Silhouette Animal Prints

59.4 x 42 cm (A2) Off-set lithography Printed on 200g Munken Lynx Narayana Press in Denmark David Shrigley is a British artist celebrated for his distinctive and darkly humorous wor...

David Shrigley Untitled (Some of My Best Friends Are Pigs) (2019) 80 x 60 cm Off-set lithography Printed on 200g Munken Lynx paper

David Shrigley Untitled (I Will Not Fight) (2019) 80 x 60 cm Off-set lithography Printed on 200g Munken Lynx paper

Edward Ruscha Coyote, 1986 is a color lithograph on Arches paper that is hand-signed by Edward Ruscha (1937, Nebraska - ) on verso and is numbered from the edition of 30 in pencil on...

Pop artist Charles Pachter is having fun with the image of a moose in this serigraph. The iconic Canadian image is rendered in black, standing on the edge of a high diving board as if about to make a stunning Olympic-worthy dive. The deep blue and white cloudy sky in the background serves as a stunning contrast. Pachter is a much-admired Canadian artistic polymath, his colourful pop artwork merging playful even irreverent elements with deeply iconic imagery. Number 72 of 100. “I did for the moose what Andy Warhol did for Marilyn Monroe.” Charles Pachter A painter, printmaker, sculptor, designer, and author, Pachter is a graduate of the University of Toronto...

Original Lithograph by Picasso Atelier Mourlot. Paper: Vélin. Dimensions : 9 5/8 x 12 7/16 inches Reference: Bloch 1015 Picasso is not just a man and his work. Picasso is always a legend, indeed almost a myth. In the public view he has long since been the personification of genius in modern art. Picasso is an idol, one of those rare creatures who act as crucibles in which the diverse and often chaotic phenomena of culture are focussed, who seem to body forth the artistic life of their age in one person. The same thing happens in politics, science, sport. And it happens in art. Early life Born in Malaga, Spain, in October of 1881, he was the first child born in the family. His father worked as an artist, and was also a professor at the school of fine arts; he also worked as a curator for the museum in Malaga. Pablo Picasso studied under his father for one year, then went to the Academy of Arts for one year, prior to moving to Paris. In 1901 he went to Paris, which he found as the ideal place to practice new styles, and experiment with a variety of art forms. It was during these initial visits, which he began his work in surrealism and cubism style, which he was the founder of, and created many distinct pieces which were influenced by these art forms. Updates in style During his stay in Paris, Pablo Picasso was constantly updating his style; he did work from the blue period, the rose period, African influenced style, to cubism, surrealism, and realism. Not only did he master these styles, he was a pioneer in each of these movements, and influenced the styles to follow throughout the 20th century, from the initial works he created. In addition to the styles he introduced to the art world, he also worked through the many different styles which appeared, while working in Paris. Not only did he continually improve his style, and the works he created, he is well known because of the fact that he had the ability to create in any style which was prominent during the time. Russian ballet In 1917, Pablo Picasso joined the Russian Ballet, which toured in Rome; during this time he met Olga Khoklova, who was a ballerina; the couple eventually wed in 1918, upon returning to Paris. The couple eventually separated in 1935; Olga came from nobility, and an upper class lifestyle, while Pablo Picasso led a bohemian lifestyle, which conflicted. Although the couple separated, they remained officially married, until Olga's death, in 1954. In addition to works he created of Olga, many of his later pieces also took a centralized focus on his two other love interests, Marie Theresa...

"Taika,” hand cut limited edition print (7-18), 2021. Printed by Blue Bathtub Press, Auckland, NZ. "Taika" - means "spell or magic" in Finnish. All are ...

From his series SHADOW CARTOONS. Color iris print, hand initialed in pencil, This is not numbered. It is on Somerset watermarked archival paper Paper size is 30 X 22.25, images 22.75 x 18 with full margins. I believe these images were shown at Shoshana Wayne gallery in the late 1990's. from the LA Times review: Tweety Bird...

From his series SHADOW CARTOONS. Color iris print, hand initialed in pencil, This is not numbered. It is on Somerset watermarked archival paper Paper size is 30 X 22.25, images 22.75 x 18 with full margins. I believe these images were shown at Shoshana Wayne gallery in the late 1990's. from the LA Times review: Tweety Bird and Mickey Mouse find themselves in pretty racy company this month in an exhibition of Todd Gray’s monumental photographs...

From his series SHADOW CARTOONS. Color iris print, hand initialed in pencil, This is not numbered. It is on Somerset watermarked archival paper Paper size is 30 X 22.25, images 22.75 x 18 with full margins. I believe these images were shown at Shoshana Wayne gallery in the late 1990's. from the LA Times review: Tweety Bird and Mickey Mouse find themselves in pretty racy company this month in an exhibition of Todd Gray’s monumental photographs...

From his series SHADOW CARTOONS. Color iris print, hand initialed in pencil, This is not numbered. It is on Somerset watermarked archival paper Paper size is 30 X 22.25, images 22.75 x 18 with full margins. I believe these images were shown at Shoshana Wayne gallery in the late 1990's. from the LA Times review: Tweety Bird and Mickey Mouse find themselves in pretty racy company this month in an exhibition of Todd Gray’s monumental photographs...

From his series SHADOW CARTOONS. Color iris print, hand initialed in pencil, This is not numbered. It is on Somerset watermarked archival paper Paper size is 30 X 22.25, images 22.75 x 18 with full margins. I believe these images were shown at Shoshana Wayne gallery in the late 1990's. from the LA Times review: Tweety Bird and Mickey Mouse find themselves in pretty racy company this month in an exhibition of Todd Gray’s monumental photographs...