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Sean ScullyDifferent Places, Hardback monograph (Hand signed and inscribed by Sean Scully)2015
2015
About the Item
Sean Scully
Different Places (hand signed and inscribed by Sean Scully), 2015
Limited Edition hardback monograph (hand signed and inscribed to Nadine in felt tip pen on the title page)
Hand signed and inscribed to Nadine in felt tip pen by Sean Scully on the title page
11 1/2 × 11 1/2 × 1 inches
Limited Edition of 1,000 (the regular edition was unsigned; this one is hand signed & inscribed)
Provenance
Hand signed and inscribed by the artist for the present owner at the FLAG Art Foundation in New York (see accompanying documentation)
This beautifully illustrated limited edition monograph, with no dust jacket, exactly as issued, is hand signed and inscribed to Nadine in felt tip pen by Sean Scully on the title page.
The regular edition of 1000 stated examples is unsigned; the present monograph was, exceptionally, hand signed and inscribed by the artist.
Published on the occasion of the eponymous exhibition held at Château La Coste, 4 July-Oct. 31, 2015.
Makes a superb gift. Collectible, especially when hand signed.
Book information:
Publisher: Chateau La Coste / Kerlin Gallery, 2015
English; Hardcover; 136 pgs features 76 illustrations
About Sean Scully:
Sean Scully is one of the most important painters of his generation, whose work is held in major museum collections around the world. While known primarily for his large-scale abstract paintings, comprised of vertical and horizontal bands, tessellating blocks and geometrical forms comprised of gradated and shifting colours, Scully also works in a variety of diverse media, including printmaking, sculpture, watercolour and pastel. Having developed a style over the past five decades that is uniquely his own, Scully has cemented his place in the history of painting. His work synthesises a thoroughly international collection of influences and personal perspectives – ranging from the legacy of American abstraction, with inspiration from the likes of Mark Rothko and Jackson Pollock, and that of European tradition, with nods to Henri Matisse and Piet Mondrian, as well as references to classical Greek architecture. While monumental in scale and gesture, Scully’s work retains an undeniable delicacy and sincerity of emotion.
Sean Scully was born in Dublin in 1945 and raised in South London. Wanting to be an artist from an early age, Scully attended evening classes at the Central School of Art in London from 1962 to 1965, and enrolled full time at Croydon College of Art, London from 1965 until 1968. He received his Bachelor of Arts from Newcastle University in 1972. He was awarded the Frank Knox Fellowship to Harvard University in 1972, where he visited the United States for the first time. In 1975, he moved to New York full-time. Today, he lives and works between New York and Bavaria. With a career that spans more than five decades, he has received numerous accolades and has been the subject of multiple touring exhibitions. In 2014, he became the first Western artist to have a career-length retrospective in China. Follow the Heart: The Art of Sean Scully 1964 – 2014 included over 100 paintings and travelled from Shanghai to Beijing. Scully was named a member of the Royal Academy of Arts in London in 2013 and has received honorary degrees from institutions such as the Massachusetts College of Art, Boston; the National University of Ireland, Dublin; Universitas Miguel Hernandez, Valencia; Burren College of Art, National University of Ireland; Newcastle University, UK, among others. A series of essays and conversations between Scully and the esteemed art critic Arthur Danto was published by Hatje Cantz in 2014, and a collection of Scully’s own writing, selected speeches and interviews, Inner, was released in 2016.
Significant solo exhibitions of his work were recently on view at Thorvaldens Museum, Copenhagen, Denmark (2 September - 5 March, 2023), Philadelphia Museum of Art, Philadelphia, USA (11 April - 31 July, 2022), Museum of Fine Arts – Hungarian National Gallery, Budapest, Hungary, (October 13 – January 15, 2021), Skulpturenpark Waldfrieden, Wuppertal, Germany (June 11, 2020 - January 3, 2021), Albertina, Vienna, Austria (7 June – 8 September 2019); Instituto Cultural Cabañas, Guadalajara, Mexico (23 May – 29 September 2019); San Giorgio Maggiore, Venice, Italy (11 May – 13 October 2019); LWL-Museum for Art and Culture, Münster, Germany (5 May – 8 September 2019); Villa Panza, Fondo Ambiente Italiano, Varese, Italy (18 April 2019 – 6 January 2020); National Gallery of Art, London, UK (13 April – 11 August 2019); The Wadsworth Atheneum, Hartford, CT, USA (23 February – 19 May 2019) and the Hirshhorn Museum and Sculpture Garden in Washington, D.C., USA (13 September 2018 – 3 February 2019); Yorkshire Sculpture Park, Wakefield, UK (29 September 2018 – 6 January 2019); De Pont Museum of Contemporary Art, Tilburg, The Netherlands (21 April – 26 August 2018); Staatliche Kunsthalle Karlsruhe, Germany (24 March – 5 August 2018); Cuadra San Cristóal, Mexico City, Mexico (7 February – 24 March 2018); State Russian Museum – Marble Palace, St. Petersburg, Russia (3 March – 9 May 2018); Multimedia Art Museum, Moscow, Russia (3 November – 10 December 2017); Museum of the Nanjing University of the Arts, China (8 April – 8 May 2016); Museum of Art, Guangzhou, China (6 September – 9 October 2016); Hubei Art Museum, Wuhan, China (10 January – 12 March 2017); Shanghai Himalayas Art Museum, China (23 November 2014 – 25 January 2015); and Central Academy of Fine Art (CAFA), Beijing, China (12 March – 23 April 2015). In 2015, Scully oversaw a complete renovation at the Romanesque chapel Santa Cecilia de Montserrat, near Barcelona, featuring his work in dialogue with the historic architecture and restoring the church to working condition.
Sean Scully’s work is in the permanent collections of numerous important institutions including the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; The Metropolitan Museum of Art, New York; the Museum of Modern Art, New York; The National Gallery of Art, Washington, D.C.; Solomon R. Guggenheim Museum, New York; Walker Art Center, Minneapolis; Whitney Museum of American Art, New York; Art Gallery of Ontario, Canada; Tate Modern, London; Irish Museum of Modern Art, Dublin; De Pont Museum of Contemporary Art, Tilburg; Kunstsammlung Nordrhein-Westfalen, Düsseldorf; Museo Nacional Centro de Arte Reina Sofia, Madrid; Albertina, Vienna; and Guangdong Museum of Art, Guangzhou, China, among many others.
- Courtesy of Lisson Gallery
- Creator:Sean Scully (1945, American)
- Creation Year:2015
- Dimensions:Height: 11.5 in (29.21 cm)Width: 11.5 in (29.21 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:In very good condition.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745213545912
Sean Scully
Born 1945, Dublin, Ireland; lives in New York City Born in Ireland in 1945, Sean Scully was raised and educated in London. In 1975, he moved to New York where he was immediately influenced by the geometric and color field painters working in that city: Barnett Newman, Ad Reinhardt, and, especially, Mark Rothko. Abandoning the figurative work he was pursuing at the time, Scully began working with the deliberately reduced set of motifs that have occupied him for the last twenty years. Scully gathers his motifs from everyday experience; he looks at doors, windows, road maps, and uses photography “as a means of defining the parameters of his own visual world.” He does not depict the world but finds in the world visual experiences that correspond to his artistic mission. Specifically, Scully seeks to portray the richness of life through the relationships between the colors of his characteristically dark and understated palette. The reduction of formal elements to stripes and squares allows the color relationships to be of utmost importance. In the indefinite transition zones between colors, Scully exposes the “mystery of ambivalence and uncertainty” that permeates the human experience. Sean Scully is one of the most important contemporary artists working today, and his work can be seen in museums around the world including the Modern Art Museum, Fort Worth, Fine Arts Museum of San Francisco, and the National Gallery of Art, Washington, D.C.
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This lavishly illustrated hardback monograph with dust jacket is warmly signed and inscribed on the first front end page by both Alexander Liberman and the author, art historian, Barbara Rose, and it is accompanied by a separate handwritten card, signed by Alexander Liberman and held in the original envelope. (see photos).
The book and card was inscribed to Jack Haber, the Editor-in-Chief of the magazine Gentlemen's Quarterly (GQ) from 1969 to 1983. GQ was owned by Conde Nast, and Alexander Liberman, who worked for Conde Nast for 32 years, was the Editorial Director from 1962-1983. Sadly, Jack Haber would die in 1984 at the age of 45 - one of the first casualties of the AIDS crisis, which was devastating to the art and publishing industries.
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Inscription on the card reads:
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Book information:
Publisher: Abbeville Press, 1981.
Hardcover. Bound in publisher's original white cloth with spine and front cover stamped in black. Full color illustrations throughout, including several color foldouts. 392 pages.
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