Robert Indiana

The Garden of Love (Suite of Six)

1982

Artist: Arman, French (1929 - 2005) Title: Squeezed Blue Fiddle Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 150 Size: 30 in. x...

From the artist that gave us LOVE, he now gives us HOPE. This is the complete suite of four HOPE silkscreens on Silver in the original folio. Each print is signed and numbered in pe...

Robert Indiana’s (American, 1928-2018), Star of Hope is a reoccurring image, in fact, he named his charitable foundation the Star of Hope Foundation in 20...

Perfect Witness Michael Knigin, American (1942–2011) Date: 1999 Lithograph, Signed and Numbered in Pencil Edition of 80 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

Lithograph and screenprint with collage (silver foil) Prints are different sizes: 36 1/2 x 68 inches (92.7 x 172.7 cm) and 36 5/8 x 64 inches (93 x 162.6 cm) Published by Multiples...

James Rosenquist Cleveland Center for Contemporary Art 1968-1983 Offset Lithograph Poster on White Wove Paper Plate (printed) signature Limited Edition of 500 (unnumbered) Unframed A...

This is a truly historic limited edition hand signed museum print from the 1960s - of the first North American building the legendary artists Christo ever wrapped: Christo Wrap In Wr...

Black Tie, 1977 James Rosenquist, American, 1933–2017. Printed by Maurice Sanchez at Derrière L'Étoile Studios, Inc. Published by Sidney Singer Color lithograph on rolled white Arches Cover paper Blindstamp of a man in a hat, bottom right Hand signed in pencil. Dated 1977 lower right. Titled and numbered 76/100 lower left. Measures 73 1/2" x 37 James Rosenquist (November 29, 1933 – March 31, 2017) was an American artist and one of the proponents of the pop art movement. Drawing from his background working in sign painting, Rosenquist's pieces often explored the role of advertising and consumer culture in art and society, utilizing techniques he learned making commercial art to depict popular cultural icons and mundane everyday objects. While his works have often been compared to those from other key figures of the pop art movement, such as Andy Warhol, JIm Dine and Roy Lichtenstein, Rosenquist's pieces were unique in the way that they often employed elements of surrealism using fragments of advertisements and cultural imagery to emphasize the overwhelming nature of ads. He was a 2001 inductee into the Florida Artists Hall of Fame. Rosenquist was born on November 29, 1933, in Grand Forks, North Dakota, the only child of Louis and Ruth Rosenquist. His parents were amateur pilots of Swedish descent who moved from town to town to look for work, finally settling in Minneapolis, Minnesota. His mother, who was also a painter, encouraged her son to have an artistic interest. In junior high school, Rosenquist won a short-term scholarship to study at the Minneapolis School of Art and subsequently studied painting at the University of Minnesota from 1952 to 1954. In 1955, at the age of 21, he moved to New York City on scholarship to study at the Art Students League, studying under painters such as Edwin Dickinson and George Grosz. Talking about his experience at the Art Students League, Rosenquist said "I studied only with the abstract artists. They had commercial artists there teaching commercial work, I didn't bother with that. I was only interested in -- see, here's how it started. I was interested in learning how to paint the Sistine Chapel. It sounds ambitious, but I wanted to go to mural school". While studying in New York, Rosenquist took up a job as a chauffeur, before deciding to join the International...