Post-Minimalist Abstract Prints

Spring I, is an exclusive handmade cyanotype horizontal diptych that captures the gentle curl of an organic mid-motion wave. Rendered in deep Prussian blues and ethereal whites, the...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the modern mid-century minimalism style. It's made by layering paper cutouts and different exposures...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern minimalist shapes. "Whirlpool Cyclone" it's made by layering paper cutouts an...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Keith Sonnier, American (1941-2020) lithograph From Neon series circa 1980-1981 Bears the Waterstreet Press watermarks and Arches paper blind stamp to lower right corner. Pub. Edizioni Lucio Amelio Hand signed with initials in pencil Dimensions: 30 x 21 3/4 inches Post minimalist Abstract by Keith Sonnier Keith Sonnier (1941 – 2020) was a post minimalist sculptor, performance artist, video and light artist. Sonnier was one of the first artists to use light in sculpture in the 1960s. With his use of neon in combination with ephemeral materials he achieved international recognition. Sonnier was part of the Process Art movement. James Keith Sonnier was born July 31, 1941, in Mamou, Louisiana. His family was Cajun and Roman Catholic. His father was a hardware store owner, Joseph Sonnier, and his mother was a florist and singer, Mae Ledoux. He graduated in 1963 from Southwestern Louisiana Institute (now known as the University of Louisiana at Lafayette). In 1966, he graduated with his MFA degree from Rutgers University, where he studied under Allan Kaprow, Robert Watts, and Robert Morris. After graduation from Rutgers, he moved to New York City with Jackie Winsor and some of his former classmates. Sonnier died in Southampton, NY on July 18, 2020. Sonnier began experimenting with neon in 1968. Neon lights became a signature material used in his sculptural works. The common materials Sonnier employed included neon and fluorescent lights; reflective materials; aluminum and copper; and glass and wires. Of the generation of James Turrell and Dan Flavin, He was also associated with the Light and Space movement, a loosely affiliated art movement related to op art, minimalism and geometric abstraction originating in Southern California in the 1960s and influenced by John McLaughlin. It is characterized by a focus on perceptual phenomena, such as light, volume and scale, and the use of materials such as glass, neon, fluorescent lights, resin and cast acrylic, often forming installations conditioned by the work's surroundings. Artists included Ron Cooper...

Robert Zakanitch, acrylic on canvas triptych, 1979, Robert Rahway Zakanitch (American b. 1935), "Raven", signed and titled verso center panel, gallery label and auction sticker verso, unframed, 54"h x 78"w (total) Provenance: The Collection of Litsa Tsitsera, New York; "Modern and Contemporary Paintings, Drawing and Sculpture", Christie's East, NY, May 9, 1989, lot 244; Robert Miller Gallery, NYC Robert Rahway Zakanitch (born 1935) is an American painter and was one of the founders of the Pattern and Decoration movement. His work is held in the collection of the Philadelphia Museum of Art, Museum of Modern Art, Whitney Museum of American Art, among others. Robert Zakanitch was born in 1935 in Elizabeth, New Jersey and grew up in Rahway. He lived and worked in New York City. At the time of his June 3 through September 17, 2017 exhibition in the Hudson River Museum, he had recently moved his residence and studio to Yonkers, New York In the late 1960s he began experimenting with Color Field painting but would go on to be one of the founders of the Pattern and Decoration movement in the mid 1970s. While working in the Color Field he was strict to adhering to an abstract style inspired by Minimalism until he learned about decorative imagery. He kept the same color schemes and structures, but incorporated floral motif and a more painterly style. He was one of the original painters of the Pattern and Decoration movements of the 1970s. (along with Cynthia Carlson...

Artist: Richard Smith, CBE (1931-2016) British Title: Butterfly I from the Butterfly Suite, a suite of 8 etchings plus frontispiece Date: 1972 Publisher: Waddington Galleries. Mediu...

Small Change signed and dated lower right, pencil "RR Zakanitch 86 editioned 5/5 P/P Robert Rahway Zakanitch (born 1935) is an American painter and was one of the founders of the Pattern and Decoration movement. His work is held in the collection of the Philadelphia Museum of Art, Museum of Modern Art, Whitney Museum of American Art, among others. Robert Zakanitch was born in 1935 in Elizabeth, New Jersey and grew up in Rahway. He lived and worked in New York City. At the time of his June 3 through September 17, 2017 exhibition in the Hudson River Museum, he had recently moved his residence and studio to Yonkers, New York In the late 1960s he began experimenting with Color Field painting but would go on to be one of the founders of the Pattern and Decoration movement in the mid 1970s. While working in the Color Field he was strict to adhering to an abstract style inspired by Minimalism until he learned about decorative imagery. He kept the same color schemes and structures, but incorporated floral motif and a more painterly style. He was one of the original painters of the Pattern and Decoration movements of the 1970s. (along with Cynthia Carlson...

"Hearts of Swan" Materials & Technique: prints, nineteen colour screenprint, lithograph printed from eleven screens and six aluminum plates on white, wove, handmade, TGL paper edition of 75 Publisher Tyler Graphics Ltd signed and dated lower right, pencil "RR Zakanitch '80- '81" Dimensions image 65.4 h x 53.2 w cm sheet 69.6 h x 57.8 w cm Tyler Graphics: Catalogue Raisonné, 1974–1985. New York, 1987. Robert Rahway Zakanitch (born 1935) is an American painter and was one of the founders of the Pattern and Decoration...

Double Geese Mountain (this piece is on the website of the Met, Metropolitan Museum NYC) Screenprint, lithograph, stencil, 1981 Tyler Graphics: Catalogue Raisonné, 1974–1985. New York, 1987, p. 369, no. 614: RZ3, ill. (color). Robert Rahway Zakanitch (born 1935) is an American painter and was one of the founders of the Pattern and Decoration movement. His work is held in the collection of the Philadelphia Museum of Art, Museum of Modern Art, Whitney Museum of American Art, among others. Robert Zakanitch was born in 1935 in Elizabeth, New Jersey and grew up in Rahway. He lived and worked in New York City. At the time of his June 3 through September 17, 2017 exhibition in the Hudson River Museum, he had recently moved his residence and studio to Yonkers, New York In the late 1960s he began experimenting with Color Field painting but would go on to be one of the founders of the Pattern and Decoration movement in the mid 1970s. While working in the Color Field he was strict to adhering to an abstract style inspired by Minimalism until he learned about decorative imagery. He kept the same color schemes and structures, but incorporated floral motif and a more painterly style. He was one of the original painters of the Pattern and Decoration movements of the 1970s. (along with Cynthia Carlson...

Valerie Jaudon (born August 6, 1945) American painter and print-maker commonly associated with various Post-minimal practices – the Pattern and Decoration movement of the 1970s, site-specific public art, and new tendencies in abstraction. Valerie Jaudon was born in Greenville, Mississippi and studied at Mississippi University for Women (1963–1965), Memphis Academy of Art (1965), University of the Americas in Mexico City (1966–1967), and Central Saint Martins College of Arts and Design in London (1968–1969). This piece was done in a limited edition for the Lincoln Center Editions, which was launched by philanthropist and art collector, Vera List. A pioneer in the fields of contemporary patronage and art education, Vera was deeply engaged with the projects she supported. Never one to simply write a check, she proposed innovative programs which would shape cultural institutions like the New School, the Jewish Museum, MIT, and the New Museum. In 1970 Vera decided to include premium limited-edition prints to commemorate Lincoln Center’s greatest events, from film screenings to operas. Signed-and-numbered by artists like Chuck Close, Helen Frankenthaler, Roy Lichtenstein, Robert Motherwell, Robert Rauschenberg, Andy Warhol and Barbara Kruger, In a nod to her visionary legacy, the Vera List Art Project commissions artists to this day, with recent prints from John Baldessari, Angel Otero, Robin Rhode, Carlos Rolón/Dzine and Lorna Simpson. Proceeds from the sale of these prints continue to benefit Lincoln Center's innovative cultural programming. Exhibitions Jaudon has had numerous solo and group exhibitions nationally and internationally. She began her early career in New York with the group exhibition, "76 Jefferson Street," at the Museum of Modern Art in 1975, featuring artists who had lived and worked in the 1893 loft building near the East River and the Manhattan Bridge, an area on the Lower East Side which began to attract artists and musicians in the mid-1950s. She was one of the original painters of the Pattern and Decoration movements of the 1970s. (along with Cynthia Carlson, Brad Davis, Mary Grigoriadis, Joyce Kozloff, Robert Kushner, Kim MacConnel, Sonya Rapoport, Miriam Schapiro and Robert Zakanitch) The group began exhibiting together in 1976 in "Ten Approaches to the Decorative" at the Alessandra Gallery in New York, followed by "Pattern Painting" in 1977 at PS1 in Long Island City, Queens. Subsequently, over fifty group exhibitions featuring the founding artists were held in museums and galleries in Europe and the U.S. including the National Gallery of Art in Washington, D.C., the Art Institute of Chicago, Palais des Beaux Arts, Brussels, Louisiana Museum of Modern Art in Humlebaeck, Denmark, the Neue Galerie, in Aachen, Germany, the Pori Art Museum, the Mayor Gallery in London, Modern Art Oxford, and the Hudson River Museum in Yonkers, New York. In 2012 the "Conceptual Abstraction" exhibition of 1991 at the Sidney Janis Gallery, a survey of twenty contemporary abstract painters, organized by Carroll Janis and Jaudon, was revisited at the Hunter College Galleries in New York City and curated by Joachim Pissarro and Pepe Karmel. Among the participants were Ross Bleckner, Peter Halley, Sherrie Levine, Philip Taaffe and Peter Schuyff. Jaudon's first solo painting exhibition was at the Holly Solomon Gallery in New York in 1977 with further exhibitions in 1978, 1979 and 1981. The Sidney Janis Gallery represented her from 1982 until 1999 (until the gallery's closing), with many solo exhibitions. The Von Lintel Gallery in New York has represented her since 2002, with many solo exhibitions. Other solo exhibitions include: Pennsylvania Academy of Fine Arts (1977); Galerie Bischofsberger, Zurich (1979); Hans Strelow Gallery, Düsseldorf (1980); Corcoran Gallery, Los Angeles (1981); Quadrat Museum, Bottrop, Germany (1983); Amerika Haus, Berlin (1983); McIntosh/Drysdale Gallery, Washington D.C. (1985); the Mississippi Museum of Art, Jackson] (1996); Stadel Museum, Frankfurt (1999); University of Mississippi Museum, Oxford (2011);[2] DC Moore Gallery, New York (2014).[8] Public art Valerie Jaudon has completed fourteen major site-specific public art projects in a variety of media – painting, landscaping, mosaics, ceramic tile, welded steel, and cut stone. Her first public project in 1977 was a ninety-foot-long ceiling mural in the INA Tower in Philadelphia, the Mitchell/Giurgola addition to the Insurance Company of North America building. The mural was executed during the period of her work with the architect Romaldo Giurgola. Jaudon was associated with the firm's New York and Philadelphia offices from 1975 until 1980, and worked on a wide range of projects. In 1988 she completed Long Division, a sixty-foot-long welded steel fence, for the New York City Subway's 23rd Street station on the 4, ​6, and trains. The Art Commission of the City of New York awarded Jaudon an Excellence in Design Award in 1988 for Reunion, a three-and-a-half acre paving plan with a 34' diameter granite floor mural...

Geneviève Claisse Dark Blue Circle (Cercle bleu foncé) Medium: Giclee on hand made cotton paper Year: 2015 Signed and numbered by hand Edition: 40 Size: 20.1 × 20.1 on 31.2 × 23.8 in...