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Charles Turzak
'Loop Alley' — Modernist Chicago Cityscape, WPA

1939

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$2,800
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£2,091.16
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€2,426.48
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CA$3,878.02
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A$4,347.23
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CHF 2,266.98
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MX$53,286.42
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NOK 28,726.46
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SEK 27,311.15
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DKK 18,104.69
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About the Item

Charles Turzak, 'Loop Alley (Chicago)', color woodcut, edition c. 25, c. 1935. Signed and titled in pencil. A fine, richly-inked impression, with fresh colors, on cream wove Japan paper. The sheet trimmed with margins (1/2 to 1 3/8 inch); tape stains from prior hinging in the upper left and right sheet edges, away from the image, otherwise in very good condition. Matted to museum standards, unframed. Image size 11 x 8 3/4 inches; sheet size 13 1/2 x 10 3/8 inches. Collection: Art Institute of Chicago One of a series of four color woodcuts entitled 'Chicago Moods In Color', created by the artist for the Works Progress Administration (WPA). Very scarce. 'The Loop' is one of Chicago's three downtown community areas, bounded by the Chicago River to the north and west, Harrison Street to the south, and Lake Michigan to the east. At the iconic center of the city, it contains the tallest of Chicago's skyscrapers. The Loop also holds a world-class public art collection in the form of giant street-side statues by many of the 20th century's most famous sculptors. The Loop initially got its name from the looping route of streetcars that served as the transit hub of early downtown Chicago, but the name has come to be defined by the modern era's looping route of elevated train tracks, serving seven CTA lines, which ensures the continued prominence of the area as the center of Chicago's working world. Despite the gradual northwards shift in the city's center with increasing suburbanization, all tracks lead there. Accordingly, the Loop remains the most attractive location in the city for major businesses and most of the city's visitors. ABOUT THE ARTIST Charles Turzak, born in Streator, Illinois, was the third child and only son of Czechoslovakian immigrant parents. His coal miner father toiled long hours, leaving the boy with numerous household chores. Yet, amidst these responsibilities, Turzak found creative expression in the meticulous carving of miniature animals from peach seeds, a craft he would later sell for pennies. Turzak learned woodworking from a neighbor, an English cabinet maker, and soon apprenticed for violin making. He drew cartoons for his school's yearbook and designed sale bills for local merchants. In 1920, he won a cartoon contest sponsored by the Purina Company in St. Louis, Missouri, which helped provide his tuition for the School of the Art Institute of Chicago. He excelled in drawing and woodcarving and gained membership in Delta Phi Delta, an honorary art fraternity. He supported himself through freelance advertising, selling insurance, and teaching woodcut and wood engraving classes at the Academy of Fine Arts. By the late 1920s, Turzak had gained recognition through the exhibition and sale of his prints of Northwestern University and the iconic Chicago landmarks such as the Chicago Water Tower, Tribune Tower, and Buckingham Fountain, as well as his watercolors of steel mills, boats, harbors, skylines, woodlands, parks, and still life subjects. In 1929, he traveled to Europe to study the works of the masters firsthand, visiting England, Germany, Czechoslovakia, Austria, and France. His return to the United States coincided with the onset of the Great Depression, a period that would test his resilience and ingenuity. Turzak was one of the early artists to participate in the Works Progress Administration (WPA) depression-era public art projects designed to employ out-of-work artists. Turzak painted murals for the Old Chicago Main Post Office and the post office in Lemont, Illinois. He produced a WPA-sponsored portfolio, History of Illinois in Woodcuts, in 1935—the acclaimed series of 10 prints helped establish him in an advertising career. During this period, Turzak also created woodcut biographies of notable Americans—his first edition on Abraham Lincoln sold so well at the Century of Progress International Exhibition (Chicago World’s Fair, 1933-34) that it supported him throughout the Depression. He followed it with 'Benjamin Franklin: A Biography in Woodcuts', accompanied by text written by his wife, Florence Turzak. In 1942, Turzak became the art director of Today's Health Magazine while continuing to create his art. He moved to Orlando, Florida, in 1958, where he continued painting and experimenting with modernist genres and abstraction. The Figge Art Museum mounted an exhibition of Turzak’s WPA-era graphics, ‘Beyond the Surface: WPA Works of Charles Turzak’, November 11, 2011- March 10, 2012. Turzak’s graphic works are represented in numerous museum collections, including the Ackland Art Museum, Art Institute of Chicago, Cleveland Museum of Art, Columbus Museum of Art, Crystal Bridges Museum of Art, Figge Art Museum, Library of Congress, Metropolitan Museum of Art, National Gallery of Art, Philadelphia Museum of Art, Smithsonian American Art Museum, Spencer Museum of Art, Western Illinois University Art Gallery, and the Whitney Museum of American Art.
  • Creator:
    Charles Turzak (1899 - 1986, American)
  • Creation Year:
    1939
  • Dimensions:
    Height: 10.2 in (25.91 cm)Width: 6.8 in (17.28 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Myrtle Beach, SC
  • Reference Number:
    Seller: 1007271stDibs: LU532311716992

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