American Brilliant Cut Glass Plate

Three American Brilliant Period cut glass decanters are cleverly “locked” within this silver plate and oak Georgia tantalus.

The coffee pot is believed to be the rarest form of American Brilliant Period cut glass, and this highly sought-after example was almost certainly crafted by the Meriden Cut Glass Co.

A Wonderful Pairpoint Silver Plate Punch Ladle American With A Brilliant Cut Crystal Handle

This is an exquisite and rare antique English silver plated entree dish by the world renowned retailser Asprey, of London circa 1870 in date. The entree dish features a square shape...

This is a superb Asprey walnut boxed canteen of Louis XVI pattern sterling silver flatware, complete for eight place settings, made for Asprey by the renowned Sheffield silversmith R...

French Art Deco chandelier by Charles Schneider (Epinay-sur-Seine, Paris), France, 1924-1928. Mottled glass shades, powders are applied between two layers that comes hung at their or...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

Elaborately cut American Brilliant glass table lamp. The base and shad are original with all around spear hanging crystals.

Small American Brilliant Cut Glass and Silver-plate Table Lamp, c. 1905, baluster from standard, prism-hung band with dome shade, cut with fans and starburst.

The design has strong geometric qualities with the cubes of the glass strongly contrasting to the circular cut-outs of the bulbs.

after Henri Matisse - Zulma - Lithograph Artist : Henri MATISSE posthumous edition of 200 after the original paper cut-out signature printed in the plate 80 x 60 cm With stamp of t...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

Henri Matisse - The Saint Michel Bridge - Original Etching Signed in the plate Dimensions : 13 x 10". Paper : Rives vellum.

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

Beautiful 1950s reedition by the Lalique Manufacture of René Lalique's St-Hubert crystalware service. Composed of 14 water glasses, 14 red wine glasses and 14 white wine glasses, for...

12 Limoges raised gilt enameled Napoleonic plates, circa 1900, each one decorated with gilt laurel surround, filled with golden bees, the center with Napoleonic crest of laurel wreat...

Bed Wagen for children room. Made with fiberglass with outside with chrome-plated finishes. With palisander wood veneer inside and withseveral storage compartments for a bed, a tv, ...

FINE ITALIAN PORCELAIN DINNER SERVICE, VERBANO LAVENO, 20TH CENTURY The Verbano Laveno dinner service, originating from the 20th century, boasts exquisite craftsmanship and timeless...

116 Pieces A magnificent French Antique porcelain 116-piece dinner set, 19th century, with burgundy and gold accents. This set is exceptionnal both in its beauty, its state of con...

Act fast to claim this exquisite piece of natural history, as our fossils will no longer be available through 1stDibs after October 31. This sculptural stone specimen features an ex...

Large-scale 19th century English display cabinet executed in the Chinoiserie tradition. Constructed in carved mahogany and conceived as a tripartite architectural façade, each glazed...

Italian Venetian style (20th Cent) octagonal shaped painted and decorated metal and wood bird cage with 8 upholstered seat and back cushions around base. (Franco Zefferelli Collection)

Tiffany & Company and George Paulding Farnham, A rare, lavish and monumental sterling silver centerpiece with original mirrored-glass sterling silver plateau, circa 1900. Museum...

This extraordinary 128-piece service by Fabergé is a rare treasure in more ways than one. Enclosed in its original oak chest, the exquisite service remains complete and in pristine c...

With a soft turquoise ground, painted with a fine spray of flowers, with gilt scroll and dash borders. Comprising pair of covered tureens and stands, pair of vegetable tureens, well ...

A rare antique find from Tuscany Italy. This 'Confidante' sofa, circa 1880, is in beautiful condition. The large frame is finely carved in the LXV style, with its original water gild...