Late 20th Century Animal Prints

The Horse is an original Screen Print, realized by an unknown artist in 1974. The status of preservation Good. The artwork is depicted skillfully through confident and strong lines...

Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare ...

This artwork titled "Puerto Escondido" 1992 is an original color aquatint by noted California artist Arnold A. Grossman, 1923-2016. It is signed, dated, titled and numbered 1/20 in p...

The Insect is an original print in Etching and drypoint technique on ivory-colored paper, realized after Franco Gentilini in 1970s. The state of preservation of the artwork is excel...

Mel Hunter, American (1927 - 2004) - Tennessee Walker, Year: 1974, Medium: Lithograph, signed and numbered in pencil, Edition: 500, Size: 22 x 29.5 in. (55.88 x 74.93 cm), Desc...

Mel Hunter, American (1927 - 2004) - Great Grey Owl (Winter), Year: 1973, Medium: Lithograph, signed in pencil, Size: 21.5 x 29 in. (54.61 x 73.66 cm), Description: Perched on ...

Mel Hunter, American (1927 - 2004) - Great Grey Owl, Year: 1975, Medium: Lithograph, signed and numbered in pencil, Edition: AP 6/10, Size: 30 x 22 in. (76.2 x 55.88 cm), Descr...

Chris Forrest, American (1946 - ) - Canada Geese in Flight, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP XL, Image Size: 18 x 24 inches, Size: ...

Mel Hunter, American (1927 - 2004) - Thoroughbred, Year: 1977, Medium: Lithograph, signed and numbered in pencil, Edition: 18/500, Size: 22 x 29.5 in. (55.88 x 74.93 cm), Descrip...

Chris Forrest, American (1946 - ) - Snow Geese Landing, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP XL, Image Size: 23 x 18 inches, Size: 29 ...

Chris Forrest, American (1946 - ) - Red Shouldered Hawk, Year: circa 1979, Medium: Lithograph, Signed and numbered in pencil, Edition: 300, AP XL, Image Size: 18 x 22 inches, Siz...

Chris Forrest, American (1946 - ) - Cardinal, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP XL, Image Size: 1...

Chris Forrest, American (1946 - ) - Wood Ducks, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 23 x 18 inches, Size: 29 in. x 23 in. (7...

Chris Forrest, American (1946 - ) - Common Terns, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 18 x 23 inches, Size: 23 in. x 29 in....

Chris Forrest, American (1946 - ) - Winter Oak, Year: Circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 17.5 x 23 inches, Size: 21.5 in. x...

Chris Forrest, American (1946 - ) - Falcon's Vigil, Year: circa 1979, Medium: Lithograph, Signed and numbered in pencil, Edition: 300, AP XL, Image Size: 18 x 23 inches, Size: 2...

Chris Forrest, American (1946 - ) - Watcher, Year: circa 1979, Medium: Lithograph, Signed and numbered in pencil, Edition: 300, AP 40, Image Size: 23...

The Lonely is an original etching and aquatint realized by Leo Guida in 1972. Good condition. Mounted on a white cardboard passpartout (50x35). Artist proof. Dated and signed by ...

Hand signed. Edition of 75 prints. Published by Crommelynck, Paris, in 1970. Bibliography: Toninelli n. 101. Image dimensions : 44 x 39 cm.

This artwork titled "Feeding the Ravens" 1997 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 29/950 in pencil by the artist. The image size is 9.65 x 8.35 inches, sheet size is 13.85 x 12.25 inches. It is in excellent condition, has never been framed. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...

Homo Ludens is an original hand-colored etching realized by the Italian artist Sergio Barletta (Bologna, 1934). Hand-signed in pencil on the lower right margin, titled "homo ludens"...

Homo Ludens is an original Hand-colored etching artwork, realized by Sergio Barletta. Hand-signed on the lower right in pencil, and titled on the lower center "Homo Ludens". Numbere...

Roman Countryside with the carriage is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare edition of on...

"Dialogue to the Wind" by Tomoya Uchida (American, 20th Century). Plant matter swirls in the air above a minimalist landscape. In the foreground, two bees have landed on a housekey. The sky is subtly textured, creating the impression of passing gusts of wind. Titled "Dialogue to the Wind" along the bottom edge. Signed and dated "T. Uchida - 89" in the lower right corner. Presented in a new light grey mat with foamcore backing. Mat size: 22"H x 17"W Paper size: 19.75"H x 13"W Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...

The Monkey is an original Contemporary artwork realized in1972 by the italian artist Leo Guida. Original Etching on Cardboard. Mint conditions. Artist proof. Hand-signed and d...

The Tiger is an original modern artwork realized in 1860 by the French artist Emile Henri Laporte (1841 - 1919). Original colored Lithograph on paper. Han...

Manifesto Gianpaolo Berto is an original poster print. Beautiful offset in good conditions. The artwork is a vintage poster of Gianpaolo Berto's exhibition at Galleria Marino, Rome...

'Polichinelle Et Ses Trois Chiens,' or in English 'Pulcinella and His Three Dogs,' is an original signed lithograph by the contemporary artist Claude Weisbuch – and it is an excellen...

1970's modernist etching of a man and woman at home with their dogs by Stephen Martin (American, 20th Century). The enigmatic couple both wear sungla...

Risciò is an original colored lithograph on Fabriano Cotton watermarked paper realized by Sandro Trotti in the 1970s and published by EuroMuseum Editore, Ancona. Representing a bar...

Drawing from prehistory, Tighe O'Donoghue's dramatic rendering of dinosaurs interacting with eachother is accented by the large stylized depiction of a volcano representing the dista...

Hydra is an original etching artwork by Marcel Chirnoaga (Romanian, 1930–2008) one of the most important artists of fantasy painting and mythology subjects in the XX century. The ar...

Roman Countryside and shepherds is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare edition of only 2...

This artwork titled "Three Chidren" 1970 is an original color lithograph on B.F.K Rives paper by noted Italian/American artist Beniamino Benevenuto Bufano, 1890-1970. It is hand signed and inscribed "First Impressions" in pencil by the artist. Published by First Impressions, San Francisco, printed by Fikrat Al-Khouri at First Impressions Graphic Society. The image size is 8.30 x 6.5 inches, framed size is 25.25 x 23.35 inches. it is beautifully custom framed in a wooden silver frame. It is in very good condition. See picture 4 and 5 for frame detail, the red mark on the frame are not damages, they are the way the finish is made. About the artist: Beniamino Benvenuto Bufano was born in San-Fele, Italy on Oct. 14, 1889. At age three Bufano's family brought him to NYC where he spent his childhood and was educated by private tutors. He studied at the ASL in NYC from 1913-15, the pupil of James L. Fraser, Herbert Adams, and Paul Manship. He came to San Francisco in 1915 to work on a sculpture for the PPIE. For awhile he worked in the studio of coppersmith Dirk van Erp. He then traveled extensively for four years in France, Italy, India, and China. After returning to San Francisco in 1921, he remained there the rest of his life except for visits to the Orient and Europe. Always a radical, he lost his teaching position at San Francisco Institute of Art in 1923 because he was too modern for the conservative faculty. He later taught at UC Berkeley and the CCAC (1964-65). Henry Miller wrote of him, "He will outlive our civilization and probably be better known, better understood, both as a man and artist, five thousand years hence." His work, simple in style and monumental in scale, includes smoothly rounded animals in granite and icons sheathed in stainless steel. Only five feet tall, Bufano was a controversial, free spirit until his death in San Francisco on Aug. 16, 1970. Member: SFAA; NSS; American Artists Congress. Exh: Whitney Museum (NYC), 1917; Arden Gallery...

Bird is an original etching realized by Leo Guida in 1970. Good condition. Mounted on a white cardboard passpartout (50x35). Dated and signed by the author. Artist proof. Leo Gu...

The bulls in the Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare edition of onl...

Roman Countryside with the carriage is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare edition of on...

Ptica is an original serigraph realized by Tomislav Petranovic Rvat in 1974. Hand signed and dated in pencil on lower right margin (Tomislav Petranovic Rvat '74), titled "Ptica" on l...

This artwork titled "Fish" is an original color lithograph on Laid paper by California artist Robert Holdeman, 1912-1994. It is hand signed in pencil b...

Romantic Woman is a colored lithograph on paper, realized in 1988 by the Yugoslav artist, Jovan Vulic (1951). This contemporary artwork is hand-sig...

Lamur is an etching print realized by Leo Guida in 1972. Hand-signed on the lower right and dated in pencil. Numbered on the lower left, the edition of 30 prints. Good condition. ...

Portrait of young Lady with Cat View is an original Etching and Drypoint realized by Helène Neveur in the 1970s. Good conditions. Numbered. Edition 40/...

The Bulls in the Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the rare edition of onl...

Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare ...

Antelope in the Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the rare contemporary ed...

Wild horses in Roman Countryside with the carriage is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The ra...

The bulls' fight in Roman Countryside with the carriage is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. T...

Limited edition of 100 prints, numbered and signed by the Artist.

The horses in the Roman Countrysideis an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the rare edition of onl...

Lemur is an original etching realized by Leo Guida in 1970. Good condition. Mounted on a white cardboard passpartout (50x35). Dated and signed by the author. Artist proof. Leo G...

Cuckoo Clock is an original colored etching realized by Leo Guida in 1971 Hand-signed and dated on the lower Title on the bottom center in Italian. Artist's proof "p.a" in pencil ...

"Cheveaux Et Cavalier (Horse & Rider) VI (Black, Red, Blue, White)" is an original color lithograph signed in pencil by the artist Marino Marini in the lower right. Reference: Guasta...

The Monkey is an original artwork realized in the 1970s by the italian artist Leo Guida. Original Etching on Cardboard. Mint conditions. Three of the five copies are numbered...

DUSTING ELEPHANTS by the British wildlife artist Sydney Taylor, is an original hand drawn limited edition lithograph printed using hand lithography techniques on archival Somerset pa...

The Bird is an original screen print realized by Giselle Halff in the late 20th century. Good conditions. Hand-signed on the lower right. E.A. on the lower left. The artwork is d...

St Daniel is a vintage offset print realized after Renato Guttuso. The picture is in very good conditions, no signature. Renato Guttuso, born Aldo Renato Guttuso (26 December 1911 ...

Leo Guida is an original Contemporary artwork realized in 1972 by the italian artist Leo Guida. Original Etching on paper. Image Dimensions: 16 x 16 cm Dated, hand-signed, titled i...

This piece is an original etching by Salvador Dali from the "After 50 Years of Surrealism" portfolio, which consists of 12 original etchin...

"Lion Tamer" lithograph by Alexander Calder. Hand-lettered EA in lower left front corner. Hand-signed Calder in lower right front corner. From an ed...

Bird is an original Contemporary artwork realized in 1972 by the italian artist Leo Guida. Original Etching on paper. Titled, hand-signed and dated in pencil on the lower right co...