American Brilliant Cut Glass Plate

Three American Brilliant Period cut glass decanters are cleverly “locked” within this silver plate and oak Georgia tantalus.

The coffee pot is believed to be the rarest form of American Brilliant Period cut glass, and this highly sought-after example was almost certainly crafted by the Meriden Cut Glass Co.

A Wonderful Pairpoint Silver Plate Punch Ladle American With A Brilliant Cut Crystal Handle

This is an exquisite and rare antique English silver plated entree dish by the world renowned retailser Asprey, of London circa 1870 in date. The entree dish features a square shape...

This is a superb Asprey walnut boxed canteen of Louis XVI pattern sterling silver flatware, complete for eight place settings, made for Asprey by the renowned Sheffield silversmith R...

French Art Deco chandelier by Charles Schneider (Epinay-sur-Seine, Paris), France, 1924-1928. Mottled glass shades, powders are applied between two layers that comes hung at their or...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

Elaborately cut American Brilliant glass table lamp. The base and shad are original with all around spear hanging crystals.

Small American Brilliant Cut Glass and Silver-plate Table Lamp, c. 1905, baluster from standard, prism-hung band with dome shade, cut with fans and starburst.

The design has strong geometric qualities with the cubes of the glass strongly contrasting to the circular cut-outs of the bulbs.

after Henri Matisse - Zulma - Lithograph Artist : Henri MATISSE posthumous edition of 200 after the original paper cut-out signature printed in the plate 80 x 60 cm With stamp of t...

Henri Matisse - The Saint Michel Bridge - Original Etching Signed in the plate Dimensions : 13 x 10". Paper : Rives vellum.

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

Chrysanthemum (c1880) originally called Indian Chrysanthemum .Tiffany's luxurious Chrysanthemum silver was designed in 1880 by Charles Grosjean. With its flowing curves, swirling ve...

This extraordinary 128-piece service by Fabergé is a rare treasure in more ways than one. Enclosed in its original oak chest, the exquisite service remains complete and in pristine c...

Tiffany & Company and George Paulding Farnham, A rare, lavish and monumental sterling silver centerpiece with original mirrored-glass sterling silver plateau, circa 1900. Museum...

Antique Meissen 68-piece floral dinner service German, c. 1900 Largest serving dish: Height 6cm, width 52.5cm, depth 37.5cm Square salad bowl: Height 9.5cm, width 22cm, depth 22cm...

Delicate fruiting mistletoe festoons this striking opalescent glass bowl by the renowned René Lalique. First designed by Lalique in 1920, the Gui pattern is molded in low relief with...

Superb Lalique Fontainebleau service composed of 48 pieces in sets of 8, one carafe and one decanter (50 pieces total). This service has champagne coupes, water, red, white wine Made...

One large compote, one medium sized compote, pair of low compotes, 12 plates.

86 piece dinner service with the marking: "Original ZWIEBELMUSTER, Czechoslovakia", in the Classic Blue Onion, Meissen Pattern, comprising: 24 dinner plates, 9.5" diameter 12...

Six-piece English silver tea and coffee service English, circa 1850-1863 Tray: Height 6cm, width 58cm, depth 58cm Kettle on stand: Height 43cm, width 29cm, depth 23cm Weight: 7,1...

Art Nouveau silver, crystal, and pate de verre table centrepiece by Falize, French, 1902 Measures: Height 35.5cm, width 150cm, depth 52cm This exceptional piece demonstrates the...

One of Durgin's most popular and beautiful patterns is "Chrysanthemum". The design is of leaves and chrysanthemum buds and blooms on the front. The back displays two chrysanthemums i...

A rare antique find from Tuscany Italy. This 'Confidante' sofa, circa 1880, is in beautiful condition. The large frame is finely carved in the LXV style, with its original water gild...