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Emil NoldeUnterhaltung (Conversation)1906
1906
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$9,000
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£6,914.37
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€7,944.53
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CA$12,659.61
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A$14,222.51
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CHF 7,431.28
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MX$173,592.39
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NOK 94,355.59
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SEK 88,815.91
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DKK 59,285.03
About the Item
Emil Nolde (1867-1956), Unterhaltung (Conversation), etching, 1906, signed and dated in pencil lower right and also signed by the printer Otto Felsing lower left. Reference: Gustav Schiefler 37, fourth state (of 4). A proof apart from the edition of only 20 and “some proofs” (Schiefler says: “einige probedrucke”) of this state. In excellent condition, on a heavy laid handmade paper with the (partial) watermark “V”, the full sheet with deckle edges, 6 x 7 1/2, the sheet 21 1/2 x 15 inches.
A fine exceptionally fresh impression of this superb composition, printed in a rich dark blue/green ink.
According to Schiefler only 5 proofs were made of earlier states, and the composition was essentially complete in the first state; the succeeding work consisted of brightening the tone of the sky, heightening the contrast of sky and sitters, and clarifying the imagery.
This is an early print for Nolde (he became an artist at a rather late age), and was made in the year things started to work for him – in 1906 he was invited to join the Brucke in Dresden, his painting Erntetag caused a sensation at the Berlin Secession in the spring, and he met some of his most important patrons including Schiefler. He made a good number of etchings in this period, from 1904 to 1911, then another group in 1918 an 1922; there are hardly any after 1926.
- Creator:Emil Nolde (1867-1956, German)
- Creation Year:1906
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU51531536843
Emil Nolde
Emil Nolde (born Hans Emil Hansen; 7 August 1867 – 13 April 1956) was a German-Danish painter and printmaker. He was one of the first Expressionists, a member of Die Brücke, and was one of the first oil painting and watercolor painters of the early 20th century to explore color. He is known for his brushwork and expressive choice of colors. Golden yellows and deep reds appear frequently in his work, giving a luminous quality to otherwise somber tones. His watercolors include vivid, brooding storm-scapes and brilliant florals. Emil Nolde’s etchings reach far beyond the traditional printmaking of the early 20th century. He created rich tonal and textural areas through unusual applications of acid to his etching plates, masses of undulating, interwoven lines, and scratching with a variety of tools. He taught his inventive techniques to other Die Brucke artists.
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