Baby Figurative Prints

One and Many is an original woodcut print realized by Mino Maccari (1929). The artwork is in good conditions on a yellowed paper. Hand-signed by the artist on the lower right corne...

Medium: Lithograph on vélin Hamilton Kilmory paper Year: 1947 Paper Size: 9.5 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Rembrandt, Drawings...

Artist: Theo Tobiasse, French (1927 - 2012) Title: Symphonie pour une Pomme Year: 1997 Medium: Lithograph, signed and numbered in pencil Edition: 199 Size: 27 x 36 in. (68.58 ...

Nude on the Bed is an etching realized by Edouard Chimot in the 1930s. Signed on the plate by the artist on the lower right corner. Good conditions. Édouard Chimot (26 November 18...

Evgeney Evtushenko- Exhibition Poster is a vintage poster print. The artwork was realized in 1981 on the occasion of the artist's exhibition In ...

Portrait is original xylography on paper realized by an Anonymous artist of the XX century. Monoprint, signed on the plate In very good condition. Sheet dimension: 26 x 19.5 cm. I...

The facsimile print made on a paper with size of 100x70cm (39.3x27.5 in). The dominant colors are black and white with a greyish gamma. Describing the work of Timofey Smirnov we can say that you will find here, a fragment of the Fragonard's "Swing" who were a student of famous Boucher and an old electric meter...

Artist: Theo Tobiasse, French/Israeli (1927 - 2012) Title: Je vous Enverrai le Prophete Year: Circa 1980 Medium: Lithograph, signed in pencil Edition: HC Image Size: 20 x 27 inches S...

Lithograph on vélin pur Chiffon Moulin à papier Richard de Bas paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Tir à l'arc mis en lu...

Sexual Desire is a black and white linocut on ivory-colored paper, realized in 1945 by Mino Maccari. Hand-signed with the pseudonym "Jean Barbe" and numbered in pencil on lower marg...

Medium: Lithograph on vélin paper Year: 1952 Paper Size: 9.25 x 12.125 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the album, The Circus by Toulouse...

Medium: Lithograph on vélin Hamilton Kilmory paper Year: 1947 Paper Size: 9.5 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Rembrandt, Drawings...

Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Unsigned and unnumbered, ...

Graphisms & 6. 1980, paper, silk screen, 15,5x28 cm Maris Argalis (1954-2008) Born in Riga. 1971. - graduated the Janis Rosenthal Riga Art School. Ongoi...

Artist: Peter Max (1937) Title: Lady Thru Window Year: 1999 Edition: 166/300, plus proofs Medium: Lithograph on archival paper Size: 6.5 x 12 inches Condition: Excellent Inscription:...

The Sunrise by River is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in the 19...

Paul Klee (after) The Yellow Donkey (Der Gelbe Esel) Year: 1939 Lithograph Size: 14.125x19.6 on 20.6x26 inches Esther Gentle, Reproduction, 1952 Edition: 300 Inscribed in pencil stam...

Sisyphus is a print realized by Jan Mesker after Antonio Zanchi, after Salvator Rosa in 1877/1890. Héliogravure on paper. Signed on the plate. Good conditions.

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre ...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre ...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre ...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre 1915-16, 19...

Carabineer in love is a contemporary artwork realized by the artist Dipas in the 1970s. Mixed colored serigraph Hand signed on the lower right margin. Numbered on the lower left m...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre 1915-16, 19...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre ...

"Military" 1917s is a beautiful print in etching technique, realized by Anselmo Bucci (1887-1955). Hand signed. Numbered 89/100 of prints on the lower left. On the lower left corner...

Medium: Lithograph on vélin paper Year: 1952 Paper Size: 12.125 x 9.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, The Circus by Toulouse-Lautrec, 1...

Hammer- Pincer- Basket is an artwork realized by the Italian artist  Renato Guttuso  (Bagheria, 1911 – Rome, 1987) in 1960. Original Colored Offset on paper.  Good condition. Ital...

Lithograph on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Cirque, Lithographies Originales. Published by Les Édition...

"Military" 1917s is a beautiful print in etching technique, realized by Anselmo Bucci (1887-1955). Hand signed. Numbered 61/100 of prints on the lower left. On the lower left corner...

Dimensions w/Frame: 25 3/4" x 20 3/4" Alek Rapoport (November 24, 1933, Kharkiv, Ukraine SSR – February 4, 1997, San Francisco) was a Russian Nonconformist artist, art theorist and teacher. Alek Rapoport spent his childhood in Kiev (Ukraine SSR). During Stalin's "purges" both his parents were arrested. His father was shot and his mother spent ten years in a Siberian labor camp. Rapoport lived with his aunt. At the beginning of World War II, he was evacuated to the city of Ufa (the Bashkir Autonomous Soviet Socialist Republic). A time of extreme loneliness, cold, hunger and deprivation, this period also marked the beginning of Rapoport's drawing studies. After the war, Rapoport lived in Chernovtsy (Western Ukraine), a city with a certain European flair. At the local House of Folk Arts, he found his first art teacher, E.Sagaidachny (1886–1961), a former member of the nonconformist artist groups Union of the Youth (Soyuz Molodyozhi) and Donkey's Tail, popular during the 1910s–1920s. His other art teacher was I. Beklemisheva (1903–1988). Impressed by Rapoport's talent, she later (1950) organized his move to Leningrad, where he entered the famous V.Serov School of Art (the former School of the Imperial Society for the Promotion of Arts, OPKh, later the Tavricheskaya Art School). His association with this school lasted eight years, first as a student, and then, from 1965 to 1968, as a teacher. With "Socialist realism" the only official style during this time, most of the art school's faculty had to conceal any prior involvement in non-conformist art movements. Ya.K.Shablovsky, V.M.Sudakov, A.A.Gromov introduced their students to Constructivism only through clandestine means. (1959–1963) Rapoport studied stage design at the Leningrad Institute of Theater, Music and Cinema under the supervision of the famous artist and stage director N.P.Akimov. Akimov taught a unique course based on theories of Russian Suprematism and Constructivism, while encouraging his graduate students to apply their knowledge to every field of art design. Despite differences in personal artistic taste with Akimov, who was drawn to Vermeer and Dalí, Rapoport was influenced by Akimov's personality and liberalism, as well as the logical style of his art. In 1963, Rapoport graduated from the institute. His highly acclaimed MFA work involved the stage and costume design for I.Babel's play Sunset. In preparation, he traveled to the southwest regions of the Soviet Union, where he accumulated many objects of Judaic iconography from former ghettos, disappearing synagogues and old cemeteries. He wandered Odessa in search of Babel's characters and the atmosphere of his books. He organized a new liberal course in technical aesthetics, introducing his students to Lotman's theory of semiotics, the Modulor of Le Corbusier, the Bauhaus school, Russian Constructivism, Russian icons and contemporary Western art. As a result of his "radicalism," Rapoport was fired for "ideological conspiracy." He sought to cultivate himself as Jewish artist. This became particularly noticeable after the Six-Day War, when the Israeli victory led intellectuals, including the Jewish intelligentsia, to feel a heightened interest in Jewish culture and its Biblical roots. Rapoport's works of this period include Three Figures, a series of images of Talmudic Scholars, and works dealing with anti-Semitism. In the 1970s Rapoport joined the non-conformist movement, which opposed the dogmas of "Socialist realism" in art, along with Soviet censorship. The movement sought to preserve the traditions of Russian iconography and the Constructivist/Suprematist style of the 1910s. Despite the authorities' persecutions of nonconformist artists (including arrests, forced evictions, terminations of employment, and various forms of routine hassling), they united in a group, "TEV – Fellowship of Experimental Exhibitions." TEV's exhibitions proved tremendously successful. In the same period, Rapoport became one of the initiators of another anti-establishment group, ALEF (Union of Leningrad's Jewish Artists). In the United States this group was known as "Twelve from the Soviet Underground." Rapoport's involvement with this group increased tension with the authorities and attracted KGB scrutiny, including "friendly conversations," surveillance, detentions and house arrests. It became increasingly dangerous for him to live and work in the USSR. In October 1976, Rapoport with his wife and son were forced to leave Russia. In Italy, Rapoport exhibited at the Venice Biennale, "La Nuova Arte Sovietica-Una prospettiva non-ufficiale" (1977), participated in television programs about nonconformist art in the Soviet Union, and created lithographic works continuing his theme of Jewish characters from Babel's play Sunset. In 1977, Rapoport's family was granted U.S. immigration status and settled in San Francisco. a significant event in Rapoport's life occurred in his meeting with San Francisco gallery owner Michael Dunev, who became his friend and representative, organizing all his exhibitions until the artist's death. Toward the end of the 1980s and beginning of the 1990s, Rapoport completed his most ambitious works on the theme of the Old Testament prophets: Samson Destroying the House of the Philistines (1989), Lamentation and Mourning and Woe (1990), the four paintings Angel and Prophets (1990–1991) and Three Deeds of Moses (1992). In 1992, the artist's friends in St. Petersburg organized the first exhibition of his works there since his departure into exile, with works patiently gathered from collectors and art museums. This exhibition, held in the City Museum of St. Petersburg and accompanied by headlines such as "A St. Petersburg artist returns to his town," was followed by much larger ones in 1993 (St. Petersburg and Moscow), organized in collaboration with Michael Dunev Gallery under the name California Branches – Russian Roots. He Exhibited in "Soviet Artists, Jewish Themes...

"Hotel Lobby" is a linoleum print by Alexander Tillotson. It features the view of a hotel lobby from the viewpoint of the back of two men. Thick lines and minimal negative space give...

The Phoenix is an original Contemporary Artwork realized in Italy by Guelfo Bianchini (Ancona, 1937) in 1962. Original colored Etching on paper. Hand-signed and dated in pencil on...

Erotic Scene is a beautiful lithograph on ivory-colored paper, realized in the 1920s by Albert Marquet (Bordeaux, 1875 - Paris,1947). Monogrammed on the plate on the lower margin. ...

Héliogravure on brown-toned paper, so signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. ...

Image dimensions: 15 x 11.5 cm. Boudoir is a black and white linocut on ivory-colored paper, realized in 1945 by the Italian satiric master Mino Maccari (1898-1989). Hand-signed wi...

This framed original 18th century etching is entitled "Fregio antico di marmo con Ippogrifi, nel cortile del palazzo della Valle" (Ancient Marble Frieze with Hippogriffs in the Courtyard of The Palace of the Valley). The etching is by Giovanni Battista Piranesi, published in Rome in 1778. It is from Piranesi's monumental work "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre ...

4 layer serigraph on TW Graphic Ink on Coventry Rag vellum paper with deckled edges. Hand signed lower right by Kai. Hand numbered 264/643 lower left. Artwork size: 20 x 20 inches...

Studio is an original woodcut print realized in the Mid-20th Century. Good conditions. The artwork is represented in harmonious colors in a well-balanced composition.

ZERO'S FRIEND is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed in 1980 in an edition of 165, using traditional hand lithography techniques...

Etching on papeteries vélin de Lana paper. Inscription: unsigned and unnumbered, as issued. Good condition, with full margins. Notes: From the folio, Jours de gloire, Histoire de la ...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

Cupid And Animals - Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an original etching on paper realized by Carlo Nolli in the 18th century. Signed on the p...

Jules Perahim (1914-2008) Mystic Acrobat, 1974 Original lithograph Signed in pencil by the artist Numbered / 199 On Arches vellum 56 x 38 cm (c. 22 x 15 inches) INFORMATION : From ...

Dreamy landscape is an etching realized by Pierre-Edme Babel in 18th Century. Good conditions. Signed in plate. The artwork is depicted through confident strokes.

At the concert is an original modern artwork realized in 1970s by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original black and white etching and drypoint. Hand-...

"Lady Holding a Baby" - Woodblock Print on Laid Rice Paper Elegant woodcut print by Stephen White (American, b. 1939). In an early example of White's signature style, a stylized, mi...

Peter Milton created this etching and engraving entitled “GARDEN WITH HENRY” in 1993. It is signed, titled, dated, and inscribed “153/250” in pencil under the image. The printed image size is 9.5 x 12 inches and the paper size is 15.5 x 18 inches. The inspiration for this piece came from the Henry James novella “The Aspern Papers” and clearly depicts the Venetian setting. The American-British author Henry James (1843-1916) wrote “The Aspern Papers” first published in 1888. Peter Milton was born in Pennsylvania in 1930. He studied for two years at the Virginia Military Institute...

FLOWER SPECTRUM II is an original hand drawn lithograph by the American Pop artist Peter Max printed in an edition of 150, using traditional hand lithography techniques on archival paper. FLOWER SPECTRUM II is a graceful female profile portrait head depicting a feminine goddess woman crowned in leaves and flowers, printed in deep raspberry rose...

Toilette militaire is an original modern artwork realized in the 1880s. Original colored lithograph on paper. Sheet dimensions: 70 x 50 cm. Passepartout is included. Mint condit...

Medium: Lithograph on vélin paper Year: 1952 Paper Size: 9.25 x 12.125 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the album, The Circus by Toulouse...

Black Rose is an original etching realized by the Italian artist Giacomo Porzano (1925-2006). In good condition. This contemporary piece is depicted through strong lines and intens...

Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Signed in the plate and u...

Artist: Peter Max (1937) Title: Flower Spectrum Year: 1990 Edition: 118/150, plus proofs Medium: Lithograph on Arches paper Size: 26.75 x 26 inches Condition: Excellent Inscription: ...

Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giuseppe Aloja in the 18th Century. Signed on the plate. Good condit...

Mario AVATI Aeolus and Sailboat in the moonlight Original black manner etching Handsigned in pencil Numbered / 100 copies On BFK Rives vellum 30 x 19.5 cm (c. 12 x 8 in) Excellent ...

Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Signed in the plate and u...

Agent X Besties Digital Print on Archival Paper Year: 2021 Edition: 125 Size: 30 x 30 in - 78 x 78 cm Signed COA provided (gallery issued) Ref.: 924802-398 -------------------------...

Marc Chagall (1887-1985) - La Bible Lithograph from 1956. Dimensions of work: 35 x 26 cm. Publisher: Tériade, Paris. Reference: Mourlot 118. On the reverse: blank, as issued. Bi...