1970s Figurative Prints

Jean Cocteau and Raymond Moretti Célébration Original lithograph Printed signature in the plate, handsigned by Raymond Moretti Number...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Letter U - from the suite Letters of the Alphabet is a contemporary artwork realized by Erté (Romain de Tirtoff). Lithograph and Screen Print. The artwork i...

Joan Miro (Spain, 1893-1983) 'Maravillas con variaciones acrósticas en el jardín de Miró (cobertura para el estuche)', 1975 lithograph on canvas 21.5 x 32.25 x 21 in. (54 x 82 cm.) Edition of 1500 Unframed ID: MIR2001-014 It is documented in Cramer, P (1992). Miró Litographer V (1972-1975). Maeght Éditeur, pp 162-163. No. 1051. Artwork history: At the end of 1971 Rafael Alberti wrote from Rome to Joan Miró in the following terms “(…) I think I have news that you liked my folder...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Robert Rauschenberg Leo Castelli Gallery 1986: Vintage Robert Rauschenberg exhibition poster published by Castelli Graphics in conjunction with the exhibition, Robert Rauschenberg: Tibetan Keys and Locks, May 21-June 18, 1986 at Leo Castelli New York. A unique vintage Rauschenberg collectible featuring the artist's signature collage style. Well-sized and suitable for framing. Off-set lithograph 1986. 20 x 29.75 inches. Double-quattro fold-lines as originally issued; minor edge wear to one fold-line; otherwise very good condition (no rips, tears, stains, etc.) Scarce form an edition of unknown; unsigned. First edition, 1st printing; postmarked 1986 on the verso. Artist biography Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as a true art world rebel rouser...

René MAGRITTE Les bijoux indiscrets (Indiscrete jewels), 1975 Original lithograph (Printed in Mourlot Workshop) Printed signature in the plate Unnumbered as usual (limited edition o...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Marc, et al. Chagall Lithographe, ...

Vintage jockstrap ad poster, 1975. Offset lithograph on paper measures 18.5 x 12.75 inches. Copyright Winifred Bonney. Original offset period print on perio...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 9.84 x 12.8 inches. Inscription: Unsigned and unnumbered...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Johns, Jasper, et al. The Prints...

Lithograph printed on Japon paper, not signed and not numbered. The lithograph is cataloged number 721 in "Chagall-The Lithographs" by D.A.P. The overall outside dimensions are 26 x...

Artist: Red Grooms, American (1937 - ) Title: Blewy II Year: 1972 Medium: Screenprint, unsigned Edition: 3000 Paper Size: 14 x 18 inches (35 x 45 cm) Frame Size: 19 x 25 inches Pri...

A very attractive French surrealist color etching by Andre Masson (1896-1987), signed & numbered. The etching is titled in French "La Sibylle et les Astres", translated as "The Sybil...

This sensuous and playful scene is characteristic of Oldenburg’s printmaking ouevre: a veritable heap of women displaying various expressions of joy and come-hither coquettishness. T...

Lichtenstein Exhibition Poster is a very colorful poster realized in occasion of the artist's exhibition at Leo Castelli Gallery New Yor...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Blue Rose is an original contemporary artwork realized by Giacomo Porzano in 1970s. Colored etching. Hand-signed on the lower right. Numbered on the lower left. Edition 25/50 G...

Signed by the artist, Edition 16/75 COA provided Dennis Oppenheim (September 6, 1938 – January 21, 2011) was an American conceptual artist, performance artist, earth artist, sculpto...

Sonia Delaunay - Composition Original Lithograph 1972 Dimensions: 32 x 25 cm Revue XXe Siècle Cahiers d'art published under the direction of G. di San Lazzaro. Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker. Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921. During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911. Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...

This etching features a nude woman in high heels. Whipping her head to the left, she gazes intently past the viewer through a wild tangle of tresses. A sunhat with a bow nearly floats off her head, a tongue-in-cheek nod to modesty. Taking a wide stance, she straddles a comically large phallus, which springs up eagerly from the ground like a plant. Unusually, this etching was drawn directly onto the plate from the artist’s imagination and not from a life model. This spontaneity is visible around the woman’s bust and arms, where Oldenburg sketched several variations of her anatomy, giving the impression of a figure in movement. Beside her left breast, Oldenburg extends this halo of lines by cheekily doodling a small, floating phallus. Paper 36 x 27.5 in. / 91.4 x 69.2 cm. Plate 23.5 x 17.7 in. / 59.7 x 45.1 cm. Etching in one color on white, thick, slightly textured Wookey Hole handmade paper watermarked with the artist’s signature. Signed by the artist and dated 1975 lower right in pencil. The edition of 60 includes ten prints in each of six different ink colors: Indigo blue, vermilion, mauve, burnt sienna, astral blue, and yellow-ochre. A copy of each color is available: this listing is for one copy in the color of your choice. As recorded in the artist’s unpublished notes: “In 1974 an ambitious project for a suite of large-scale etchings was hatched with Paul Cornwall-Jones, for production by Maurice Payne in Petersburg Press’s new Pembroke studios in London. The project would consist of meticulous transcriptions of a certain group of drawings...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Féerie et Le Royaume, Lithographies Originales de Marc Chagall, 1972...

Henry Spencer Moore (1898 – 1986) Moore was born in Castleford, the son of a coal miner. He became well-known through his carved marble and larger-scale abstract cast bronze sculptures, and was instrumental in introducing a particular form of modernism to the United Kingdom later endowing the Henry Moore Foundation, which continues to support education and promotion of the arts. After the Great War, Moore received an ex-serviceman's grant to continue his education and in 1919 he became a student at the Leeds School of Art (now Leeds College of Art), which set up a sculpture studio especially for him. At the college, he met Barbara Hepworth, a fellow student who would also become a well-known British sculptor, and began a friendship and gentle professional rivalry that lasted for many years. In Leeds, Moore also had access to the modernist works in the collection of Sir Michael Sadler, the University Vice-Chancellor, which had a pronounced effect on his development. In 1921, Moore won a scholarship to study at the Royal College of Art in London, along with Hepworth and other Yorkshire contemporaries. While in London, Moore extended his knowledge of primitive art and sculpture, studying the ethnographic collections at the Victoria and Albert Museum and the British Museum. Moore's familiarity with primitivism and the influence of sculptors such as Constantin Brâncuși, Jacob Epstein, Henri Gaudier-Brzeska and Frank Dobson led him to the method of direct carving, in which imperfections in the material and marks left by tools became part of the finished sculpture. After Moore married, the couple moved to a studio in Hampstead at 11a Parkhill Road NW3, joining a small colony of avant-garde artists who were taking root there. Shortly afterward, Hepworth and her second husband Ben Nicholson moved into a studio around the corner from Moore, while Naum Gabo, Roland Penrose, Cecil Stephenson and the art critic Herbert Read also lived in the area (Read referred to the area as "a nest of gentle artists"). This led to a rapid cross-fertilization of ideas that Read would publicise, helping to raise Moore's public profile. The area was also a stopping-off point for many refugee artists, architects and designers from continental Europe en route to America—some of whom would later commission works from Moore. In 1932, after six year's teaching at the Royal College, Moore took up a post as the Head of the Department of Sculpture at the Chelsea School of Art. Artistically, Moore, Hepworth and other members of The Seven and Five Society would develop steadily more abstract work, partly influenced by their frequent trips to Paris and their contact with leading progressive artists, notably Pablo Picasso, Georges Braque, Jean Arp and Alberto Giacometti. Moore flirted with Surrealism, joining Paul Nash's modern art movement "Unit One", in 1933. In 1934, Moore visited Spain; he visited the cave of Altamira (which he described as the "Royal Academy of Cave Painting"), Madrid, Toledo and Pamplona. Moore made his first visit to America when a retrospective exhibition of his work opened at the Museum of Modern Art in New York City.[28] Before the war, Moore had been approached by educator Henry Morris, who was trying to reform education with his concept of the Village College. Morris had engaged Walter Gropius as the architect for his second village college at Impington near Cambridge, and he wanted Moore to design a major public sculpture for the site. In the 1950s, Moore began to receive increasingly significant commissions. He exhibited Reclining Figure: Festival at the Festival of Britain in 1951, and in 1958 produced a large marble reclining figure for the UNESCO building in Paris. With many more public works of art, the scale of Moore's sculptures grew significantly and he started to employ an increasing number of assistants to work with him at Much Hadham, including Anthony Caro and Richard Wentworth. Moore produced at least three significant examples of architectural sculpture during his career. In 1928, despite his own self-described extreme reservations, he accepted his first public commission for West Wind for the London Underground Building at 55 Broadway in London, joining the company of Jacob Epstein and Eric Gill..At an introductory speech in New York City for an exhibition of one of the finest modernist sculptors, Alberto Giacometti, Sartre spoke of The beginning and the end of history...

Raymond PEYNET Astrology - Zodiac : Capricorn, 1979 Original etching Handsigned in pencil Numbered /22 On Arches vellum 76x56 cm (c. 30 x 22 inches) This etching is authentified by ...

Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...

Medium: Original Lithograph, Cannes, 10/1/1959, on Arches paper, dated lower left 32.8 x 26 cm - sheet Edition: This was an unsigned and unnumbered edition of 800 Printed by: Mourl...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 193-194. Published by Aimé Maeght, Éditeur,...

Artist: Alexander Calder Title: Devil Medium: Etching and aquatint in colors Date: 1974 Edition: 20/80 Sheet Size: 25 7/8" x 20" Image Size: 19 1/8" x 13 1/2" Signature: Hand signed ...

French Vintage Exhibition Poster for Yves Brayer (1975). Newly framed, the poster announces an exhibition of the lithographs of Yves Brayer at the Musée du Vieux Marseille. Discovere...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Medium: original lithograph. This was first executed for XXe Siecle in 1952; this impression is from the second printing in 1971 (Homage to Leger), also published by XXe Siecle. Shee...

Artist: Jasper Johns (1930) Title: Two Cup Picasso Year: 1981 Medium: Lithograph and silkscreen on premium paper Size: 14 x 10.5 inches Inscription: Signed & dated with the artist's ...

The Godfather - Original 1972 Lobby Card #1 Vintage Godfather Lobby Card: The aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluc...

Classic Jim Dine tool iconography from Ten Winter Tools, 1973, this black and white lithograph pictures an adjustable spanner wrench sketched in outline...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 221, 1976. Published by Aimé Mae...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Larry Rivers The Last Civil War Veteran, 1970 Silkscreen and mixed media collage on paper 29 × 19 3/4 inches Hand signed and numbered 55/100 in graphite pencil lower front Provenance...

Artist: Robert Indiana (1928-2018) Title: Gloster Heming (Sheehan 96) Year: 1977 Medium: Silkscreen on Arches rag paper Edition: 51/150, plus proofs Size: 24 x 20 inches Condition: G...

"June A" - 1975 Surrealist Lithograph on Paper 1975 surrealist figurative lithograph on paper by Jim Crabb (American, b. 1947). Black spotted figures appear to be ascending upward, ...

The Godfather - Original 1972 Lobby Card #6 Vintage Godfather Lobby Card: The aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluc...

Saul Steinberg Lithograph c.1970 from Derrière le Miroir: Lithograph in colors. 11 x 14 inches. Very good overall vintage condition. Unsig...

Knox Martin Untitled Offset lithograph Year: 1977 Size: 21 x 14 in Edition: 1,500 Signed in the plate Publisher: HMK Fine Arts, New York COA provided Ref.: 924802-924 Knox Martin (born February 12, 1923) is an American painter, sculptor and muralist. Born in Barranquilla, Colombia, he studied at the Art Students League of New York from 1946 till 1950. He is one of the leading members of the New York School of artists and writers. He lives and works in New York City. Collections: Martin's work is included in the collections of Whitney Museum of American Art,[15] Museum of Modern Art,[16] Hirshhorn Museum and Sculpture Garden,[17] Art Students League of New York, Brooklyn Museum of Art, National Academy of Design,[18] National Arts Club, New York University, Addison Gallery of American Art, Albright-Knox Art Gallery, Art Institute of Chicago, Art Museum of Southeast Texas, Baltimore Museum of Art, Berkeley Art Museum, Blanton Museum of Art, Boca Raton Museum of Art, Chrysler Museum of Art, Corcoran Gallery of Art, Dallas Museum of Art, Davis Museum at Wellesley College, Denver Art Museum, Hand Art Center, Herbert F. Johnson Museum of Art, Heckscher Museum of Art, Hofstra University Museum, Indianapolis Museum of Art,[19] Ithaca Museum, Lowe Art Museum, George Washington University, Montclair Art Museum, Minneapolis Institute of Arts,[20] Newark Museum, Oklahoma City Museum of Art, Portland Art Museum, Provincetown Art Association and Museum,[21] Reading Public Museum, Southern Alleghenies Museum of Art, Springfield Art Museum, The Museum of Fine Arts, Houston,[22] Toledo Museum of Art, University of Kentucky Art...

Salvador DALI Tribute to da Vinci : Oil Catalytic Cracker, 1975 Original etching with stencil Handsigned in pencil Numbered / 450 On Arches vellum 57 x 76 cm REFERENCE : - Catal...

Etching on paper, épreuve d'artiste, 1974 LESZEK RÓZGA (1924-2015). He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948,...

Jean Cocteau and Raymond Moretti Faces and Fishes Original lithograph Printed signature in the plate, handsigned by Raymond Moretti Numbered EA 1/10 - Very look for proof bearing n...

"Valerio Adami (Italy, 1935) 'L´Univers j´aimé', 1979 Original poster from 1979 lithograph on paper 29.2 x 21.1 in. (74 x 53.5 cm.) Unframed Ref: ADA100-203 Valerio Adami Italian p...

Artist - Salvador Dali (Spanish, 1904-1989) Title - PRINCE OF CUPS, Tarot Card Series Publisher - DALART N.V. Year published - 1979 Medium - Lithograph on Arches Cover 270 gsm. 100% acid free, signed in pencil, inscribed 2/5 PP (Printers Proof) by Salvador Dali on lower print margin, publishers mark "DALART N.V. Copyright 1979" blindstamp embossed on lower left print margin. Fine impression, vivid colors, unframed, in very good condition. Print documentation provided.. Listed in the Albert Field's OFFICIAL CATALOGUE OF THE GRAPHIC WORKS OF SALVADOR DALI, Reference #79-15. PRINCE OF CUPS from the Tarot Series 1979, is a surrealist style limited edition lithograph by Salvador Dalí (1904 – 1989) Printed on archival Arches paper, 100% acid free. PRINCE OF CUPS depicts a freely drawn, black line portrait of a young Prince wearing his golden yellow crown, sporting a white ruffle collared shirt, looking slightly sideways posed behind a golden chalice...

Alex Katz (born 1927) Vincent, 1972 From the Prints for Phoenix House portfolio Chalk lithograph in two gray colors on Arches paper Signed in pencil and numbered 93/120 Printed by Pa...

Screen print realized by Franco Gentilini in 1970s. Edition of 125. Hand signed and numbered. Belongs to the Series "Churches".

Artist: Romare Bearden (1911-1988) Title: Brass Section (Gelburd/Rosenberg 70-77) Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 110/175, plus proofs Size: Paper Size...

Artist: Romare Bearden (1911-1988) Title: Bopping at the Birdland (Gelburd/Rosenberg 70-77) Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 110/175, plus proofs Size: ...

Les Femmes is a modern artwork realized by Paul Wunderlich (Eberswalde, 1927 – Saint-Pierre-de-Vassolsin, 2010) in 1977. Hand-signed on the lower right corner in pencil. Numbered ...

Artist: Romare Bearden (1911-1988) Title: Louisiana Serenade (Gelburd/Rosenberg 70-77) Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 39/175, plus proofs Size: Paper ...

Artist: Romare Bearden (1911-1988) Title: Tenor Sermon (Gelburd/Rosenberg 70-77) Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 138/175, plus proofs Size: Paper Size:...

Artist: Leonor Fini Title: Visage (June Fille II) Year: 1973 Medium: Lithograph in colors Edition: EA Signed and numbered E.A (Artist proof) in pencil Size: 21.5 x 18.25 Condition: ...

Raymond PEYNET Astrology - Zodiac : Aquarius, 1979 Original etching Handsigned in pencil Numbered /22 On Arches vellum 76 x 56 cm (c. 30 x 22 inches) This etching is authentified by...

Offset lithograph in colors on wove paper. Hand signed, dated and numbered by Roy Lichtenstein. Inscribed "HC." (there is also an edition of 300 signed and numbered copies plus an ...

Lithograph on vélin d’Arches paper. Paper Size: 19.5 x 28.25 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné refere...

Bicentennial Indian by Fritz Scholder, Native American (1937–2005) Portfolio: Kent Bicentennial Date: 1975 Offset Lithograph (unsigned as issued) Image Size: 9.5 x 13 inches Frame Si...

Zbrodnia Pod Blekitna Gwiazda - Vintage Poster is a vintage poster realized by Unknown Artist, in 1975s. Mixed colored offset print. The artwork represented a poster of a Czechosl...