Drawing Animal Prints

Insects is an etching realized by Sergio Barletta in 1974. Hand-signed in pencil on the lower right. Numbered on the lower left in Roman numerals, from the edition of XXX prints. ...

Insects is an etching realized by Sergio Barletta in 1974. Hand-signed in pencil on the lower right. Numbered on the lower left in Roman numerals, from the edition of XXX prints. ...

Luis Miguel Valdes (Cuba, 1949) 'La picada', 2015 woodcut, block on paper Velin Arches 300 g. 28.8 x 21.3 in. (73 x 54 cm.) Edition of 13 ID: VAL-3G2015-361 Hand-signed by author ___...

Stanley William Hayter Big Horse (Black & Moorhead 46), 1932 Engraving & Drypoint on antique white Canson Vidalon laid paper affixed to original matting Hand signed, numbered and dat...

Two Faces is a contemporary artwork realized by Miguel Angel Ibarz (Barcelona, 1958) in the 1960s. Original etching on paper. Hand-signed by the artist on the lower right corne...

With his abstract representations of various creatures, the Spanish/German artist Max Gärtner explores the tensions and interrelationships between reality and the metaphysical, betwe...

With his abstract representations of various creatures, the Spanish/German artist Max Gärtner explores the tensions and interrelationships between reality and the metaphysical, betwe...

Medium: offset lithograph (after the etching). Printed on velin bouffant paper from the Papeteries Casteljoux and published in France by Edito-Service Geneve in 1970. This reproduces...

Medium: offset lithograph (after the etching). Printed on velin bouffant paper from the Papeteries Casteljoux and published in France by Edito-Service Geneve in 1970. This reproduces...

LEONOR FINI Red Cat Twins 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

LEONOR FINI Cat with Flower 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Medium: offset lithograph (after the etching). Printed on velin bouffant paper from the Papeteries Casteljoux and published in France by Edito-Service Geneve in 1970. This reproduces...

"Wallace, " and English Mastiff 1887 Etching 3 x 5

"George" and "Romp, " Sussex Spaniels 1887 Etching 3 x 5

"Hecate, " Second Cross from the Bulldog 1887 Etching 3 x 5

"Hermit, " a High-Bred Modern Foxhound 1887 Etching 3 x 5

LEONOR FINI Cat in Striped Dress 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

"Rough" and "Puck, " Dandies 1887 Etching 3 x 5

Medium: offset lithograph (after the etching). Printed on velin bouffant paper from the Papeteries Casteljoux and published in France by Edito-Service Geneve in 1970. This reproduces...

"Cader," a Deerhound of the Pure Glengarry Breed 1887 Etching 3 x 5

Medium: offset lithograph (after the etching). Printed on velin bouffant paper from the Papeteries Casteljoux and published in France by Edito-Service Geneve in 1970. This reproduces...

The Grecian Greyhound 1887 Etching

Retriever Crossed with a Setter 1887 Etching 3 x 5

Dog and Fox Cross 1887 Etching 3 x 5

“Dundreary,”a Blue Tan Terrier 1887 Etching

LEONOR FINI Bejeweled Cats 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

"Lady, " an English Terrier 1887 Etching 3 x 5

The Boarhound 1887 Etching 3 x 5

LEONOR FINI Cats in Chairs 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

LEONOR FINI Cat Twins 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

The Spanish Pointer 1887 Etching 3 x 5

"Bellman, " an Otter-Hound 1887 Etching 3 x 5

LEONOR FINI Cats and Blindfold 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

LEONOR FINI Four Cats in a Bed 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Salvador Dali - Cherries - Original Hand-Signed Lithograph Dimensions: P. 57 x 37 cm Sheet: 75 x 56 cm Handsigned Edition: EC.d (collaborator edition "d") Excellent Condition Refer...

LEONOR FINI Cats at Play 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

LEONOR FINI Cat Arabesque 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Etching on Chine collé mounted to cream wove paper, 3 7/8 x 5 7/8 inches (97 x 147 mm), full margins. With a pencil notation in the right margin on the recto (outside of image area),...

LEONOR FINI Lounging Cat 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Composition of Animals is a lithograph realized after Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felury in 1923. Goo...

LEONOR FINI Les Elus De La Nuit (10B) 1986 15 x 11 Etching on Arches paper Ed. 14/31

LEONOR FINI Les Elus De La Nuit (2B) 1986 15 x 11 Etching on Arches paper Ed. 14/31

Marino Marini - Horses - Original Lithograph 1951 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

LEONOR FINI Jester Cat 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

LEONOR FINI Les Elus De La Nuit (11B) 1986 15 x 11 Etching on Arches paper Ed. 14/31

Artist: Bernard Buffet, French (1928 - 1999) Title: Rooster Year: 1953 Medium: Lithograph mounted on Board, signed in the plate Image Size: 15 x 10 in. (50.8 x 36.83 cm) Frame: 22 x ...

MYCHAEL BARRATT Gormley’s Dog II 2020 Etching Ed. Unnumbered 15.75 x 14.75 inches

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

Offset lithograph Edition of 300 50 x 50 cm (19.7 x 19.7 in) Signed and numbered on the front Excellent. Residual framing marks in top two corners only visible under raking lighting....

Artist: John James Audubon (American, 1785-1851) Title: "Common American Gull - Ring-billed Gull" (Plate 446, No. 90) Portfolio: The Birds of America, First Royal Octavo Edition...

The Hunting Prince by Orovida Pissarro (1893 - 1968) Etching 15 x 20 cm (5 ⅞ x 7 ⅞ inches) Signed and dated lower right Orovida 1926 Inscribed lower left Trial proof no.14 and titled lower middle Provenance: Private collection, Europe Artist biography: Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects...

Artist: Pablo Picasso Title: Les Banderilles (IV) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Year: 1961 Edition: Unnumbered Frame Size: 16 1/2" x 19" Sheet Size...

Crow is an artwork realized by the Contemporary Italian artist Leo Guida (1992 - 2017) in 1972. Black and white etching on paper. Hand Signed on the lower right margin, dated, Numb...

Artist: John James Audubon (American, 1785-1851) Title: "Glaucus Gull - Burgomaster" (Plate 449, No. 90) Portfolio: The Birds of America, First Royal Octavo Edition...

This is an artist proof (one of a kind) etching of a woman peaking behind a bull's skull with other live bulls dancing around behind. The work has movement and a feeling of a circle...

Crow is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stuttgart ...

Medium: Screenprint Year: 2021 Image Size: 11 x 18 inches Edition of 25 After over-exploitation led to a collapse in the green turtle population, the area is now used by conservatio...

Luis Camnitzer and Martin Buber (1878-1965), New York: JMB Publishers Ltd, 1970. Printed at The New York Graphic Workshop. Hand signed on Arches paper. (Edition 24/100, numbered on Justification page) Woodblock prints based on folktales from the Hasidic Jewish tradition in Eastern Europe, selected by Camnitzer from the early masters section of Buber’s Die chassidischen Bücher as translated by Olga Marx. German Expressionist style Jewish woodcuts...