Items Similar to Two Lines Excentric Jointed with Six Angles, Offset lithograph signed/N 18/30
Want more images or videos?
Request additional images or videos from the seller
1 of 3
George RickeyTwo Lines Excentric Jointed with Six Angles, Offset lithograph signed/N 18/301986
1986
About the Item
George Rickey
Large: 39 inches (vertical) x 24.5 inches (horizontal)
(Ships rolled in a tube measuring: 35 x 5)
Two Lines Excentric Jointed with Six Angles, 1986
Limited Edition Offset Lithograph (Hand Signed and Numbered).
Boldly signed and numbered by George Rickey on the front in black marker from the limited edition of only 30. Edition 18/30
39 × 24 1/2 inches
Unframed
Gallery issued Certificate of Guarantee
Uniquely hand signed vintage offset lithograph poster of renowned kinetic artist George Rickey, hand signed and numbered from the edition of only 30.
Unframed
Provenance
Neuer Berliner Kunstverein
About George Rickey:
"The artist finds waiting for him, as subject, not the trees, not the flowers, not the landscape, but the waving of branches and the trembling of stems, the piling up or scudding of clouds, the rising and setting and waxing and waning of heavenly bodies."
—George Rickey
Born in 1907 in South Bend, IN, George Rickey spent over five decades committed to the creation of poetic and precisely-calibrated sculptures that he referred to as his “useless machines.” Designed to be situated in the public sphere, the works are activated by their interplay with the surrounding environment, reshaping the landscape and bringing heightened attention to aspects of light, movement, and composition. Of all the natural forces, it was the wind’s movement that most captured Rickey’s imagination. He once wrote, “The artist finds waiting for him, as subject, not the trees, not the flowers, not the landscape, but the waving of branches and the trembling of stems, the piling up or scudding of clouds, the rising and setting and waxing and waning of heavenly bodies.”
After initially studying painting in Paris, Rickey returned to the US in 1930 and his career as a painter and muralist developed in the 30s and early 40s, completing works through the WPA and other public commissions. It was during his Army Air-corps War service that he rediscovered his long dormant natural aptitude for mechanics. Already in the mid ’30s he had seen Calder’s exhibition of mobiles in New York, however it was during the War that his thinking about a new and different kind of art began to shift. While familiarizing himself with gyroscopes on B-29 gunnery sights, other important memories were engaged from his youth that would have bearing on his artistic life’s work as a kinetic sculptor—such as the knife edge gimbal that kept the compass and stove level on his family’s yacht growing up in Scotland; and the simple mechanics of a pendulum seen in his grandfather’s clock-making shop as a young boy. In his war years, during free time in the workshop, he started experiments at first with Calder-esque mobiles and then little “machines;” later, other sculptures would be inspired by the movement of flowers, sedges, the clouds and stars in the wind.
Soon afterward, Rickey began to devote himself to the investigation of motion in sculpture, producing dynamic works using simple geometric forms such as lines, squares, rectangles, circles, etc., in which his prodigious understanding of engineering and mechanics is demonstrable. Though the works enthusiastically collaborate with the interference of wind currents in their environment, the speed of their random movements are tempered by simple spacing and fixed arrangement of the elements. The relationship of the parts remains the same, but the dance is always changing. It is this tension that defines Rickey’s sculptures. “I think it’s important to make art that you have to wait for,” said the artist. As such, the works are able to oscillate gracefully through an infinite number of compositional iterations, engaging all aspects of the natural world around them—wind, light, rain, fog, or the lack thereof.
Much of Rickey’s work was created in his studio in East Chatham, New York, where he settled in 1960. Prior to that time, the artist had lived and taught in Bloomington, IN; New Orleans, LA; New York, NY, and throughout the Midwest. His childhood, youth and college years were spent in Scotland and Britain. Aside from East Chatham he had studios in Berlin, Germany and Santa Barbara, CA.
His work is included in the permanent collections of over 150 museums worldwide, including the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.; Los Angeles County Museum of Art, California; Museum of Modern Art, New York; Metropolitan Museum of Art, New York; National Gallery of Art, Washington, D.C.; Walker Art Center, Minneapolis; National Gallery of Scotland, Edinburgh; Museum Boijmans Van Beuningen, Rotterdam and Kunstmuseum Bern, Switzerland, among many others. Key exhibitions include George Rickey: Monumental Sculptures on Park Avenue, New York (2021); A Life in Art: Works by George Rickey, Indianapolis Art Center, Indiana (2009); George Rickey: Kinetic Sculpture, A Retrospective, Vero Beach Museum of Art, Florida; Frederik Meijer Gardens and Sculpture Park, Grand Rapids and McNay Art Museum, San Antonio (2007-09); George Rickey: Kinetische Skulpturen, Museum für Kunst und Gewerbe, Hamburg, Germany (2003) and George Rickey – Retrospective Exhibition, Solomon R. Guggenheim Museum, New York (1979).
Courtesy of Kasmin Gallery
- Creator:George Rickey (1907-2002, American)
- Creation Year:1986
- Dimensions:Height: 35 in (88.9 cm)Diameter: 5 in (12.7 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745214222792
George Rickey
GEORGE RICKEY Born: South Bend, Indiana, 1907 Died: St. Paul, Minnesota, 2002 George Rickey spent over five decades committed to the creation of poetic and precisely-calibrated sculptures that he referred to as his “useless machines.” Of all the natural forces, it was the wind’s movement that most captured Rickey’s imagination. He once wrote, “The artist finds waiting for him, as subject, not the trees, not the flowers, not the landscape, but the waving of branches and the trembling of stems, the piling up or scudding of clouds, the rising and setting and waxing and waning of heavenly bodies.” Rickey began to devote himself to the investigation of motion in sculpture, producing dynamic works using simple geometric forms such as lines, squares, rectangles, circles, etc., in which his prodigious understanding of engineering and mechanics is demonstrable. Though the works enthusiastically collaborate with the interference of wind currents in their environment, the speed of their random movements are tempered by simple spacing and fixed arrangement of the elements. The relationship of the parts remains the same, but the dance is always changing. It is this tension that defines Rickey’s sculptures. “I think it’s important to make art that you have to wait for,” said the artist. As such, the works are able to oscillate gracefully through an infinite number of compositional iterations, engaging all aspects of the natural world around them—wind, light, rain, fog, or the lack thereof. Much of Rickey’s work was created in his studio in East Chatham, New York, where he settled in 1960. Prior to that time, the artist had lived and taught in Bloomington, IN; New Orleans, LA; New York, NY, and throughout the Midwest. His childhood, youth and college years were spent in Scotland and Britain. Aside from East Chatham he had studios in Berlin, Germany and Santa Barbara, CA. George Rickey's work is included in the permanent collections of over 150 museums worldwide, including the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.; Los Angeles County Museum of Art, California; Museum of Modern Art, New York; Metropolitan Museum of Art, New York; National Gallery of Art, Washington, D.C.; Walker Art Center, Minneapolis; National Gallery of Scotland, Edinburgh; Museum Boijmans Van Beuningen, Rotterdam and Kunstmuseum Bern, Switzerland, among many others. Key exhibitions include George Rickey: Monumental Sculptures on Park Avenue, New York (2021); A Life in Art: Works by George Rickey, Indianapolis Art Center, Indiana (2009); George Rickey: Kinetic Sculpture, A Retrospective, Vero Beach Museum of Art, Florida; Frederik Meijer Gardens and Sculpture Park, Grand Rapids and McNay Art Museum, San Antonio (2007-09); George Rickey: Kinetische Skulpturen, Museum für Kunst und Gewerbe, Hamburg, Germany (2003) and George Rickey – Retrospective Exhibition, Solomon R. Guggenheim Museum, New York (1979).
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 2007
1stDibs seller since 2022
409 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Shipping from: New York, NY
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllCollectors Item: Rare Limited Ed. museum print, Hand Signed by Gerhard Richter
By Gerhard Richter
Located in New York, NY
Gerhard Richter
Fra van Gogh Til Gerhard Richter (From Van Gogh to Gerhard Richter) - Hand signed by Gerhard Richter, 1994
Offset lithograph (Hand Signed)
Hand signed in black marker...
Category
1990s Abstract Abstract Prints
Materials
Permanent Marker, Lithograph, Offset
Lincoln Center Festival print, hand signed & inscribed by Glenn Ligon, Black Art
By Glenn Ligon
Located in New York, NY
Glenn Ligon
Lincoln Center Festival (Hand signed, inscribed and dated), 2004
Offset lithograph on wove paper
LARGE: 41 1/2 inches (vertical) × 32 inches (horizontal)
(Ships in a tube...
Category
Early 2000s Contemporary Figurative Prints
Materials
Permanent Marker, Lithograph, Offset
Gorgeous Royal Academy of Arts poster print (Hand Signed & dated by Jeff Koons )
By Jeff Koons
Located in New York, NY
JEFF KOONS
Poster of Jeff Koons Coloring Book at the Royal Academy of Arts, 2011 (Hand Signed), 2018
Offset lithograph
26 1/2 × 36 1/4 inches
Boldly hand signed and dated by Jeff Koo...
Category
2010s Pop Art Abstract Prints
Materials
Permanent Marker, Lithograph, Offset
Ruckus Manhattan, Historic offset lithograph poster, hand signed by Red Grooms
By Red Grooms
Located in New York, NY
Red Grooms
Ruckus Manhattan (Hand signed), 1981
Historic Offset lithograph poster (hand signed by Red Grooms)
11 × 28 inches
Hand signed by Red Grooms on the front
Unframed
The artis...
Category
1980s Pop Art Figurative Prints
Materials
Permanent Marker, Lithograph, Offset
Four Hearts, rare poster, The Baltimore Museum of Art (Hand Signed by Jim Dine)
By Jim Dine
Located in New York, NY
Jim Dine
Hearts (Hand Signed), 1983
Offset lithograph
28 × 22 inches
Boldly signed in black marker on the front
Unframed
This vintage hand signed 1983 poster...
Category
1980s Pop Art Abstract Prints
Materials
Offset, Permanent Marker, Lithograph
Rare exhibition print (Hand Signed by Willem de Kooning), Estate of Alan York
By Willem de Kooning
Located in New York, NY
Willem de Kooning
de Kooning in East Hampton (Hand Signed), from Estate of Alan York, 1978
Offset lithograph poster (Hand signed by de Kooning)
Boldly signed in green marker on the f...
Category
1970s Abstract Expressionist Abstract Prints
Materials
Permanent Marker, Lithograph, Offset
You May Also Like
French Abstract Surrealist Color Lithograph Andre Masson
By André Masson
Located in Surfside, FL
Published Benincasa Carmine. Edizioni SEAT, Torino, Italy. Offset directly from the original plates.
Limited edition. This is not hand signed or numbered. Signature in the printing p...
Category
20th Century Surrealist Abstract Prints
Materials
Lithograph, Offset
French Abstract Surrealist Color Lithograph Andre Masson
By André Masson
Located in Surfside, FL
Published Benincasa Carmine. Edizioni SEAT, Torino, Italy. Offset directly from the original plates.
Limited edition. This is not hand signed or numbered. Signature in the printing p...
Category
20th Century Surrealist Abstract Prints
Materials
Lithograph, Offset
French Abstract Surrealist Color Lithograph Andre Masson
By André Masson
Located in Surfside, FL
Published Benincasa Carmine. Edizioni SEAT, Torino, Italy. Offset directly from the original plates.
Limited edition. This is not hand signed or numbered. Signature in the printing p...
Category
20th Century Surrealist Abstract Prints
Materials
Lithograph, Offset
Keith Haring Halloween 1989 (announcement)
By Keith Haring
Located in NEW YORK, NY
Keith Haring New York City 1989:
RARE original 1989 Keith Haring designed Sound Factory Halloween invite featuring a dazzling array of Keith Haring Skeletons:
“Keith Haring & Sound Factory Invite You to A Special Halloween Costume...
Category
1980s Pop Art Abstract Prints
Materials
Lithograph, Offset
Milton Glaser San Francisco Opera 1981 (Milton Glaser posters)
By Milton Glaser
Located in NEW YORK, NY
1980s Milton Glaser Poster Art:
Milton Glaser San Francisco Opera: Vintage original Milton Glaser poster c.1981. Designed by Milton Glaser on the ...
Category
1980s Contemporary Figurative Prints
Materials
Lithograph, Offset
$396 Sale Price
20% Off
Milton Glaser Brooklyn Center for the Performing Arts (Milton Glaser posters)
By Milton Glaser
Located in NEW YORK, NY
1980s Milton Glaser Poster Art:
Milton Glaser Brooklyn Center for the Performing Arts at Brooklyn College: Vintage original Milton Glaser poster c.1984. Designed by Milton Glaser on the occasion of the 30th anniversary of the Brooklyn Center for the Performing Arts at Brooklyn College. In this piece Glaser creates music and dance incarnate: A colorful figure appears headless, its torso formed...
Category
1980s Pop Art Figurative Prints
Materials
Lithograph, Offset
Recently Viewed
View AllMore Ways To Browse
Compass Signed
Pendulum Art
Vintage Clock Keys
Vintage Vero
Studio Vero
Vintage Key Machine
Key Wind Clock
Pendulum Sculpture
Vintage Clock In Machine
Vintage Wind Up Keys
Kinetic Sphere
Vintage Key Knife
Garden Sculpture Sphere
Kinetic Clock
Vintage Wind Up Clock Clocks
Vintage Tube Clocks
Vintage Stoves 1930
World War 2 Clock