1970s Figurative Prints

Truly one of the finest prints we have ever owned. It has been my favorite for years hanging on my wall. Signed Barnhart and dated 74. The artist obviously greatly influenced by Pica...

Image dimensions: 21 x 16 cm. Still Life is a magnificent original offset print, reproducing the original watercolor by Giorgio Morandi of 1962. Even the signature is perfectly rep...

Charles Bragg, American (1931 - 2017) - Justice Department, Year: circa 1970, Medium: Etching, signed, numbered, and titled in pencil, Edition: 300, Image Size: 9 x 12 inches, Size...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From volume, Derrière le miroir, N° 186, 1970. Published by Aimé Maeght, Éditeur, P...

Idol is a print realized by Massimo Campigli in the 1970/1971. Etching on paper. Signed and numbered, edition of 300 prints. This artwork it is part of a series of works created i...

Alice In Wonderland: CHESHIRE CAT is an original hand made etching by the American abstract painter Knox Martin. Printed in black ink on archival printmak...

Bengt LINDSTROM Couple with a Dog Original lithograph Handsigned Numbered / 100 ex On vellum 70 x 50 cm (c. 28 x 20 inch) Excellent condition

John Henry Shafts, 1974 Lithograph 23 × 16 inches Pencil signed, dated and numbered 11/50 on the front; with blind stamp Unframed 1970s lithograph by constructivist sculptor John Henry.

This one is titled "Pissnake" It depicts a nude woman with a Niki de Saint Phalle style coiled snake. in pink, blue, red and yellow colors. Published by Edition Hansjörg Mayer, Stuttgart They published concrete poetry and art books by Mark Boyle, Richard Hamilton, Dorothy Iannone, John Latham, Tom Phillips, Dieter Roth, André Thompkins and Emmett Williams, to name just a few. André Thomkins (1930 - 1985) was a Swiss painter, illustrator, and poet. He attended art-school, taught by Max von Moos, 1947 – 1949 and the Académie de la Grande Chaumière, Paris, France, 1950. From 1952, he lived in Germany and taught at the Kunstakademie Düsseldorf between 1971 and 1973. Thomkins painted and drew ironic and fantastic pictures influenced by surrealism and dadaism. Together with Dieter Roth and Daniel Spoerri he prepared works of Eat Art. He also was a writer of palindromes. His friends and collaborators included Daniel Spoerri, Dieter Roth, George Brecht, Richard Hamilton and Karl Gerstner, Thomkins gained a reputation as an ‘artist’s artist’, and is considered one of the most important Swiss artists of the second half of the twentieth century.He died in 1985. His work is currently represented by Hauser & Wirth Zurich, Switzerland. Select group exhibitions: 2018 Kunsthalle Krems, 'Pablo Picasso. Arshile Gorky, Andy Warhol. Sculptures and Works on Paper. Hubert Looser Collection', Krems, Austria 2017 Kunsthandel Wolfgang Werner, 'Martin Barré, Karl Otto Götz, Ernst Wilhelm Nay, André Thomkins', Berlin, Germany 2013 Fabian & Claude Walter Galerie, 'Schweizer Avantgarde Kunst nach 1940', Zurich, Switzerland 2009 The Modern Institute, 'Thomas Houseago, Dieter Roth, Andre Thomkins', Glasgow, England Museum of Modern Art, 'Compass in Hand: Selections from the Judith Rothschild Collection', NYC 2004 Kunsthandel Wolfgang Werner, 'Arman, Baumeister, Götz, Graubner, Tàpies, Thomkins', Berlin, Germany 1994 Kunstmuseum Solothurn, 'Eine Schenkung. Grafik von Eduardo Chillida, Antoni Tàpies, Alexander Calder, Jean Dubuffet, Ben Nicholson, Giacometti, Tinguely, Thomkins', Solothurn, Switzerland 1992 Galerie Littmann, Tinguely zu Ehren. A Tribute to Jean Tinguely. Hommage à Tinguely, Basel, 1988 Museum Ludwig, 'Uebrigens sterben immer die anderen. Marcel Duchamp und die Avantgarde seit 1950', Cologne, Germany 1987 Aargauer Kunsthaus, 'Otto Grimm. Marc-Antoine Fehr. Christoph Gredinger', Aarau, Switzerland Cercle Municipal, 'Art contemporain suisse. Collection de la Banque du Gothard', Luxembourg, 1985 Centre national d'art et de culture Georges Pompidou, 'Livres d'artistes', Paris, France Rathaus, 'Claude Sandoz – Hans Schärer...

Original print realized by Lucio del Pezzo in the late 1970s, it is from the "Decalogue", a portfolio of ten sheets, variously numbered from the total of 105 pieces (75 in Arabic Num...

Roses is an original etching on cardboard realized by Danilo Bergamo in the second half of the XX century, in 1970s. Not signed. Good conditions. Danilo Bergamo (1938) after starti...

Nude is a etching on cardboard realized by Sergio Barletta in 1974. sheet dimensions, 25 x 17 cm. Handsigned in pencil in the lower right margin. Edition XXXVIII/XL Very good c...

Mechanical Woman is an artwork realized by Leo Guida, in 1972.  Etching on paper. Hand-signed dated and Numbered, edition of 20/30. Good conditions

Chaim Jacob Lipchitz, 1891-1973, was born in Lithuania and came of age in Paris during the early 20th century, where he was active in the avante-garde community of Pablo Picasso, Ama...

Artist: Robert Indiana (American, born 1928) Title: "Lillian Russell" Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: ...

Artist: Kiki Kogelnik, Austrian (1935 - 1997) Title: Lady and Triangles Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 35 Size: 32 x 26 in. (81.28 x 6...

Jean-Paul RIOPELLE Tribute to Nelligan : Visage of Nature Original lithograph Handsigned in pencil On Arches vellum 56 x 76 cm (c. 22 x 30 in) REFERENCE : Catalog raisonne Y. Riope...

Mysterious Forest is a colored lithograph on paper realized by Tono Zancanaro in 1975. Hand-signed in pencil on the lower. Numbered, edition of 100 prints. Good conditions. Publi...

Artist: Robert Indiana (American, born 1928) Title: "Constance Fletcher" Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...

The Fisherman's Village is an artwork realized in the 1970s by Giovanni Omiccioli (February 25, 1901 – March 1, 1975). Etching on paper. Good conditions. Giovanni Omiccioli (Febru...

YOUNG WOMAN, STRIPED TEE SHIRT is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/American Social Realism...

Artist: Robert Indiana (American, born 1928) Title: "Gertrude S." Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...

Artist: Robert Indiana (American, born 1928) Title: "Anne" Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp in 1973, which became very popular. Since then there have been a number of other American stamps with the word love on them, but Indiana's was the first. In addition to the stamp, the image was reproduced countless times during the 70s, as poster, candles, t-shirts and many other items. Indiana continues to work as an artist and recently (2000) released a print with the image 2000 on it arranged in a pattern similar to that of the LOVE design. The work of Robert Indians...

The House of Women is a print realized by Massimo Campigli in the 1970/1971s. Etching and aquatint on paper. This artwork it is part of a series of works created in the last perio...

Hans Haacke "If Elections Were Held Today" from the Castelli Sonnabend Collection, 1973 Silkscreen in portfolio sleeve of Crane's bond paper No. 1. Stamped and numbered. Unframed in ...

Rembrandt Portrait Du Peintre Par Lui-Meme is from the Changes in Great Masterpieces suite. In this series of six original lithographs in full color, Master Dali has given us a conce...

The Vase is an artwork realized by Ercole Pignatelli in 1975. Colored lithograph. Hand-signed and numbered by the artist in pencil on the lower right. Edition of 100.  Very good c...

Lithograph on vélin bouffant des Papeteries de Hauteville paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Fernand Léger mes voyages avec un poème d'...

At the same time is an artwork realized by Leo Guida, in the 1970s.  Etching on paper. Titled on the lower. Good conditions.

Lemons is a screen print realized by Leo Guida in 1972s. Good condition, no signature, titled with pencil. Artist sensitive to current issues, artistic movements and historical tec...

Little Port is an artwork realized by Aldo Riso. Screen print 1970s. It Includes frame. Edition of 2000. Hand signed lower right. Good conditions

1971 The Tarahumara Indians - Figurative Etching on Paper Black and white etching of The Tarahumara Indians by Kelly English (American). The figures are outlined in thick black ink ...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Souvenirs et portraits d'artistes, 1972. Published by Fernand Mourlot, ...

The Good Girl of Cecina is a colored lithograph on paper realized by Tono Zancanaro in 1975. Hand-signed in pencil on the lower. Numbered, edition of 100 prints. Good conditions. ...

Lovers is a lithograph realized by Ibrahim Kodra in 1973. Edition of 100 prints. Good conditions. Ibrahim Likmetaj Kodra (22 April 1918 – 7 February 2006) was an Albanian painter....

Artist: Mel Ramos, American (1935 - ) Title: Leo Year: 1972 Medium: Screenprint, unsigned Edition Size: 3000 Image Size: 12 x 17 inches Size: 14 x 18 in. (35.56 x 45.72 cm) Frame Siz...

Salvador DALI Shunboshi : Little one-inch Original etching with pochoir Handsigned in pencil Numbered X / LXXV On Richard de Bas vellum 66 x 51 cm (c. 26 x 20 inch) Excellent condi...

Hand signed and numbered. Edition of 125 prints. Very good conditions. Antonio Zancanaro - also known as TONO - (1906-1985). After a promising start in a sports career, he began to...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-sign...

Reclined Nude is an original etching and aquatint realized by Leo Guida in 1970s. Good condition for the 8 copies of the artwork. No signature. Leo Guida (1992 - 2017). Sensitive...

Science Fiction is an artwork realized by Sergio Sarri in 1978 . Colored lithograph and etching on paper. Hand-signed and dated by the artist on the lower right. Numbered on lower left. Edition 64/180. Good conditions, except for some very light folds along the margins. This contemporary artwork represents a surreal composition where the artist, like in most of his artworks, refers to not only avant-garde art, but also elements from languages that are considered "minor", such as comic strips, illustrations, and cinema genre. Sarri also enjoys collecting advertising...

Landscape is a modern artwork realized by Arnoldo Ciarrocchi in the mid-20th Century. Black and white etching. Includes frame Hand signed and dated on the lower margin. Edition of...

The Soldier's Ballad is a contemporary artwork realized by Max Ernst in 1972. Mixed colored lithograph on Arches Paper. Edited by Manus Presse, Stuttgart 1972. Not signed and not ...

Menashe Kadishman Clothes 2, 1973 Silkscreen on wove paper Signed and numbered 31/70 on the front 23 1/4 × 32 1/2 inches Edition 31/70 Chris Prater of Kelpra Studio, Kentish Town, En...

Forest View is a colored lithograph on paper realized by Tono Zancanaro in 1975. Hand-signed in pencil on the lower. Numbered, edition of 100 prints. Good conditions. Published i...

Paul WUNDERLICH Olympia, Laurel Wreath Lithograph Signature printed in the plate On heavy paper 101 x 64 cm (c. 40 x 26 inch) Made for the Olympic Games in Munich, 1972 Excellent c...

Moses is an original etching on paper realized by Gian Paolo Berto, in 1974. Good conditions . Hand-signed with Dedication. Sheet dimension: 61 x 4...

Alexandre Calder (1898 - 1976) Santa Claus : Figures with Canes, 1974 Original Etching Handsigned in pencil On vellum 51 cm x 66 cm (c. 20,1 x 25,9 inch) Very good condition

Figure is a Vintage Offset Print on ivory-colored paper, realized by Franco Gentilini (Italian Painter, 1909-1981) in the 1970s. The state of preservation of the artwork is excellen...

At the same time is an artwork realized by Leo Guida, in the 1970s.  Etching on paper. Titled on the lower. Good conditions with slight foxing.

Lovers II  is an etching, realized by Giacomo Manzù in 1970. Hand Signed. numbered, Edition of 26/125 prints. Published in the artwork series: "Giacomo Manzù: Fifteen original etch...

Nam June Paik Do You Know...?, from the New York Collection for Stockholm portfolio, 1973 Silkscreen on paper, in original portfolio sleeve Signed and dated '73 and numbered 36/300 i...

Union Mixer by Colleen Browning, British/American (1918–2003) Date: 1975 Offset Lithograph (unsigned as issued) Image Size: 9 x 14 inches Size: 14 x 1...

Posing with Umbrella is a print artwork realized by Russian artist Alexandre Zlotnik in 1973. Lithograph print on paper. Hand-signed and numbered by pencil on the lower, edition of...

Enrico BAJ Clown with a Medal Original stone lithograph Handsigned in pencil On vellum 38 x 27 cm (c. 15 x 11 inch) Excellent condition

Female figure is an orginal modern artwork realizd by Domenico Purificato. Hand watercolored monotype lithograph. Hand signed by the artist. Uniq...

The Soldiers' Ballad is a contemporary artwork realized by Max Ernst in 1972. Mixed colored lithograph on Arches Paper Edited by Manus Presse, Stuttgart 1972. Not signed and not n...

"Artiste Dans l'Atelier" is an original lithograph by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (126/320) in the lower left. This piece de...

Hand signed and numbered by the artist. From School Days portfolio. Artwork size 26 x 20 inches. Frame size approx 30 x 26 inches. Edition of 200. Artwork is in excellent condi...

“Reflection, 1971” Medium: Color serigraph Signed and titled Ed: 121/225 Sheet: 30 x 23 in. Image: 22 x 14.5 in. Condition: Excellent