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Jasper JohnsJasper Johns, Target with Four Faces (ULAE 55), iconic 1960s Pop Art silkscreen1968
1968
$70,000
£53,753.28
€61,663.47
CA$98,358.21
A$110,154.99
CHF 57,477.07
MX$1,345,495.87
NOK 731,275.59
SEK 689,314.88
DKK 460,186.92
About the Item
Jasper Johns
Target with Four Faces (ULAE 55), 1968
Silkscreen in colors on Rives BFK wove paper
Signed and dated in red ink and numbered 53/100 (total edition includes ten artist's proofs).
Frame included:
This work is floated and framed in a museum quality black wood frame with UV plexiglass.
Measurements:
Frame:
46.5 x 35 x 2 inches
Print:
41 x 29 inches
About Jasper Johns:
When Jasper Johns had his first one-person exhibition at the Leo Castelli Gallery — in 1958, at the age of twenty-seven — its impact was widespread and immediate. His work signaled a new direction for contemporary art, one that would lead away from Abstract Expressionism and forward to Pop, Minimalism, Conceptual art, and beyond. The Museum of Modern Art acquired four works directly from the show: paintings of targets, flags, and numerals (subjects Johns called “things the mind already knows”).
In the six decades since, Johns has continued to explore new symbols and images, building an extensive personal lexicon that is sometimes enigmatic but always unmistakably his own. A single painted motif might reappear decades later in a sculpture, a drawing, a print, or even in another painting. “My experience of life is that it’s very fragmented; certain kinds of things happen, and in another place a different kind of thing occurs,” he has explained. “I would like my work to have some vivid indication of those differences.”
Jasper Johns (b. 1930) grew up in South Carolina and moved to New York in 1953, where he met Robert Rauschenberg, John Cage, and Merce Cunningham. The artistic ideas of these four friends and sometime collaborators helped establish a new American avant-garde, redefining the role of artistic intent through the use of found imagery and chance. Johns’s work in particular has had a profound impact on American culture. He has been the subject of one-person exhibitions at museums around the world, including career surveys at the Museum of Modern Art, the Metropolitan Museum of Art, and the Whitney Museum of Art in New York, the National Gallery of Art in Washington, DC, the Centre Pompidou in Paris, the Royal Academy in London, the San Francisco Museum of Modern Art, and the Philadelphia Museum of Art.
- Courtesy of Matthew Marks Gallery
- Creator:Jasper Johns (1930, American)
- Creation Year:1968
- Dimensions:Height: 46.5 in (118.11 cm)Width: 35 in (88.9 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:please see additional images of the work in the frame, the signature, and edition number. Ships framed. Jasper Johns signed this work with a red marker, so the signature may appear attenuated which is normal. (see photos).
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745214793752
Jasper Johns
Jasper Johns is an American painter, sculptor and printmaker born on May 15, 1930. He eventually became one of America's best known post–Abstract Expressionists and Minimalists.
Johns's name is most often associated with pictorial images of flags and numbers and Pop art subjects that he depicted in Minimalist style with an emphasis on linearity, repetition and symmetry. He completed his first flag painting in 1955, alphabet subjects in 1956, sculpture in 1958 and lithographs in 1960.
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