Want more images or videos?
Request additional images or videos from the seller
1 of 10
Frank BensonOn the Kedgwick1923
1923
About the Item
Frank Benson created the etching "On the Kedgwick" in 1923, in an edition of 150. This impression is the second state of four. There are five known impressions of the second state. It is signed in pencil and inscribed "B-1" and "1 or 5" at the lower left paper edge (pencil). The image size 7 13/16 x 11 7/8" (19.9 x 30.2 cm) and sheet size 15 3/8 x 11 1/2" )29.3 x 39 cm). It is listed in the Frank W. Benson catalogue raisonne by Paff #222.
FRANK W. BENSON (1862-1951)
Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life.
His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years.
During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching revival inspired Benson. He purchased a copy of Maxime Lalanne’s Treatise on Etching using this book as a guide into the nuances of the craft. Benson's first etching was done in 1882. Entitled “Salem Harbor” it was published in The Art Student, the school magazine at the Museum of Fine Arts. Almost three decades would pass before Benson’s busy schedule allowed his fascination with etching and dry-point to weave its way back into the daily structure of his life. He produced over 350 different prints before his death in 1951.
In a letter to his grandson, Frank Benson noted, “I have been happy because my hobby and my work are one and the same, and if you can arrange the same thing in your life, you will be equally happy.”
- Creator:Frank Benson (1976, American)
- Creation Year:1923
- Dimensions:Height: 16 in (40.64 cm)Width: 20 in (50.8 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Beautiful impression!
- Gallery Location:New York, NY
- Reference Number:
About the Seller
4.6
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 1898
1stDibs seller since 2015
50 sales on 1stDibs
Typical response time: 1 to 2 days
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Mending the TearsBy Winslow HomerLocated in New York, NYWinslow Homer created this etching entitled “MENDING THE TEARS” in 1888. This is a lifetime impression signed by Homer and printed by the famous New York etcher George W. H. Ritchie...Category
1880s American Impressionist Figurative Prints
MaterialsEtching
- Over Cape CodBy Frank W. BensonLocated in New York, NY"Over Cape Cod" is an etching created by Frank W. Benson in 1932. Benson only printed trial proofs of this plate - there is no edition. This impression is a first state of four. There are six impressions of the first state, three impressions of the second, four impressions of the third, and eight of the fourth state have been recorded. Signed in pencil in the lower left under the image. The image size is 7 15/16 x 14 7/8" (20.1 x 37.8 cm) and sheet size 11 9/16 x 18 3/8" (29.3 x 46.7 cm). FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...Category
Mid-20th Century American Impressionist Figurative Prints
MaterialsEtching
- Garden with HenryBy Peter MiltonLocated in New York, NYPeter Milton created this etching and engraving entitled “GARDEN WITH HENRY” in 1993. It is signed, titled, dated, and inscribed “153/250” in pencil under the image. The printed image size is 9.5 x 12 inches and the paper size is 15.5 x 18 inches. The inspiration for this piece came from the Henry James novella “The Aspern Papers” and clearly depicts the Venetian setting. The American-British author Henry James (1843-1916) wrote “The Aspern Papers” first published in 1888. Peter Milton was born in Pennsylvania in 1930. He studied for two years at the Virginia Military Institute...Category
1990s Realist Landscape Prints
MaterialsEngraving, Etching
- TsunamiBy Peter MiltonLocated in New York, NYTSUNAMI is an archival digital print created in 2015. This original print was directly drawn into the computer by Peter Milton and printed digitally. It is signed, titled, and date...Category
21st Century and Contemporary Contemporary Figurative Prints
MaterialsDigital
- TiendelitasBy Emilio SanchezLocated in New York, NYEmilio Sanchez (1921-1999) created this color lithograph entitled “TIENDECITAS” in 1967. This impression is signed, titled, and inscribed “21/50” in pencil. The printed image size 15 x 23.13 inches (38 x 58.8 cm) and paper size 20.75 x 29 3/8 inches (53 x 74.5 cm). Printed in an edition of 50. Stamped on verso "Estate of Emilio Sanchez." “Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...Category
1960s Modern Landscape Prints
MaterialsLithograph
- A Base Ball GameBy Henry SandhamLocated in New York, NYGoupilgravure (photogravure) was printed in Paris and published April 1, 1896, by Boussod Valadon & Co. Successors to Goupil & Co. Painted by Henry Sandham, 1894. "A BASEBALL GAME" depicts the 1894 "Temple Cup" game between the Baltimore Orioles and the New York Giants...Category
Late 19th Century Naturalistic Figurative Prints
MaterialsPhotogravure
You May Also Like
- BillingsgateBy James Abbott McNeill WhistlerLocated in Middletown, NYEtching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...Category
Mid-19th Century Impressionist Landscape Prints
MaterialsDrypoint, Laid Paper, Etching
- Barcarolle.By James McBeyLocated in Storrs, CTBarcarolle. 1926. Etching. Carter 233. 14 7/8 x 8 3/8 (sheet 17 1/4 x 10 1/4). Edition 80, #xxv. Print Collector's Quarterly 24 (1938): 428; Eric Denker, Reflections & Undercurrents: Ernest Roth...Category
1920s Impressionist Landscape Prints
MaterialsDrypoint, Etching
- The Little Wheelwright'sBy James Abbott McNeill WhistlerLocated in Storrs, CTThe Little Wheelwright's. 1886. Etching. Kennedy 245; Glasgow 242. 2 1/2 x 3 3/4 (sheet 5 1/8 x 6 1/8). There was no lifetime edition. Glasgow lists only 13 other known impressions. A fine impression printed in black ink on white laid paper. Monogrammed with the butterfly in the plate. Housed in a 10 X 11 1/2 X 1-inch gold leaf period carved Celtic...Category
Mid-19th Century American Impressionist Figurative Prints
MaterialsEtching
- The Venetian MastBy James Abbott McNeill WhistlerLocated in Storrs, CTThe Venetian Mast. 1879-80. Etching and drypoint. Kennedy catalog 195 state .vi; Glasgow catalog 219 state x/xii. 13 3/8 x 6 3/8. Glasgow records 53 impressions. A fine, atmospheric...Category
1870s American Impressionist Landscape Prints
MaterialsDrypoint, Etching
- Automne (Autumn)By Georges RouaultLocated in Storrs, CTAutomne (Autumn). 1938. Aquatint print in colors. Chapon/Rouault 288C. 19 1/2 x 25 1/2 ( sheet 22 5/8 x 30 3/4). Edition 175, #44 Published by Vollard. A rich impression with bright...Category
Mid-20th Century Impressionist Figurative Prints
MaterialsAquatint, Color
- Querelle d'amoureux. (Quarreling). 1By James TissotLocated in Storrs, CTEn plein soleil. (In the Sunlight). 1881. Etching and drypoint. Tissot 54, Béraldi 45, Wentworth 54. 7 13/16 x 11 1/2 (sheet 11 1/4 x 15). Edition about 100. Mat line and two hinge s...Category
19th Century Impressionist Figurative Prints
MaterialsDrypoint, Etching
Recently Viewed
View AllMore Ways To Browse
Bird Hunting Art
North Shore Boston
Fishing Lithograph Art
Hunting Etchings
Lithograph Hunting
Lithograph Sailing
Shore Birds Painting
Benson W S A
Shore Bird Print
W A S Benson
Painting Bird Hunting
Lalanne Bird
Lalanne Lithograph
Vintage Costume Women
Metropolitan Art Museum Poster
Metropolitan Museum Of Art Poster
Marguerite Vintage
Andy Warhol Album