Bride Figurative Prints

from the Padoli Monotypes III

This piece is an original lithograph done by Francisco Zúñiga in 1986. Francisco Zúñiga was a Costa Rican-born Mexican artist best known for his stylized figurative paintings and scu...

Paul Cadmus, Arabesque 1947/1979 Signed, titled, and numbered in pencil, recto; Also blindstamped, l.l. Etching (Edition of 35) 18 x 14.5 inches, sheet

Ernest Laurent Soir d'octobre Original lithograph Plate signed 1897/98 Printed on paper Vélin Size 40 x 31 cm (c. 16 x 12") INFORMATION : Published by 'Estampe Moderne, Paris, 18...

Cain and Abel  is an artwork from the Series "The Bible", by Marc Chagall in 1960. Mixed colored lithograph on brown-toned paper, no signature. Edition of 6500 unsigned lithographs. ...

Nude is an original etching realized by an unknown artist in the mid-20th Century. Good conditions except for some foxings. The artwork is depicted through strong strokes in a well...

Amicalement is a hand-colored etching and drypoint, signed by Chas Laborde on the lower right margin. Hand-titled on the lower left margin. This original print is hand-colored with t...

Flora Goddess, Allegory Of Spring from "Antiquities of Herculaneum" is an etching on paper realized by Pietro Campana in the 18th Century. Signed on the plate. Good conditions with...

The Angel of Mercy - from the Series "The Divine Comedy" is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. No...

Disparate de Carnaval - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. ...

Hand signed Edition of 100 copies Includes a contemporary wooden frame cm. 64x86

Hand signed Edition of 100 copies. Includes a contemporary wooden frame cm. 64x87

Héliogravure, collotype, metallic inks on vélin paper. Paper Size: 18.86 x 17.91 inches; image size: 12.48 x 9.69 inches. Inscription: Signed in the plate and unnumbered, as issued. ...

Artist: Jiang Tie-Feng (1938) Title: Morning with Crane Year: 2001 Medium: Silkscreen on Vellum Rag paper Edition: 227/293, plus proofs Size: 31 x 31 inches Condition: Good Inscription: Signed and numbered by the artist. JIANG TIE-FENG (1938- ) Chinese Artist Jiang Tiefeng's colors are of unsurpassed richness. Jiang's use of imagery in his paintings are steeped in Buddhist and Chinese mythology. Each figure has a symbolic meaning, and his works have so much complexity and visual fascination that the viewer is constantly seeing something new. Jiang's deep love of the colorful earth and for Xishuangbanna, a region of the Yunnan Province, has encouraged him to explore and create mysterious and unique subjects to paint. The secret and essence of Jiang Tiefeng's work is best expressed by the artist himself as he describes his paintings not only as pictures, but they are also music and poetry...

Salvador Dali - Nude, Horse and Death - Original Etching Dimensions: 38 x 28 cm Edition: 235 1967 embossed signature On Arches Vellum References : Field 67-10 (p. 34-35)

Danaë, no. 2 from the fourth installment of Das Werk Gustav Klimts Danae originates from Greek mythology. She is the daughter of the King of Argos. Because a...

Eva Fleigen (1575-c1628), was a German woman said to have lived off nothing more than the scent of flowers. Lithograph after a stipple engraving by Robert Cooper from Henry Wilson ...

Nude figurative lithograph by Jim Smyth (American, b. 1938). Numbered, titled, signed and dated "5/12", "Study 2", "Smyth 74” along the bottom edge. Unframed. Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art. Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels. When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable. On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate. Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model. In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld, David Leffel, Jack Ferragasso, Jim Childs and Everett Raymond Kinstler and Kim English. Smyth has also studied with the noted painter and colorist, Ovanes Berberian...

Artist: After Pablo Picasso (1881-1973) Title: Minotaure aveugle guidé par une Petite Fille aux Fleurs (after Bloch 222) Year: 1992 Medium: Reproduced from the original edition using...

Shower (Blue) Rainer Fetting, German (1949) Date: 1984 Color Etching, signed in pencil Edition of Color Proof Image Size: 23 x 36 inches Size: 27.5 x 39...

Eugène GRASSET Antic Beauty in the Woods, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lithograp...

THE JOY OF MARILYN is a fine art exhibition poster by the renowned American photographer and film producer, Sam Shaw produced in 1986 in conjunction with Sam Shaw's photography exhibition in New York City. THE JOY OF MARILYN was printed in black and white duotone using offset lithography techniques on white satin finish paper, fine quality poster, copyright text printed below image on lower right. THE JOY OF MARILYN photo...

Julian Trevelyan (1910-1988) Richmond (1969) Etching and aquatint, signed, numbered 48/75 48x35cm Nephew of the historian G M Trevelyan he was educated at Bedales and Trinity Colleg...

Femme couchée et deux visages, from Suite 156, 1970 signed on lower right, dated in the plate higher right Georges Bloch, Catalogue de l'oeuvre gravé et lit...

The Divine Wood is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued. Plate n.28 (as r...

Marc Chagall, Russian (1887 - 1985) - Samson Overturns the Columns, Portfolio: Bible Series, Year: 1956, Medium: Etching on Montval, Edition: 295, Image Size: 11.5. X 9.75 inches, ...

Eros and Thanatos is an Original Etching realized by Sergio Barletta in the Early 1970s. Good conditions. Hand-signed. Numbered. Edition, 81/160 The artwork is depicted through a...

Henri MARTIN Divine Comedy : Dante and Beatrice, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Li...

Three iconic Leon Bakst costume designs for Le Dieu Bleu ( The Blue God ) a ballet choreographed by Michel Fokine and written by Cocteau. The ballet premiered in Paris in 1912. It tells the story of a girl who tries to dissuade her fiancé from becoming a priest and is thereafter tormented by demons; but she is eventually saved by the Blue God, a part performed by Vaslaw Nijinsky, the greatest male dancer of his time. Fokine’s choreography and Bakst’s costumes drew upon Siamese dance and Hindu sculpture. These three prints are vintage reproductions quite unlike the reproductions of today. They each have the look of original watercolors and are backed on heavy grey rag paper with a hand painted gold border. Properly framed they will definitely look like the original drawing. The size of the actual prints varies slightly but the background paper size is consistently 10.5 x 15.5. Born in Russia in 1866, Léon Bakst belonged to a young generation of European artists who rebelled against 19th-century stage realism, sparking a revolution in theatre design. His fame lay in the sets and costumes he designed for Serge Diaghilev’s (1872 – 1929) legendary dance company the Ballets Russes, and his huge pageant spectaculars for the dancer and patron of the performing arts, Ida Rubinstein...

Chimera with Green Eyes is an original lithograph on Chine collé, realized by Odilon Redon in 1888, plate 7 from “Les tentations de St.Antoine” (1ère série), unique state, first e...

Monogram of the artist on plate. Edition of 150 copies. One of the 50 H.C.copies in Roman Numerals. This print is one of the illustrations realized by Odilon Redon for an important e...

Yugiri is an original artwork realized in the 1850s by Utagawa Kunisada (1786-1865). Chapter 39 of the story Genji Monogatari. Color woodcut around 1851. Signed: Ichiyossai Toyokun...

Lies - From The Allegories is a mixed colored offset print by the Sicilian artist Renato Guttuso. This print was realized on the occasion of the exhibition held in Rondanini Galler...

Disparate General- from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. 9 fr...

Wedding is an original print in lithograph on paper realized by Anonymous artist of the 20th Century. Good conditions except for some folding. The artwork represents the tradition...

A richly detailed engraving after the original design by Jacob Herreyns the Elder, showing an elaborate pageant for Maria Theresa Walburga Amalia Christina (Maria Theresia (1717–17...

Goddess from "Antiquities of Herculaneum" is an etching on paper realized by Filippo Morghen in the 18th Century. Signed on the plate. Good conditions with some foxing and folding ...

Salvador Dalí, a leading figure of the surrealist movement, deeply marked twentieth-century art with his audacity and singularity. Among his works is "Susannae Pulchritudo," a lithog...

The Apparition of St. James from the Series "The Divine Comedy" - Song 26 - Paradise is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine C...

Construction d’un temple – Plate n. 3  is a b/w original etching realized in 1973 (as reported on plate on the lower right margin) by Paul Delvaux. From the collection “ Construction d’un temple en ruine à la déesse Vanadé ”, this wonderful original print   came into being from the collaboration of four years between the French author and a member of the Nouveau-Roman , Alain Robbe-Grillet (1922-2008), and the Belgian artist Paul Delvaux (1897-1994). At first, Robbe-Grillet wrote a text, to which Delvaux then replied with a wonderful engraving; Robbe-Grillet then responded with a second text. This is how the building blocks of this beautiful book came together: it was constructed like a temple.  The book was printed in an edition of 187 copies, of which  only 40 contain the illustrations by Paul Delvaux .  Our copy is unnumbered and printed on  “Arches”  ivory colored paper with the  Bateau Lavoir watermark  (on the lower right corner), and  “Richard Bas ” watermark (on the lower left margin). This beautiful artwork, representing an enigmatic composition with seven women realized like ancient Greek marble...

Ancient Roman Scene from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Elia Morghen in the 18th Century. M...

Le Pyrame is an etching realized by Louis-Simon Lempereur in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Art...

Black Devil is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued. Plate n.17 (as repor...

Villon, Jacques (French, 1875-1963) LE POTIN (GP E96) Drypoint and aquatint printed in green, 1904, Edition of 50. Printed on Arches paper, signed and numbered 32 in pencil. Publishe...

Artist: Raphael Soyer (Russian, American, 1899-1987) Title: Untitled Year: Circa 1975 Medium: Lithograph Edition: Inscribed A.P (Artist Proof) in pencil Paper: Arches Image s...

Mueller, Otto. STEHENDE KNABE UND ZWEI MADCHEN. Karsch 67. Lithograph, 1917. 12 3/4 x 9 7/8 inches; 323 x 250 mm. Monogrammed in the stone. Edition of about 300. In excellent conditi...

Pegase Captif is a prototype reproduction realized after Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felury in 1923. ...

Three Whorehouses is a Lithograph on ivory-colored paper realized by Luc Albert Moreau. The artwork is in good condition, included a white cardboard passpartout (48.5x32.5 cm). Han...

The Divine Wood from the Series "The Divine Comedy" - Song 28 - Purgatory is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by ...

Mickalene Thomas "Untitled" (Black is Beautiful) USA, 2017 Inkjet print Signed and numbered by the artist From an edition of 100 14"H 11"W (work) Framed Approx: 22"H x 17"W Excellent...

Midsummer-Night's Dream is an original etching engraved by Jean Pierre Simon after the iconic romantic painting by Heinrich Füssli in 1790. Titled on plate: Midsummer-Night's Dream, Act IV, Scene I: A wood - Titania, Queen of the fairies, Bottom, fairies attending Mint conditions with little tears along the margin, and a glued tear in the center. Some light little foxings. The original oil painting is displayed at Tate Britain in London. It was commissioned for the Boydell Shakespeare...

Roman Temple and Tower from "Antiquities of Herculaneum" is an etching on paper realized by Giuseppe Aloja in the 18th Century. Signed on the plate. Good conditions. The etching b...

Beautiful lithograph with margins, realized by Daumier in 1855. It belongs to the Series "L'Exposition Universelle" Ref. Delteil 2702.

Two Athenian Women in distress is a beautiful original print on paper realized by Aubrey Vincent Beardsley. Black and white lithograph. The artwork is the plate n. 6 from the por...

Vintage poster by Henri Privat-Livemont created for the Exposition Universelle (the 1900 Paris Exposition) before the lettering was added on the upper portion of the image. Palais d...

Man with the Dragon is a superb color woodbloock print on rice-paper, realized by the great master of ukiyo-e print, Utagawa Toyokuni I (1769-1825) Depicti...

Les Jeans-Jeans is a Lithograph realized by Auguste Raffet (1804-1860). Good condition on a yellowed paper. Hand signed by the artist on the lower right corner. Denis Auguste Marie Raffet (2 March 1804 – 16 February 1860) was a French illustrator and lithographer. He was a student of Nicolas Toussaint Charlet, and was a retrospective painter of the Empire. Raffet's chief works were his lithographs of the Napoleonic campaigns, from Egypt to Waterloo, vigorous designs inspired by ardent patriotic enthusiasm. In this endeavour he was a contemporary of other French artist-lithographers of Napoleon...

Player from "Antiquities of Herculaneum" is an etching on paper realized by Filippo Morghen in the 18th Century. Signed on the plate. Good conditions with some folding due to the t...