19th Century Figurative Prints
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Period: 19th Century
A Pictorial View of Broadway, 1899 - 74 Chromolithograph plates
Located in Middletown, NY
What did Broadway look like at the turn of the 20th Century? Here is a scarce and important block-by-block view published in 1899 by The Mail and Express
New York: The Mail and Expr...
Category
American Realist 19th Century Figurative Prints
Materials
Lithograph
Courtesan - Woodcut by Keisai Eisen - 1830
By Keisai Eisen
Located in Roma, IT
Courtesan is an original modern artwork realized by Keisai Eisen in the first half of the 19th Century.
Signed and inscribed on plate.
Total dimension...
Category
Modern 19th Century Figurative Prints
Materials
Paper, Woodcut
El del La Rollona - Etching and and Aquatint by Francisco Goya - 1881
Located in Roma, IT
El del La Rollona is a black and White aquatint, drypoint and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886 .
6th Edition...
Category
Modern 19th Century Figurative Prints
Materials
Etching
Uses and Customs - Etruscan Burial - Lithograph - 1862
Located in Roma, IT
Uses and Customs - Etruscan Burial is a lithograph on paper realized in 1862.
The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the ...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Grassot Punch (Plate 5)
By Jules Chéret
Located in Greenwich, CT
Grassot Punch (Plate 5) is an 1896 lithograph of Jules Chéret's poster, printed at Imprimerie Chaix by Jules Chéret and included in the famed collection of Belle Époque posters 'Les ...
Category
Art Nouveau 19th Century Figurative Prints
Materials
Paper, Lithograph
Map of Battle of Rivoli - Etching by Pierre François Tardieu - 1837
Located in Roma, IT
Map of Battle of Rivoli is an Etching realized by Pierre François Tardieu in 1837.
Good conditions.
The artwork is realized in a well-balanced composition. the artwork and belongs ...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
The Dutiful Youth of Mino Province Collecting Wood to Warm His Old Father
Located in Fairlawn, OH
The Dutiful Youth of Mino Province Collecting Wood to Warm His Old Father
Color woodcut, c. 1842-43
Signed and sealed lower right (see photo)
From the Series: "Honcho nijushi-ko" (Tw...
Category
Other Art Style 19th Century Figurative Prints
Materials
Woodcut
Placenta Diseases - Lithograph By Ottavio Muzzi - 1843
Located in Roma, IT
Placenta Diseases is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal,Human Anatomy, Printers Batelli and Ridolfi, realiz...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
19th century lithograph caricature black and white satirical figurative print
Located in Milwaukee, WI
"Caricatura Robert Macaire Negociant" is a lithograph by Honore Daumier. It was published February 24, 1837.
Original Text:
Robert Macaire, Négociant.
Hé bien ! Monsieur Macaire, v...
Category
Victorian 19th Century Figurative Prints
Materials
Lithograph
Diseases of the Peritoneum - Lithograph By Ottavio Muzzi - 1843
Located in Roma, IT
Diseases of the Peritoneum is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal,Human Anatomy, Printers Batelli and Ridolfi, realized in 1843.
Signed on p...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Diseases of the Larynx, Trachea and Thyroid - Lithograph By Ottavio Muzzi - 1843
Located in Roma, IT
Diseases of the Larynx, Trachea and Thyroid Body is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal,Human Anatomy, Printers Batelli and Ridolfi, realized...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Diseases of the Esophagus and Intestines - Lithograph By Ottavio Muzzi - 1843
Located in Roma, IT
Diseases of the Esophagus and Intestines is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal,Human Anatomy, Printers Batelli and Ridolfi, realized in 1843...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Deseaes of the Stomach of Epiploon - Lithograph By Ottavio Muzzi - 1843
Located in Roma, IT
Deseaes of the Stomach of Epiploon is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal,Human Anatomy, Printers Batelli and Ridolfi, realized in 1843.
Si...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Diseases of the Intestines- Lithograph By Ottavio Muzzi - 1843
Located in Roma, IT
Diseases of the Intestines is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal,Human Anatomy, Printers Batelli and Ridolfi, realized in 1843.
Signed on p...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
19th century color lithograph figures cemetery willow tree memorial headstone
Located in Milwaukee, WI
The present hand-colored lithograph was produced as part of the funeral and mourning culture in the United States during the 19th century. Images like this were popular as ways of remembering loved ones, an alternative to portraiture of the deceased. This lithograph shows a man, woman and child in morning clothes next to an urn-topped stone monument. Behind are additional putto-topped headstones beneath weeping willows, with a steepled church beyond. The monument contains a space where a family could inscribe the name and death dates of a deceased loved one. In this case, it has been inscribed to a young Civil War soldier:
William W. Peabody
Died at Fairfax Seminary, VA
December 18th, 1864
Aged 18 years
The young Mr. Peabody probably died in service for the Union during the American Civil War. Farifax Seminary was a Union hospital and military headquarters in Alexandria, Virginia. The hospital served nearly two thousand soldiers during the war time. Five hundred were also buried on the Seminary's grounds.
13.75 x 9.5 inches, artwork
23 x 19 inches, frame
Published before 1864
Inscribed bottom center "Lith. & Pub. by N. Currier. 2 Spruce St. N.Y."
Framed to conservation standards using 100 percent rag matting and TruVue Conservation Clear glass, housed in a gold gilded moulding.
Nathaniel Currier was a tall introspective man with a melancholy nature. He could captivate people with his piercing stare or charm them with his sparkling blue eyes. Nathaniel was born in Roxbury, Massachusetts on March 27th, 1813, the second of four children. His parents, Nathaniel and Hannah Currier, were distant cousins who lived a humble yet spartan life. When Nathaniel was eight years old, tragedy struck. Nathaniel’s father unexpectedly passed away leaving Nathaniel and his eleven-year-old brother Lorenzo to provide for the family. In addition to their mother, Nathaniel and Lorenzo had to care for six-year-old sister Elizabeth and two-year-old brother Charles. Nathaniel worked a series of odd jobs to support the family, and at fifteen, he started what would become a life-long career when he apprenticed in the Boston lithography shop of William and John Pendleton.
A Bavarian gentleman named Alois Senefelder invented lithography just 30 years prior to young Nat Currier’s apprenticeship. While under the employ of the brothers Pendleton, Nat was taught the art of lithography by the firm’s chief printer, a French national named Dubois, who brought the lithography trade to America.
Lithography involves grinding a piece of limestone flat and smooth then drawing in mirror image on the stone with a special grease pencil. After the image is completed, the stone is etched with a solution of aqua fortis leaving the greased areas in slight relief. Water is then used to wet the stone and greased-ink is rolled onto the raised areas. Since grease and water do not mix, the greased-ink is repelled by the moisture on the stone and clings to the original grease pencil lines. The stone is then placed in a press and used as a printing block to impart black on white images to paper.
In 1833, now twenty-years old and an accomplished lithographer, Nat Currier left Boston and moved to Philadelphia to do contract work for M.E.D. Brown, a noted engraver and printer. With the promise of good money, Currier hired on to help Brown prepare lithographic stones of scientific images for the American Journal of Sciences and Arts. When Nat completed the contract work in 1834, he traveled to New York City to work once again for his mentor John Pendleton, who was now operating his own shop located at 137 Broadway. Soon after the reunion, Pendleton expressed an interest in returning to Boston and offered to sell his print shop to Currier. Young Nat did not have the financial resources to buy the shop, but being the resourceful type he found another local printer by the name of Stodart. Together they bought Pendleton’s business.
The firm ‘Currier & Stodart’ specialized in "job" printing. They produced many different types of printed items, most notably music manuscripts for local publishers. By 1835, Stodart was frustrated that the business was not making enough money and he ended the partnership, taking his investment with him. With little more than some lithographic stones, and a talent for his trade, twenty-two year old Nat Currier set up shop in a temporary office at 1 Wall Street in New York City. He named his new enterprise ‘N. Currier, Lithographer’
Nathaniel continued as a job printer and duplicated everything from music sheets to architectural plans. He experimented with portraits, disaster scenes and memorial prints, and any thing that he could sell to the public from tables in front of his shop. During 1835 he produced a disaster print Ruins of the Planter's Hotel, New Orleans, which fell at two O’clock on the Morning of the 15th of May 1835, burying 50 persons, 40 of whom Escaped with their Lives. The public had a thirst for newsworthy events, and newspapers of the day did not include pictures. By producing this print, Nat gave the public a new way to “see” the news. The print sold reasonably well, an important fact that was not lost on Currier.
Nat met and married Eliza Farnsworth in 1840. He also produced a print that same year titled Awful Conflagration of the Steamboat Lexington in Long Island Sound on Monday Evening, January 18, 1840, by which melancholy occurrence over One Hundred Persons Perished. This print sold out very quickly, and Currier was approached by an enterprising publication who contracted him to print a single sheet addition of their paper, the New York Sun. This single page paper is presumed to be the first illustrated newspaper ever published.
The success of the Lexington print launched his career nationally and put him in a position to finally lift his family up. In 1841, Nat and Eliza had their first child, a son they named Edward West Currier. That same year Nat hired his twenty-one year old brother Charles and taught him the lithography trade, he also hired his artistically inclined brother Lorenzo to travel out west and make sketches of the new frontier as material for future prints. Charles worked for the firm on and off over the years, and invented a new type of lithographic crayon which he patented and named the Crayola. Lorenzo continued selling sketches to Nat for the next few years.
In 1843, Nat and Eliza had a daughter, Eliza West Currier, but tragedy struck in early 1847 when their young daughter died from a prolonged illness. Nat and Eliza were grief stricken, and Eliza, driven by despair, gave up on life and passed away just four months after her daughter’s death.
The subject of Nat Currier’s artwork changed following the death of his wife and daughter, and he produced many memorial prints and sentimental prints during the late 1840s. The memorial prints generally depicted grief stricken families posed by gravestones (the stones were left blank so the purchasers could fill in the names of the dearly departed). The sentimental prints usually depicted idealized portraits of women and children, titled with popular Christian names of the day.
Late in 1847, Nat Currier married Lura Ormsbee, a friend of the family. Lura was a self-sufficient woman, and she immediately set out to help Nat raise six-year-old Edward and get their house in order. In 1849, Lura delivered a son, Walter Black Currier, but fate dealt them a blow when young Walter died one year later. While Nat and Lura were grieving the loss of their new son, word came from San Francisco that Nat’s brother Lorenzo had also passed away from a brief illness. Nat sank deeper into his natural quiet melancholy. Friends stopped by to console the couple, and Lura began to set an extra place at their table for these unexpected guests. She continued this tradition throughout their lives.
In 1852, Charles introduced a friend, James Merritt Ives, to Nat and suggested he hire him as a bookkeeper. Jim Ives was a native New Yorker born in 1824 and raised on the grounds of Bellevue Hospital where his father was employed as superintendent. Jim was a self-trained artist and professional bookkeeper. He was also a plump and jovial man, presenting the exact opposite image of his new boss.
Jim Ives met Charles Currier through Caroline Clark, the object of Jim’s affection. Caroline’s sister Elizabeth was married to Charles, and Caroline was a close friend of the Currier family. Jim eventually proposed marriage to Caroline and solicited an introduction to Nat Currier, through Charles, in hopes of securing a more stable income to support his future wife.
Ives quickly set out to improve and modernize his new employer’s bookkeeping methods. He reorganized the firm’s sizable inventory, and used his artistic skills to streamline the firm’s production methods. By 1857, Nathaniel had become so dependent on Jims’ skills and initiative that he offered him a full partnership in the firm and appointed him general manager. The two men chose the name ‘Currier & Ives’ for the new partnership, and became close friends.
Currier & Ives produced their prints in a building at 33 Spruce Street where they occupied the third, fourth and fifth floors. The third floor was devoted to the hand operated printing presses that were built by Nat's cousin, Cyrus Currier, at his shop Cyrus Currier & Sons in Newark, NJ. The fourth floor found the artists, lithographers and the stone grinders at work. The fifth floor housed the coloring department, and was one of the earliest production lines in the country. The colorists were generally immigrant girls, mostly German, who came to America with some formal artistic training. Each colorist was responsible for adding a single color to a print. As a colorist finished applying their color, the print was passed down the line to the next colorist to add their color. The colorists worked from a master print displayed above their table, which showed where the proper colors were to be placed. At the end of the table was a touch up artist who checked the prints for quality, touching-in areas that may have been missed as it passed down the line. During the Civil War, demand for prints became so great that coloring stencils were developed to speed up production.
Although most Currier & Ives prints were colored in house, some were sent out to contract artists. The rate Currier & Ives paid these artists for coloring work was one dollar per one hundred small folios (a penny a print) and one dollar per one dozen large folios. Currier & Ives also offered uncolored prints to dealers, with instructions (included on the price list) on how to 'prepare the prints for coloring.' In addition, schools could order uncolored prints from the firm’s catalogue to use in their painting classes.
Nathaniel Currier and James Merritt Ives attracted a wide circle of friends during their years in business. Some of their more famous acquaintances included Horace Greeley, Phineas T. Barnum, and the outspoken abolitionists Rev. Henry Ward, and John Greenleaf Whittier (the latter being a cousin of Mr. Currier).
Nat Currier and Jim Ives described their business as "Publishers of Cheap and Popular Pictures" and produced many categories of prints. These included Disaster Scenes, Sentimental Images, Sports, Humor, Hunting Scenes, Politics, Religion, City and Rural Scenes, Trains, Ships, Fire Fighters, Famous Race Horses, Historical Portraits, and just about any other topic that satisfied the general public's taste. In all, the firm produced in excess of 7500 different titles, totaling over one million prints produced from 1835 to 1907.
Nat Currier retired in 1880, and signed over his share of the firm to his son Edward. Nat died eight years later at his summer home 'Lion’s Gate' in Amesbury, Massachusetts. Jim Ives remained active in the firm until his death in 1895, when his share of the firm passed to his eldest son, Chauncey.
In 1902, faced will failing health from the ravages of Tuberculosis, Edward Currier sold his share of the firm to Chauncey Ives...
Category
Romantic 19th Century Figurative Prints
Materials
Watercolor, Lithograph
Uses and Customs - Map of St. Peter's Basilica - Lithograph - 1862
Located in Roma, IT
Uses and Customs - Map of St. Peter's Basilica is a lithograph on paper realized in 1862.
The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " Hi...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
19th century color woodcut Japanese ukiyo-e print samurai figure
By Toyoharu Kunichika
Located in Milwaukee, WI
"Ichimura Hazaemon as Hatsuyumeya Mitsujiro" is a woodcut print by Toyoharu Kunichika in red, blue, and black.
14" x 9 1/2" art
20 3/4" x 16 3/4" framed
From the series “First Per...
Category
Edo 19th Century Figurative Prints
Materials
Woodcut
Uses and Customs -Interior of St. Peter's Basilica - Lithograph - 1862
Located in Roma, IT
Uses and Customs -Interior of St. Peter's Basilica is a lithograph on paper realized in 1862.
The artwork belongs to the Suite Uses and customs of all the peoples of the universe: ...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Egyptians Along the Nile - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Egyptian on camel is a modern artwork realized d'apres Karl Werner.
Mixed colored cromolithograph.
The artwork is after the watercolors realized by the artist during a trip to Egy...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Suk - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Suk is a modern artwork realized d'apres Karl Werner
Mixed colored Chromolithograph.
The artwork is after the watercolor realized by the artist during a trip to Egypt between 18...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Figure along Nile - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Figure along Nile is an modern artwork realized d'apres Karl Werner
Mixed colored Chromolithograph.
The artwork is from the watercolors realized by the artist during a trip to Eg...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Food - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Food is a modern artwork realized d'apres Karl Werner
Mixed colored Chromolithograph.
The artwork is after the watercolor realized by the artist during a trip to Egypt between 18...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Along the Nile - Chromolithograph after Karl Werner - 1881
Located in Roma, IT
Along the Nile is a modern artwork realized d'apres Karl Werner
Mixed colored Chromolithograph.
The artwork is after the watercolors realized by the artist during a trip to Egypt...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
April: Otsuyu of Yanagibashi in Wisteria Arbor at Kameido
Located in Fairlawn, OH
April: Otsuyu of Yanagibashi in Wisteria Arbor at Kameido
Color woodcut, 1880
From the series: "Pride of Tokyo's Twelve Months" (Tokyo jiman juni kagetsu)
Signed and sealed lower rig...
Category
Other Art Style 19th Century Figurative Prints
Materials
Woodcut
Angiostomatida - Etching by Jean Francois Turpin-1831
Located in Roma, IT
This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831. The work was made of 29 volumes, containing hundreds ...
Category
Modern 19th Century Figurative Prints
Materials
Etching
Angiostomatida - Etching by Jean Francois Turpin-1831
Located in Roma, IT
This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831. The work was made of 29 volumes, containing hundreds ...
Category
Modern 19th Century Figurative Prints
Materials
Etching
Ministère de la Marine - Etching by Charles Meryon - 1870s
Located in Roma, IT
Ministere de la Marine is an artwork realized by Charles Meryon in the 1870s.
Etching.
Image size: 17x14
Good conditions.
Realized for the "Société des Aquafortistes. Born on th...
Category
Modern 19th Century Figurative Prints
Materials
Etching
Uterus Diseases - Lithograph By Ottavio Muzzi - 1843
Located in Roma, IT
Uterus Diseases is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal,Human Anatomy, Printers Batelli and Ridolfi, realized in 1843.
Signed on plate on the ...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Le Cénacle
Located in Greenwich, CT
Le Cenacle is an 1897 chromolithograph of Victor Mignot's poster, printed at Imprimerie Chaix under the direction Ernest Maindron and G. Boudet for the lauded poster collection 'Les ...
Category
Art Nouveau 19th Century Figurative Prints
Materials
Paper, Lithograph
Passage de la Ternoise - Etching by Théophile-Narcisse Chauvel-Late 19th Century
Located in Roma, IT
Passage de la Ternoise is a black and White etching realized by Théophile-Narcisse Chauvel in the Late 19th Century.
Titled in the lower
Image Size: 23x32
Very good impression.
...
Category
Impressionist 19th Century Figurative Prints
Materials
Etching
Customs - Persian Palanquins - Lithograph - 1862
Located in Roma, IT
Customs - Persian palanquins is a lithograph on paper realized in 1862.
Titled on the lower.
The artwork belongs to the Suite Uses and customs of all the peoples of the universe : ...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Customs - Persian Kings - Lithograph - 1862
Located in Roma, IT
Customs - Persian Kings is a lithograph on paper realized in 1862.
Titled on the lower.
The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " Hist...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Diseases of the Small Intestine - Lithograph By Ottavio Muzzi - 1843
Located in Roma, IT
Diseases of the Small Intestine is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843.
The work belongs ...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Testicular Diseases - Lithograph By Ottavio Muzzi - 1843
Located in Roma, IT
Testicular Diseases is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843.
...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Diseases of the Ovary - Lithograph By Ottavio Muzzi - 1843
Located in Roma, IT
Brain Diseases is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843.
The work belongs to the Atlante ge...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Diseases of the Laringe - Lithograph By Ottavio Muzzi - 1843
Located in Roma, IT
Brain Diseases is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843.
The work belongs to the Atlante ge...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Intestinal Diseases - Lithograph By Ottavio Muzzi - 1843
Located in Roma, IT
Intestinal Diseases is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843.
The work belongs to the Atla...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Diseases of the Ovary - Lithograph By Ottavio Muzzi - 1843
Located in Roma, IT
Diseases of the Ovary is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843.
The work belongs to the Atl...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Diseases of the Ovary - Lithograph By Ottavio Muzzi - 1843
Located in Roma, IT
Diseases of the Ovary is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843.
The work belongs to the Atl...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Diseases of the Ovary - Lithograph By Ottavio Muzzi - 1843
Located in Roma, IT
Diseases of the Ovary is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843.
The work belongs to the Atl...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Diseases of the Ovary - Lithograph By Ottavio Muzzi - 1843
Located in Roma, IT
Diseases of the Ovary is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843.
The work belongs to the Atl...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Diseases of the Ovary - Lithograph By Ottavio Muzzi - 1843
Located in Roma, IT
Diseases of the Ovary is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843.
The work belongs to the Atl...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Diseases of Uterus - Lithograph By Ottavio Muzzi - 1843
Located in Roma, IT
Diseases of Uterus is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843.
The work belongs to the Atlan...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Intestinal Diseases - Lithograph By Ottavio Muzzi - 1843
Located in Roma, IT
Intestinal Diseases is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843.
The work belongs to the Atl...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Diseases of Uterus - Lithograph By Ottavio Muzzi - 1843
Located in Roma, IT
Diseases of Uterus is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843.
The work belongs to the Atlan...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Small Intestine Disease - Lithograph By Ottavio Muzzi - 1843
Located in Roma, IT
Small Intestine Disease is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843.
The work belongs to the A...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Liver Disease - Lithograph By Ottavio Muzzi - 1843
Located in Roma, IT
Liver Disease is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843.
The work belongs to the Atlante gen...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Intestine Diseases - Lithograph By Ottavio Muzzi - 1843
Located in Roma, IT
Intestine Diseases is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843.
The work belongs to the Atlant...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
"Troupe de M'lle Eglantine" 1974 Albi Museum authorized limited edition poster
Located in Boca Raton, FL
"Troupe de M'lle Eglantine" 1974 reproduction of an 1896 poster by Henri Toulouse-Lautrec produced under the auspices of the Lautrec Museum in Albi, France. Authenticated with museum...
Category
Post-Impressionist 19th Century Figurative Prints
Materials
Lithograph
The Bignoniaceae - Lithograph by Vincenzo Tenore - 1870s
Located in Roma, IT
Lithograph hand watercolored.
Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Golden Age (Légende dorée) - Original lithograph, 1897
By Armand Point
Located in Paris, IDF
Armand Point
Golden Age (Légende dorée), 1897
Original lithograph (Champenois workshop)
Printed signature in the plate
On vellum, 40 x 31 cm (c. 16 x 12 in)
INFORMATION: Lithograph...
Category
Art Nouveau 19th Century Figurative Prints
Materials
Lithograph
At the Church : Prayers with Candle Stick - Original lithograph, 1897
Located in Paris, IDF
Lucien SIMON
At the Church : Prayers with Candle Stick, 1897
Original lithograph (Champenois workshop)
Printed signature in the plate
On vellum, 40 x 31 cm (c. 16 x 12 in)
INFORMAT...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph
Rabbi Elisha the Blind - Original lithograph, 1897
By Alphonse Levy
Located in Paris, IDF
Alphonse LEVY (1843 - 1918)
Rabbi Elisha the blind, 1897
Original lithograph (Champenois workshop)
Printed signature in the plate
On vellum, 40 x 31 cm (c. 16 x 12 in)
INFORMATION:...
Category
Art Nouveau 19th Century Figurative Prints
Materials
Lithograph
Brittany Woman Kniting in Traditional Costume - Original lithograph, 1897
By Jacques Wely
Located in Paris, IDF
Jacques WELY (1873 - 1910)
Brittany Woman Kniting in Traditional Costume, 1897
Original lithograph (Champenois workshop)
Printed signature in the plate
On vellum, 40 x 31 cm (c. 16 ...
Category
Art Nouveau 19th Century Figurative Prints
Materials
Lithograph
Meditating Sunset : Silence Time - Original lithograph, 1897
Located in Paris, IDF
Henri MEUNIER
Meditating Sunset : Silence Time (L'heure du silence), 1897
Original lithograph (Champenois workshop)
Printed signature in the plate
On vellum, 40 x 31 cm (c. 16 x 12 ...
Category
Art Nouveau 19th Century Figurative Prints
Materials
Lithograph
Enigma (Apparition in a Blue Dream) - Original lithograph - 1897
Located in Paris, IDF
Henri Bellery-Desfontaines
Enigma (Apparition in a Blue Dream), 1897
Original lithograph (Champenois workshop)
Printed signature in the plate
On vellum, 40 x 31 cm (c. 16 x 12 in)
...
Category
Art Nouveau 19th Century Figurative Prints
Materials
Lithograph
Middle Age : The Princess - Original lithograph - 1897
Located in Paris, IDF
Charles DOUDELET
Middle Age : The Princess, 1897
Original lithograph (Champenois workshop)
Printed signature in the plate
On vellum, 40 x 31 cm (c. 16 x 12 in)
INFORMATION: Lithog...
Category
Art Deco 19th Century Figurative Prints
Materials
Lithograph
Two Men - Original Lithograph by Paul Gavarni - 1881
By Paul Gavarni
Located in Roma, IT
Two men is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in Pari...
Category
Modern 19th Century Figurative Prints
Materials
Lithograph, Paper
