Items Similar to POLSTER (The Cushion)
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Max KurzweilPOLSTER (The Cushion)1903
1903
About the Item
MAXIMILLIAN KURZWEIL (Austrian 1867-1916)
DER POLSTER / THE CUSHION, 1903. Color woodcut printed on laid japon paper, affixed as usual to a support sheet from its upper sheet edge as published by “Gesellschaft für Verfielfaltigende Kunst, Vienna" with their printed information, artist name and original woodcut (in German) printed at the support sheet lower edge. The sheet of japon is in excellent condition, the colors fresh. Image size 11 1/4 x 10 1/4 inches, with full margins 15 ¼ x 12 inches and deckle edges. The large multicolored colored support sheet, 20 5/8 x 17 1/2 inches is in good condition aside from a small bit of residual tape in the margin.
Kurzweil was a painter as well as producing a small number of original woodcuts. Der Polster is his most sought after image.
- Creator:Max Kurzweil (1867-1916, Austrian)
- Creation Year:1903
- Dimensions:Height: 11.25 in (28.58 cm)Width: 10.25 in (26.04 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Santa Monica, CA
- Reference Number:1stDibs: LU411312617132
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Gold Seller
Premium sellers maintaining a 4.3+ rating and 24-hour response times
Established in 1977
1stDibs seller since 2016
288 sales on 1stDibs
Typical response time: 2 hours
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Shipping from: Santa Monica, CA
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllLARGE RARE OTTO MUELLER WOODCUT POSTER
By Otto Mueller
Located in Santa Monica, CA
OTTO MUELLER (German 1874 – 1930)
POTSDAMER KUNSTSOMMER, 1921 (1968) (Karsch 6)
Woodcut. Edition of 25 and numbered 11. There are no known
impressio...
Category
1920s Expressionist Figurative Prints
Materials
Woodcut
LOVERS (LIEBESPAAR
Located in Santa Monica, CA
ROBERT PHILIPPI (Austrian 1877-1959)
LIEBESPAAR (LOVERS) ca.1923 (in Rifkind Collection, LACMA: From a portfolio of 10 prints. Rifkind indicates the e...
Category
1920s Expressionist Figurative Prints
Materials
Woodcut
KOPF (Head)
By Max Kaus
Located in Santa Monica, CA
MAX KAUS (German 1891-1977)
KOPF (Head( (Rifkind 1387)
Woodcut, unsigned, monogram in block. As issued as plate 1 from “Genius” Zeitschrift für werdende und alte Kunst, vol. 2, no. ...
Category
1920s Expressionist Figurative Prints
Materials
Woodcut
AGONY
Located in Santa Monica, CA
ROBERT PHILIPPI (Austrian 1877-1959)
KNEELING NUDE. c. 1923 (Chrastek, Widder 2019, p. 162, N° 461) (in Rifkind Collection, LACMA: From a portfolio of 1...
Category
1920s Expressionist Figurative Prints
Materials
Woodcut
$600 Sale Price
20% Off
HAMBURGER KNIEPPE
By Käthe Kollwitz
Located in Santa Monica, CA
KATHE KOLLWITZ (1867-1945)
HAMBURGER KNIEPPE, 1901) (K.58 IIIb)
Soft Ground Etching, Plate 9 ¾ x 8 ¼ sheet 10 ½ x 13 ¾. With the von de Becke blind stamp in the lower right. Prin...
Category
Early 1900s Expressionist Interior Prints
Materials
Etching
GEFALLEN (Killed in Action)
By Käthe Kollwitz
Located in Santa Monica, CA
KATHE KOLLWITZ (1867-1945)
GEFALLEN (Killed in Action) 1920 (Klipstein 153 (1st state, a of c of 2 states)
Lithograph on laid paper. Image 16 ¼ x 15 ¼ inches, Large Full Sheet, 25 ½...
Category
1920s Expressionist Prints and Multiples
Materials
Lithograph
You May Also Like
Untitled Woodcut
Located in Wilton, CT
Original hand-colored woodcut from a portfolio of Secessionist fashion illustrations. Signed in the lower right margin by the artist, Reni Schaschl (1895-1979), a talented member of...
Category
1910s Vienna Secession Figurative Prints
Materials
Woodcut
$2,800 Sale Price
20% Off
Gerlach's Allegorien Plate #44: "Music" Lithograph
By Koloman Moser
Located in Chicago, IL
Koloman Moser
(1868 –1918), AUSTRIAN
Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art work) by designing architecture, furniture, jewelry, graphics, and tapestries meant to coordinate every detail of an environment. His work transcended the imitative decorative arts of earlier eras and helped to define Modernism for generations to come. Moser achieved a remarkable balance between intellectual structure (often geometric) and hedonistic luxury.
Collaborating with Gustav Klimt and Josef Hoffmann, the artist was an editor and active contributor to Ver Sacrum, (Sacred Spring), the journal of the Viennese Secession that was so prized for its aesthetics and high quality production that it was considered a work of art. The magazine featured drawings and designs in the Jugendstil style (Youth) along with literary contributions from distinguished writers from across Europe. It quickly disseminated both the spirit and the style of the Secession.
In 1903 Moser and Hoffmann founded and led the Wiener Werkstatte (Viennese Workshop) a collective of artisans that produced elegant decorative arts items, not as industrial prototypes but for the purpose of sale to the public. The plan, as idealistic then as now, was to elevate the lives of consumers by means of beautiful and useful interior surroundings.
Moser’s influence has endured throughout the century. His design sensibility is evident from the mid-century modern furniture of the 1950s and ‘60s to the psychedelic rock posters...
Category
1890s Vienna Secession Figurative Prints
Materials
Lithograph
Gerlach's Allegorien Plate #51: "Summer" Lithograph
By Koloman Moser
Located in Chicago, IL
Koloman Moser
(1868 –1918), AUSTRIAN
Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art w...
Category
1890s Vienna Secession Figurative Prints
Materials
Lithograph
Gerlach's Allegorien Plate #47: "Morning in the Spring" Lithograph
By Koloman Moser
Located in Chicago, IL
Koloman Moser
(1868 –1918), AUSTRIAN
Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art work) by designing architecture, furniture, jewelry, graphics, and tapestries meant to coordinate every detail of an environment. His work transcended the imitative decorative arts of earlier eras and helped to define Modernism for generations to come. Moser achieved a remarkable balance between intellectual structure (often geometric) and hedonistic luxury.
Collaborating with Gustav Klimt and Josef Hoffmann, the artist was an editor and active contributor to Ver Sacrum, (Sacred Spring), the journal of the Viennese Secession that was so prized for its aesthetics and high quality production that it was considered a work of art. The magazine featured drawings and designs in the Jugendstil style (Youth) along with literary contributions from distinguished writers from across Europe. It quickly disseminated both the spirit and the style of the Secession.
In 1903 Moser and Hoffmann founded and led the Wiener Werkstatte (Viennese Workshop) a collective of artisans that produced elegant decorative arts items, not as industrial prototypes but for the purpose of sale to the public. The plan, as idealistic then as now, was to elevate the lives of consumers by means of beautiful and useful interior surroundings.
Moser’s influence has endured throughout the century. His design sensibility is evident from the mid-century modern furniture of the 1950s and ‘60s to the psychedelic rock posters...
Category
1890s Vienna Secession Figurative Prints
Materials
Paper
"Woman Leaning Over Chair" by Gustav Klimt - Original Print from Courtesan Folio
By Gustav Klimt
Located in Chicago, IL
Plate #8 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Kli...
Category
Early 1900s Vienna Secession Figurative Prints
Materials
Paper
Gerlach's Allegorien Plate #35: "Love & Wine" Lithograph
By Koloman Moser
Located in Chicago, IL
Koloman Moser
(1868 –1918), AUSTRIAN
Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art work) by designing architecture, furniture, jewelry, graphics, and tapestries meant to coordinate every detail of an environment. His work transcended the imitative decorative arts of earlier eras and helped to define Modernism for generations to come. Moser achieved a remarkable balance between intellectual structure (often geometric) and hedonistic luxury.
Collaborating with Gustav Klimt and Josef Hoffmann, the artist was an editor and active contributor to Ver Sacrum, (Sacred Spring), the journal of the Viennese Secession that was so prized for its aesthetics and high quality production that it was considered a work of art. The magazine featured drawings and designs in the Jugendstil style (Youth) along with literary contributions from distinguished writers from across Europe. It quickly disseminated both the spirit and the style of the Secession.
In 1903 Moser and Hoffmann founded and led the Wiener Werkstatte (Viennese Workshop) a collective of artisans that produced elegant decorative arts items, not as industrial prototypes but for the purpose of sale to the public. The plan, as idealistic then as now, was to elevate the lives of consumers by means of beautiful and useful interior surroundings.
Moser’s influence has endured throughout the century. His design sensibility is evident from the mid-century modern furniture of the 1950s and ‘60s to the psychedelic rock posters...
Category
1890s Vienna Secession Figurative Prints
Materials
Lithograph