Late 20th Century Animal Prints

Max Ernst (1891-1976) Surrealist Dream : Couple of Roosters, 1970 Original color lithograph Printed signature in the plate On Arches vellum 33.5 × 61 cm (c. 13 x 24 in) REFERENCES...

Robert Rauschenberg Earth Day, 1970 Offset Lithograph Plate signed and dated on the front Publisher: Castelli Graphics 33 1/2 × 22 1/4 inches Unframed This is the original 1970 offse...

This artwork titled "Au Repos (At Rest)" 1983 is an original color lithograph on paper by noted Bolivian artist Graciela Rodo Boulanger, b.1935. It is hand signed and numbered 157/20...

FLAG SERIES 1980 is a brightly colored lithograph by the American artist/sculptor Chaim Gross printed in 10 colors on archival Arches printmaking paper. FLAG SERIES 1980 depicts a bold graphic image comprised of colorful flag segments intermixed to form a varied bird-shaped designs. Chaim Gross' FLAG SERIES was specially commissioned by The World Federation of UN Associations (WFUNA) in 1980 as a limited edition lithograph for the UN stamp issue. Print is pencil signed by the artist numbered 166/1500. Postal Stamp and First Day cancel on lower left. Print size - 11.0" x 8.5" unframed, fresh, vivid colors, very good condition. Chaim Gross,(1904 - 1991) was a sculptor, artist, and teacher, known for his wood carvings, sculptures of moving human figures, religious imagery, acrobats, mothers and children. Chaim was born on March 17, 1904 to a Jewish family in Austrian Galicia, in the village of Wolowa in the Carpathian Mountains. In 1911, his family moved to Kolomyia. During World War I, Russian forces invaded Austria-Hungary; amidst the turmoil, the Grosses fled Kolomyia. They returned when Austria retook the town in 1915, refugees of the war. When World War I ended, Gross and brother Avrom-Leib went to Budapest, where Gross attended the city's art academy and studied with painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna shortly before emigrating to New York City in 1921. In the U.S., Gross's studies continued at the Beaux-Arts Institute of Design, where he studied sculpture with Elie Nadelman and others, and at the Art Students League, with sculptor Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky. In the late 1920s and early 1930s Gross exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club (the precursor to the Whitney Museum of American Art). In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. Also in 1932, Gross married Renee Nechin (1909-2005), and they had two children, Yehuda and Mimi (Mimi Gross is a New York-based artist, and was married to the artist Red Grooms from 1963-1976). In 1933, Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration). Under these programs Gross taught and demonstrated art, made sculptures for schools and public colleges, and created works for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the 1937 Exposition universelle in Paris. Chaim Gross, Sculptor by Josef Vincent Lombardo, the first major book on Gross, came out in 1949 and included a catalogue raisonne of his sculpture. In the 1950s Gross began to make more...

Keith Haring (untitled) Dolphin lithograph 1982: Double-sided lithographic insert from the seminal, spiral bound 1982 Keith Haring Tony Shafrazi gallery exhibition catalog published on the occasion of Haring’s first gallery-based solo exhibition. From a limited edition of 2000. Offset lithograph; 9 x 9 inches. Condition: very good overall vintage condition with only some minor signs of aging. Published by Tony Shafrazi gallery New York, 1982. Unsigned from an edition of 2000. Well suited for matting and framing. Keith Haring (American, 1958–1990), a Neo-Pop and Graffiti artist, had a short but prolific career centered on a vision to unite “high art,” urban aesthetics, and public spaces using humorous, irreverent, and poignant works. Born in Pennsylvania, Haring attended the Ivy School of Art in Pittsburgh for two years, planning to become a commercial artist. He found this path unsatisfying, and instead chose to study at the School of Visual Arts in New York, where he met fellow artists Jean Michel Basquiat and Kenny Scharf. Haring immersed himself in the culture of the city’s streets and clubs, and, in 1980, began covering the blank billboards on subway station walls with his Subway drawings in chalk. Haring’s bold public art attracted the attention of several galleries, and, by the early 1980s, he was painting Neo-Pop works and large murals full time. In an effort to make his art widely accessible, Haring opened the Pop Shop in 1986 in downtown New York, selling commercial items adorned with his signature, cartoonish imagery. Haring combined graffiti, hip-hop, and urban aesthetics, frequently depicting animals, figures, commercial icons, sexual imagery, and childlike motifs in pieces that were both playful and concerned with social issues. His work became increasingly confrontational following his 1987 diagnosis of AIDS. Haring resolved to work harder than ever in his remaining years, creating pieces with a fervent speed and devoting his art to social action in addition to his personal expression. In 1989, he established the Keith Haring Foundation, whose goal is to promote art programs and public spaces for children, and to raise awareness about AIDS Related Categories Keith Haring Dolphins. Keith Haring prints. Vintage Keith Haring. Keith Haring Tony Shafrazi New York. Street Art. Keith haring animals...

This artwork titled "Starling" c.1990, is a color woodblock print on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed and numbered 82/150 in pencil by the artist. The artwork (image) size is 10 x 23.25 inches, framed size is 17.25 x 30.25 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some small minor rubs. About the artwork: This artwork required 3 different carved wood blocks and 7 layers of colors to complete. About the artist: Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85). She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa. Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections. Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines. STUDIES: Yoshida Woodblock Print Studio Tokyo, 84-85 Nova Scotia College of Art & Design, Halifax, 74-75 BFA Ecole du Musee des Beaux Arts, Montreal, 74 Ontario College of Art, Toronto, 71-73 Mt. Allison University, 69-72 SELECTED SOLO SHOWS: 25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews. Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999. Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue) Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991 New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987. Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988 Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982 SELECTED GROUP SHOWS: "A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog "Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs "Moku Hanga Travelling Exhibition: Contemporary Japanese Woodcuts...

ORIGINAL LITHOGRAPH ON PAPER, Brand: RIVE GAUCHE LITHO , INC. Title: L'OIE d'OR Type of Advertising: Food SIZE: 53" X 39" Date of Creation: 1990-1998 Country of Manufacture: France O...

PENGUIN MIGRATION This hand crafted Giclee print on canvas of 'Penguin Migration', by Boris Chetkov, provides the opportunity to own and enjoy a Chetkov masterpiece at a very afford...

Great White Shark Richard Ellis, American (1938) Date: circa 1979 Lithograph, signed and numbered in pencil Edition of 500 Image Size: 18 x 25 inches Size:...

This artwork titled "Asagiri" c.1990, is a color woodblock print on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed and numbered 150/200 in pencil by the artist. The artwork (image) size is 11.25 x 23.25 inches, framed size is 18.65 x 30 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some small minor rubs, barely visible. About the artwork: This artwork required 7 different carved wood blocks and 21 layers of colors to complete. About the artist: Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85). She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa. Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections. Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines. STUDIES: Yoshida Woodblock Print Studio Tokyo, 84-85 Nova Scotia College of Art & Design, Halifax, 74-75 BFA Ecole du Musee des Beaux Arts, Montreal, 74 Ontario College of Art, Toronto, 71-73 Mt. Allison University, 69-72 SELECTED SOLO SHOWS: 25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews. Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999. Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue) Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991 New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987. Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988 Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982 SELECTED GROUP SHOWS: "A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog "Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs "Moku Hanga Travelling Exhibition: Contemporary Japanese Woodcuts...

ARTIST: Salvador Dali TITLE: St. George and The Dragon MEDIUM: Lithograph SIGNED: Hand Signed EDITION NUMBER: 227/250 MEASUREMENTS: 30" x 22" YEAR: 1973 FRAMED: No CONDITION...

"Lion Tamer" lithograph by Alexander Calder. Hand-lettered EA in lower left front corner. Hand-signed Calder in lower right front corner. From an ed...

Salvador Girafe en feu/Salvador Dali (Salvador La jungle humaine): A 1976 lithograph Dali's "Le Jungle Humaine" suite. This work is hand signed and numbered and printed on Arches pap...

Marc Chagall Original Lithograph Title: The Green Horse 1973 Dimensions: 33 x 50 cm Reference: This lithograph was created for the portfolio "Chagall Monu...

ARTIST: Salvador Dali TITLE: Rhinoceros MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Michelle Broutta, Paris EDITION NUMBER: 97/150 MEASUREMENTS: 35.4" x 25" YEAR: 1971 F...

ARTIST: Salvador Dali TITLE: Saint Lucie MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Michelle Broutta, Paris EDITION NUMBER: 268/450 MEASUREMENTS: 35.5" x 25" YEAR: ...

This Blue Dog work consists of a single blue bear with a red nose on a black background. The bear has soulful yellow eyes. This pop art animal original silkscreen print on paper is ...

Artist: William Wegman (American, b. 1943) Title: Bird Dog Suite, 1990 The Complete Set of 4 Photolithographs Medium: 4 photolithographs Dimensions: 19.5 x 19.5 inches (each image), ...

Birds is a lithograph realized by Marcello Pirro. Hand-signed, numbered, edition of 53/75 prints. The state of preservation is very good. The artwork represents a brilliant comp...

Mark Sabin Noah's Ark - 1980 Print - Silkscreen print on Somerset Paper 34'' x 26'' Edition: Signed in pencil, titled, dated and marked 245/250 image size : 31" x 23.25" inches Ma...

Mark Sabin Man In The Forest - 1980 Print - 26'' x 34'' in Edition: signed in pencil and marked 234/250 Mark Sabin is a fantasy painter, blending elements in a juxtaposition that ...

Hunt Slonem Anaconda II, 1980 Silkscreen on Arches paper Hand signed, numbered and dated on the front and titled on the back. 29 3/4 × 21 3/4 inches Unframed With tropical animals, worldly sculptures, and vibrant textiles, Hunt Slonem’s early still lifes are filled with treasures that reflect his childhood spent traveling to faraway places. As the son of a Navy officer, Slonem moved every two or three years during his youth, living everywhere from Hawaii to Washington State to Nicaragua. “I would say my whole life could be summed up by the word exotica,” the artist has said. Slonem’s still lifes contain allusions of his various homes, including pineapples, Native American headdresses...

Lithograph on arches paper. Hand signed, dated titled and numbered in pencil by the artist. From the deluxe edition of 125. Image size 32 x 25 inches. Sheet size 36 x 26.5 inches. ...

ARTIST: Salvador Dali TITLE: Hamadryades Mimetiques Arborescentes MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: EA MEASUREMENTS: 19.3" x 12.4" YEAR: 1971 FRAMED: No CO...

ARTIST: Salvador Dali TITLE: Dalinean Horses Horace's Chimera MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Simeon Wajntraub & Jacques Carpentier EDITION NUMBER: 170/250 M...

Signed lower center, 'Miharu Lane' (Japanese-American, born 1948), titled, 'Happy Tidings' and with number and limitation, '193/350'. Paper dimensions: 19 x 24 inches. Miharu Lane ...

Kenny Scharf Untitled from the environmental portfolio "Columbus: In Search of a New Tomorrow", 1992 Color silkscreen on Fabriano paper with blind stamp, held in the original portfolio sleeve Pencil signed and annotated PP by Kenny Scharf on the front 30 × 22 3/4 inches Unframed This is one of five Printers Proofs aside from the regular edition of 100, hand signed and annotated PP on the front, with the publisher's blind stamp, from the original portfolio Columbus: In Search of a New Tomorrow, housed in the rarely seen original protective sleeve. “Before the world is changed it would perhaps be more appropriate not to destroy it” Paul Claudel This dazzling color silkscreen on Fabriano paper, pencil signed and annotated Printer's Proof is Kenny Scharf's contribution to the portfolio, "Columbus: in Search of a New Tomorrow" - to raise funds and awareness about saving the Rainforest. 35 artist from around the world were invited to contribute mainly silkscreens, but also photography, literature, drama and music. This ambitious project was sponsored by His Majesty King Juan Carlos of Spain and Mr. Hoet, manager of “documenta IX”. Besides Scharf, other artists who participated in this portfolio are: Joseph Beuys (autorisierter Nachdruck), Max Bill, Sandro Chia, Eduardo Chillida, Joe Cocker, Christo, Hanne...

Born in 1937 in Breckenridge, Minnesota, Fritz Scholder knew what he must do at an early age. As a high school student at Pierre, South Dakota, his teacher was Oscar Howe...

Astrological sign of leo is a screen print on grey paper realized by Sergio Barletta, in 1980s. Signed on the lower left margin. 68 x 49 cm. In good conditions except for fairl...

NIGHT ANIMAL is an original limited edition lithograph by the Dutch artist Karel Appel on printed using traditional hand lithography techniques on archival printmaking paper, 100% ac...

Free Horses is a beautiful lithograph realized by Agostino Cancogni in the 1980s. Hand-watercolored lithograph on paper. Unique specimen. Personally colored by the artist and hand...

Abstract Urban Landscape is an original print, realized in by the Artist Antonio Cremonese (Rome, 1949). Color lithograph on paper. Hand Signed on the right margin. Limited edition...

Keith Haring Tony Shafrazi 1982: set of 4 printed works: A set of four double-sided lithographic inserts from the seminal, spiral bound 1982 Keith Haring Tony...

Insects is an etching realized by Sergio Barletta in 1974. Hand-signed in pencil on the lower right. Numbered on the lower left in Roman numerals, from the edition of XXX prints. ...

ARTIST: Salvador Dali TITLE: Apocalyptische Reiter (Apocalyptic Rider) MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 166/175 MEASUREMENTS: 22" x 30" YEAR: 1974 CONDITIO...

This listing is for just the one print in the photo here. there are three states of the same image image each with Progressively increasing detail and color. the edition size is 175. Hand signed, numbered and dated. on hand made French Arches paper. Bob (Robert) Stanley (1932-1997) was a painter, photographer and printmaker whose early work was figurative painting about contemporary American life. In the 1960s and early 1970s, he based his paintings on photographs, which he manipulated from black and white or silkscreen colored shapes. In the early 1960's, he began to base his paintings on images clipped from newspapers and magazines, following the example of Pop artists like Andy Warhol and Roy Lichtenstein, who would become his brother-in-law. Enlarged and often simplified to two vibrant saturated colors Stanley's images could be reduced to the abstract or be powerfully explicit. His preferred subjects, including rock stars, athletes and pornography, always seemed to grate against the pretenses of high art. Similar in bold use of color to Malcolm Morley. In the late 1960's Mr. Stanley started using his own photographs, basing paintings on images of tree branches or the ground, and also using pictures of life-drawing models at the School of Visual Arts. EDUCATION The Brooklyn Museum of Art School, Brooklyn, NY Columbia University, New York, NY The High Museum Art School, Atlanta, GA Columbia University, New York, NY Oglethorpe University, Atlanta, GA B.A. 1953 Max Beckmann Scholarship Award for Painting and Sculpture, The Brooklyn Museum of Art School, Brooklyn, NY TEACHING School of Visual Arts, New York, NY, Instructor: Painting and Drawing The New Arts Program, Kutztown, PA, Visiting Artist Princeton University, Princeton, NJ, Visiting Artist School of Visual Arts, New York, NY, Instructor: Painting and Drawing SELECT INDIVIDUAL EXHIBITIONS Figureworks, Brooklyn, NY, Celebrating the Erotic Work of Pop-Artist Bob Stanley The Mayor Gallery, London, England, “Bob Stanley – Works from the Sixties” Beatrice Conde Gallery, New York, NY, Late Paintings Mitchell Algus Gallery, New York, NY, Paintings: 1963-1967 Gallerie Georges Lavrov, (Paris), Die International Kunstmesse, Art Basel, Switzerland Galerie Georges Lavrov, Paris, France, Catalog text by Richard Artschwager The Paul Bianchini Gallery, New York, NY Galerie Ricke, Kassel, Germany Bianchini-Birillo Gallery, New York, NY SELECTED GROUP EXHIBITIONS Mitchell Algus Gallery, New York, NY, Exquisite Corpe – Cadavre Exquis Karolyn Sherwood Gallery, “Up Close and Personal: A Collection of Minimalist and Figurative Drawings” Steven Vail Gallery, “Paintings and Drawings” 2 person exhibition with Jan Frank Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, SI, NY, “The Figure: Another Side of Modernism” Contemporary Arts Center, Cincinnati, OH, travels to 10 other institutions; “It’s Only Rock and Roll”, Catalog essay by David S. Rubin, Curator of 20th Century Art, Phoenix Art Museum Beatrice Conde Gallery, New York, NY, “Paintings, Drawings, Photographs” The Painted Bride Art Center, Philadelphia, PA, 2 person exhibition with Patricia McCabe Centro Cultural La General, Granada, Spain, “Honenaje a Federico García Lorca White Columns, New York, NY, “Overtalk: Bob Stanley, Öyvind Fahlström, Peter Nagy Lyman Allyn Museum, New London, CT, “The Pop Decade: The Bianchini Gallery in the Sixties”; Exhibition monograph by Barbara Zabel Fuji Television Gallery, Tokyo, Japan, “Contemporary Graphics: NYC” The Art Museum, Princeton University, Princeton, NJ, “A Decade of Visual Arts at Princeton: Faculty 1975-1985”’ Catalog text by Allen Rosenbaum and James Seawright Centro Studi Pietro Mancini, Cosenza, Italy, “Progetto su Pace, Guerra e Altro” The Fort Worth Art Museum, Fort Worth, TX, “The Pop Art Print” The Madison Art Center, Madison, Wisconsin, “Recent Acquisitions” Harcus Gallery, Boston, MA, “Artist/Poet’s Books” The American Academy and Institute of Arts and Letters New York, NY, “Paintings and Sculpture: 1982 Art...

Abstract Urban Landscape is an original print, realized in by the Artist Antonio Cremonese (Rome, 1949). Color lithograph on paper. Hand Signed on the right margin. Limited edition...

Insects is an etching realized by Sergio Barletta in 1974. Hand-signed in pencil on the lower right. Numbered on the lower left in Roman numerals, from the edition of XXX prints. ...

paper: 22 x 15 in. printed image: 4 3/4 x 6 in. english translation: Long Hand Crab Latin

Artist: Jack Coutu Title: Sulphur Breasted Toucan Medium: Etching Signed: Hand Signed Edition: From the edition of 200 Measurements: 23" x 31" Year: 1970 Note: This piece is so...

French Vintage Exhibition Poster for Yves Brayer (1975). Newly framed, the poster announces an exhibition of the works of Yves Brayer at the Galerie Alain Moyon-Avenard in Nantes, Fr...

Artist: Richard McLean Title: Lucky Penny Medium: Lithograph Signed: Hand Signed Edition: Edition of 250 Measurements: 22.5" x 29.75" Note: This piece is sold UNFRAMED Conditio...

Insects is an etching realized by Sergio Barletta in 1974. Hand-signed in pencil on the lower right. Numbered on the lower left in Roman numerals, from the edition of XXX prints. T...

Salvador DALI (after) The Blue Owl Lithograph Printed signature in the plate Printed in Matthieu workshop Edited by J. Schneider for the Dali exhibition at Galerie Orangerie in 198...

Insects is an etching realized by Sergio Barletta in 1974. Hand-signed in pencil on the lower right. Numbered on the lower left in Roman numerals, from the edition of XXX prints. ...

Nude is a etching on cardboard realized by Sergio Barletta in 1974. sheet dimensions, 25 x 17 cm. Handsigned in pencil in the lower right margin. Edition XXXVIII/XL Very good c...

Keith Haring Tony Shafrazi 1982: set of 4 printed works: A set of four double-sided lithographic inserts from the seminal, spiral bound 1982 Keith Haring Tony...

Nude is aetching realized by Sergio Barletta in 1974. Sheet dimensions, 25 x 17 cm. Handsigned in pencil in the lower right margin. Edition XXXVII/XL. Good condtions.

Insect is an etching realized by Sergio Barletta in 1974. Hand-signed in pencil on the lower right. Numbered on the lower left in Roman numerals, from the edition of XXX prints. ...

Insects is an etching realized by Sergio Barletta in 1974. Hand-signed in pencil on the lower right. Numbered on the lower left in Roman numerals, from the edition of XXX prints. ...

Insects is an etching realized by Sergio Barletta in 1974. Hand-signed in pencil on the lower right. Numbered on the lower left in Roman numerals, from the edition of XXX prints. ...

This listing is for just the one print in the photo here. there are three states of the same image image each with Progressively increasing detail and color. the edition size is 175. Hand signed, numbered and dated. on hand made French Arches paper. Bob (Robert) Stanley (1932-1997) was a painter, photographer and printmaker whose early work was figurative painting about contemporary American life. In the 1960s and early 1970s, he based his paintings on photographs, which he manipulated from black and white or silkscreen colored shapes. In the early 1960's, he began to base his paintings on images clipped from newspapers and magazines, following the example of Pop artists like Andy Warhol and Roy Lichtenstein, who would become his brother-in-law. Enlarged and often simplified to two vibrant saturated colors Stanley's images could be reduced to the abstract or be powerfully explicit. His preferred subjects, including rock stars, athletes and pornography, always seemed to grate against the pretenses of high art. Similar in bold use of color to Malcolm Morley. In the late 1960's Mr. Stanley started using his own photographs, basing paintings on images of tree branches or the ground, and also using pictures of life-drawing models at the School of Visual Arts. EDUCATION The Brooklyn Museum of Art School, Brooklyn, NY Columbia University, New York, NY The High Museum Art School, Atlanta, GA Columbia University, New York, NY Oglethorpe University, Atlanta, GA B.A. 1953 Max Beckmann Scholarship Award for Painting and Sculpture, The Brooklyn Museum of Art School, Brooklyn, NY TEACHING School of Visual Arts, New York, NY, Instructor: Painting and Drawing The New Arts Program, Kutztown, PA, Visiting Artist Princeton University, Princeton, NJ, Visiting Artist School of Visual Arts, New York, NY, Instructor: Painting and Drawing SELECT INDIVIDUAL EXHIBITIONS Figureworks, Brooklyn, NY, Celebrating the Erotic Work of Pop-Artist Bob Stanley The Mayor Gallery, London, England, “Bob Stanley – Works from the Sixties” Beatrice Conde Gallery, New York, NY, Late Paintings Mitchell Algus Gallery, New York, NY, Paintings: 1963-1967 Gallerie Georges Lavrov, (Paris), Die International Kunstmesse, Art Basel, Switzerland Galerie Georges Lavrov, Paris, France, Catalog text by Richard Artschwager The Paul Bianchini Gallery, New York, NY Galerie Ricke, Kassel, Germany Bianchini-Birillo Gallery, New York, NY SELECTED GROUP EXHIBITIONS Mitchell Algus Gallery, New York, NY, Exquisite Corpe – Cadavre Exquis Karolyn Sherwood Gallery, “Up Close and Personal: A Collection of Minimalist and Figurative Drawings” Steven Vail Gallery, “Paintings and Drawings” 2 person exhibition with Jan Frank...

Artist: Fran Bull Title: Horses of the Camargue Medium: Silkscreen Signed: Hand Signed Edition: From the edition of 250 Measurements: 22" x 29 1/4" Frame: This piece is sold UNF...

there are three states of the same image image each with Progressively increasing detail and color. the edition size is 175. Hand signed, numbered and dated. on hand made French Arches paper. Bob (Robert) Stanley (1932-1997) was a painter, photographer and printmaker whose early work was figurative painting about contemporary American life. In the 1960s and early 1970s, he based his paintings on photographs, which he manipulated from black and white or silkscreen colored shapes. In the early 1960's, he began to base his paintings on images clipped from newspapers and magazines, following the example of Pop artists like Andy Warhol and Roy Lichtenstein, who would become his brother-in-law. Enlarged and often simplified to two vibrant saturated colors Stanley's images could be reduced to the abstract or be powerfully explicit. His preferred subjects, including rock stars, athletes and pornography, always seemed to grate against the pretenses of high art. Similar in bold use of color to Malcolm Morley. In the late 1960's Mr. Stanley started using his own photographs, basing paintings on images of tree branches or the ground, and also using pictures of life-drawing models at the School of Visual Arts. EDUCATION The Brooklyn Museum of Art School, Brooklyn, NY Columbia University, New York, NY The High Museum Art School, Atlanta, GA Columbia University, New York, NY Oglethorpe University, Atlanta, GA B.A. 1953 Max Beckmann Scholarship Award for Painting and Sculpture, The Brooklyn Museum of Art School, Brooklyn, NY TEACHING School of Visual Arts, New York, NY, Instructor: Painting and Drawing The New Arts Program, Kutztown, PA, Visiting Artist Princeton University, Princeton, NJ, Visiting Artist School of Visual Arts, New York, NY, Instructor: Painting and Drawing SELECT INDIVIDUAL EXHIBITIONS Figureworks, Brooklyn, NY, Celebrating the Erotic Work of Pop-Artist Bob Stanley The Mayor Gallery, London, England, “Bob Stanley – Works from the Sixties” Beatrice Conde Gallery, New York, NY, Late Paintings Mitchell Algus Gallery, New York, NY, Paintings: 1963-1967 Gallerie Georges Lavrov, (Paris), Die International Kunstmesse, Art Basel, Switzerland Galerie Georges Lavrov, Paris, France, Catalog text by Richard Artschwager The Paul Bianchini Gallery, New York, NY Galerie Ricke, Kassel, Germany Bianchini-Birillo Gallery, New York, NY SELECTED GROUP EXHIBITIONS Mitchell Algus Gallery, New York, NY, Exquisite Corpe – Cadavre Exquis Karolyn Sherwood Gallery, “Up Close and Personal: A Collection of Minimalist and Figurative Drawings” Steven Vail Gallery, “Paintings and Drawings” 2 person exhibition with Jan Frank...

"A Round of Birds" is an original linocut by Mark Herrling. It depicts a radial pattern of black birds and abstract, geometric shapes. The artist signed, titled, and wrote the editio...

Salvador Dalí (1904-1989) – Spanish painter, graphic artist and sculptor. Drypoint with etching and pochoir on Japon paper "Elijah and the Chariot," 1975, (Horse and rider) from the "Our Historical Heritage" suite. Pencil signed along the lower right and numbered 53/250 along the lower left. Literature: Field 75-4 J Framed; Height: 29 in x width: 35 in. Mat opening 19.5 X 25.5. The Spanish artist’s extensive oeuvre not only includes watercolors, drawings and sculptures but also tapestries; here a fine example from the limited edition ‘The Twelve Tribes of Israel’ The tapestry was created after an etching by Salvador Dalí from 1973 with the title ‘The Tribe of Judah’, which the artist created as part of a suite to mark the 25th anniversary of the State of Israel, and in which he represented the twelve tribes of Israel. This vintage French tapestry is an impeccable textile re-creation of a rare Dali etching. This is a flat weave Aubusson style tapisserie. The edition size was 500. The tapestry is inscribed with woven ‘Salvador Dalí’ lower right Genre: Surrealism Subject: people, architecture rendering Medium: textile Salvador Dali (Spanish, 1904-1989) Salvador Dali is considered as the greatest original artist of the surrealist art movement and one of the greatest masters of art of the twentieth century. Dali began to study art at the Royal Academy of Art in Madrid. He was expelled twice and never took the final examinations. His opinion was that he was more qualified than those who should have examined him. In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness. By 1929 Dali had found his personal style that should make him famous - the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches became the artist's surrealist trademarks. Along with Rene Magritte his is considered the greatest of the Surrealists. His great craftsmanship allowed him to execute his paintings in a nearly photo realistic style. No wonder that the artist was a great admirer of the vintage Italian Renaissance painter Raphael. Meeting Gala was the most important event in the artist's life and decisive for his future career. She was a Russian immigrant and ten years older than Dali. When he met her, she was married to Paul Eluard. In 1933 Salvador Dali had his first one-man show in New York. One year later he visited the U.S. for the first time supported by a loan of US$500 from Pablo Picasso. To evade World War II, Dali chose the U.S.A. as his permanent residence in 1940. He had a series of spectacular exhibitions, among others a great retrospective at the Museum of Modern Art in New York. He has worked in paining, sculpture, tapestry, Daum glass and prints. Dali became the darling of the American High Society. Celebrities like Jack Warner or Helena Rubinstein gave him commissions for portraits. His artworks became a popular trademark and besides painting he pursued other activities - jewelry and dated clothing designs for Coco Chanel or film making with Alfred Hitchcock. In 1948 Dali and Gala returned to Europe, spending most of their time either in their residence in Ligate/Spain or in Paris/France or in New York. Dali developed a lively interest in science, religion and history. He integrated things into his art that he had picked up from popular science...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Etudes de Mains et Colombe". The original drawing was completed in 1952. In the 1970's after...

Three Eyes from the Icons series. Screen print in colors with embossing on Arches cover paper. Hand signed, dated and numbered by the executor of the Haring estate, Julia Gruen, in p...