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Prints and Multiples For Sale
Color:  Yellow
I Won't Eat You, original print, Kate Boxer
I Won't Eat You, original print, Kate Boxer

I Won't Eat You, original print, Kate Boxer

Located in Deddington, GB

I Won't Eat You by Kate Boxer is a limited edition drypoint etching. This contemporary art print with gouache depicts a lion and is a humorous work of art by Kate Boxer. Kate Boxer m...

Category

21st Century and Contemporary Minimalist Prints and Multiples

Materials

Drypoint

American Dance Festival 2001 Offset Print, Contemporary, Unframed
American Dance Festival 2001 Offset Print, Contemporary, Unframed

American Dance Festival 2001 Offset Print, Contemporary, Unframed

By Cecily Brown

Located in Brooklyn, NY

Paper Size: 20.5 x 27.75 inches ( 52.07 x 70.485 cm ) Image Size: 20.5 x 27.75 inches ( 52.07 x 70.485 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: Offset lithograph poster created by Cecily Brown...

Category

Early 2000s Contemporary Prints and Multiples

Materials

Offset

Joan Miro, The Woman and the Bird, from XXe Siecle, 1956
Joan Miro, The Woman and the Bird, from XXe Siecle, 1956

Joan Miro, The Woman and the Bird, from XXe Siecle, 1956

By Joan Miró

Located in Southampton, NY

This exquisite lithograph and pochoir by Joan Miro (1893–1983), titled La Femme et l’Oiseau (The Woman and the Bird), from the album XXe Siecle, Nouvelle serie No. 6, originates from...

Category

1950s Surrealist Prints and Multiples

Materials

Lithograph

1991  Christo 'The Yellow Umbrellas' Japan Vintage
1991  Christo 'The Yellow Umbrellas' Japan Vintage

1991 Christo 'The Yellow Umbrellas' Japan Vintage

By Javacheff Christo

Located in Brooklyn, NY

In October of 1991 Christo and his collaborator Jean-Claude constructed an installation in two valleys, in Japan, north of Tokyo and one in California, north of Los Angeles. 960 yell...

Category

1990s Contemporary Prints and Multiples

Materials

Offset

Lucky Strike (Littmann P. 78), Keith Haring
Lucky Strike (Littmann P. 78), Keith Haring

Lucky Strike (Littmann P. 78), Keith Haring

By Keith Haring

Located in Fairfield, CT

Artist: Keith Haring (1958-1990) (after) Title: Lucky Strike (Littmann P. 78) Year: 1987 Medium: Silkscreen on Arches cotton rag paper Inscription: Hand signed and numbered, 70/80, a...

Category

1980s Pop Art Prints and Multiples

Materials

Screen

Hand Painted+Drawn One Off-XL-Edition-Constant Gardener-British Awarded Artist
Hand Painted+Drawn One Off-XL-Edition-Constant Gardener-British Awarded Artist

Hand Painted+Drawn One Off-XL-Edition-Constant Gardener-British Awarded Artist

Located in London, GB

This stunning X-large hand drawn with original charcoal line drawing and hand painted with original oil and gesso paint; it is the No 2 of the only 10 Limited Editions; The colours...

Category

2010s Abstract Impressionist Prints and Multiples

Materials

Gesso, Charcoal, Oil, Acrylic, Archival Paper, Giclée

WORKING ON IT INCESSANTLY
WORKING ON IT INCESSANTLY

WORKING ON IT INCESSANTLY

By Mary Corita (Sister Corita) Kent

Located in Santa Monica, CA

CORITA KENT (Sister Mary Corita) 1918–1986 WORKING ON IT INCESSANTLY, ca. 1970 Color serigraph. Signed and numbered in ink 200/. In generally good condition. Image 22 3/8 x 11 1/2, sheet 23 x 12 1/4 inches. Provenance: Marjorie Kauffman Graphics on original period label. Sister Corita is highly important in the development of modern use of serigraphy with highly charged social and political content expressed in strong colors and dynamic composition. She often made biblical and well as literary references as a major part of the composition. She taught printmaking at Immaculate Heart...

Category

1970s Abstract Expressionist Prints and Multiples

Materials

Screen

Keith Haring Lucky Strike 1987 poster

Keith Haring Lucky Strike 1987 poster

By Keith Haring

Located in NEW YORK, NY

Keith Haring Lucky Strike 1987: Vintage original 1980s Keith Haring poster designed & illustrated by Haring on behalf of the long-time cigarette brand, Lucky Strike. Catalog Raisonne...

Category

1980s Pop Art Prints and Multiples

Materials

Screen

original lithograph

original lithograph

Located in Henderson, NV

Medium: original lithograph. This lithograph was printed in 1956 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Category

1950s Prints and Multiples

Materials

Lithograph

Kusama Plush Pumpkin (Kusama yellow & black pumpkin)
Kusama Plush Pumpkin (Kusama yellow & black pumpkin)

Kusama Plush Pumpkin (Kusama yellow & black pumpkin)

By Yayoi Kusama

Located in NEW YORK, NY

Yayoi Kusama Yellow & Black Pumpkin (plush): An iconic, vibrantly colored pop art piece - this large Kusama plush pumpkin features the universal polka dot patterns and bold colors fo...

Category

1960s Contemporary Prints and Multiples

Materials

Nylon

Rosso agli angoli
Rosso agli angoli

Rosso agli angoli

By Giuseppe Santomaso

Located in Paris, FR

Lithograph, 1971 Handsigned by the artist in pencil and annotated "Epreuve artiste" Artist proof Printer : Erker Presse, St Gallen 76.00 cm. x 56.00 cm. 29.92 in. x 22.05 in. (pape...

Category

1970s Abstract Prints and Multiples

Materials

Lithograph

Wassily Kandinsky, Untitled, from Derriere le Miroir, 1953 (after)
Wassily Kandinsky, Untitled, from Derriere le Miroir, 1953 (after)

Wassily Kandinsky, Untitled, from Derriere le Miroir, 1953 (after)

By Wassily Kandinsky

Located in Southampton, NY

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Sans Titre (Untitled), originates from the 1953 folio Derriere le Miroir, Nos. 60–61, published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris. This plate pays homage to the artist’s groundbreaking geometric abstraction and his profound influence on postwar modernism. Through precise form and rhythmic structure, Sans Titre captures the musicality and spiritual dynamism that defined Kandinsky’s mature visual language, balancing intuitive movement with mathematical harmony. Executed on velin paper, this lithograph measures 15 x 11 inches (38.1 x 27.9 cm), as issued. Signed in the plate and unnumbered, as issued. The edition reflects the exceptional quality and craftsmanship of the Maeght and Mourlot collaborations, honoring Kandinsky’s legacy in fine art printing. Artwork Details: Artist: After Wassily Kandinsky (1866–1944) Title: Sans Titre (Untitled), from Derriere le Miroir, Nos. 60–61, 1953 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm), as issued Inscription: Signed in the plate and unnumbered, as issued Date: 1953 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1953 folio Derriere le Miroir, Nos. 60–61, published by Maeght Editeur, Paris About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Wassily Kandinsky (1866–1944) was a Russian-born painter, theorist, and pioneer of abstract art whose revolutionary vision transformed 20th-century modernism. Regarded as one of the first artists to create purely nonobjective paintings, Kandinsky sought to express inner emotion and spirituality through color, rhythm, and form, believing that art could evoke the same universal harmony as music. His groundbreaking theories on abstraction and the “spiritual in art” shaped the foundation of modern aesthetics and influenced generations of artists worldwide. Closely associated with the Bauhaus movement, he developed a dynamic visual language that combined geometry and lyricism, bridging intuition and intellect. Kandinsky’s legacy resonates alongside the innovations of Pablo Picasso, Henri Matisse, Alexander Calder, Georges Braque, Marc Chagall, Alberto Giacometti, Salvador Dali, Joan Miro, Marcel Duchamp, and Man Ray—artists who, like him, redefined the possibilities of modern art. His works are represented in the world’s leading museums, including MoMA, the Guggenheim, the Centre Pompidou, and the Tate, and remain among the most coveted by collectors globally. The highest price ever paid for a Wassily Kandinsky artwork is approximately $45.6 million USD, achieved in 2017 at Christie’s London for Bild mit weissen Linien (Painting with White Lines) (1913). Wassily Kandinsky Sans Titre, Kandinsky Derriere le Miroir, Kandinsky Maeght Editeur Paris, Kandinsky Mourlot Freres, Kandinsky 1953 edition, Kandinsky lithograph...

Category

1950s Modern Prints and Multiples

Materials

Lithograph

The Drugs Don’t Work - Giant Signed Limited Edition Pop Art Print

The Drugs Don’t Work - Giant Signed Limited Edition Pop Art Print

By BATIK

Located in London, GB

The Drugs Don’t Work by BATIK Archival pigment pop art print of the 1960s supermodel Twiggy signed & limited edition. Giant 60 x 40 inches / 152 x 101 cm paper size signed and n...

Category

2010s Modern Prints and Multiples

Materials

Archival Pigment

Morris Louis Delta Epsilon 1973 Exhibition Poster, Fair Condition
Morris Louis Delta Epsilon 1973 Exhibition Poster, Fair Condition

Morris Louis Delta Epsilon 1973 Exhibition Poster, Fair Condition

By Morris Louis

Located in Brooklyn, NY

This 1973 Galerie André Emmerich exhibition poster, featuring Morris Louis’s iconic “Delta Epsilon” imagery, is an important historical document from the height of postwar American a...

Category

1970s Prints and Multiples

Materials

Offset

Donald Duck 1975 Offset Print Poster, Vintage Disney Art, Unframed
Donald Duck 1975 Offset Print Poster, Vintage Disney Art, Unframed

Donald Duck 1975 Offset Print Poster, Vintage Disney Art, Unframed

By Walt Disney

Located in Brooklyn, NY

Paper Size: 20 x 23.25 inches ( 50.8 x 59.055 cm ) Image Size: 17 x 20.25 inches ( 43.18 x 51.435 cm ) Framed: No Condition: A: Mint Additional Details: Donald Duck's evolution from a secondary character to a beloved icon mirrors Disney's growth from a small animation studio to a global entertainment powerhouse. Throughout this journey, posters have played a crucial role in marketing and defining the visual identity of Disney's many beloved properties. From the early days of hand-drawn posters to today's digital designs, Disney posters...

Category

1970s Prints and Multiples

Materials

Offset

original lithograph

original lithograph

Located in Henderson, NV

Medium: original lithograph. Printed in Paris in 1967 at the atelier of Clot, Bramsen et Georges and published in an edition of 2500 for "Les Temps Situationistes" (The Situationist ...

Category

1960s Prints and Multiples

Materials

Lithograph

Yellow Mushroom
Yellow Mushroom

Yellow Mushroom

Located in New York, NY

Burke Libaire is a Charleston based visual artist and designer. She began her career in New York City, translating her love of art and architecture into the world of interior design ...

Category

2010s Prints and Multiples

Materials

Archival Paper

"Requiem/Let Them Be, " Etching and Aquatint signed by Joan Snyder
"Requiem/Let Them Be, " Etching and Aquatint signed by Joan Snyder

"Requiem/Let Them Be, " Etching and Aquatint signed by Joan Snyder

By Joan Snyder

Located in Milwaukee, WI

"Requiem" is an original etching and aquatint by Joan Snyder. The artist signed the piece, and the edition is of 120. This piece features abstract, expressionist text and an striking portrait of a woman with red lipstick on a pink background. 25 5/8" x 20" art 32" x 26" frame Joan Snyder was born on April 16, 1940, in Highland Park, New Jersey. She received her AB from Douglass College in New Brunswick, New Jersey (1962), and an MFA from Rutgers University in New Brunswick, New Jersey (1966). She was the recipient of a National Endowment for the Arts Fellowship (1974) and a John Simon Guggenheim Memorial Fellowship (1983). Snyder lives in Brooklyn and Woodstock, New York. Although Snyder’s paintings are often placed under various art-movement umbrellas—Abstract...

Category

1990s Contemporary Prints and Multiples

Materials

Etching, Aquatint

The Blasphemers - Woodcut  - 1963
The Blasphemers - Woodcut  - 1963

The Blasphemers - Woodcut - 1963

By Salvador Dalí­

Located in Roma, IT

The blasphemers is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued. Plate n.14 (as ...

Category

1960s Surrealist Prints and Multiples

Materials

Woodcut

Joan Miro, Untitled, from Joan Miro, 1956
Joan Miro, Untitled, from Joan Miro, 1956

Joan Miro, Untitled, from Joan Miro, 1956

By Joan Miró

Located in Southampton, NY

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1956 publication Joan Miro. Published by Maeght Editeur, Paris, and printed by M...

Category

1950s Surrealist Prints and Multiples

Materials

Lithograph

original lithograph

original lithograph

Located in Henderson, NV

Medium: original lithograph. This lithograph was printed in 1957 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Category

1950s Prints and Multiples

Materials

Lithograph

Composition, Feuilles éparses, Jean Arp
Composition, Feuilles éparses, Jean Arp

Composition, Feuilles éparses, Jean Arp

By Jean Arp

Located in Southampton, NY

Woodcut on vélin cuve de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Feuilles éparses, 1965. Published and printed by Louis B...

Category

1960s Modern Prints and Multiples

Materials

Woodcut

Fine Art Prints for Sale — Animal Prints, Abstract Prints, Nude Prints and Other Prints

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.