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Joseph HirschMan with Mask1969
1969
About the Item
Man with Mask
Lithograph, 1969
Signed in pencil by the artist
95/100
Printed by Lucien Detruit, Paris
Published by AAA, New York
Reference: AAA Index No. 60
Condition: Mint
Image size: 14 x 11 7/8 inches
Sheet size: 22 1/8 x 17 15/16 inches
American artist Joseph Hirsch (1910–1981) emerged at the forefront of the Social Realist art movement during the twentieth century, taking inspiration for his work from everyday events and ordinary people. Born and raised in Philadelphia, Hirsch left to pursue art in New York City in the early 1930s. This period, following the end of World War I and at the onset of the Great Depression, saw an increase in economic inequality and racial conflict. Artists such as Hirsch responded to these conditions with politically conscious art depicting poor and working-class people, labor unionists, and the disenfranchised in figurative and realistic images, known today as Social Realism. Hirsch connected art with moral responsibility, arguing, “I believe that someday the fabric of art will be threaded with morality, enabling us to distinguish evil from good. Today this is unthinkable, in the delightful art world where, excepting censorship, anything goes. But anything goes does not accord with the more discriminating ethics of our civilized code which rules out what is socially destructive.”
Banquet was created by Hirsch in 1945 for publication by the Associated American Artists (AAA). Founded by Reeves Lewenthal in 1934, the AAA created original and signed prints in editions of 250, which it distributed for $5 per print or the equivalent of about $85 in 2018. Through department store and mail order sales, as well as traveling exhibitions, the goal of the AAA was to stimulate the American public’s interest in owning fine works of art.
Hirsch’s print comments on the state of the workplace in the 1940s. Following the start of World War II, there was a high demand for workers in war-related industries. However, African Americans were often denied better-paying jobs and were discouraged from joining the military. In 1941, labor and civil rights leader A. Philip Randolph (1889— 1979) threatened a mass march on Washington, D.C., in protest of racial discrimination in industry and the military. In response, President Franklin D. Roosevelt (1882—1945) issued Executive Order 8802 declaring that “there shall be no discrimination in the employment of workers in defense industries or Government because of race, creed, color, or national origin.” Seven years later, Randolph’s advocacy led President Harry S. Truman to ban segregation in the armed forces.
Hirsch, who was white, created this print four years after Roosevelt’s executive order. He portrays two factory workers eating lunch side by side. A white man bites down on a piece of bread, while an African-American man drinks his last sip of coffee. The men are depicted in profile from a perspective that positions us—the viewers—at an equal level, perhaps as another worker on break or a fellow customer at a lunch counter. The print depicts the ideal of racial unity in the workplace and sheds light on these crucial early decades of the Civil Rights Movement.
Hirsch created this print through the process of lithography—a printing process based on the fact that grease and water do not mix. Invented in the late eighteenth century, lithography is a technique which involves drawing on a flat surface, traditionally limestone, with a greasy substance such as a crayon or a liquid called tusche. Once the image is completed and ready to print, the artist applies a chemical mixture on the surface of the stone to secure the image in place. Water is then applied to the surface, adhering to the non-greasy areas of the plate and allowing the artist to roll ink only onto the image. A sheet of paper is placed atop the stone and rolled through a press, allowing the ink to transfer from the stone to create a print. Courtesy Portland Art Museum
:“Joseph Hirsch "scribbled more than the average" when he was a boy and later remembered that his mother often gave him a sketchbook to pass the time. He won a scholarship to art school when he was seventeen and a few years later was one of the youngest painters to receive the Walter Lippincott Prize from the Pennsylvania Academy of the Fine Arts. Hirsch worked as an artist-correspondent during World War II, sketching planes and hospitals throughout the Pacific. His monumental images celebrate ordinary people and situations, reflecting his belief that "any painting that has to do with life is a commemoration." (Hirsch, Recent Paintings and Drawings: May 28-June 13, 1980, Exhibition Catalogue, 1980)
Courtesy SAAM, Washington
"Joseph Hirsch was an American artist, born in Philadelphia, Pennsylvania. He studied at the Pennsylvania Museum and School of Industrial Art before moving to New York City to study with George Luks. Luks introduced the young artist to Social Realism. He served as a pictorial war correspondent for the navy during World War II, making war posters and depicting the troops on the battlefield. Many of his drawings and paintings from this time are in the Museum of Military History.
In an interview, Hirsch once said ''I believe that some day the fabric of art will be threaded with morality, enabling us to distinguish evil from good. Today, this is unthinkable, in the delightful art world where, excepting censorship, anything goes. But anything goes does not accord with the more discriminating ethics of our civilized code which rules out what is socially destructive.''
Courtesy Old Print Shop
- Creator:Joseph Hirsch (1910 - 1981, American)
- Creation Year:1969
- Dimensions:Height: 14 in (35.56 cm)Width: 11.88 in (30.18 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:Seller: FA8277_B1stDibs: LU14015724322
Joseph Hirsch
Joseph Hirsch was a member of the American Academy-Institute of Arts and Letters and a well-known realistic artist who came to national attention as a muralist for the Federal Works Progress Administration in the 1930's. Of his own work, Mr. Hirsch wrote: ''I believe that some day the fabric of art will be threaded with morality, enabling us to distinguish evil from good. Today, this is unthinkable, in the delightful art world where, excepting censorship, anything goes. But anything goes does not accord with the more discriminating ethics of our civilized code which rules out what is socially destructive.'' Mr. Hirsch is represented in the Metropolitan Museum of Art, the Museum of Modern Art and the Whitney in New York; the National Gallery, the Corcoran and the Hirshhorn in Washington; the Boston Museum of Fine Arts, and in many major collections in the United States. Joseph Hirsch was born on April 25, 1910 in Philadelphia, Pennsylvania. Hirsch studied at the Philadelphia Museum School, with Henry Hensche in Provincetown, Mass., and with George Luks in New York. In addition to formal study, He participated in the Works Project Administration in the easel painting division, with occasional work in the mural division, where he painted murals in the Amalgamated Clothing Workers Building and the Municipal Court. During World War II, Joseph Hirsch took part in the war effort, as an artist war correspondent, recording significant battles and events. He taught at the Chicago Art Institute, the American Art School, University of Utah, and had a significant tenure at the Art Students League in New York. He also won many awards, among them were a fellowship at the American Academy in Rome, the Walter Lippincott Prize, First Prize at the New York World's Fair (1939), the Guggenheim Foundation Fellowship (1942, 1943), and the Fulbright Fellowship (1949). In 1954 he was elected into the National Academy of Design as an Associate member and became a full Academician in 1958 Early in his career, Hirsch was introduced to the movement of Social Realism through George Luks, who was one of "The Eight". This group of painters, at the beginning of the century, chose to depict ordinary and everyday scenes. From this movement stemmed the Social Realism genre of the 1920s and 1930s. Social commentary was the backbone for the majority of Joseph Hirsch's paintings. During World War II, Mr. Hirsch went to the South Pacific, North Africa and Italy as an artist-correspondent for the Navy, and his paintings and drawings are in the Museum of Military History. . In Major Collections. Hirsch's work is represented in the Metropolitan Museum of Art, the Museum of Modern Art and the Whitney in New York; the National Gallery, the Corcoran and the Hirshhorn in Washington; the Boston Museum of Fine Arts, and other collections in the USA. He was elected to membership in the National Institute of Arts and Letters in 1967. Hirsch died in New York, NY on September 21, 1981.
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