David Alfaro Siqueiros

Homage a Gerald Kramer Femme qui Marche - Lithograph by David A.Siqueiros - 1971

1971

Abstract Composition is an original Contemporary Artwork realized in the 1970s by Giulio Turcato (Mantua, 1912 – Rome, 1995). Original B/W Lithgraph on paper. Hand-signed in pencil...

Horizon is a vintage poster realized in 1970 by James Rosenquist. Mixed colored offset and lithograph. Hand signed by the artist. The poster was realized in the occasion of the ar...

Composition is an original artwork realized by Graham Sutherland in the half of 20th century. Mixed colored lithograph on wove paper (papier vélin). Hand Signed and numbered on th...

Image dimensions: 54x80 cm. This is numbered 26 out of 50 specimens plus some Artist's proofs. Printed in Zurich. Ref: l'Oeuvre Gravée, N°476; Toninelli Abrams New York, no. 84; "L...

Joan Miró (Spanish, 1893-1983) La Boite Alerte, 1959 Color lithograph Signed lower right, numbered 98/200 lower left 9.75 x 6.75 inches Joan Miró Ferra was born April 20, 1893, in B...

Joan Miró Untitled from Je traville comme un jardinier 1963 Original lithograph in colors on Rives vellum paper 16 x 13 inches Hand signed in pencil From an edition of 5 H.C. copies...

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U.S. as the state of Oklahoma, Smith’s parents, who were of Cherokee ancestry, raised him with both a strong sense of his heritage and an abiding respect for the land. Art would eventually draw Smith to New York where he would quickly embrace elements of geometric abstraction in his work. Many of Smith’s hard-edge compositions could be viewed as distillations of imagery drawn from the Oklahoma landscape...

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U.S. as the state of Oklahoma, Smith’s parents, who were of Cherokee ancestry, raised him with both a strong sense of his heritage and an abiding respect for the land. Art would eventually draw Smith to New York where he would quickly embrace elements of geometric abstraction in his work. Many of Smith’s hard-edge compositions could be viewed as distillations of imagery drawn from the Oklahoma landscape...