Anish Kapoor

Untitled (with Curls), from the Equitable Assurance Gallery, Signed/N, Framed

1996

Rare collectors' item: Anish Kapoor Venice Biennale: XLIV Esposizione Internazionale D'arte Biennale Di Venezia (Hand signed and inscribed by Anish Kapoor), 1990 HISTORIC signed poster published on the occasion of Kapoor representing Great Britain at the Venice Biennale Offset lithograph poster (Hand signed, inscribed to Nadine and dated 2016) Boldly signed, inscribed and dated by Anish Kapoor on the lower right front 33 × 23 inches Unframed Boldly signed and inscribed by Anish Kapoor on the lower right front for the present owner, Nadine, so provenance is direct. Accompanied by gallery issued Certificate of Guarantee This offset lithograph poster was published on the occasion of Anish Kapoor's exhibition "XLIV Esposizione Internazionale D'Arte" at the Biennale Di Venezia from May 27 to September 30, 1990. Hand signed posters by Kapoor are quite elusive. The poster is two sided as it was published on the occasion of the artist's participation in the 1990 Venice Biennale (the verso has his lengthy biography), and it bears the original folds as issued. British-Indian sculptor Anish Kapoor was chosen to represent Britain at the first Biennale of the 1990s. He had been exhibiting since 1980 but it was this show that brought him widespread recognition on the international stage. Sixteen huge sandstone blocks dominated the Pavilion’s main room; they were so heavy that the floor had to be reinforced with supports. Kapoor had started working in stone in the late 1980s and each block in Void Field (1989) has a hole filled with another motif in his work, the powdered blue pigment used in Indian religious ceremonies. The same vibrant tones, which was also inspired also by Yves Klein’s statement bold blue colour, were used in his low-lying slate sculpture, A Wing at the Heart of Things (1990), in the back gallery of the Pavilion; this work is now part of Tate’s collection. “Venice is an interchange of East and West, reflecting the way Kapoor borrows from both cultures” said Henry Meyric Hughes, British Council. Kapoor’s exhibition also wove together references to spiritualism and eroticism, with the red slit in the Pavilion's wall, entitled The Healing of St. Thomas (1989), alluding to the saint that doubted Jesus’ resurrection...

Anish Kapoor Shooting into the Corner (hand signed and dated by Anish Kapoor), 2009 Offset lithograph poster (hand signed and dated 2016) Boldly signed and dated by Anish Kapoor on t...

Ernesto Neto Quem paga o arrego, spray! (Who pays the bill, spray!), 2012 Ink on Cotton Rag Paper, signed & numbered. Signed, dated and numbered from the edition of 45 on the front (...

Jules Olitski Elegy, September 11, 2001, 2002 Silkscreen on wove paper Edition 103/108 Signed, titled and numbered in graphite pencil 103/108 on the front Framed Jules Olitski is hon...

Anish Kapoor Untitled, 2002 Etching with aquatint in colours signed and numbered by the artist in pencil 87 x 101 cm - Framed / 72 x 86.5 cm - Paper / 48 x 66 cm - Image Edition of 2...

Untitled by Anish Kapoor (b. 1954) Oil on canvas Overall dimensions: 122 cm (48 inches) composed of 2 parts of 61 x 61 cm (24 x 24 inches) each Signed and dated on the stretcher, An...

ANISH KAPOOR MOIRÉ 1 Date of creation: 2015 Medium: Etching on paper Edition: 39 Size: 96 x 72.4 cm Condition: In perfect conditions, brand new Etching on paper hand signed and numbe...

ANISH KAPOOR MOIRÉ 2 Date of creation: 2015 Medium: Etching on paper Edition: 39 Size: 96 x 72.4 cm Condition: In perfect conditions, brand new Etching on paper hand signed and numbe...