who later hired Tom as cinematographer and film editor for his company Westwind Productions, making educational and nature documentaries. Tom longed to make a documentary about the Platte River and its great wildlife resource. He returned to the Platte each spring to film the great crane migration. These experiences led to Tom traveling to the cranes’ nesting grounds in Alaska and their wintering areas in Texas. National Geographic television wanted to produce a documentary, which would chronicle the plight of the endangered whooping crane...

Aditya Dicky Singh Untitled photograph on fine-art Hahnemuhle archival paper 44" x 65" unframed (112cm x 165cm) 2016 Edition 1/8 *Should you wish the photograph to be printed at a different size for a specific project, we are happy to discuss this. Please message with your request. This would still be Edition 1/8 Dicky Singh's images have enthralled many and have given him a following worldwide. Institutions and individuals alike seek out his knowledge on wildlife and habitats. He has lent his expertise to BBC, National Geographic and many very well-known wildlife photographers. He has been photographing and documenting generations of families of Tigers, learning behaviours and understanding their role in the wider context of the Forest at Ranthambhore National Park in India. His knowledge is vast, not only of big cats but the other flora and fauna that co-exist special places. In 2016 he was asked to lead a photography, conservation expedition to Kenya. This powerful image shows a lone female...

Leopard #2 - Signed limited edition archival pigment print - Edition of 10 A series of studio portraits of a panther, or black leopard. Panthers are more commonly known these d...

Savannah Cat Vintage Photograph was realized in the 1960s. Good conditions. Stamped on the rear.

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper 36" x 53" unframed (92cm x 135cm) 2017 Edition 1/10 *Should you wish the photograph to be...

Aditya Dicky Singh, Untitled, Photograph on fine-art Hahnemuhle archival paper 44" x 65" unframed (112cm x 165cm) 2017 Edition 1/8 Dicky Singh's images have enthralled many and...

Leopard #2 - Signed limited edition archival pigment print - Edition of 3 Large scale A series of studio portraits of a panther, or black leopard. Panthers are more commonly k...

NICK BRANDT (*1966, England) Elephant on Bare Earth, Amboseli 2011 Archival pigment print Sheet 177,8 x 142,24 cm (70 x 56 in.) Edition of 10, p...

Available Sizes: 37.5 x 30 in Edition of 15 50 x 40 in Edition of 10 60 x 48 in Edition of 5 Over 40,000 years ago, we began to depict animals in cave drawings. Throughout history, ...

Edition of 8 Signed, titled, dated, print date, numbered, and copyright. Kevin Horan is a photographer based in Langley, Washington, USA. He is working on projects which look at ani...

Archival pigment print (Edition of 15) Signed in pencil, verso 9 x 9 inches, image From the series, "Allowed to Grow Old" This artwork is offered by ClampArt, located in New York C...

Mauricio Velez's photographs seeks to refine the viewer's sensitivity and perception of art and the human body, elevating these elements to an aesthetic realm that can inspire, distu...

47x71 inches (120x180cm) Edition of 10 Archival Pigment Print Mounted and Framed - Ask us for framing options. Björn Persson is an internationally renowned artist based in Stockho...

"Twinkle Toes" North Pole (Russia), 2017 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 in / Ed...

Portrait of a brown bear looking at something in the distance. Each year, brown bears descend on a remote part of the Alaskan wilderness in record numbers, gathering in search of th...

The Beholder Rwanda, 2018 24 × 36 in / 61 × 91.4 cm / Edition of 20 31 × 46.5 in / 78.7 × 118.1 cm / Edition of 15 40 × 60 in / 101.6 × 152.4 cm / Edition of 10 60 × 90 in / 152.4 ×...

"""Out of the Dust"" Elephant running across an iconic expanse of Kenya with a trail of dust behind him A single elephants runs across the dry Earth kicking up dust in his wake in...

Limited Edition of 5 More sizes and Editions on request. Primo was one of the "Big Tuskers" and oldest bulls in the Amboseli National Park in...

"Modernismo M5" Pop Art Photography 48"x48" in Edition 2/12 by Giuliano Bekor Title of artwork: M5 Year: 2012 Printed on a high-quality museum-grade archival photo paper. Not framed...

An elephant named Mae West accepts an apple from a passing tram driver while taking her morning exercise along Gray's Inn Road, London, 16th December 1936. Mae is helping to publicis...

An elephant named Mae West accepts an apple from a passing tram driver while taking her morning exercise along Gray's Inn Road, London, 16th December 1936. Mae is helping to publicis...

"Bear Scents" Yukon, Canada 2012 Available sizes: 24 × 36 in / 61 x 91.4 cm / Edition of 20 31 × 46.5 in / 78.7 x 118.1 cm / Edition of 15 40 × 60 in / 101.6 x 152.4 cm / Edition of 10 60 × 90 in / 152.4 × 228.6 cm / Edition of 7 Paul Nicklen...

QUEEN OF KATMAI Katmai National Park, Alaska, 2017 Edition of 20: 24” x 36” (61 x 91.4 cm) - $3,500 Edition of 15: 31” x 46.5” (78.7 x 118.1 cm) Edition of 10: 40” x 60” (101.6 x 15...

Leopard #3 - Signed limited edition archival pigment print - Edition of 3 A series of studio portraits of a panther, or black leopard. Panthers are more commonly known these d...

"""Pride of Tsavo"" Black and white image of a lone elephant throwing dirt on his back to keep cool Elephants throw dirt onto their backs to help them cool off amid the unrelenting...

This is a framed photographic print. Francois' Animalia series is described as “a photographic menagerie of startling, sensitive portraits.” The series started when the artist saw a ...

"""Opal"" Surreal capture of a polar bear walking towards the camera with her head down Close-up, intimate portrait of a polar bear walking towards the camera set against a surreal...

Max Garner Reidy Rhinoceros Limited Edition High quality Photographic print Sold Unframed Image Size: Image Height 84.1cm (33.1″), Image Width 118.9cm (46.8″) This is a monochromati...

David Burdeny Elephant Mother and Calf, Amboseli, 2020 Archival Pigment Print Signature Label Price for Print only. Ask us for framing options.

NICK BRANDT (*1966, England) Lion Before Storm II, Maasai Mara, 2006 Platinum Print Sheet 71.1 x 91.4 cm (28 x 36 in.) Edition of 15 plus AP's (from sold out edition) Print only Ni...

All available sizes & editions for each size of this photograph: 90 cm. x 120 cm. Edition AP 1 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and nature. Through the element of fire, I have found a way to express myself in totemic ritualistic performance by burning decaying trophy animals. The element of fire is very symbolic. It represents both destruction and creation. Animals and fire have, in many ways, formed our culture since the dawn of Mankind. They have also served as essential symbols in myth, spirituality, art and religion. Fire has protected us and given us hope. Given us a means to evolve in all culture. In Greek mythology, remember Prometheus. In the hand of Man, fire can be anything. It is our ethics that define it. We have always mirrored ourselves in Nature. What we see staring back at us may not be the image we were hoping for. This series is a reminder to where we have come regarding our relation to Nature and the huge effects of climatechange in the Anthropocene. My work often juxtaposes the visually aesthetic and uneasiness. An underlying feeling of that which is lost often plays an important role. I like to explore work themes that emanate a cognitive dissonance in the viewer to reveal more profound truths. I regard trophy animals as symbols of Man´s vanity and presumed victory over Nature. To me, they also serve as symbols of our general attitude towards Nature. The flames gives each animal a last breath of life as it creates a new portrait. The animal is set free again, ending a symbolic circle of life. A closure if you will, both physically and existentially. The English-inspired wallpapers represent imperialism and a colonial idea from a time when we were obsessed by conquering Nature and other lands. These too are burned with the animals symbolizing a protest toward our autocracy towards Nature itself. The repetitive performance of burning each animal serves as both an offering and a liberation. This is a violent act, but also a meaningful and beautiful act to me. The animals` personality changes dramatically throughout the burning process. This cannot be planned and therefore the animals give off a sense of further individuality. In the process of burning animals, I am also taking an object of desire off the market for further sales. An act that hopefully will spark dialog our use of Nature, as well as where we want to be heading in the near future. Dialog foments change and action. I spent seven years collecting old trophy animals and taxidermy of different sorts. Many were bought through auctions, while others were given to me by hunters` or the widows of hunters for this specific project. During the following three years, I went through a somewhat cathartic process of burning and obsessively exploring the symbolism of fire and our relation to animals with my performance. The intention with my series is to connect the public to the crucial matters at hand through something tangible, personal, and symbolic. These three years of working with this series has made me so much more conscious of how delicate nature is and how we have taken it for granted for too long. A reminder of how crucial both animals, fire and nature, for our so-called progress in survival and progress. Through this process, exploring new questions and inviting a larger audience to ask their own crucial questions in the massive global changes we all are witnessing, is what I strive for. Loss of animal diversity, poaching and massive forest fires are increasing so rapidly that Nature itself is at a major turning point. A call for action is needed. Working so close to the animals in my project has been as uplifting as it has been obsessive and heartbreaking, as the animal's eye connects with you on a personal level as a human does in non-verbal communication. In 2016, the government in Kenya burned poached ivory worth an estimated 130 million dollars, making a clear statement that these tusks should only belong to a living animal. This dramatic action created meaningful dialog around the world beyond news and statistics. Fires are destroying critical areas of much-needed land vegetation, thus creating considerable effects on climate change. The meeting between Nature`s fragility and Mans` ego has shown that forests disappear, glaciers are melting, sea levels are rising and species become extinct. Humans have too easily exploited all parts of nature with our own culture and growth. In this short process, we have lost the very essence of what we are a part, and thus forget the very nature in ourselves. What can photography do to create questions regarding climate change, and help us move towards a sustainable future? In photography, we can ask important questions about changes in our surroundings and who we are—Man’s condition. Background: `Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` This exhibition explores the ever-worsening Californian forest fires due to climate change. My previous environmental work has been nominated for the Prix Pictet Award twice before with my previous series for both Earth and Power themes. In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London). My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice` and a China tour on environmental issues with Three Shadows Photography...

NICK BRANDT (*1966, England) Lioness with Cub in Mouth, Amboseli 2012 Platinum print Sheet 71,12 x 88,9 cm (28 x 35 in.) Edition of 15, plus AP's; Ed. no. 2/15 print only Nick Brandt is a contemporary English photographer. His work focuses on the disappearing natural world. Since 2001, he has photographed the changing African continent and established a style of portrait photography of animals in the wild. – Photography, Documentary Photography, Animal, Africa, Wildlife, Nature, Lion Baby...

Ed. 1/7, signed on the recto, includes black frame. Guadalupe Laiz is an international artist, photographer and explorer born and raised in Argentina. Guadalupe’s main focus for the past ten years has been an extensive body of work capturing the beauty and uniqueness of the indigenous horses of Iceland, a country that has touched her deeply and continues to visit. Her work “Horses of Iceland” has been shown in exhibitions all over the world. This photograph is from her newest series "Among the Living." For this body of work, Laiz traveled across the African continent for six years, visiting Kenya, Namibia, Tanzania, Batswana, Rwanda, and Uganda. Forgoing comfort often for months at a time, she returned with intimate portraits of the charismatic and fierce, yet vulnerable and endangered animals she encountered. It is impossible to look at one of her photographs and not feel her subject’s innate individuality. As part of her artistic process, she spends time with each animal up close in its natural habitat, gets to know...

Francois' Animalia series is described as “a photographic menagerie of startling, sensitive portraits.” The series started when the artist saw a giraffe poking its head over a fence ...

Edition of 35 Signed, titled, dated and numbered. Paper size: 20 x 16 in., Image size: 15 x 15 in. Keith Carter is an American photographer who is known for his dreamlike black and ...

Archival pigment print Signed and numbered, verso 26.7 x 40 inches (Edition of 10) 40 x 60 inches (Edition of 5) 48 x 72 inches (Edition of 3) This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Zack Seckler's series, “Botswana,” is comprised of a series of exquisite aerial photographs taken in the Kalahari basin in south central Africa between 2009 and 2010. The body of work offers a quite different and almost magical view of the much-photographed and iconic landscape. In order to be able to capture these breathtaking images, Seckler enlisted the services of an expert pilot who flew a small, ultra-lightweight aircraft at low altitudes under 500 feet. Zack Seckler was born in Boston, and studied psychology at Syracuse University. Then, traveling solo with a point-and-shoot camera in northern India, his mind opened to the visual world. Upon returning to Syracuse, he took coursework in photography at the renowned Newhouse School. With an internship in a Hong Kong photo...

"Memories and Thunder" Kenya, 2025 Available sizes: 20 x 30 in / Edition of 6 - $4,500 32 x 48 in / Edition of 6 - $8,500 40 x 60 in / Edition of 6 - $16,500 50 x 75 in / Edition of...

"Tembo King" Kenya, 2025 Available sizes: 20 x 30 in / Edition of 6 - $4,500 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 in / Edition of 6 - $15,5...

Ethereal portrait of a leopard on a unique rock formation Leopard on top of a rock formation looking out over the territory beyond the frame Exceptional Creatures is a limited edit...

I visualized this shot so many times in my head before coming here, over and over again. A big tusker walking towards me with Kilimanjaro in the back. Piece of cake, right? Well, it ...

Paulo Behar Available sizes: 27 x 41 inches - Edition of 9 40 x 60 inches - Edition of 7 47 x 71 inches - Edition of 5 Archival Pigment Print - Unframed

"""Prowess"" A leopard stands in a grassy plain with her tale curved in a delicate shape A leopard stands in the grassy plain with an upturned tail in this black and white photogra...

Paulo Behar Available sizes: 27 x 41 inches - Edition of 9 40 x 60 inches - Edition of 7 47 x 71 inches - Edition of 5 Archival Pigment Print - Unframed

Frog Python Water Lily Sarracenia X-Ray Photography on Dibond Lambda Print Nature - Perspex Front UV Resistant The photography of Arie van ’t Riet is ...

Francois' Animalia series is described as “a photographic menagerie of startling, sensitive portraits.” The series started when the artist saw a giraffe poking its head over a fence ...

David Burdeny - Cheetah Profile (Africa) Archival Pigment Print Signature Label Ask us for framing options.

Limited Edition of 10 more sizes on request This monumental white rhino bull stands up from the bottom of the ground in Solio, Kenya. Dust is blowing around. ​For years, Joachim Sc...

Incredible portrait of a mountain gorilla against dense jungle foliage In this extraordinary moment, a mountain gorilla stands epically atop a rock formation, with the dense jungle ...

Araquém Alcântara Jaguar, Brazil, 2018 70 x 105 cm 27.5 x 41 inches Edition of 10 100 x 150cm 40 x 60 inches Edition of 10 120 x 180 cm 47 x 71 inches Edition of 10 Archival Pigm...

Available sizes: 32x47in ed.20 40x60in ed.15 47x71in ed.10 Archival Pigment Print Unframed Ask us for framing options. Björn Persson is an internationally renowned artist based i...

"""Primus"" Intimate profile portrait of Primus, a chimpanzee and his troop leader In Mahale National Park in Tanzania, I watched the dynamics between Primus, the alpha male of his...

Edition of 15 Signed, titled, dated, numbered, and copyright. Paper size: 17 x 13 in. Image size: 14 x 11 in. From the Chattel series. AVAILABLE SIZES: 13 x 17 in. , Edition of 15 $...

Available Sizes: 37.5 x 30 in Edition of 15 50 x 40 in Edition of 10 60 x 48 in Edition of 5 Being in a studio with a big cat off leash is an incredible experience. The size and pre...

Human and Animal Locomotion. Plate 733. Elephant; walking. 14 x 20 inch original vintage collotype print from 1887 (image size 8.125 x 14.875 inches)