Milton Glaser

Milton Glaser Sony Tape, Full Color Sound poster 1980 (Milton Glaser posters)

1980

1980s Milton Glaser Poster Art: Milton Glaser Brooklyn Center for the Performing Arts at Brooklyn College: Vintage original Milton Glaser poster c.1984. Designed by Milton Glaser on the occasion of the 30th anniversary of the Brooklyn Center for the Performing Arts at Brooklyn College. In this piece Glaser creates music and dance incarnate: A colorful figure appears headless, its torso formed...

1980s Milton Glaser Poster Art: San Diego Jazz Festival: Vintage original Milton Glaser poster c.1983. Designed by Milton Glaser on the occasion of the San Diego Jazz Festival, a Pacific Coast event depicted with a suit-and-sandal clad bear at dusk. Several favorite Glaserisms show up here: the swirling contours, the loose cross-hatching and the saxophone. Offset lithograph poster in colors. 24x36 inches. Very good overall vintage condition with the exception of perhaps some minor signs of handling. Vintage original print. Authenticity guaranteed. A suit-and-sandal bear heralds this Pacific Coast event with a serenade with a beautiful sunset. Several favorite Glaserisms show up here: the swirling contours, the loose cross-hatching and the sax. Literature: Milton Glaser Posters Legendary graphic designer, illustrator, and art director Milton Glaser created some of the most recognizable iconography in America today —including the iconic I ♥ N Y logo —and countless posters and ad campaigns. Glaser changed the face of commercial art in the 1960s and ’70s, breaking with the conventions of modernism and drawing inspiration from a wide variety of art-historical and pop-cultural sources, from Art Nouveau to comic illustration...

1970s Milton Glaser Poster Art: Milton Glaser The Lovin' Spoonful: Vintage original Milton Glaser poster c.1972. Designed by Milton Glaser on the occasion of: "The Lovin' Spoonful a...

Milton Glaser Newport Jazz Festival at The Russian Tea Room: The Russian Tea Room is an iconic restaurant in NYC located next to New York's Ca...

Milton Glaser Being Good Is Not Enough 1979: Vintage original 1970s Milton Glaser poster designed by Glaser for The School of Visual Arts New York, NY, where Glaser had served on th...

1990s Milton Glaser Poster Art: Juilliard: Vintage original Milton Glaser poster c.1990. Designed by Milton Glaser on the occasion of Juilliard School of Music at New York’s at the Lincoln Center. Beginning in 1987, the audio-tape manufacturer TDK underwrote a series of annual posters for Juilliard at New York’s Lincoln Center. Glaser has designed all the posters. Here, in the fourth, the lightning power of music brings a carefully-painted Dutch floral still life...

This 1993 gouache and charcoal on paper portrait is by Oakland artist Rip Matteson (1920-2011). Matteson was educated at U.C. Berkeley, C.C.A.C, Scuola di Belle Arte in Rome, the Par...

This 1950-60s charcoal and pastel on paper is by Bay Area artist Alysanne McGaffey (1931-2018). Born in Seattle, McGaffey moved to San Francisco in the mid 1950s to study at SFAI with Bay Area Figurative pioneers Joan Brown, Nathan Oliveira, Jay DeFeo, Walter Kuhlman, and Manuel Neri. McGaffey also took classes at CCAC and UC Berkeley, and received an MFA in Painting from the University of San Francisco. She became involved in community arts organizations, holding offices in several, including the Coastal Arts League and Pacifica's Cultural Arts Commission. Eventually McGaffey's gaze moved from the figure to the landscape, and she spent the last thirty years traveling the Northern California coast...

Original art Cut Paper collage and colored pencil 19 1/2 x 13 5/8 Signed to lower edge ‘Milton Glaser’ exhibited: Milton Glaser: The Masters Series, 2 - 21 October 1989, Visual Arts...

This contemporary colorful original vintage poster was commissioned in the 1960s by the French Government to promote tourism. This piece is also titled: La Danseuse Creole (or the Creole Dancer).

Created as an original screenprint in 1974 by Milton Glaser, Art and Learning is hand-signed in pencil, titled and numbered, measuring 23 x 29 in. (58.4 x 73.7 cm), unframed, from th...

ROBERT INDIANA Hirshhorn Museum & Sculpture Garden Opening Exhibition (Signed & Numbered Edition), 1974 Lithograph on wove paper 32 × 26 inches Edition 4/100 Signed and numbered 4/10...

Larry Rivers "The Music Festival of the Hamptons / July 18-27 1997" poster, Not hand signed. [Dimensions: 24" H x 18" W] Larry Rivers (born Yitzroch Loiza Grossberg) (1923 – 2002) was an American artist, musician, filmmaker, and occasional actor. Considered by many scholars to be the "Godfather" and "Grandfather" of Pop art, he was one of the first artists to merge non-objective, non-narrative art with narrative and objective abstraction. Rivers took up painting in 1945 and studied at the Hans Hofmann School from 1947–48. He earned a BA in art education from New York University in 1951. His work was quickly acquired by the Museum of Modern Art. A 1953 painting Washington Crossing the Delaware was damaged in fire at the museum five years later. He was a pop artist of the New York School, reproducing everyday objects of American popular culture as art. He was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery in 1955 along with Paul Mommer, Leonard Baskin, Peter Grippe During the early 1960s Rivers lived in the Hotel Chelsea, notable for its artistic residents such as Bob Dylan, Janis Joplin, Leonard Cohen, Arthur C. Clarke, Dylan Thomas, Sid Vicious and multiple people associated with Andy Warhol Factory and where he brought several of his French nouveau réalistes friends like Yves Klein who wrote there in April 1961 his Manifeste de l'hôtel Chelsea, Arman, Martial Raysse, Jean Tinguely, Niki de Saint-Phalle, Christo & Jean Claude, Daniel Spoerri or Alain Jacquet, several of whom, like Rivers, left some pieces of art in the lobby of the hotel for payment of their rooms. In 1965, Rivers had his first comprehensive retrospective in five important American museums. His final work for the exhibition was The History of the Russian Revolution, which was later on extended permanent display at the Hirshhorn Museum and Sculpture Garden in Washington, DC. He spent 1967 in London collaborating with the American painter Howard Kanovitz. In 1968, Rivers traveled to Africa for a second time with Pierre Dominique Gaisseau to finish their documentary Africa and I, which was a part of the groundbreaking NBC series Experiments in Television. During this trip they narrowly escaped execution as suspected mercenaries. During the 1970s, Rivers worked closely with Diana Molinari and Michel Auder on many video tape projects, including the infamous Tits, and also worked in neon. Rivers's legs appeared in John Lennon and Yoko Ono's 1971 film Up Your Legs Forever. From 1940–1945 he worked as a jazz saxophonist in New York City, changing his name to Larry Rivers in 1940 after being introduced as "Larry Rivers and the Mudcats" at a local pub. He studied at the Juilliard School of Music in 1945–46, along with Miles Davis, with whom he remained friends until Davis's death in 1991. Larry Rivers was born in the Bronx to Samuel and Sonya Grossberg, Jewish immigrants from Ukraine. In 1945, he married Augusta Berger, and they had one son, Steven. Rivers also adopted Berger's son from a previous relationship, Joseph, and reared both children after the couple divorced. In 1949 he had his first one-man exhibition at the Jane Street Gallery in New York. This same year, he met and became friends with John Ashbery, and Kenneth Koch. In 1950 he met Frank O’Hara. This same year he took his first trip to Europe spending eight months in Paris, France, reading and writing poetry. Beginning in 1950 and continuing until Frank’s death in July of 1966, Larry Rivers and Frank O’Hara cultivated a uniquely creative friendship that produced numerous collaborations, as well as inspired paintings and poems. In 1951 Rivers’ works were shown at the Tibor de Nagy Gallery where he continued to show annually (except 1955) for about 10 years. In 1954 he had his first exhibition of sculptures at the Stable Gallery, New York. In 1955 The Museum of Modern Art acquired Washington Crossing the Delaware. This same year he won 3rd prize in the Corcoran Gallery national painting competition for “Self-Figure.” Rivers’ also painted “Double Portrait of Berdie” in 1955, which was soon purchased by the Whitney Museum. In 1957 he and Frank O’Hara began work on “Stones,” a collaborative mix of images and poetry in a series of lithograph for Tatyana Grosman company ULAE. During this time he also appeared on the television game show “The $64,000.00 Question” where along with another contestant, they both won, each receiving $32,000.00. In 1958 he again spent time in Paris and played in various jazz bands. In 1959 he painted Cedar Bar Menu...

Winning Buyer: Try using code FREESHIP at checkout for complimentary packing & shipping (some exclusions apply) Robert Rauschenberg I Love New York Offset lithograph on high quality wove paper 39.25" x 25 inches Limited Edition of 300 (unnumbered) Printed by ULAE Editions, East Islip, New York for the Twin Towers Fund Unframed This is the color offset lithograph poster, depicting the World Trade Center...

"Water in swimming pools changes its look more than any other form. If the water surface is almost still and there is a strong sun, then dancing lines with the color of the spectrum ...

For winning bidder: Use code FREESHIP at checkout for complimentary packing and shipping Jim Dine, 1985 Color Lithograph on wove paper with deckled edges 38 1/2 × 27 1/2 inches Edit...

Frame: 22 x 29 in. Signed, titled, and editioned in pencil