Drawing Animal Prints

Composition is an etching artwork on cardboard realized by Leo Guida in 1973. Hand-signed in pencil and dated on the lower right. Nubred, edition I/V. The state of preservation is go...

Frog is an original etching on paper by Marcel Gaillard. The state of preservation of the artwork is good. Numbered on the lower left 1/1. Sheet dimension : 28 x 38 cm. The artwo...

Cows is an original etching on paper realized by an Anonymous artist of the XX century. The State of preservation is very good. Sheet dimension: 28 x 36 cm. The artwork represent...

Insects is an original etching artwork on paper realized in 1954 by Christian D’ Espic (1901-1978). Hand-signed on the lower right, dated on the lower left. The State of preservat...

Frog is an original etching artwork, realized by Marcel Guillard (1896 -?). The state of preservation is very good. The artwork represents a lying down frog on the front and mounta...

Bird is an original etching artwork, realized in 1959 by Marcel Guillard ( 1896-?). Hand-signed and dated in blue color pencil on the lower. The state of preservation is very good. ...

Image dimensions: 20.5 x 27 cm. The Rest is a black and white etching realized by Nazareno Gattamelata in the second half of XX century. Hand signed by the artist on the lower righ...

A Gnu is a color lithograph realized by an anonymous artist in the late 19th century. Original Title: Das Gnu. On the top of the illustration: 4 ter Jahrgang, Tab. XXXVII. Good co...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

Edmund Blampied (1886-1966), Ostend Horse, drypoint, 1926, signed in pencil lower margin [also signed and dated in the plate lower left], from the edition of 100, printed on ivory laid paper with full margins with deckle edges, 7 x 9, the sheet 9 1/4 x 12 1/2 inches, still in the original SFA Museum mat with extensive annotations. Provenance: Kennedy Galleries (with their stock number A49359) Ex Collection: Albert M...

Berber Woman is a beautiful colored lithograph on paper, realized in 1988 by the Yugoslav artist, Jovan Vulic (1951). This contemporary artwork is ...

Abstract Composition is an original black and white serigraph realized by Sante Monachesi during the XX century. Hand-signed in pencil by the...

Hand signed. This work is from the portfolio The Unique Collection for the Olympic Fine Arts 2008 presented during the Olympic Games and produced in 260 copies as the only official a...

After Pablo Picasso The Human Comedy - Lithograph after an original drawing, as published in the journal "Verve" Printed signature and date Dimensi...

The single letter "R", from the alphabet, illustrated by a rhinoceros. All letters from the Kelvin Mann's bestiary alphabet are available, and the full set of 27 etchings in folio bo...

Artist: Pablo Picasso (after) Medium: lithograph, Arches paper Portfolio: Le Goût de Bonheur Year: 1970 Edition: Total of 1998 copies (666 each in G...

The Wasp is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inches, u...

Original print from feathers and stencil on five layers of Japanese paper, limited edition. Framed size: 75 x 50 cm. About the artist: Ruth Thomas RCA is a contemporary printmaker b...

Includes a Certificate of Authenticity

Dog and Fox Cross 1887 Etching 3 x 5

A very good impression of this lithograph printed in gray and black. Signed and numbered in pencil by Chagall, from an edition of 50.

The Spider is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...

Original Lithograph by Jean Cocteau Title: Torero's Son 1961 printed signature in the stone Dimensions: 38 x 28 cm Lithograph made for the portfolio "Gitans et Corridas" p...

The single letter "T", from the alphabet, illustrated by a Toucan. All letters are available, and the full set of 27 etchings in folio box is available for $3200. Animals, real and i...

Francois-Xavier Lalanne (1927-2008) Le Chat, 2004 Original print (aquatint and soft varnish) hand signed in pencil by François Xavier Lalanne and untitled "Le Chat" ("The Cat"), in perfect condition This rare print is a variation over one of the iconic subject of the artist. It is the print version of the sculpture "Chat qui dort" ("Cat Sleeping", in a stylistic way which recalls Pierre Le Tan...

Max Ernst (1891-1976) Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972 Colour lithographs on Arches paper 1972 Dimensions: 40 x 30 cm Reference: Spies &...

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Di...

Charles Lapicque Original Handsigned Lithograph Dimensions: 56 x 38 cm Edition: Epreuve d'Artiste Hand Signed Charles Lapicque was one of the great painters of the “Ecole de Paris...

Max Ernst (1891-1976) Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972 Colour lithographs on Arches paper 1972 Dimensions: 40 x 30 cm Reference: Spies &...

Artist: Pablo Picasso (after) Medium: lithograph, Arches paper Portfolio: Le Goût de Bonheur Year: 1970 Edition: Total of 1998 copies (666 each in German, French and English) Sheet S...

After Pablo Picasso The Human Comedy - Lithograph after an original drawing, as published in the journal "Verve" Printed signature and date Dimensions...

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Di...

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

Artist: Pablo Picasso (after) Medium: lithograph, Arches paper Portfolio: Le Goût de Bonheur Year: 1970 Edition: Total of 1998 copies (666 each in German, French and English) Sheet S...

Max Ernst (1891-1976) Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972 Colour lithographs on Arches paper 1972 Dimensions: 40 x 30 cm Reference: Spies &...

Marino Marini - Horses - Original Lithograph 1951 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

Artist: Pablo Picasso (after) Medium: lithograph, Arches paper Portfolio: Le Goût de Bonheur Year: 1970 Edition: Total of 1998 copies (666 each in German, French and English), reprod...

Image Size: 9" x 4.5" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2019

Max Ernst (1891-1976) Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972 Colour lithographs on Arches paper 1972 Dimensions: 40 x 30 cm Reference: Spies &...

Herd. 1979. Paper, linocut, 19x33 cm imprint size 10x25 cm total page size 19x33cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publica...

Feast and singing. 1984. Paper, linocut, 20x34 cm imprint size 10x26 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fi...

Image Size: 13" x 7.5" Unframed Limited Edition Etching AP Hand Signed by Mariko Ando 2015

Image Size: 4" x 4" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando

Image Size: 6" x 4 1/4" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2021

Image Size: 6" x 4 1/4" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2021

Image Size: 7" x 4" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2013

Image Size: 9" x 4.5" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2019

Max Ernst (1891-1976) Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972 Colour lithographs on Arches paper 1972 Dimensions: 40 x 30 cm Reference: Spies &...

Max Ernst (1891-1976) Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972 Colour lithographs on Arches paper 1972 Dimensions: 40 x 30 cm Reference: Spies &...

limited_edition linocut Edition number 1 -10 Image size: H:20cm cm x W:20cm cm Complete Size of Unframed Work: H:40cm cm x W:40cm cm x D:2mmcm Sold Unframed Please note that in...

Artist: Malcolm Morley, British (1931 - 2018) Title: Melba with Carrot Medium: Etching, signed and numbered in pencil Edition: 100 Image Size: 22 x 17.5 inches Size: 30 in. x 22 in. ...

Epr. d'Art. Zebra. 1978, paper, aquatint, 39x48 cm Lev Kropivnitsky / Лев Евгеньевич Кропивницкий (1922-1994) Russian nonconformist artists, poet, art critic. Since the end of 19...

Kate Heiss Little Sparrow Limited Edition Linocut Print Edition of 100 Printed with oil based relief inks on 300gsm soft white Somerset velvet paper. Signed and dated on the front Im...

Helio-etching on hand-made paper, 1927 by Paul Klee. From portfolio Paul Klee, Handzeichnungen 1921-1930; Here no 40 Image: 7.48 x 5.91 in ( 19 x 15 cm ), Framed: 15.16 x 13.46 in ( ...

"Minotaure-Manga-D ". Lithographic print / Black ink printed on 240gr JOHANOT paper. Dimensions : 56 x 38 cm signed and numbered at 6 copies by the artist The prints were made in...

"Minotaure-Manga-B ". Lithographic print / Black ink printed on 240gr JOHANOT paper. Dimensions : 56 x 38 cm signed and numbered at 6 copies by the artist The prints were made in...

SOLD UNFRAMED Tiger and Python by Orovida Pissarro (1893 - 1968) Etching 22.5 x 27 cm (8 ⅞ x 10 ⅝ inches) Signed, inscribed with title and dated 1917 State 1, no. 9/10 Provenance...