Bird Animal Prints

Artist: Juan Garcia Ripolles, Spanish (1932 - ) Title: Paloma Year: 1969 Medium: Lithograph, signed and numbered in pencil Edition: PA XXVII/XXX Image Size: 17 x 22 inches Frame Size...

This print was created by Peruvian artist Victor Delfin. Delfin found the source of his inspiration in the ancient Paracan culture of Peru, part of the broader Incan civilization. De...

My fascination with birds of prey began eight years ago. There have been nesting owls on my family’s land in the United Kingdom as far as I can remember. I have heard them calling to...

My fascination with birds of prey began eight years ago. There have been nesting owls on my family’s land in the United Kingdom as far as I can remember. I have heard them calling to...

My fascination with birds of prey began eight years ago. There have been nesting owls on my family’s land in the United Kingdom as far as I can remember. I have heard them calling to...

My fascination with birds of prey began eight years ago. There have been nesting owls on my family’s land in the United Kingdom as far as I can remember. I have heard them calling to...

Mike Mitchell - Rufous-Backed Dwarf Kingfisher - Contemporary Artist Edition Details Year: 2020 Class: Art Print Status: Official Released: 11/14/20 Run: 680 Technique: Giclee Pa...

Artist: John Gould (English, 1804-1881) Title: "Grus Cinerea (Common Crane)" (Vol. 4, Plate 19) Portfolio: The Birds of Great Britain Year: 1862-1873 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 750 Printer: Walter or Walter & Cohn, London, UK Publisher: Taylor and Francis, John Gould, London, UK Reference: Sauer No. 23; Ayer/Zimmer page 261; Wood page 365; Nissen No. IVB 372; Sitwell page 78 Sheet size: 14.75" x 21.57" Image size: 12.75" x 20.13" Condition: Has been professionally stored away for decades. In excellent condition with strong colors Notes: Provenance: private collection - Aspen, CO. Lithography and hand-coloring by German artist Joseph Wolf (1820-1899) and Irish artist William Hart (1830-1908). Comes from Gould's five volume "The Birds of Great Britain", (1862-1873) (First edition), which consists of 367 hand-colored lithographs. Other contributing lithographers were John Gould and English artist Henry Constantine Richter (1821-1902). "The Birds of Great Britain" is recognized as Gould's greatest work. Gold gilded edges as issued. The common crane, also known as the Eurasian crane, is a bird of the family Gruidae, the cranes. A medium-sized species, it is the only crane commonly found in Europe besides the demoiselle crane and the Siberian crane that only are regular in the far eastern part of the continent. Biography: John Gould FRS (14 September 1804 – 3 February 1881) was an English ornithologist and bird artist. He published a number of monographs on birds, illustrated by plates that he produced with the assistance of his wife, Elizabeth Gould, and several other artists including Edward Lear, Henry Constantine Richter, Joseph Wolf and William Matthew Hart. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, "On the Origin of Species".

Three Flying Ducks, Painting by Gavin Dobson Three flying ducks is a limited edition print by artist Gavin Dobson. Featuring three ducks in an expressive style flying across the pi...

Mel Hunter, American (1927 - 2004) - Great Grey Owl, Year: 1975, Medium: Lithograph, signed and numbered in pencil, Edition: AP 6/10, Size: 30 x 22 in. (76.2 x 55.88 cm), Descr...

Chris Forrest, American (1946 - ) - Canada Geese in Flight, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP XL, Image Size: 18 x 24 inches, Size: ...

Chris Forrest, American (1946 - ) - Common Terns, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 18 x 23 inches, Size: 23 in. x 29 in....

Chris Forrest, American (1946 - ) - Winter Oak, Year: Circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 17.5 x 23 inches, Size: 21.5 in. x...

Chris Forrest, American (1946 - ) - Watcher, Year: circa 1979, Medium: Lithograph, Signed and numbered in pencil, Edition: 300, AP 40, Image Size: 23...

Keith Haring at Tony Shafrazi/Leo Castelli Gallery, New York, 1985: Rare original 1980s announcement for two Keith Haring exhibitions: Keith Haring at Tony Shafrazi Gallery, October 26...

"The Wild Swan" by George Edwards from "A Natural History of Birds, Most of which have not been figured or described and others very little known..." published in London between 174...

Robert Greenhalf Berwick’s Swans and Lapwings Limited Edition Print Woodcut on Paper Edition of 100 Paper Size: H 38.5cm x W 41 cm Image Size: H 27.5c...

Kate Heiss Over the Lighthouse Linocut Edition of 50 Image Size 30 x 30cm Mounted size 40x 40cm Oil based inks on 300GSM Soft white Somerset Velve...

Original chromoxylograph (color wood-engraving) after-drawing by A.F. Lydon. London, George Bell & Sons, 1884.

The Pecking Order is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 55/275 (there were also 100 Roman and 20 AP)....

Jules, Mervyn (American 1912-1994). NOAH'S ARK. Color screenprint, not dated, but mid-20th Century. Signed in the matrix and in pencil in the margin, and also, with Jules's copyright...

Print Measures 18 x 24in. Good Condition. Printed in U.S.A.

limited_edition Oil based inks on 300gsm Somerset Velvet Paper Edition number 50 Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:1cm Sold Unf...

"Chrysanthemum II #4/10" (2021) by Kate Breakey is a limited-edition archival pigment print that is hand colored using pencil and pastel. About the artist: Kate Breakey is internat...

When Pigs Fly is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 59/275 (there were also 100 Roman and 20 AP). Fra...

Kate Heiss Little Sparrow Limited Edition Linocut Print Edition of 100 Printed with oil based relief inks on 300gsm soft white Somerset velvet paper. Signed and dated on the front Im...

Lisa Houck is a highly established artist from Boston, recently re-located to Maine, with a very large following devoted to her exceptional paintings, watercolors, mosaics and prints reminiscent of Folk Art, Matisse and Aborigine art. Houck is widely admired and recognized for a gorgeous sense of color and a sensibility both playful and serious that is uniquely her own. This is one of her 3 most recent large format bird prints in various shades of blue and aqua in a series which now consists of a total of 10 related prints. They are outstanding installed individually or as groups. Houck's highly sophisticated and complex sense of pattern and design is delightfully whimsical, as well as extraordinarily compelling for its knowledge of so many artistic forms which the artist is miraculously able to reference and incorporate, while maintaining a style so distinctively recognizable as her own. Lisa Houck "Flittering and Fluttering" 2023 Linoleum Block Print Edition 10 35.25 x 23.25 Inches This print is not framed. Lisa Houck has an outstanding reputation for not only her work as a printmaker but for achievements in painting, watercolor, mosaic and textiles as well. She has executed many large permanent public art commissions for interior and exterior sites in Boston and nationwide including ambitious murals for Dana Farber, The Children's Hospital, Frieda Garcia Park and numerous libraries, playgrounds and other public buildings. Her works have been featured in many museum and gallery exhibitions and are included in a multitude of public and private collections. Artist's Statement: "I work in watercolor, oil on wood, ceramics, mosaics and etching. Each medium allows me to invent new ways to express my view of nature through color and pattern. My artwork has been exhibited widely, and is in numerous public and private collections, including The Boston Athenaeum, Brigham and Women’s Hospital, Boston Children's Hospital, Fidelity Investments, four libraries in Broward County Florida, Hale and Dorr, Massachusetts General Hospital, and the Museum of Fine Arts, Boston." LISA HOUCK Education and Professional Affiliations: Tufts University/School of the Museum of Fine Arts, Boston, MA: M.F.A. 1989. Rhode Island School of Design, Providence, RI: B.F.A. 1975. Boston Printmakers Selected Solo Exhibitions: Beth Urdang Gallery, Boston, MA 2017, 2021 Cambridge Arts Council, Gallery 344, “A Long Walk with No Destination”, Cambridge, MA 2016 Patricia Carega Gallery: “White Line Woodcuts,” Center Sandwich, NH 2014 Rivers School, Weston, MA 2008 Bentley College: “All About the Square,” Waltham, MA 2003. Barton-Ryan Gallery: “Improbable Botanicals and Landscapes,” Boston, MA 2000. Randall Beck Gallery: Boston, MA 1993, 1991. Barbara Singer Fine Art: Cambridge, MA 1991. Coyote Gallery: Cambridge, MA 1989. Tufts University: “MFA Thesis Exhibition,” Cohen Arts Center, Medford, MA 1988. Modestino Gallery: Cambridge, MA 1987, 1986. New England School of Art and Design: Boston, MA 1986. Mott House: “The Comet and Other Phenomena,” Washington, DC 1986. Selected Group Exhibitions: Cove Street Arts, “Menagerie a Trois”, Portland, ME, 2022 Fuller Craft Museum: “Mosaics Today”, Brockton, MA 2022 Turtle Gallery, “Summer Show”, Deer Isle, ME 2022 Gallery Twist, Lexington, MA “impressions” 2019 and 2020 Boston Athenaeum, New England on Paper, Boston, MA 2017 Cotuit Center for the Arts: Marking Time: 70 Years of the Boston Printmakers, Cotuit, MA 2017 Arsenal Center for the Arts, Big Prints, Watertown, MA 2016 FPAC Gallery, Fort Point Channel, “Mosaic Muse”, Boston, MA 2016 Art of Mosaic: Piecing it Together, Fuller Craft Museum, Brockton, MA 2013 Highfield Hall, National Mosaic Exhibit on Cape Cod, Falmouth, MA, 2011 Fancy Plants: Bentley University, 2010 Contemporary Mosaics: Attleboro Arts Museum, 2010 Boston Children’s Museum: “I See Trees,” 2009. Somerville Museum: “Art of Mosaic,” 2009. Milton Academy: “Design/Build,” 2009. Danforth Museum: Members Show, 2007 Boston Printmakers: North American Print Biennial, 2005. Peabody Essex Museum: “In Nature’s Company,” Salem, MA 2004. Cambridge Art Association: “Hot Colors,” (Best in Show Award), Cambridge, MA 2002. Tufts University: “Alumni Exhibition,” Aidekman Gallery, Medford, MA 2001. Acacia Gallery: Gloucester, MA 2000. Wiggin Gallery: “Women in Watercolor,” Boston Public Library, Boston, MA 2000. New Art Center: “Lasting Impressions: Looking at the Land,” Newton, MA 1997. Bernard Toale Gallery: “The Pet Show,” Boston, MA 1996. Albers Gallery: Memphis, TN 1994, 1992,1991. Pritam & Eames: East Hampton, NY 1992. Boston Center for the Arts: Boston, MA 1989. DeCordova Museum: “Explorations in Handmade Paper,” Lincoln, MA 1989. Fuller Museum of Art: “RISD Alumni in Boston,” Brockton, MA 1989. lisa houck Selected Collections: The Boston Company The Boston Public Library Brigham and Women’s Hospital Brunnier Museum, Ames, IA Coopers & Lybrand Fidelity Investments Fogg Art Museum Goodwin Procter Harvard Business School Harvard Community Health Plan Grants/Projects: Herman Miller Lahey Clinic Massachusetts General Hospital Massachusetts Mutual Corporation Montgomery Watson Harza Museum of Fine Arts, Boston Neiman Marcus New England Medical Center State Street Bank and Trust Valley Hospital, NJ Wrapped a Radiology room with art at Boston Children’s Hospital 2019. Project consultant: Betty Bothereau, L’Attirude Gallery Boston “City Square with Reflecting Pool,” 6’ X 6’ mosaic for Iron Street Park in Boston. Located on the corner of A Street and Iron Street in Boston, commissioned for this new park in Boston by a private client in 2014. Children’s Hospital, Waltham, MA: eleven-panel, oil-on-wood painting for the lobby, 2005. Grant from Massachusetts Cultural Council, 2005. For a ceramics program in the public schools, sponsored by the Dedham Cultural Council. John Hancock Financial Services: Frieda Garcia Park. Commission to create two mosaic murals incorporating children’s art from the community, 2004. Murals are 8’ X 10’ and 8’ x 22’. Broward County Cultural Affairs Office/Public Art Department, Florida: Public Art Commission to create paintings and printed materials for four libraries in Broward County, 2003. Dana Farber Cancer Institute/Jimmy Fund Clinic, Boston, MA: eight panel mosaic for the reception area. Architect: Miller, Dyer, Spears, 2003. Massachusetts Port Authority, Logan International Airport, Terminal E, Boston, MA: Six digital reproductions of paintings. Project Coordinator: Urban Arts Institute, 2001. ”The Rare Tropical Cod,” part of the Cavalcade of Cod, a school of 5’5” fiberglass fish sculptures which were displayed throughout the city of Boston in the fall of 2000. Sponsored by Boston’s B2K Committee. Poster and button and display banners for First Night Boston, 1998. Grant from the City of Cambridge to create murals for the Cambridge Senior Center, 1995. Administered by the Cambridge Arts Council. Fellowship in the Visual Arts, Massachusetts Cultural Council, 1994. Administered by the New England Foundation for the Arts. Grant from Arts on the Line, Cambridge, MA for temporary art in the subway including a 36-foot painting for the Kendall Square subway station, Cambridge, MA 1988. Grant from the Cambridge Arts Council for a mural for the Cambridge River Festival, installed in Inman Square, 1987. Poster for the Haystack Mountain School of Crafts, 1987. education and professional affiliations Tufts University/School of the Museum of Fine Arts, Boston, MA: M.F.A. 1989. Rhode Island School of Design, Providence, RI: B.F.A. 1975. Boston Printmakers New England Mosaic Society Publications: Maine Gallery...

Grebe Huppe - Grebe Oreillard - Great Crested Grebe French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of i...

Heron Butor - Bittern French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of il...

Heron Bihoreau - Black Crowned Night Heron French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrati...

Color wood engraving with hand finishing from "Parrots in Captivity" by William Thomas Greene after an original drawing by A.F. Lydon. London: G...

"Resplendent Trogon" is an original color lithograph by Louis Prang. It depicts two large trogon birds in a lush jungle with various flora and fauna surroundin...

Jane Peart Forest Glen Limited Edition Etching Print Edition of 100 Image Size: H 24cm x W 34cm Signed Sold Unframed Please note that in situ images are purely an indication of how ...

Artist: Arun Bose, Indian (1937 - 2007) Title: Songs of Veda Suite (Bird of Passage, Emerald Altar, Prelude to Creation, Primordial Force, Serene Impassivity, Spirit of Avatar) Year:...

Individual size: H:20 cm x W:20 cm Total size : H:20 cm x W:60 cm x D:0.1cm A Pair of Flamingos, A Pair of Giraffes and A Pair of Elephants Triptych are limited...

Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Le Millouinan" (Plate 1002) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martinet in the plate (printed signatur...

Rye spring. 1980, Paper, linocut, print size 50x65 cm; total 70x80 cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publications. The ma...

Longing for your return by Emma Reynolds [2022] A celebration of the developing season as the swallows arrive. Additional Information: limited_edition Screenprint Edition number ...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Bluebird Year: 1981 Medium: Serigraph, Signed and Numbered in Pencil Edition: AP 5/25 Image Size: 27.5 x 35.5 inches Fram...

Late September by Robert Greenhalf [2021] Late September is a limited edition print by artist Robert Greenhalf. Made using woodcut printing techniques and an organic earthy color sc...

This woodcut print was created by American artist Leonard Baskin. Baskin is well known for his somewhat grotesque, intricate, surreal drawings and natural subject matter. This print ...

The print has been singed and dated by hand in pencil by the artist, Paul Bartlett, in the bottom right hand corner and has been named and edition in the bottom left hand corner also...

A limited edition mixed media print on canvas mounted to wood by American artist and educator Michael Knigin (1942 - 2011). Knigin's art incorporates his photography, collage and his...

Peacock Caroline Schultz, American (1936–2004) Date: 1980 Lithograph, signed and numbered in pencil Edition of AP 50 Image Size: 18 x 22.5 inches Size: 23 in. x 29 in. (58.42 cm x 73...

Robert Greenhalf Curlews and Woodpigeons Limited Edition Print Woodcut on Paper Edition of 100 Paper Size: H 26cm x W49 cm Image Size: H 16cm x W 38.5...

Unique 1/1 digital print produced from a single frame from "Together", an animated short film featuring various artists. Each print is a one of a kind work of art with certificate of...

Robert Greenhalf Great White Egrets Limited Edition Print Woodcut on Paper Edition of 100 Paper Size: H 48.5cm x W25.5 cm Image Size: H38.5cm x 16.5cm...

Artist: Saverio Manetti (Italian, 1723-1785) Title: "Sparrowhawk" (Plate XXI - 21) Portfolio: Storia Naturale Degli Uccelli (The Natural History of Birds) Year: 1767-1776 Medium: Original Hand-Colored Engraving on watermarked laid paper Limited edition: Unknown Printer: Unknown Publisher: heirs of Francesco Mouck (Vols. I-III), Gaetano Cambiagi (Vol. IV), Giuseppe Vanni (Vol. V), Florence, Italy Reference: Ayer/Zimmer page 241; Fine Bird Books page 120; McGill/Wood, page 450; Nissen IVB No. 588 Sheet size: 17.88" x 14.07" Platemark size: 13.69" x 11.69" Condition: A few small minor areas of discoloration in margins. Has been professionally stored away for decades. In excellent condition with strong colors Rare Notes: Engraved and hand-colored by Italian artists Lorenzo Lorenzi (Active: 1750-1780) and Violante Vanni (1732-1776). Latin and Italian texts by Saverio Manetti. Comes from Manetti's monumental five volume "Storia Naturale Degli Uccelli (The Natural History of Birds)", (1767-1776), which consists of 600 hand-colored engravings. Unidentified watermark in center of sheet. The Eurasian sparrowhawk, also known as the northern sparrowhawk or simply the sparrowhawk, is a small bird of prey in the family Accipitridae. Adult male Eurasian sparrowhawks have bluish grey upperparts and orange-barred underparts; females and juveniles are brown above with brown barring below. Manetti's extraordinary "Storia Naturale Degli Uccelli (The Natural History of Birds)", 1767-1776 was commissioned by Maria Luisa, the Grand Duchess of Tuscany. It is a massive 5 book volume set of 600 hand-colored engraved plates of birds. Engraved and hand-colored by Italian artists Lorenzo Lorenzi (Active: 1750-1780) and Violante Vanni (1732-1776). Latin and Italian texts by Manetti. Manetti created the drawings almost exclusively from real specimens, beginning with the extensive collection of Marquis Giovanni Gerini, an affluent Florentine Senator. Manetti saw the work was published in parts of 12 plates, issued every two months or so, most plates dedicated to a prominent member of the Italian nobility and gentry. Printed on handmade watermarked laid paper and published by heirs of Francesco Mouck (Vols. I-III), Gaetano Cambiagi (Vol. IV), Giuseppe Vanni (Vol. V), between 1767-1776 in Florence, Italy. It took 10 years to complete and at its time, was one of the largest surveys of ornithology attempted and the finest set of bird books to ever be created. Biography: Francesco Saverio Manetti...

Radiance, Painting by Jane Peart Jane Peart Radiance Limited Edition Print Edition of 50 Image Size: H 30cm x W 47cm Signed Sold Unframed Please note that in situ images are purely...

Artist: Hunt Slonem, American (1951 - ) Title: Managua #1 Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: AP 30 Image Size: 22 x 25 inches Size: 26 in. ...

Lice (Mallards grooming themselves) Drypoint, 1927 Signed and dated lower right (see photo) Titled lower left corner Condition: Excellent Image/Plate size: 6 7/8 x 10 3/4 inches Shee...

"A seagull named Jonathan" is a linocut print artwork created in 1973. The artwork is made on paper and measures 32x30 cm. Linocut is a printmaking technique in which the image is ca...

What’s That? by Helen Fay [2012] Limited Edition Etching , hand printed on Hanemulle etching paper Edition number edition size 75 Image size: H:21 cm x W:18 cm Complete Size of Unframed Work: H:45 cm x W:30 cm x D:.15cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Original Print, hand made and hand printed by the artist. A gentoo penguin, standing wings out, her attention just grabbed by something. The light is just catching her soft chest feathers. The etching captures the tactile softness of the feathers. Animals have always been at the heart of my work. I find the form, movement and behaviour of the creatures I draw a source of limitless fascination. I love the idea of them watching me, watching them as I draw. I hope my appreciation of the sentience and character of the animals I draw comes across in my work. Over my career I have drawn everything from primates to penguins, dogs, ostriches and even an echidna. These days dogs are my main focus, mostly because I adore dogs but also because they are such an integral part of life. I am delighted by the theory that humans and dogs co evolved, we wouldn’t be what we are without them and vice versa. I try to pare my images down to a balanced simplicity that directs attention to the subject of the picture. I try to balance the subject and the space it occupies, giving each equal importance. Light is hugely important to my work, I imagine my subject in three dimensions as I draw and the light describes the musculature and texture that gives the drawing it’s presence and grounds it in the picture. I aim to capture a pause, a moment where whatever I draw looks like it could wander off or leap up any minute. My influences include Japanese prints, Chinese and Japanese brush drawing and the European artists who were influenced by Japan. I am really excited by composition, by artists like Bonnard and Leon Spilliaert...

Exile Tit - John Gould lithograph with hand-coloured size 54 cm X 37 cm excellent Condition FREE SHIPPING This remarkable ornithology lithograph with hand-finished colour is from the esteemed John Gould’s Birds...

French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of birds. 195mm by 265mm (sheet)

(Mazell, Peter). THE COMMON BUZZARD after Charles Collins. Engraving with hand-coloring, c. 1766. A plate from The British Zoology, London 1777. Titled in the plate, top, and with th...

Kristjana Williams Fugl Ne Fiskur – Circular Sea-Born Limited Edition Print Giclee print on Paper Edition of 275 Size: H 80cm x W 80cm Sold Unframed...

Original Print, hand made and hand printed by the artist. A penguin on a mission, a gentoo penguin striding along in the indomitable way a penguin does. Helen Fay is available online and in our gallery at Wychwood Art. Animals have always been at the heart of my work. I find the form, movement and behaviour of the creatures I draw a source of limitless fascination. I love the idea of them watching me, watching them as I draw. I hope my appreciation of the sentience and character of the animals I draw comes across in my work. Over my career I have drawn everything from primates to penguins, dogs, ostriches and even an echidna. These days dogs are my main focus, mostly because I adore dogs but also because they are such an integral part of life. I am delighted by the theory that humans and dogs co evolved, we wouldn’t be what we are without them and vice versa. I try to pare my images down to a balanced simplicity that directs attention to the subject of the picture. I try to balance the subject and the space it occupies, giving each equal importance. Light is hugely important to my work, I imagine my subject in three dimensions as I draw and the light describes the musculature and texture that gives the drawing it’s presence and grounds it in the picture. I aim to capture a pause, a moment where whatever I draw looks like it could wander off or leap up any minute. My influences include Japanese prints, Chinese and Japanese brush drawing and the European artists who were influenced by Japan. I am really excited by composition, by artists like Bonnard and Leon Spilliaert. I have long been a fan of Munch for his direct markmaking, colour and intensity and at the other end of the spectrum, Hammershoi for his limited palette, sense of space and calm. I am interested in black and white photography and film and have recently discovered and been amazed by the films of Yasujiro Ozu. The photographs of Andrei Tarkovsky are favourites too. Lastly, I would like to namecheck a great influence in natural history illustration...

Leopard Seal - chromolithograph from an English natural history series. 135mm by 200mm (image) 165mm by 255mm (sheet)

Windmill Diptych by Joanna Padfield Consists of Norfolk Broads Marsh Harrier Cley Windmill Each piece is individually £65 Each piece is individually H29.7cm x W21cm x D0.2cm Mini...