Book Figurative Prints

after Marc CHAGALL (1887 - 1985) Poster for "Les peintres témoins de leur temps Musée Galiera" 1963 Created by Charles Sorlier after Chagall's 1937 painting...

Chas Laborde (1886-1941), Tendres Stocks: The Complete Etchings, c. 1924, etching, engraving, colored etching proofs before publication of the book. A suite of 13 impressions in black and white, and 13 in color; 26 in all; impressions printed before the book edition of Tendres Stocks by Paul Morand...

"Sixieme Biennale de Peinture" is an vintage Picasso exhibition poster printed in 1966 by Mourlot. It depicts a Picasso painting from 1965 and advertises a Biennial exhibition of pai...

"Guiding Light" and "Nature's Course" are two sides of one double-sided original lithograph by Art Nouveau master Alphonse Mucha. These illustrations were pages 113 & 114 of "Ilsee, ...

"Chagall Gouaches et Lavis" is an offset poster after a painting by Marc Chagall printed by Galerie Maeght. It depicts one of Chagall's self-portraits ...

Honore Daumier (1808-1879), Les Grandes Celebrites de la France, lithograph, 1939, plate 2 from the series Les Saltimbanques, from La Caricature Provisoire (also published later in Le Charivari, 1843). Reference: Daumier Register 620, second state (of 5). With lettering, and the initials (in the plate lower left). Printed on a wove paper. In good condition (formerly folded across the middle, now flattened) , 11 1/2 x 8 7/8, the sheet 13 1/8 x 10 inches. A very good impression. An impression of Les Grande Celebrites de la France was shown in the Metropolitan Museum's show Seurat's Circus Sideshow...

Charles Dufresne (1876-1938), Une Escale au Brasil (A Stopover in Brazil), etching and drypoint, c. 1920, signed in pencil lower right margin and inscribed “epreuve de artist” lower ...

Art: 29-3/8"x 21-1/8" Frame: 31'x 22-1/2" Original signed lithograph poster Claude Weisbuch was born in Thionville, France in 1927 and was a pupil at L' École des Beaux-Arts de Nanc...

ROLAND HOLST, R.N. (Richard) (1868-1938). “Eere Tentoonstelling Bosboom/ 1817 1917/ Pulchri-Studio ‘s Gravenhage/ 21 Apr[il] 31 Mei”. Color lithograph (pa...

Edition of 30 & hand signed by the artist Marco Santaniello is an Italian artist born in 1981 who lives & works in Cosenza, Calabria in Italy. He started his path doing Pop Portraits and in front of his “rainbow wall...

"Kiss Me Stupid Exhibition Poster" is a poster by Valerio Adami. The poster was created for the Kiss Me Stupid show at the Galerie Maeght. This graphic black and white composition sh...

"7Eme Bal de l'AAAA Skater" is an original color lithograph poster by Ludovic Rodo Pissarro. The artist signed the piece in plate lower right. It depicts a wo...

"Fire and Police Department Record" is a chromolithograph by J.M. Vickroy & Co. It features scenes of a Fire and Police department doing civic servic...

Rozsa/Szucs. Ca 1915. Budapest. Color lithograph. Hungarian Art Nouveau posters are rare. Bardócz was a graphic artist and painter, active between the 1910’s and the 1930’s. His p...

"La Conquéte Du Pôle (The COnquest of the Pole)" is an original lithograph poster by an unknown artist published by the Club of America. It depicts personifications of major world po...

Salvador Dali - The Museum of Genius and Whim - Original Signed Engraving Handsigned in pencil and Numbered Edition: F195/195 - Printer: Atelier Rigal. - Paper: Rives vellum ; each ...

Hazenplug, Frank. Chap Book. Color Lithograph, 1895. 20 1/2 x 14" Frank Hazenplug, was an artist who made engravings, typography, and posters. He also illustrated books Hazenplug worked for Chicago firm Stone & Kimball and designed books for them, continuing with the company even after it became Herbert S. Stone. Hazenplug also designed books for other publishers, such as Fleming Revell, George Doran, A.C. McClurg, Reilly and Britton, Rand McNally, and John Lane...

"Marilyn Monroe Mugshot" Print on canvas 39 x 36 inch Ed. of 75 by Gerard Marti Digital print on canvas. Stretched on wooden bars. Signed and numbered by the artist. Marilyn is ...

Ticket for the Bal Banal (complete), Union des Artistes Russes stamps on front. 1924. Colour woodcut on grey mould-made paper. Plate signed: N. Gontcharova, Complete with stub....

Le Soleil de Minuite. 1898. Color lithograph. On Linen A Student of Jules Cheret, he created posters between 1895 and 1905 in the workshop Chaix produced ...

Mitch McGee, Don't Try So Hard, Limited Edition Pop Art Print, Silkscreen, Edition of 40. Image is 20" round, paper size 24x24. Each signed and numbered. It is unframed. The influences for McGee's own artwork came from the style of Pop Art legend, Roy Lichtenstein. According to McGee, "Lichtenstein with a Red Bow was the first piece that started me down this rabbit hole. Roy Lichtenstein took comic strips and repositioned them as lithography. In an almost tongue-in-cheek fashion I wondered how I could take one of his pieces and recreate it in another medium. The easy answer for me was wood. I grew up working with it and, combined with my graphic design background, it left me with a new medium and expression that I think really works." From that start, Houston artist, McGee began to create his own style and establish his unique voice. Today, his creativity exists in that space between painting and sculpture. In his Birch series, McGee uses pieces of wood, each illustrated, hand cut and stained or painted to create dimensional pieces. Each painting is filled with thick layers and subtle shadows. There is a warmth created by the imperfection of the birch and its grain that creates an emotional connection. Each painting is a labor of love, taking 40 to 50 hours or more to complete. McGee has created original works inspired by Superhero comics, Sports icons, as well as romantic moments using thick lines and bold colors to bring these scenes to life in his own way. Each artwork is filled with humor, irony, compassion or seduction. His artwork has been exhibited throughout Texas since 2001 and in New York with Elisa Contemporary Art...

Art Desks by E. Brady Robinson features photographs of the desks and working spaces of artists, curators, art dealers and critics throughout the East Coast. This project explores the...

"L'Estampe Moderne - David Barnett Gallery Exhibition, Feb. 18, 1978 - Mar. 25, 1978" is an offset poster limited edition, ed. 1/500. The poster...

Freres. Clerice. Claudine 1910.On Linen. Color lithograph poster for the Operette en 3 Actes de Willy. d'après les Romans de Willy & Colette Willy with music by Rodolphe Berger. Ref. Broido No. 21 The Clerice Frères...

Rochgrosse, Antoine Georges Marie. Poems Chantes/Gustave Carpentier /Paris/Henri Tellier, Editeur. 1896. 7 Color lithograph. Das fruhe Plakat 750 (Music Sheet). French painter, pri...

"Merry Christmas" is an original color woodcut on paper by Sylvia Spicuzza. The artist stamped her signature lower right. This artwork features the an abstracted figure on orange p...

Signed and numbered color woodcut from the edition of 15. Modern woman in Tokyo; signed and titled edition of 15. Art Hazelwood calls himself artist, instigator and impresario to define the three intertwining areas of his practice. He uses printmaking within a range of political allegory and satire making work from political posters to fine press edition artist books. He has curated and organized a range of exhibitions at venues from museums to immigrant centers. He has worked for over 20 years with homeless rights groups; creating prints, and street posters, and has authored one book and contributed to another on art and homelessness. He has been a regular visiting guest artist at San Quentin State Prison and teaches currently at the San Francisco Art Institute. He organized the San Francisco Poster...

Émile Bertrand's poster for Jules Massenet's Cendrillon, advertising the première performance at the Théâtre National de l'Opéra-Comique, Paris. 1899. Color lithograph. On linen. De...

Do it! Offset print by Mr. (Iwamoto Masakatsu) Offset print, numbered and signed by the artist 65 x 50 cm Edition 22/300

François Desnoyer - Free Child Original Lithograph Handsigned Dimensions: 38 x 28 cm François Desnoyer was a French visual artist who was born in ...

Twenty Flight Rock. Offset print by Mr. (Iwamoto Masakatsu) Offset print, numbered and signed by the artist 65 cm Diameter Edition 22/300

Screen print and spray paint on hand torn archival art paper. Hand signed and numbered on front, thumb print on verso by the artist. Edition 19/75. Artwork size 30 x 22 inches. F...

[Poster for Harper’s New Monthly Magazine, May 1895]. Woman in a blue dress with Harper’s, wandering through a flock of sheep. Color Zincograph. New York: Harper & Brothers,1895. Signed in stone bottom right: EDWARD PENFIELD. Ref: Das Plakat...

D'Horticulture de France. Ca 1899. Color lithograph. On Linen 47 x33". Bourgeois was a painter of landscapes and murals. Bourgeois received a bronze medal in1889 and 1900 ...

Eduardo Recife Rebel I, 2018 Archival Pigment Print Framed 44 x 30 inches Edition of 5

Daniel Richter (German, born 1962) Greif zur Feder, Gymnasiastin, 2020 Medium: Lithograph on wove paper Dimensions: 53.5 x 76.0 cm (21.1 x 29.9 in) Edition of 30: Hand-signed and num...

Mani Sunset, 2025 Tom Hammick Reduction woodcut in colours On Saunders Waterford wove Signed, titled, dated, numbered and inscribed 'E.V.' (edition variable) From the edition of 25 ...

44" x 30" Unframed 3 Ink Woodcut Print on Paper Hand Signed by Iván Bautista

Enki Bilal - Cyclops - Original Lithograph Publisher: Amis du Livre Edition: 240 2012 Dimensions: 42 x 30 cm. Unsigned and unnumbered as issued

And Now The Neighborhood Kids, Woodblock Print by Daniel Duford, 2013

But As I Say, Woodblock Print by Daniel Duford, 2013

Oh I Miss You, Woodblock Print by Daniel Duford, 2013

Perhaps I'll Climb, Woodblock Print by Daniel Duford, 2013

The Foreign Gifts, Woodblock Print by Daniel Duford, 2013

Right Now The Sun, Woodblock Print by Daniel Duford, 2013

The World Is Altered, Woodblock Print by Daniel Duford, 2013

Today, Woodblock Print by Daniel Duford, 2013

But I've Stopped Checking, Woodblock Print by Daniel Duford, 2013

Everything Will Be Fine, Woodblock Print by Daniel Duford, 2013

When I Return, Woodblock Print by Daniel Duford, 2013

My Dearest, Woodblock Print by Daniel Duford, 2013

Mitch McGee, Don't Try So Hard, Limited Edition Pop Art Print, Silkscreen, Edition of 40. Image is 20" round, paper size 24x24. Each signed and numbered. It is currently framed to 25x25. The influences for McGee's own artwork came from the style of Pop Art legend, Roy Lichtenstein. According to McGee, "Lichtenstein with a Red Bow was the first piece that started me down this rabbit hole. Roy Lichtenstein took comic strips and repositioned them as lithography. In an almost tongue-in-cheek fashion I wondered how I could take one of his pieces and recreate it in another medium. The easy answer for me was wood. I grew up working with it and, combined with my graphic design background, it left me with a new medium and expression that I think really works." From that start, Houston artist, McGee began to create his own style and establish his unique voice. Today, his creativity exists in that space between painting and sculpture. In his Birch series, McGee uses pieces of wood, each illustrated, hand cut and stained or painted to create dimensional pieces. Each painting is filled with thick layers and subtle shadows. There is a warmth created by the imperfection of the birch and its grain that creates an emotional connection. Each painting is a labor of love, taking 40 to 50 hours or more to complete. McGee has created original works inspired by Superhero comics, Sports icons, as well as romantic moments using thick lines and bold colors to bring these scenes to life in his own way. Each artwork is filled with humor, irony, compassion or seduction. His artwork has been exhibited throughout Texas since 2001 and in New York with Elisa Contemporary Art...

This commercial advertisement poster from 1930s Shanghai melds the meticulous detail of traditional Chinese painting with the craft of color lithography. Large companies often presented posters such as this to their clients to commemorate the Chinese New Year. This poster depicts a young woman luxuriously...

Framed dimensions: 24.75 x 29 inches We proudly welcome Alejandro Sainz Alfonso, (b.1965), to the fold. Alfonsos hugely colorful and at times, comedic take on his life in Cuba is expressed in this series of silkscreen prints. From “Fried Potatoes” to “Review of History” we see a world from the perspective of a population living under the sea inside of the 100 year old divers suits. When I asked him if this is what it is like to live in Cuba under the current political regime – he said “no – that this is what its like to be a human on planet earth”. We were intrigued to see Cuba, from an artistic perspective. Like Darwin’s Galapagos Islands, we were able to see a vibrant artistic community that has had very few outside influences since 1959. The visual and literary diet seems to have been limited to 1950s movie stars, Albrecht Durers prints...

Enki Bilal - The Kiss - Original Lithograph Publisher: Amis du Livre Edition: 240 2012 Dimensions: 42 x 30 cm. Unsigned and unnumbered as issued

Floating Books is a lithograph on paper with an image size of 3.5 x 2.5 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray fr...

Rag Photographique on 310GSM Fine Art Paper. Hand signed and numbered 1/1 by Broos. Sheet size 32 x 24 inches. Frame size approx 39.5 x 32.5 inches. Artwork is in excellent condi...

Eduardo Arroyo - Can You Play Piano ? - Original Lithograph 1984 Conditions: excellent Edition: 495 Dimensions: 37,3 x 58 cm Editions: Trinckvel

Very rare original poster for Peter Doig's 2004 exhibition "Metropolitain" at Kestner Gesellschaft in Hanover. The show took place from 9 July - 12 September 2004. The exhibition po...

Georges Braque - Original Lithograph 1963 Dimensions: 32 x 24 cm Andre Sauret, Monte Carlo The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote and Glass , then the packet envelope of tobacco Bock in 1912-1913, or an advertisement in Damier , 1913). Inputs and inclusions refer to an external object in the table, without “emulate” this object. Away from their appearances, objects are represented in closest essence of the objects in the real world sense. This is also the time of Synthetic Cubism that Braque invented paper sculpture. There are, unfortunately, and no one is living proof of a photograph makes it possible to realize: Paper and paperboard. Métamorphoses period(1961-1963). In 1961, Georges Braque worked on a Greek head for the Louvre, which obsesses him, and he wishes to free his mind. He tried several times to bring out the paint and the result was unsatisfactory. He thinks the ultimate metamorphosis its Greek head projected in three dimensions. He calls in his studio of Baron Heger Loewenfeld, master lapidary, and he communicates his enthusiasm during the “fateful encounter.” Nine months later, in honor of the eighty years of Georges Braque, Heger Loewenfeld offers the Master of the ring Circe: the famous Greek head finally exorcised, carved in an onyx. Braque Loewenfeld then asked to identify other issues that haunt him. From dated and signed by Georges Braque, Heger gouaches Loewenfeld shapes works in the fields of jewelery, lapidary art...