Bride Figurative Prints

Julián Grau Santos (Spain, 1911-2013) 'Junto al río', 1985 lithograph on paper 22.1 x 30 in. (56 x 76 cm.) Unframed ID: GRA1332-002-000 Hand-signed by author Good condition

Procession Of A Daimyo - Original Woodblock Print Original woodblock print depicting the procession of a Daimyo. Ten Japanese soldiers are seen as they aid in transporting the Daimy...

The Coach and the Flies is an artwork realized in 1974. Etching and drypoint with stencil. 59 x 79 cm. Printed by Atelier Rigal. Edition XIV/CXX on Auvergne paper. It belongs to...

George Romondo, was a diminutive 18th-century performer known as the “eccentric mimic.” Born in about the year 1765 in Lisbon, Portugal, Romondo’s unusual talent was matched by an...

Héliogravure on vélin pur fil du Marais paper, archivally hinged on a vélin pur fil du Marais backing sheet, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: Fro...

RENOIR, PIERRE AUGUSTE (1841 -1919) "La Danse à la Campagne", 2nd plate (The Country Dance (second plate)) Delteil 2, Stella 2 Soft-ground Etching in black ink, c. 1890 Only State on smooth wove paper With the stamped signature, as issued Image Size: 8 5/8” x 5 1/3” Fine strong and tonal impression with full margins The most famous etching...

Lithograph on Arches wove paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Pablo Picasso, Toros y Toreros, 1961. Published by aux Éditions Cercle d'...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

Héliogravure on brown-toned paper, no signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade on the A...

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Regards sur Paris, 1963. Published by André Sauret, Paris;...

Billboard size poster created in 1977 to promote TIME Magazine.

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 182. Published by Aimé Maeght, Éditeur, Paris; printed by Éditions...

Three iconic Leon Bakst costume designs for Le Dieu Bleu ( The Blue God ) a ballet choreographed by Michel Fokine and written by Cocteau. The ballet premiered in Paris in 1912. It tells the story of a girl who tries to dissuade her fiancé from becoming a priest and is thereafter tormented by demons; but she is eventually saved by the Blue God, a part performed by Vaslaw Nijinsky, the greatest male dancer of his time. Fokine’s choreography and Bakst’s costumes drew upon Siamese dance and Hindu sculpture. These three prints are vintage reproductions quite unlike the reproductions of today. They each have the look of original watercolors and are backed on heavy grey rag paper with a hand painted gold border. Properly framed they will definitely look like the original drawing. The size of the actual prints varies slightly but the background paper size is consistently 10.5 x 15.5. Born in Russia in 1866, Léon Bakst belonged to a young generation of European artists who rebelled against 19th-century stage realism, sparking a revolution in theatre design. His fame lay in the sets and costumes he designed for Serge Diaghilev’s (1872 – 1929) legendary dance company the Ballets Russes, and his huge pageant spectaculars for the dancer and patron of the performing arts, Ida Rubinstein...

Leonor Fini - Dressed-up - Original Lithograph The Flowers of Evil 1964 Conditions: excellent Edition: 500 Dimensions: 46 x 34 cm Editions: Le Cercle du Livre Précieux, Paris Unsig...

A very good impression of this etching. Signed and numbered 35/50 in pencil by Picasso. Printed by Crommelynck, Mougins. Published by Galerie Louise Leiris, Paris. From "347 Gravures...

Lithograph on Arches wove paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Pablo Picasso, Toros y Toreros, 1961. Published by aux Éditions Cercle d'...

Publisher GKM. Unframed. Edition of 150 ex. Signed and numbered. Free shipment worldwide. Arman wrote, “The bow on the strings releases an explosion of sounds,” in the book Trio à ...

Lithograph and stencil on vélin papier a la cuve du Moulin Richard de Bas spécialement filigrané pour cette édition paper. Signed in the plate and unnumbered, as issued. Good conditi...

Lithograph on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Cirque, Lithographies Originales. Published by Les Édition...

The European Macabre Dance N.40 is a hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915. Signed on the plate, Original Edition. Published by Domenico Longo, Treviso. Handcolored lithographic postcards. Very good conditions. Alberto Martini (Oderzo, 1876 - Milan, 1954); was an Italian draftsman, painter, engraver and illustrator, forerunner of the surrealist movement...

Artist: Alvar Title: Woman with Birds Year: c.1980 Medium: Color lithograph Paper: Wove Image size: 18.5 x 24.5 inches Framed size: 26.5 x 32.65 inc...

The Ballerina is an original lithograph realized by Adolphe Willette (1857-1926) in the late 19th century. Good condition. Adolphe-Léon Willette (Châlons-sur-Marne, 1857 - Parigi, ...

'Tropical Wash Day', aquatint, edition 100, 1946. Signed in pencil. Signed and dated in the plate, lower left. A superb, richly-inked impression, on heavy cream wove paper, with full...

Linocut on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Pablo Picasso: Grabados al linóleo. Published by Gustavo Gili, S.A., Barcelona, and...

"Electric Chair" F. & S. 81, is a screenprint in colors on wove paper by Andy Warhol. The work is signed verso. This piece is number 43 from an edition of 250 + 50 AP, and is one fro...

Original New Year's Eve Central Park 1974-1975 vintage pop-art poster. Excellent condition, ready to frame. The poster is not linen-backed. Images are of the exact poster you ...

The Angel of the 7th Heaven -  "The Divine Comedy" - Song 22 -  Paradise is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dan...

Windisch & Cole 2145 The edition of 250 was published by Associated American Artists, and this impression is signed, titled, and numbered, in pencil. Francisco Toledo (1940-2019), a ...

Edgar DEGAS (after) Whorehouse Scene : Prostitute Dressing her Hair Original etching and aquatint On Rives vellum 25 x 32 cm (c. 10 x 13 inch) In the early 1920s, Ambroise Vollard (...

This artwork titled "Left Bank Cafe, Paris" 1987 is an original color serigraph by noted American artist LeRoy Neiman, 1921-2012. It is hand signed and numbered H.C 166/175 in pencil by the artist. The image size is 26 x 38 inches, sheet size is 32.25 x 44 inches. With the blind stamp of the printer Styria Studio at the lower left corner margin. It is in excellent condition, two small pieces of hanging tape remain on the back. About the artist: Mr. Neiman's kinetic, quickly executed paintings and drawings, many of them published in Playboy, offered his fans gaudily colored visual reports on heavyweight boxing matches, Super Bowl games and Olympic contests, as well as social panoramas like the horse races at Deauville, France, and the Cannes Film Festival. Quite consciously, he cast himself in the mold of French Impressionists like Toulouse-Lautrec, Renoir and Degas, chroniclers of public life who found rich social material at racetracks, dance halls and cafes. Mr. Neiman often painted or sketched on live television. With the camera recording his progress at the sketchpad or easel, he interpreted the drama of Olympic Games and Super Bowls for an audience of millions. When Bobby Fischer and Boris Spassky faced off in Reykjavik, Iceland, to decide the world chess championship, Mr. Neiman was there, sketching. He was on hand to capture Federico Fellini directing "8 ½" and the Kirov Ballet performing in the Soviet Union. In popularity, Mr. Neiman rivaled American favorites like Norman Rockwell, Grandma Moses and Andrew Wyeth. A prolific one-man industry, he generated hundreds of paintings, drawings, watercolors, limited-edition serigraph prints and coffee-table books yearly, earning gross annual revenue in the tens of millions of dollars. Although he exhibited constantly and his work was included in the collections of dozens of museums around the world, critical respect eluded him. Mainstream art critics either ignored him completely or, if forced to consider his work, dismissed it with contempt as garish and superficial — magazine illustration with pretensions. Mr. Neiman professed not to care. Maybe the critics are right," he told American Artist magazine in 1995. "But what am I supposed to do about it — stop painting, change my work completely? I go back into the studio, and there I am at the easel again. I enjoy what I'm doing and feel good working. Other thoughts are just crowded out." His image suggested an artist well beyond the reach of criticism. A dandy and bon vivant, he cut an arresting figure with his luxuriant ear-to-ear mustache, white suits, flashy hats and Cuban cigars. "He quite intentionally invented himself as a flamboyant artist not unlike Salvador Dalí, in much the same way that I became Mr. Playboy in the late '50s," Hugh Hefner told Cigar Aficionado magazine in 1995. LeRoy Runquist was born on June 8, 1921, in St. Paul. His father, a railroad worker, deserted the family when LeRoy was quite young, and the boy took the surname of his stepfather. He showed a flair for art at an early age. While attending a local Roman Catholic school, he impressed schoolmates by drawing ink tattoos on their arms during recess. As a teenager, he earned money doing illustrations for local grocery stores. "I'd sketch a turkey, a cow, a fish, with the prices," he told Cigar Aficionado. "And then I had the good sense to draw the guy who owned the store. This gave me tremendous power as a kid." After being drafted into the Army in 1942, he served as a cook in the European theater but in his spare time painted risqué murals on the walls of kitchens and mess halls. The Army's Special Services Division, recognizing his talent, put him to work painting stage sets for Red Cross shows when he was stationed in Germany after the war. On leaving the military, he studied briefly at the St. Paul School of Art (now the Minnesota Museum of American Art) before enrolling in the School of the Art Institute of Chicago, where, after four years of study, he taught figure drawing and fashion illustration throughout the 1950s. When the janitor of the apartment building next door to his threw out half-empty cans of enamel house paint, Mr. Neiman found his métier. Experimenting with the new medium, he embraced a rapid style of applying paint to canvas imposed by the free-flowing quality of the house paint. While doing freelance fashion illustration for the Carson Pirie Scott department store in Chicago in the early 1950s, he became friendly with Mr. Hefner, a copywriter there who was on the verge of publishing the first issue of a men's magazine. In 1954, after five issues of Playboy had appeared, Mr. Neiman ran into Mr. Hefner and invited him to his apartment to see his paintings of boxers, strip clubs and restaurants. Mr. Hefner, impressed, showed the work to Playboy's art director, Art Paul, who commissioned an illustration for "Black Country," a story by Charles Beaumont about a jazz musician. Thus began a relationship that endured for more than half a century and established Mr. Neiman's reputation. In 1955, when Mr. Hefner decided that the party-jokes page needed visual interest, Mr. Neiman came up with the Femlin, a curvaceous brunette who cavorted across the page in thigh-high stockings, high-heeled shoes, opera gloves and nothing else. She appeared in every issue of the magazine thereafter. Three years later, Mr. Neiman devised a running feature, "Man at His Leisure." For the next 15 years, he went on assignment to glamour spots around the world, sending back visual reports on subjects as varied as the races at Royal Ascot, the dining room of the Tour d'Argent in Paris, the nude beaches of the Dalmatian coast, the running of the bulls at Pamplona and Carnaby Street in swinging London. He later produced more than 100 paintings and 2 murals for 18 of the Playboy clubs that opened around the world. "Playboy made the good life a reality for me and made it the subject matter of my paintings — not affluence and luxury as such, but joie de vivre itself," Mr. Neiman told V.I.P. magazine in 1962. Working in the same copywriting department at Carson Pirie Scott as Mr. Hefner was Janet Byrne, a student at the Art Institute. She and Mr. Neiman married in 1957. She survives him. A prolific artist, he generated dozens of paintings each year that routinely commanded five-figure prices. When Christie's auctioned off the Playboy archives in 2003, his 1969 painting Man at His Leisure: Le Mans sold for $107,550. Sales of the signed, limited-edition print versions of his paintings, published in editions of 250 to 500, became a lucrative business in itself after Knoedler Publishing, a wholesale operation, was created in 1975 to publish and distribute his serigraphs, etchings, books and posters. Mr. Neiman's most famous images came from the world of sports. His long association with the Olympics began with the Winter Games in Squaw Valley in 1960, and he went on to cover the games, on live television, in Munich in 1972, Montreal in 1976, Lake Placid in 1980, and Sarajevo and Los Angeles in 1984, using watercolor, ink or felt-tip marker to produce images with the dispatch of a courtroom sketch artist. At the 1978 and 1979 Super Bowls, he used a computerized electronic pen to portray the action for CBS. Although he was best known for scenes filled with people and incident, he also painted many portraits. Athletes predominated, with Muhammad Ali and Joe Namath among his more famous subjects, but he also painted Leonard Bernstein, the ballet dancer Suzanne Farrell...

A woman in slip-on heels leans languidly on a cloud-like phallus defined with loose, sketched lines. Gazing dreamily past the viewer, the topless woman dons a diaphanous tutu, and at...

Lithograph on Arches wove paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Pablo Picasso, Toros y Toreros, 1961. Published by aux Éditions Cercle d'...

Vintage offset print, from "Valentina" to "O", in a vintage poster realized in 1976 after Guido Crepax., in occasion of his exhibition at Galleria Rondanini, Rome.  Very Good condit...

Colours Of The Night #2: This figurative art print on paper captures the essence of timeless style. A neutral, atmospheric background creates an evening-like ambiance. Personalize your space with a sense of quiet sophistication. Hand signed on back. This is #2 from a series of 4 art...

Vintage offset poster realized fior Confindustria in 1986. Very good condition.

Salvador Dali - Cleopatra Original Etching Dimensions: 28x 18.7cm 1969 Edition: /165 Plate signed References : Field 68-7-I page 48

Lithograph on vélin d’Arches paper. Signed in the plate, as issued. Good condition. Notes: From the folio, Picasso, Vingt-Neuf Portraits Imaginaires, 1969. Published by Éditions Cerc...

The European Macabre Dance N.6 is a hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915. Signed ...

Etching and drypoint realized to illustrate Pierre Ronsard's "Les Amours de Cassandre". Published by Argillet, Paris, in 1968. Edition of 299 pieces. One of 165 specimen on Arches...

Signed lower center, 'Gooch', for Gerald Gooch (American, born 1933) with number and limitation, '5/16' and dated 1965. Born in Mainington, West Virginia, Gerald Gooch first studied...

"Poena pede claudo" is an original print in lithograph on paper realized by Maurice Neumont( 1868-1930). Titled on the lower center. The state of preservation of the artwork is go...

Paul RENOUARD Sleeping Ballerina - "Le Nouveau Roman", 1893 Original etching Signed in pencil On Japan paper 48 x 32 cm (c. 19 x 12.5 inch) INFORMATION : Limited edition of 20 copi...

The European Macabre Dance N.3 is a hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915. Signed ...

Le Lapin Sauvage is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboar...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...

Artist: Jean Jansem, French (1920 - ) Title: Washing Day Year: circa 1970 Medium: Lithograph, signed and numbered in pencil Edition: EA Image Size: 17 x 23 inches Paper Size: 19 x 2...

Performing in the circus is an original artwork realized in the 1960s by Marc Chagall. Mixed colored lithograph. The artwork represents a typical compostion in the Chagall style.

Jose "Pepe" Contino (Cuba, 1933) 'Untitled (from Porfolio Grabados Cubanos)', 1978 photoengraving on paper Canson 320 g. 17.6 x 23.6 in. (44.6 x 59.8 cm.) Edition of 200 ID: CON-302 ...

Sportsmen. 1908. Etching and drypoint. Exsteens 271.i/ii. 11 1/4 x 5 3/4 (sheet 17 3/8 x 12 1/4). Series: Les Bars. From the first state edition of 30 proofs with the remarque sketch...

Image dimensions: 31.2 x 21 cm. Diagonal Landscape is a superb original offset print, reproducing the original watercolor by Giorgio Morandi. Signature by the artist is perfectly r...

Lithograph on vélin des Papeteries du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Marc Chagall, Dessins Pour La Bible, Verv...

Leonor Fini, rare original silkscreen on Rives paper, circa 1970 Rare print handsigned by surrealist artist Leonor Fini, inscreasingly esteemed with the movement of rediscovering ar...

Héliogravure on brown-toned paper, so signature. On bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. Ref. Mourlot,...

ARTIST: after Auguste RODIN TITLE : Icarus and Phaeton MEDIUM : Etching/photogravure after the original drawing SIGNATURE : Unsigned YEAR : 1897 PAPER : Vellum SIZE : 13 x 10" ...

Robert ENGELS (1866 - 1926) Two Women and a Knight Original litograph Printed signature in the plate 1897/98 Printed on paper Vélin Size 40 x 31 cm (c. 16 x 12") INFORMATION : P...

Lithograph on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Chagall, 1957. Published by Maeght, Éditeur, Paris; printed by Mou...