Jean-Emile Laboureur

Sortie de Theatre a Londres

1911

Jean-Emile Laboureur (1877-, Souper a New York, etching on zinc, 1907, signed in pencil bottom left margin; also annotated “No 11/20 imp” bottom margin. Reference: Sylvain Laboureur ...

Paul Gavarni (1804-1866), Fashion Plates (a collection of 12), lithographs, c. 1840, as published in Le Charivari, with the letterpress verso. [Some are ...

Montparnasse Street– 1931, Etching Duffy 128. Edition 50, only 25 printed. Signed, dated, and annotated imp and 50 in pencil. Image size 4 7/8 x 9 7/8 inches (124 x 251 mm); sh...

Jerome Myers (1867-1940), At the Show, etching and drypoint, c. 1920, signed in pencil lower right. In good condition, with margins (paper losses upper corners), faint ink marks and ...

Etching on wove Japon paper, 8 5/8 x 9 1/4 inches (219 x 235 mm), wide margins. Signed, titled, and numbered 6/75 in pencil, lower margin, and with the Dietrich & Cie éditeurs blinds...

Artist: Tony Minartz (French, 1873-1944) Title: "L'Avant-Foyer de l'Opera" Portfolio: Revue de l'Art Ancien & Moderne *Issued unsigned Year: 1903 Medium: Original Etching on cream laid paper Limited edition: Unknown Printer: Unknown Publisher: Revue de l'Art Ancien & Moderne, Paris, France Framing: Recently framed in a traditional gold and black moulding with 100% cotton rag matting Framed size: 18.63" x 16.38" Sheet size: 12" x 9" Image size: 9" x 7.25" Condition: In excellent condition Notes: Printed in one color: bistre. This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community. Biography: Tony Minartz, pseudonym of Antoine Guillaume, born 8 April 1873 to Cannes and died in that city on 13 December 1944 Is a painter, draftsman , illustrator and engraver French. Painter autodidact , Tony Minartz starts to become known in 1896 by exhibiting paintings at the Salon of the National Society of Fine Arts , and then decorates the Pompadour theater of painted panels for fashion shows " Grand Guignol ", directed by L. Darthenay. In 1903, Henri Béraldi , with whom he worked, praised him in The Journal of ancient and modern art, writing that "it was thirty years ago," and he has received advice from Paul Renouard to be formed the technique of etching ; Béraldi adds that his favorite subjects are "Paris at night Paris at night, always." Minartz also gives them some high-remarkable in The Journal of ancient and modern art until 1910: balls, cafe concerts, Parisian in their most beautiful dresses, but also music-halls, music halls, restaurants, large and small theaters, are the preferred settings of his compositions. Its fertile period seems to end in 1914. In addition to the National Salon, Minartz exhibited in Paris at the gallery Bartholomew (1903), the Independent Living (1905, 1906) and the gallery Devambez (1909) and received the Academic Palms . He occasionally collaborates with periodic illustrated as The Almanac Sports (Ollendorff, 1899), or satirical as Gil Blas...

Medium: original etching. This impression on laid paper was printed in 1903 and published in Paris for the Revue de l'art ancien et moderne. Plate size: 9 x 7 inches (228 x 178 mm). ...

Parisian is aLithograph realized by Gustave Dore in 1854. Good conditions except for some foxings. Hand-singed. The artwork is depicted in a well-balan...