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Etching Abstract Prints

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Medium: Etching
WALL STREET JOURNAL, DINNER TRIANGLES
Located in Missouri, MO
Framed Size: approx. 27 x 44 inches James Rosenquist (1933-2017) "WALL STREET JOURNAL, DINNER TRIANGLES" 1977 Etching and Aquatint on Paper Signed...
Category

1970s Modern Etching Abstract Prints

Materials

Etching, Aquatint

Put Out More Flags
Located in New York, NY
Created by Howard Hodgkin in 1992, Put Out More Flags is a stunning hand-colored etching with carborundum, hand-monogrammed, dated, and numbered in pencil. The artwork measures 17 1/...
Category

20th Century Etching Abstract Prints

Materials

Etching, Aquatint

Bethsabee
Located in Missouri, MO
Joan Miro “Bethsabee” 1972 Etching and Aquatint in Colors on Wove Paper Hand-Signed by the Artist in Pencil Lower Right Numbered in Pencil “5/50” Lower Left Maeght editeur Pairs Printing: Morsang, Paris Sheet Size: 36 x 24 3/4 inches Framed Size: approx 41 x 39 inches Catalogue Raisonne: Miro Engravings Vol. 2 (1961-1973), Pg. 197, #556 Joan Miro was born in Barcelona, Spain on April 20, 1893, the son of a watchmaker. From 1912 he studied at the Barcelona Ecole des Beaux-Arts and the Academie Gali. In the first quarter of the 20th century, Barcelona was a cosmopolitan, intellectual city with a craving for the new in art...
Category

1970s Modern Etching Abstract Prints

Materials

Etching, Aquatint

Gray brown and yellow composition IX
Located in Paris, FR
Etching and aquatint on zinc, 1962 Handsigned by the artist in pencil and numbered 69/75 Printer : Jean Signovert (Paris) Catalog : Schneider IX 76.00 c...
Category

1960s Abstract Etching Abstract Prints

Materials

Etching, Aquatint

Six Softground Etchings, #1
Located in Laguna Beach, CA
A highly influential mid-century American artist, Richard Diebenkorn is known for his abstract landscape paintings, in particular, the "Ocean Park" series, which he exhibited when re...
Category

Mid-20th Century American Modern Etching Abstract Prints

Materials

Etching

Untitled
Located in New York, NY
Created as an aquatint in 1978-79, Donald Judd hand-signed and numbered this original print in pencil. The artwork measures 40 x 29 ½ (101.6 x 74.9 cm.), unframed, and is from the e...
Category

20th Century Minimalist Etching Abstract Prints

Materials

Aquatint

Folsom Street Variation III (Primaries)
Located in New York, NY
Superb color work by American Abstract Expressionist master Richard Diebenkorn, from a limited edition of 60. Signed by Diebenkorn and numbered in pencil. Published by Crown Point ...
Category

Late 20th Century Abstract Expressionist Etching Abstract Prints

Materials

Aquatint

Target with Plaster Casts (Black & White)
Located in Miami, FL
TECHNICAL INFORMATION Jasper Johns Target with Plaster Casts (Black & White) 1980-1989 Drypoint etching and aquatint 31 1/8 x 24 1/8 in. AP IV/XVI Pencil...
Category

1980s Abstract Expressionist Etching Abstract Prints

Materials

Drypoint, Etching, Aquatint

Trace sur la Paroi I - Joan Miró, Etching, Aquatint, Abstract Prints, Surrealist
Located in London, GB
Signed in pencil, numbered from the edition of 75. Printed on Mandeure rag paper by Arte Adrien Maeght, Paris. Published by Maeght editeur, Paris. (Dupin 440).
Category

1960s Abstract Etching Abstract Prints

Materials

Etching, Aquatint

Judgements: Blitz
Located in London, GB
Plate 1 from 'Judgements'. Signed in pencil, from the edition of 100. Printed on Arches wove paper by Atelier Georges Visat, Paris. Published by Blue Moon Gallery, New York. Plat...
Category

1960s Surrealist Etching Abstract Prints

Materials

Etching, Aquatint

Aimera bien qui aimera le dernier
Located in London, GB
Signed in pencil, from the edition of 85. Printed on Lana wove paper and published by Georges Visat, Paris. Plate: 42 x 32.7 cm. (Sabatier 194).
Category

1960s Surrealist Etching Abstract Prints

Materials

Etching, Aquatint

Droites Libérées: Plate 9
Located in London, GB
From 'Droites Libérées', a series which illustrated a poem by Henri Michaux. Signed in pencil, numbered in Roman numerals from XXV. From the suite on Japon nacré paper (the total e...
Category

1970s Surrealist Etching Abstract Prints

Materials

Etching, Aquatint

More Points on a Bachelor’s Tie
Located in New York, NY
Created by the artist in 1977 as a color etching with pochoir, James Rosenquist's, More Points on a Bachelor's Tie, is hand-signed in pencil, as well as hand-titled, dated, and numbe...
Category

20th Century Pop Art Etching Abstract Prints

Materials

Etching, Aquatint

Mocador Lligat - Antoni Tàpies, Surrealism, Abstract art, Prints, Etching
Located in London, GB
Signed in pencil, numbered from the edition of 75. (Galfetti 289).
Category

1970s Abstract Etching Abstract Prints

Materials

Etching

Tulip Sundae
Located in Laguna Beach, CA
Best known for his paintings of cakes, pies, pastries, and toys, Wayne Thiebaud hadn’t planned on becoming a visual artist. He apprenticed as a cartoonist at Walt Disney studios and ...
Category

2010s Etching Abstract Prints

Materials

Drypoint, Aquatint

Venice, Afternoon, Howard Hodgkin
Located in New York, NY
A large image with wonderful presence, Venice, Afternoon was created by British colorist, Howard Hodgkin in 1995 as a hand-painted etching and aquatint with carborundum on 16 sheets ...
Category

20th Century Modern Etching Abstract Prints

Materials

Etching, Aquatint

Untitled, Sonia Delaunay
Located in New York, NY
A graceful, colorful image by Sonia Delaunay, Untitled, 1969 was created by the artist as a color etching measuring 26 x 19 3/4 in. (66 x ...
Category

20th Century Etching Abstract Prints

Materials

Etching

Take it Easy, Greasy
Located in Kansas City, MO
Artist : Jolynn Reigeluth Title : Take It Easy, Greasy Materials : Etching, collage and watercolor Date : 2017 Dimensions : 15" x 12" in. Jolynn Reigeluth is an artist and freelance...
Category

2010s Dada Etching Abstract Prints

Materials

Printer's Ink, Watercolor, Color, Etching, Monoprint

Goofer Dust Blues
Located in Kansas City, MO
Artist : Jolynn Reigeluth Title : Goofer Dust Blues Materials : Etching, collage and watercolor Date : 2016 Dimensions : 15" x 12" in. Jolynn Reigeluth is an artist and freelance Gr...
Category

2010s Contemporary Etching Abstract Prints

Materials

Printer's Ink, Watercolor, Color, Etching, Monoprint

Ear Whacks
Located in Kansas City, MO
Artist : Jolynn Reigeluth Title : Ear Whacks Materials : Etching, collage and watercolor Date : 2018 Dimensions : 12" x 9" in. Jolynn Reigeluth is an artist and freelance Graphic De...
Category

2010s Dada Etching Abstract Prints

Materials

Printer's Ink, Watercolor, Color, Etching, Monoprint

Forbidden Fruit: Eve
Located in Kansas City, MO
Artist : Jolynn Reigeluth Title : Forbidden Fruit: Eve Materials : Etching, collage and watercolor Date : 2018 Dimensions : 19" x 13" in. Jolynn Reige...
Category

2010s Surrealist Etching Abstract Prints

Materials

Printer's Ink, Watercolor, Color, Monoprint, Etching

David's Pool at Night - Print, Abstract art, Contemporary art, Etching, Hodgkin
Located in London, GB
Soft-ground etching and aquatint, with hand-colouring, 1979-85. Signed and dated in pencil, numbered from the edition of 100. Printed on Hahnemühle mould-made paper by Atelier Crom...
Category

1980s Abstract Etching Abstract Prints

Materials

Etching

Untitled Etching
Located in Kansas City, MO
Untitled Etching Paper size: 14 x 14" Image size: 12 x 12" Edition of 23 Year: 2004 Signed by artist and labeled 6/23 Tara Donovan (born 1969 in Flushing...
Category

Early 2000s Contemporary Etching Abstract Prints

Materials

Etching

La Joie de la Thora
Located in San Francisco, CA
This artwork titled "La Joie de la thora (The Joy of the Thora)" is an original color etching on wove paper by Maroccan artist Guillame Azoulay, born 1949. It is signed , titled and numbered 17/300 in pencil by the artist. The image (plate mark) is 15.75 x 15.75 inches, sheet size is 22 x 26 inches, It is in excellent condition. About the artist. Guillaume Azoulay was born in Casablanca, Morocco in 1949. Since age he went to many parts of the world, earning his way by painting and performing as an actor. In 1976 he arrived in the United States. In this short time span, Azoulay has worked to establish himself as an American etcher. After moving several times Azoulay settled in California in March of 1976 where he now lives Seven of his works are held in the permanent collection of the Musee Du Louvre...
Category

Late 20th Century Modern Etching Abstract Prints

Materials

Etching

Son Abrines
Located in San Francisco, CA
"Son Abrines" Original etching with aquatint printed on Guarro paper. Ink stamp signed, numbered 23/75 in pencil. Also hand signed in pencil on the back by the grand son of the artis...
Category

1980s Abstract Etching Abstract Prints

Materials

Aquatint

Tickle Me
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

Late 20th Century Modern Etching Abstract Prints

Materials

Paper, Etching

Untitled Dry Point Etching CR 313-PR
Located in Kansas City, MO
Dimensions : Image 7 7/8” x 5 7/8”, Paper 16” x 12” Printed at Alfred University Press, Alfred, NY Chop mark: Alfred University Press Signed: Pencil 15/20 Voulkos ‘98 Peter Voulkos (popular name of Panagiotis Voulkos; January 29, 1924 – February 16, 2002) was an American artist of Greek descent. He is known for his abstract expressionist ceramic sculptures, which crossed the traditional divide between ceramic crafts and fine art. While his early work was fired in electric and gas kilns, later in his career he primarily fired in the anagama kiln of Peter Callas...
Category

1990s Abstract Etching Abstract Prints

Materials

Drypoint, Etching

Back to Kansas
Located in San Francisco, CA
Spencer Finch uses a diverse range of mediums to investigate the ways in which history, memory, and sensory perception conflate and mutually influence. Working in painting, photograp...
Category

2010s Contemporary Etching Abstract Prints

Materials

Aquatint

Neighborhood
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

1970s Outsider Art Etching Abstract Prints

Materials

Paper, Etching, Aquatint

Untitled 2
Located in Morton Grove, IL
etching paper size: 14 x 14" image size: 12 x 12" signed by artist and labeled 6/23
Category

21st Century and Contemporary Contemporary Etching Abstract Prints

Materials

Etching

Untitled 1
Located in Morton Grove, IL
etching paper size: 14 x 14" image size: 12 x 12" signed by artist and labeled 6/23
Category

21st Century and Contemporary Contemporary Etching Abstract Prints

Materials

Etching

Space Eagles
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1970s Surrealist Etching Abstract Prints

Materials

Paper, Etching

Untitled
Located in New York, NY
A color intaglio created by the artist in 2012, this original etching is hand-signed, dated and numbered in pencil, measures 21 x 16 in. (53.3 x 40.6 cm), unframed and is from the ed...
Category

21st Century and Contemporary Contemporary Etching Abstract Prints

Materials

Aquatint

Joy
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

20th Century Surrealist Etching Abstract Prints

Materials

Etching

Music Box
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1970s Surrealist Etching Abstract Prints

Materials

Rag Paper, Etching, Aquatint

Pillow Machine
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Surrealist Etching Abstract Prints

Materials

Rag Paper, Etching, Aquatint

Just a Little Water Please
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Outsider Art Etching Abstract Prints

Materials

Rag Paper, Etching, Aquatint

Heritage
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Outsider Art Etching Abstract Prints

Materials

Rag Paper, Etching, Aquatint

Stop Playing and Get to Work
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Outsider Art Etching Abstract Prints

Materials

Rag Paper, Etching

Avenue 11
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Outsider Art Etching Abstract Prints

Materials

Rag Paper, Etching

Together We Are
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Outsider Art Etching Abstract Prints

Materials

Rag Paper, Etching

Love Me
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1970s Outsider Art Etching Abstract Prints

Materials

Rag Paper, Etching

Storage #2
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1970s Outsider Art Etching Abstract Prints

Materials

Rag Paper, Etching

Environment Man
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1970s Outsider Art Etching Abstract Prints

Materials

Rag Paper, Etching

Height Almost 34'
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2) Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City. He was three years old when the terrible explosion occurred there and can remember the terrifying confusion and 'the beautiful red sky and objects flying everywhere in the air.'" (Reynolds, p. 25) While growing up in Texas City, Valton's father worked in auto repair, and was known for his skill in mixing colors for paint jobs. After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36) “Height...
Category

1970s Outsider Art Etching Abstract Prints

Materials

Rag Paper, Aquatint

World of Watermelons
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2) Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City. He was three years old when the terrible explosion occurred there and can remember the terrifying confusion and 'the beautiful red sky and objects flying everywhere in the air.'" (Reynolds, p. 25) While growing up in Texas City, Valton's father worked in auto repair, and was known for his skill in mixing colors for paint jobs. After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36) “World of Watermelons” is plate number 19, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972. Of “World of Watermelons”, Tyler said “The title here does not represent my own associations with this print. Friends simply began referring to it as ‘the watermelon print...
Category

1970s Outsider Art Etching Abstract Prints

Materials

Rag Paper, Etching, Aquatint

Do Not Touch
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1970s Outsider Art Etching Abstract Prints

Materials

Rag Paper, Etching, Aquatint

Etching abstract prints for sale on 1stDibs.

Find a wide variety of authentic Etching abstract prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, red, orange, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Leo Guida, Christian Bozon, Hans Richter, and Sante Monachesi. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching abstract prints, so small editions measuring 0.02 inches across are also available

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