Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 11

Francesco Clemente
Geography West

1992

About the Item

This is a fabulous etching from the "Geography" series of etchings, created in 1992. Signed Lower Right in Pencil Numbered Lower Left 29/60 Sheet Size: 28 x 25 inches Framed Size: 34 x 30.5 inches The following was written and compiled by Jean Ershler Schatz, artist and researcher from Laguna Woods, California: Francesco Clemente was born in Naples, Italy, the only child born to prosperous parents. His father was a judge, and he recalls his upbringing as "solitary". A self-taught painter, he began making art at the age of eight and became involved with contemporary art in Rome in the late 1960s. In 1970 he moved to Rome to study architecture, then left school and spent much of the decade traveling in India and Afghanistan with friend and early mentor Alighiero Boetti, an artist associated with the Arte Povera movement and Alba Primicieri, whom he subsequently married. Much of his time in the 70s was spent studying the occult and a wide range of philosophies. Cy Twombly and Joseph Beuys were also influences on him during those years. When he was very young, however, Clemente never aped the artists he admired, and he arrived at a relatively mature style when barely out of his teens. At the age of twenty he began to regularly exhibit in Europe and he had his first New York show in 1980. Clemente has a prodigious talent. He wields a command of pictorial conventions that is altogether exceptional. Gifted with a facility of execution rare in his generation, Clemente has put his talent at the service of a metamorphic sensibility. In his work, the physiological and the dreamlike merge. Clemente divides his time between New York, Madras and his native Italy. A sexual "commuter" as much as he is a geographic nomad, his confusion of sexual preference and sexual function are deliberate and complete. His wife, Alba, is a dark-haired strikingly dramatic woman who once acted with avant-garde theatre groups in Rome. They have four children. Alex Katz is a close friend; his is one of many watercolor portraits Clemente has been doing of people he likes. Clemente's art is everywhere keyed to this awareness of fragility and metamorphosis. His chosen materials are at extremes of brittleness or fluidity. The surfaces of his oils are scrofulous; the contours of his ink drawings crackle and splinter; his watercolors bleed and the atomized pigments of his pastels on the page. Clemente is a compulsive worker who turns out a torrential river of art. Among the mediums he's mastered: drawing, painting, pastels, etching, photography, mosaic, sculpture and Indian miniatures Sources include: Robert Storr in Art in America, November 1987 Kristine McKenna, The Artist of Our Time, in the Los Angeles Times, August 19, 1990 Gargoyles, Goddesses and Faces in the Crowd by Paul Gardner, ARTnews, March 1985 Prints From the Alchemist's Laboratory by Don Hawthorne, ARTnews, Frebruary 1986 Realm of the Senses by Robert Storr in Art in America, November 1987
  • Creator:
    Francesco Clemente (1952, Italian)
  • Creation Year:
    1992
  • Dimensions:
    Height: 34 in (86.36 cm)Width: 30.5 in (77.47 cm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    Missouri, MO
  • Reference Number:
    1stDibs: LU74732480931

More From This Seller

View All
"Mlle Landsberg" (grade planche, pl. 16)
By Henri Matisse
Located in Missouri, MO
"Mlle Landsberg" (grade planche, pl. 16), 1914 Henri Matisse (French, 1869-1954) Signed and Numbered Lower Right Edition 12/15 Image size: 7 7/8 x 4 5/16 inches Sheet size: 17 11/16 x 12 1/2 inches With frame: 19 1/2 x 14 1/2 inches Henri Matisse came from a family who were of Flemish origin and lived near the Belgian border. At eight o'clock on the evening of December 31, 1869, he was born in his grandparents' home in the town of Le Cateau in the cheerless far north of France. His father was a self-made seed merchant who was a mixture of determination and tightly coiled tension. Henri had no clear idea of what he wanted to do with his life. He was a twenty-year-old law clerk convalescing from appendicitis when he first began to paint, using a box of colors given to him by his mother. Little more than a year later, in 1890, he had abandoned law and was studying art in Paris. The classes consisted of drawing from plaster casts and nude models and of copying paintings in the Louvre. He soon rebelled against the school's conservative atmosphere; he replaced the dark tones of his earliest works with brighter colors that reflected his awareness of Impressionism. Matisse was also a violinist; he took an odd pride in the notion that if his painting eye failed, he could support his family by fiddling on the streets of Paris. Henri found a girlfriend while studying art, and he fathered a daughter, Marguerite, by her in 1894. In 1898 he married another woman, Amelie Parayre. She adopted the beloved Marguerite; they eventually had two sons, Jean, a sculptor and Pierre who became an eminent art dealer. Relations between Matisse and his wife were often strained. He often dallied with other women, and they finally separated in 1939 over a model who had been hired as a companion for Mme. Matisse. She was Madame Lydia, and after Mme. Matisse left, she remained with Matisse until he died. Matisse spent the summer of 1905 working with Andre Derain in the small Mediterranean seaport of Collioure. They began using bright and dissonant colors. When they and their colleagues exhibited together, they caused a sensation. The critics and the public considered their paintings to be so crude and so roughly crafted that the group became known as Les Fauves (the wild beasts). By 1907, Matisse moved on from the concerns of Fauvism and turned his attention to studies of the human figure. He had begun to sculpt a few years earlier. In 1910, when he saw an exhibition of Islamic art, he was fascinated with the multiple patterned areas and adapted the decorative universe of the miniatures to his interiors. As a continuation of his interest in the "exotic", Matisse made extended trips to Morocco in 1912 and 1913. At the end of 1917, Matisse moved to Nice; he would spend part of each year there for the remainder of his life. A meticulous dandy, he wore a light tweed jacket amd a tie when he painted. He never used a palette, but instead squeezed his colors on to plain white kitchen dishes...
Category

1910s Fauvist Figurative Prints

Materials

Drypoint, Etching

Boston
By John William Hill
Located in Missouri, MO
John William Hill (1812-1879) "Boston" 1857 Hand-Colored Engraving Site Size: 29 x 41 inches Framed Size: 39 x 52 inches Born in London, England, John William Hill came to America with his family at age 7. His father, John Hill, was a well-known landscape painter, engraver, and aquatintist. John William had a career of two phases, a city topographer-engraver and then, the leading pre-Rafaelite school painter in this country. Employed by the New York Geological Survey and then by Smith Brothers...
Category

1850s Pre-Raphaelite Landscape Prints

Materials

Engraving, Aquatint

Rembrandt (Field 68-4K; Michler & Löpsinger 292)
By Salvador Dalí­
Located in Missouri, MO
Rembrandt (Field 68-4K; Michler & Löpsinger 292) Salvador Dali (Spanish, 1904-1989) Signed Lower Right "E.A." (Artist Edition) Lower Left 12 x 10 inches 23.25 x 19.25 inches with fra...
Category

20th Century Modern Portrait Prints

Materials

Etching

The Circus Dressing Room
By Dame Laura Knight
Located in Missouri, MO
Dame Laura Knight (1877-1970) "The Circus Dressing Room" 1925 Aquatint Engraving Signed in Pencil Lower Right Image Size: approx 14 x 9 inches Framed Size: approx. 23.5 x 18.5 inche...
Category

1920s Realist Figurative Prints

Materials

Engraving, Aquatint

Canyon Road, Sante Fe
By Will (William Howard) Shuster
Located in Missouri, MO
Canyon Road, Santa Fe By. William Howard Shuster (American, 1893-1969) Signed Lower Right Edition of 100 Lower Center Titled Lower Left Unframed: 4" x 4.75" Framed: 15.75" x 15.25" A realist and early modernist painter, graphic artist, illustrator, and sculptor, Will Shuster became known primarily for his work in New Mexico where in 1920, he settled in Santa Fe, having been encouraged to come there by John Sloan. He had studied electrical engineering at the Drexel Institute in Philadelphia and later was a student of Sloan's in Santa Fe in both etching and painting. He was in World War I, where he suffered a gas attack. On his return, he studied with J William Server in Philadelphia but was advised to go West for his health. In Santa Fe in 1921, he became one of the founding members of Los Cinco Pintores...
Category

20th Century American Modern Landscape Prints

Materials

Etching

The Circus Dressing Room
By Dame Laura Knight
Located in Missouri, MO
Dame Laura Knight "The Circus Dressing Room" 1925 Etching Ed. 20 Signed Lower Right Image Size: approx. 14 x 10 inches Framed Size: approx. 23.5 x 17.75 inches An English impressio...
Category

1920s Realist Figurative Prints

Materials

Aquatint

You May Also Like

Kabbalists 2. Figurative etching & watercolor, Surrealist, Judaica, Polish art
By Leszek Rózga
Located in Warsaw, PL
20th century figurative etching print coloured with watercolour by Polish artist Leszek Rozga. Print depicts three followers of Judaism with star of David above them. Artwork is quit...
Category

2010s Contemporary Figurative Prints

Materials

Paper, Etching

Illusie
Located in Middletown, NY
Circa 1960. Etching and engraving on cream laid paper, 5 3/4 x 4 inches (141 x 102 mm), margins. Scattered light areas of spotty discoloration in the margins, minor mat tone. Four mi...
Category

Mid-20th Century Realist Nude Prints

Materials

Handmade Paper, Engraving, Etching

The Punt
By Rosamond Tudor
Located in Middletown, NY
A dynamic football image from the 1920s by a female artist known for her sports scenes. Etching with drypoint on exceptionally fine laid Japon paper with a double watermark, 10 7/8 ...
Category

Early 20th Century Realist Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

Crow and Man - Abstracted Etching in Ink on Paper
By Claudette McElroy
Located in Soquel, CA
Crow and Man - Abstracted Etching in Ink on Paper Bold, slightly abstracted etching of a crow and a man by Claudette M. McElroy (American, b. 1943). A man stands to the right side o...
Category

Late 20th Century Contemporary Figurative Prints

Materials

Paper, Ink, Etching

Abstract portrait of a Woman Finely Detailed Collotype on paper
Located in Soquel, CA
Abstract portrait of a Woman Finely Detailed Collotype on paper Finely detailed abstract collotype of a woman by Heather Speck a San Francisco. Californi...
Category

1990s Abstract Expressionist Abstract Prints

Materials

Paper, Ink, Etching, Oil, Gouache

"Alter Ego" - Original Watercolor Hand-Painted Etching on Paper
Located in Soquel, CA
"Alter Ego" - Original Watercolor Hand-Painted Etching on Paper - 35/120 Edition Variable In this highly detailed hand painted etching, artist Claus Sievert (American, 1949-2009) depicts a clown gazing into a handheld brass mirror holding a mask with matching face paint. The clown sits in what appears to be a dressing room surrounded with various costumes. This etching is uniquely hand painted in watercolor and gouache. The clown's eyes are hand drawn with added details throughout the face and hair. Signed, numbered, and titled along the bottom edge of paper, "35/120 E.V. "Alter Ego" Claus Sievert" Presented in a new white mat with foam core backing. Mat size: 24"H x 20"W Paper size: 18.38"H x 15"W Image, Claus Sievert, (American, 1949–2009) nicknamed “The Tree Guy," was a German-born American printmaker and illustrator, who studied etching in an art college in Brunswick, Germany, in 1971. He began his career as an art teacher in Germany, teaching printmaking, art history, advertising design, and visual communication, and became a full-time artist in 1981. Sievert created limited-edition etchings from copper plates and a hand-turned press which he then individually hand-colored. Sievert’s work won awards, illustrated a children’s book by Leo Tolstoy, was commissioned by the Sierra Club and Golden Gate National Recreation Area to illustrate their publications, and he had his images published in several calendars. He was known for his prints highlighting forms and the beauty of nature. His art was also featured in Ansel Adams Gallery, Muir Woods...
Category

Late 20th Century Contemporary Figurative Drawings and Watercolors

Materials

Paper, Watercolor, Gouache, Etching

Recently Viewed

View All