Animal Prints

This is a contemporary photograph of an American Bison. Printed on archival papers using only archival inks. UV Coated Edition of 10. Singed and numbered by Shane Framing available....

1STDIBS EXCLUSIVE American Horse Power by Shane Russeck "Icon is a brand I’ve admired and respected for years. They are the pinnacle of the custom car world. Being a huge vintage ca...

This is a handmade Linocut relief print of a cyclist riding along the Backs of Cambridge with Kings College Chapel in the distance and a robin in the foreground. It is a limited edit...

Leonardo da Vinci’s Dog by Mychael Barratt [2021] limited_edition Silkscreen print on paper Edition number 100 Image size: H:21.5 cm x W:21.5 cm Complete Size of Unframed Work: H:40 cm x W:38 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Leonardo da Vinci's Dog is a limited edition silkscreen print by Mychael Barratt. The work reference's Leonardo da Vinci's old masters artwork: Lady with an Ermin. Barratt's interpretation of da Vinci's famed work is highly accurate and playful with the addition of a dachshund. The piece is part of Mychael Barratt's Artist Dogs and Cats series - all works in this series are really playful and make wonderful diptych's and triptych's for those interested in history of art and the merging of contemporary practice with the history of art. Mychael Barratt was born in Toronto, Canada, however, considers himself to be a Londoner since arriving for what was supposed to be a two-week stay thirty years ago. He is a narrative artist whose work is steeped in imagery relating to art history, literature, theatre and everything else that overfills his bookshelves. He was an artist in residence for Shakespeare’s Globe Theatre...

This Blue Dog work consists of one blue dog sporting a red scarf around its neck in a reverse direction from the original "A Faster Breed" sitting on a purple and gold motorcycle wit...

This is a contemporary photograph of wild horses. "They represent the ultimate expression of American freedom" 36x48 Edition of 12 Printed on archival photo paper using only archi...

BURRO EXPRESS by the American Western artist Conrad Schwiering, is a hand drawn limited edition lithograph printed using hand lithography techniques on archival Somerset paper 100% a...

After Maurits Cornelis Escher (Dutch, 1898–1972) Sky and Water II Printed vinyl A 1960s copy of the 1938 original 21 x 17 in. (53.5 x 43 cm.) t...

A 19” x 19” x 1" Magic Realism Figurative Artwork by artist Evgeniya Golik. This piece is a Handmade Linocut Print with Gold Leaf on Pearl Paper. A certificate of authenticity will a...

This is a contemporary photograph of a Tiger by Shane Russeck. 60x40 edition of 10 Printed on archival paper using archival inks Singed and numbered Shane Russeck is a modern day...

This is a contemporary photograph of an African Lion. 28x40 Singed and Numbered Archival Pigment print. Framing available. Inquire for rates. FREE SHIPPING Shane Russeck has buil...

Exhibition Poster from the Shane Russeck Pop up gallery in Los Angeles. African Lion "Panthera Leo" Original offset lithograph poster printed on acid-free archival paper from the 20...

Pablo Picasso Fantasie & Vision This image was used for a poster printed to promote an exhibition of Pablo Picasso's drawings, gouaches and watercolors, at the Musée Reattu in Arle...

Lisa Houck is a highly established artist from Boston, recently re-located to Maine, with a very large following devoted to her exceptional paintings, watercolors, mosaics and prints reminiscent of Folk Art, Matisse and Aborigine art. Houck is widely admired and recognized for a gorgeous sense of color and a sensibility both playful and serious that is uniquely her own. Lisa Houck "Humming and Harmonizing" 2023 Linoleum Block Print Edition 10 34.25 x 24.25 This print is not framed. This is one of her 3 most recent large format bird prints in various shades of blue and aqua in a series which now consists of a total of 10 related prints. They are outstanding installed individually or as groups. Houck's highly sophisticated and complex sense of pattern and design is delightfully whimsical, as well as extraordinarily compelling for its knowledge of so many artistic forms which the artist is miraculously able to reference and incorporate, while maintaining a style so distinctively recognizable as her own. Lisa Houck has an outstanding reputation for not only her work as a printmaker but for achievements in painting, watercolor, mosaic and textiles as well. She has executed many large permanent public art commissions for interior and exterior sites in Boston and nationwide including ambitious murals for Dana Farber, The Children's Hospital, Frieda Garcia Park and numerous libraries, playgrounds and other public buildings. Her works have been featured in many museum and gallery exhibitions and are included in a multitude of public and private collections. Artist's Statement: "I work in watercolor, oil on wood, ceramics, mosaics and etching. Each medium allows me to invent new ways to express my view of nature through color and pattern. My artwork has been exhibited widely, and is in numerous public and private collections, including The Boston Athenaeum, Brigham and Women’s Hospital, Boston Children's Hospital, Fidelity Investments, four libraries in Broward County Florida, Hale and Dorr, Massachusetts General Hospital, and the Museum of Fine Arts, Boston." LISA HOUCK Education and Professional Affiliations: Tufts University/School of the Museum of Fine Arts, Boston, MA: M.F.A. 1989. Rhode Island School of Design, Providence, RI: B.F.A. 1975. Boston Printmakers Selected Solo Exhibitions: Beth Urdang Gallery, Boston, MA 2017, 2021 Cambridge Arts Council, Gallery 344, “A Long Walk with No Destination”, Cambridge, MA 2016 Patricia Carega Gallery: “White Line Woodcuts,” Center Sandwich, NH 2014 Rivers School, Weston, MA 2008 Bentley College: “All About the Square,” Waltham, MA 2003. Barton-Ryan Gallery: “Improbable Botanicals and Landscapes,” Boston, MA 2000. Randall Beck Gallery: Boston, MA 1993, 1991. Barbara Singer Fine Art: Cambridge, MA 1991. Coyote Gallery: Cambridge, MA 1989. Tufts University: “MFA Thesis Exhibition,” Cohen Arts Center, Medford, MA 1988. Modestino Gallery: Cambridge, MA 1987, 1986. New England School of Art and Design: Boston, MA 1986. Mott House: “The Comet and Other Phenomena,” Washington, DC 1986. Selected Group Exhibitions: Cove Street Arts, “Menagerie a Trois”, Portland, ME, 2022 Fuller Craft Museum: “Mosaics Today”, Brockton, MA 2022 Turtle Gallery, “Summer Show”, Deer Isle, ME 2022 Gallery Twist, Lexington, MA “impressions” 2019 and 2020 Boston Athenaeum, New England on Paper, Boston, MA 2017 Cotuit Center for the Arts: Marking Time: 70 Years of the Boston Printmakers, Cotuit, MA 2017 Arsenal Center for the Arts, Big Prints, Watertown, MA 2016 FPAC Gallery, Fort Point Channel, “Mosaic Muse”, Boston, MA 2016 Art of Mosaic: Piecing it Together, Fuller Craft Museum, Brockton, MA 2013 Highfield Hall, National Mosaic Exhibit on Cape Cod, Falmouth, MA, 2011 Fancy Plants: Bentley University, 2010 Contemporary Mosaics: Attleboro Arts Museum, 2010 Boston Children’s Museum: “I See Trees,” 2009. Somerville Museum: “Art of Mosaic,” 2009. Milton Academy: “Design/Build,” 2009. Danforth Museum: Members Show, 2007 Boston Printmakers: North American Print Biennial, 2005. Peabody Essex Museum: “In Nature’s Company,” Salem, MA 2004. Cambridge Art Association: “Hot Colors,” (Best in Show Award), Cambridge, MA 2002. Tufts University: “Alumni Exhibition,” Aidekman Gallery, Medford, MA 2001. Acacia Gallery: Gloucester, MA 2000. Wiggin Gallery: “Women in Watercolor,” Boston Public Library, Boston, MA 2000. New Art Center: “Lasting Impressions: Looking at the Land,” Newton, MA 1997. Bernard Toale Gallery: “The Pet Show,” Boston, MA 1996. Albers Gallery: Memphis, TN 1994, 1992,1991. Pritam & Eames: East Hampton, NY 1992. Boston Center for the Arts: Boston, MA 1989. DeCordova Museum: “Explorations in Handmade Paper,” Lincoln, MA 1989. Fuller Museum of Art: “RISD Alumni in Boston,” Brockton, MA 1989. lisa houck Selected Collections: The Boston Company The Boston Public Library Brigham and Women’s Hospital Brunnier Museum, Ames, IA Coopers & Lybrand Fidelity Investments Fogg Art Museum Goodwin Procter Harvard Business School Harvard Community Health Plan Grants/Projects: Herman Miller Lahey Clinic Massachusetts General Hospital Massachusetts Mutual Corporation Montgomery Watson Harza Museum of Fine Arts, Boston Neiman Marcus New England Medical Center State Street Bank and Trust Valley Hospital, NJ Wrapped a Radiology room with art at Boston Children’s Hospital 2019. Project consultant: Betty Bothereau, L’Attirude Gallery Boston “City Square with Reflecting Pool,” 6’ X 6’ mosaic for Iron Street Park in Boston. Located on the corner of A Street and Iron Street in Boston, commissioned for this new park in Boston by a private client in 2014. Children’s Hospital, Waltham, MA: eleven-panel, oil-on-wood painting for the lobby, 2005. Grant from Massachusetts Cultural Council, 2005. For a ceramics program in the public schools, sponsored by the Dedham Cultural Council. John Hancock Financial Services: Frieda Garcia Park. Commission to create two mosaic murals incorporating children’s art from the community, 2004. Murals are 8’ X 10’ and 8’ x 22’. Broward County Cultural Affairs Office/Public Art Department, Florida: Public Art Commission to create paintings and printed materials for four libraries in Broward County, 2003. Dana Farber Cancer Institute/Jimmy Fund Clinic, Boston, MA: eight panel mosaic for the reception area. Architect: Miller, Dyer, Spears, 2003. Massachusetts Port Authority, Logan International Airport, Terminal E, Boston, MA: Six digital reproductions of paintings. Project Coordinator: Urban Arts Institute, 2001. ”The Rare Tropical Cod,” part of the Cavalcade of Cod, a school of 5’5” fiberglass fish sculptures which were displayed throughout the city of Boston in the fall of 2000. Sponsored by Boston’s B2K Committee. Poster and button and display banners for First Night Boston, 1998. Grant from the City of Cambridge to create murals for the Cambridge Senior Center, 1995. Administered by the Cambridge Arts Council. Fellowship in the Visual Arts, Massachusetts Cultural Council, 1994. Administered by the New England Foundation for the Arts. Grant from Arts on the Line, Cambridge, MA for temporary art in the subway including a 36-foot painting for the Kendall Square subway station, Cambridge, MA 1988. Grant from the Cambridge Arts Council for a mural for the Cambridge River Festival, installed in Inman Square, 1987. Poster for the Haystack Mountain School of Crafts, 1987. education and professional affiliations Tufts University/School of the Museum of Fine Arts, Boston, MA: M.F.A. 1989. Rhode Island School of Design, Providence, RI: B.F.A. 1975. Boston Printmakers New England Mosaic Society Publications: Maine Gallery...

Lenticular print by Marina Abramovic Time-limited edition of 2,500 210 x 210mm Sold in mint condition, as issued Published by CIRCA in 2022.

This is a contemporary black and white photograph of Northern California Wild Mustangs. "They represent the ultimate expression of American freedom" Edition of 7 Archival paper and ...

Catch a glimpse through a porthole of a submarine world, with all the dazzling, intricate appeal of a tropical coral reef.  Guppies tremble their fanned-tails while a stingray drifts...

One of the last known photographs of the remarkable Orca "Granny''. Granny (born c. 1911, presumed dead between October–December 2016), also known as J2, was an orca (killer whale). ...

Damien Hirst In A Gadda Da Vida, 2004 Gravure print on paper unsigned 52.0 x 52.0 cm (21.5 x 21.5 in) unknown edition size published by Other Criter...

The Structure of the paw bones of animals is an artwork realized by Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The...

This is a contemporary black and white photograph of North American Wild Horses Photography by Shane Russeck Printed on archival luster paper Framing available. Inquire for rates. ...

Skeleton Quadrupedes is an artwork realized by Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on car...

The Buffalo is an artwork realized by Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard. T...

Rabbit Skeleton is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardbo...

Salvador Dalí (Spanish, 1904-1989) Capricorn from The Zodiac II, 1975 Lithograph Signed and numbered `68/250 Dali’ (lower edge) 12.3/4 x 9.1/2 in. (32.4 x 24.2 cm.) Reference: Field ...

This is a contemporary photograph of a Brown Bear. Archival pigment paper Signed and numbered Edition of 12 Framing available. Inquire for rates. Shane Russeck has built a reputa...

This is a contemporary black and white photograph of Northern California Wild Mustangs. "They represent the ultimate expression of American freedom" Unsigned 40 x 60 Framing availab...

"Grizzly Shores" Signed and numbered by the artist Edition of 10 Printed on archival paper using archival ink. Framing available. Inquire for rates. Shane Russeck has built a r...

This is a contemporary photograph of an African Lion. 40x60 Signed and numbered Edition of 10 Archival Pigment print. Framing available. Inquire for rates. FREE SHIPPING Shane Ru...

This is a contemporary photograph of an American Bison. 50x60 Edition of 10. Signed by Shane. Printed on archival paper and using archival inks Framing available. Inquire for rates...

Herd of Buffaloes is an etching on paper realized by Carlo (Charles) Coleman in 1849 in Rome, Italy. Signed on the plate and dated on the lower right and titled on the lower left. ...

Rabbit Anatomy is an artwork realized  by Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboar...

Animal Skeleton is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardbo...

Deer Skeleton is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboar...

Sheep Skeleton is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboa...

Mouflon Wild Sheep  is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on ca...

Deer Horns  is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard....

Cornamentas is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard....

Le Faon du Cerf is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard...

This is a black and white photograph of American Wild Mustangs by Shane Russeck. Printed on Archival Paper Using Archival ink Shane Russeck has built a reputation for capturing Am...

This is a contemporary photograph of a American Wild Mustang. "They represent the ultimate expression of American freedom" Unsigned print Printed on archival papers using archival i...

This is a contemporary photograph of a Tiger by Shane Russeck. Printed on archival paper using archival inks Shane Russeck is a modern day photographer, adventurer, and explorer. ...

This is a contemporary photograph of a North American Cougar. 40x60 Unsigned Print Printed using only archival papers and inks. UV Coated FREE SHIPPING WITHIN THE US Shane Russec...

Rachel Howard Apple, 2016 Woodcut print 48 × 39.8 cm Edition of 25 Rachel Howard is a contemporary British artist known for her dynamic and emotive paintings that explore themes of ...

Dropping In Drypoint, c. 1940 Signed lower right (see photo) Titled lower left Condition: Excellent Brown paper tape around the sheet edges from the printing and air dryi...

This is a contemporary photograph of wild horses. "They represent the ultimate expression of American freedom" Printed on archival photo paper using only archival inks UV coated F...

This is a contemporary photograph of a Mountain Lion. 80x40 Edition of 5. Singed and numbered by Shane on the bottom corners Printed on archival paper using archival inks Framing ...

This is a contemporary black and white photograph of Northern California Wild Mustangs. "They represent the ultimate expression of American freedom" 60x40 Edition of 10 Signed and n...

Engraving by Claude Fessard after Johann Lebrecht Reinold for "Histoire Naturelle des Oiseaux d'Afrique" by François Levaillant (1753-1824), published 1796-1808. François Levaillant...

Artist: Pablo Picasso Title: La Pique (I), Le Picador (II), Jeu de la Cape (III), Les Banderilles (IV) Portfolio: A Los Toros Avec Picasso Medium: Set of four transfer lithographs Ye...

This is a contemporary black and white photograph of American Wild Mustangs. "They represent the ultimate expression of American freedom" - Wild Horses 40x60 Edition of 10 Signed an...

One of the last known photographs of the remarkable Orca "Granny''. Granny (born c. 1911, presumed dead between October–December 2016), also known as J2, was an orca (killer whale). ...

This is a contemporary photograph of a Kodiak Bear. This was shot on Kodiak Island in 2019. 60x40 Unsigned Archival pigment paper Framing available. Inquire for rates. Shane R...

Artist: Pablo Picasso Title: La Pique (I), Le Picador (II), Jeu de la Cape (III), Les Banderilles (IV) Portfolio: A Los Toros Avec Picasso Medium: Set of four transfer lithographs Ye...

Seven colour silkscreen print on Somerset Tub White 410gsm paper. Edition 113/250. Signed and numbered by the artist.

Jean-Michel Basquiat Enrico Navarra Gallery Paris 2000: Rare vintage Basquiat announcement published on the occasion of: Jean-Michel Basquiat, Gallery Enrico Navarra Paris during the...

Leonard Merchant's mezzotint, "Snail in Cup" is inscribed for fellow artist, Fritz Eichenberg. While a student at the Central School for Arts and Crafts in London, a young Leonard Marchant found an engraving rocker in a cupboard and proceeded to turn himself into a master of the painstaking art of mezzotinting. Marchant, who has died in Shrewsbury aged 70, grew up in Simonstown, the Royal Navy's enclave in South Africa. Though his first job was as a parliamentary messenger, he taught himself to paint and, aged 19, was given a one-man show in Cape Town. Fired by this success, he left for England to study painting and, he claimed, to escape the stifling home atmosphere created by his Catholic mother and aunts. (His father was killed in the second world war.) Without contacts in London, he phoned Jacob Epstein, whose recommendation resulted in a grant to study briefly at the Central School. It was later, when studying full-time at the Central, that he saw the mezzotints of the Japanese master, Yozo Hamaguchi, in a London gallery. He was hooked. Creating a mezzotint is tedious in the extreme. The copper plate must first be prepared with a "rocker" which roughens the surface. A plate may be "rocked" 30 or 40 times. The rough texture is then reduced with a burnisher and a scraper, allowing the print a range of tones from velvety black through the greys to white. Marchant's plates could be months in the making. But the technical demands were the least of his worries. In its 18th- and 19th-century heyday, mezzotint was solely a reproductive medium, for copying masters such as Reynolds and Turner. The development of photography rendered it unfashionable, and by the 1960s the technique, known as la manière anglaise, was a bygone medium. Marchant, by now a teacher in printmaking at the Central, began to create original mezzotints with a colleague, Radavan Kraguly. A perfectionist, he seemed to revel in the straitjacket procedure. Perhaps it was the metaphor of bringing darkness out of light that appealed to this straight-talking, sometimes sombre, man, who would suddenly relax and light up like a gleaming hue on one of his prints. His work was of squares and triangles with the occasional cat, black and ominous, and carefully arranged still lifes, featuring plants, a seed pod, a pot he might have bought at auction to celebrate the sale of a print. There were one-man shows, notably at the Bankside Gallery. He sold well at the Royal Academy summer exhibition, was a Florence Biennale prizewinner, spent a fellowship year at the British School in Rome, and was elected a Fellow of the Royal Society of Painter-Printmakers. But making mezzotints was not a paying job. Marchant and his South African wife...

Hand signed. Artist’s Proof. Very good conditions.