Nick Brandt

Lion Before Storm II, Maasai Mara, 2006 – Nick Brandt, Africa, Animal, Art

2006

ALBERT WATSON (*1942, Scotland) Russian Woman, Moscow 1988 Vintage platinum print Sheet 61 x 50.8 cm (24 x 20 in.) Unique Albert Watson (*1942, Scotland...

NICK BRANDT (*1966, England) Leopard Staring, Masai Mara 2010 Platinum print Sheet 171.12 x 88.9 cm (28 x 35 in.) Frame 98 x 115 cm (38 5/8 x 45 1/4 in.) Edition of 15; Ed. 3/15 Framed Nick Brandt is a contemporary English photographer. His work focuses on the disappearing natural world. Since 2001, he has photographed the changing African continent and established a style of portrait photography of animals...

NICK BRANDT (*1966, England) Lioness with Cub in Mouth, Amboseli 2012 Platinum print Sheet 71,12 x 88,9 cm (28 x 35 in.) Edition of 15, plus AP's; Ed. no. 2/15 print only Nick Brandt is a contemporary English photographer. His work focuses on the disappearing natural world. Since 2001, he has photographed the changing African continent and established a style of portrait photography of animals in the wild. – Photography, Documentary Photography, Animal, Africa, Wildlife, Nature, Lion Baby...

NICK BRANDT (*1966, England) Elephants Walking Through Grass, Amboseli 2008 Platinum print Image 58.42 x 106.68 cm (23 x 42 in.) Sheet 76 x 111.2 cm (29 7/8 x 43 3/4 in.) Edition of ...

NICK BRANDT (*1966, England) Sitting Lionesses, Serengeti 2002 Platinum print Image 69.5 x 88 cm (27 3/8 x 34 5/8 in.) Sheet 76.5 x 99 cm (30 1/8 x 39 in.) Edition of 25; Ed. no. 16/25 Framed Nick Brandt is a contemporary English photographer. His work focuses on the disappearing natural world. Since 2001, he has photographed the changing African continent and established a style of portrait photography of animals...

Irving Penn (1917 – 2009, USA) Callot Swallow-Tail Dress 1977/1978 Platinum Palladium Print on Bienfang Mounted on Aluminium, framed 51,7 x 45,8 cm (20 1/3 x 17 3/4 in.) Edition 9/...

Jean-Paul Goude & Toukie Smith in NYC Subway, 1976 Photographed by Jonathan Becker Contemporary 14" x 14.5" Platinum/Palladium Print Edition Nº 1 of 6 Ce...

Martha Graham at New York City Center after her final onstage bow - backstage with Madonna and Calvin Klein, October 1990 "Martha was my godmother, and she was posing." - JB Photog...

Emma in Botafogo, Rio de Janeiro, 1984 Pão de Açucar, (Sugarloaf Mountain), Rio’s defining landmark looms in the background. Photographed by Jonathan Becker Contemporary 14" x 14.5...

Julian Schnabel at his Outdoor Studio, Montauk, New York, 13 August 2001 Schnabel's magnificent open-air studio benefits fully from the special light of Long Island's East End as oi...

Elaine's Kitchen - Andy Warhol and Elaine, New York, 1976 Photographed by Jonathan Becker Contemporary 14" x 14.5" Platinum & Palladium Print Edition Nº 1 of 3 Certificate of Origin Signed and Titled by the Photographer in Edition and Emboss-stamped in the Margin/Recto Printing & Edition Notes along with Copyright Stamp and Applicable Providence on Verso Printed by hand at the photographer's studio in the traditional Platinum & Palladium process on 100% cotton rag paper. Platinum & Palladium prints are known for their unrivaled longevity and unparalleled subtlety. Print cost includes wrapping/packing/crating for shipment in double-tubing. ______ Jonathan Becker (Steven Kasher Gallery bio by Mark Rozzo) Literate flair, acute visual intuition, love of mischief and spontaneity, and global wanderlust: These are among the hallmarks of the work of Jonathan Becker, whose photography spans four decades and includes iconic portraits (often for Vanity Fair) of a multiplicity of subjects, including Robert Mapplethorpe, Martha Graham, Madonna, Elia Kazan, Prince Charles, Eudora Welty, André Leon Talley, Ai Weiwei, Diana Vreeland and Jack Kevorkian. Becker - whose work was first published in Andy Warhol’s Interview in 1973 - was born in 1954 and raised in New York City. In the mid-1970s, he moved for a year to Paris, where he was mentored by his hero, Brassaï. Upon return to New York, Becker drove a cab, toting his camera and parking to complete magazine assignments. A 1981 exhibition of Becker’s work at New York’s Rentschler Gallery included a series of arresting images of patrons taken inside the kitchen at Elaine’s, the storied hangout on New York’s Upper East Side. This exhibition, curated by art director Bea Feitler brought Becker to the attention of Frank Zachary, editor-in-chief of Town & Country. Zachary invited Becker to work for the magazine, where the young photographer further developed his passion for journalistic portraiture alongside Slim Aarons, who, after Brassaï, became Becker’s guiding light. Becker was then enlisted by Bea Feitler to contribute portraits to the prototype of Vanity Fair’s 1983 re-launch. His participation led to a highly prolific association with the magazine as Contributing Photographer, continuing to this day. Becker has also contributed portraits and reportage to The New Yorker, Vogue, W, The Paris Review, amongst truly most major publications. In complement to his editorial work, Becker has accepted a limited number of private and family portrait commissions each year, some accompanied by privately published books, and in the course of his three-years-long project for the Rockefeller Foundation, Becker documented its vast array of philanthropic grant recipients on four continents abroad. Six trade books comprised entirely of Becker’s photographs have been published including Bright Young Things...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...