Portrait Figurative Prints

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Meishing, Jin ca. 1935 Color lithograph. [Advertisement for tobacco.] (woman holding a pekinese Dog) Most of the posters were printed in Shanghai during the first three decades ...

Carrie Lingscheit's print often deal with relationships and memories. "Human experience is plagued by an inherent incompleteness—both perception and memory being naturally imperfect,...

This piece titled "The Conjuror" is a print printed on archival pigment on a cotton rag by Andrew Pinkham. This piece is shipped with the pictured wooden frame and measures 20”h x 16...

One of 10 copies. DANUTA DĄBROWSKA-SIEMASZKIEWICZ Painter and graphic artist. Her works have been published in "The New Yorker", "Marie Claire", "Newsweek". One of her projects has b...

This is an original color lithograph on wove paper by Roman Italian artist Franco Gentilini (1909 - 1981) entitled "Woman with Hat." It was created circ...

The Drugs Don’t Work By BATIK Archival pigment pop art print of the 1960s supermodel Twiggy signed & limited edition. BATIK is a London based fine artist and image maker. Produce...

Mike Mitchell - Tyrion - Artist Edition - Contemporary Artist Edition Details Year: 2013 Class: Art Print Status: Official Run: 1 ...

Martin Luther King Artists: Yerena, Ernesto Year: 2021 Class: Art Print Released: 01/16/21 Technique: Original Mixed Media Paper: 100% Cotton Rag Size: 26 X 20 Markings: Signed & Numbered About: Ernesto Yerena...

A wonderful mid-century poster illustration of Doggett's Coat & Badge. The Badge is the prize and name for the oldest rowing race in the world. Up to six apprentice watermen of the R...

Deluxe signed limited edition acrylic print featuring Biggie Smalls Edition of 20 Nick's artistic process is a captivating blend of modern techniques and nostalgic inspiration. He ...

Kamal Mitra - Untitled - 28 x 22 inches (unframed size) & 19.5 x 13 inches (Palette Size) Etching on paper. Inclusive of shipment in ready to hang condition. About Kamal Mitra’s Wo...

A crisp etching of a french women seated at the supper table. Chahine has captured the figure with a disgruntled expression, staring down at a half eaten plate of food. The thought p...

Jerusalem's People in Public A folio of photographic images printed on art paper. This Portfolio is hand signed by the artist. Lawrence Salzmann "This portfolio has been especially prepared to salute the 30th anniversary of the State of Israel" Consolidated-Drake Press, Philadelphia, 1978, first edition A portfolio of 7 black-and-white photographs with printed titles, each separate sheet measuring 12 1/2" x 9 1/2", enclosed in a folder: High quality printing press. Subjects include: Samuel the Prophet Quarter; Me'a She'arim Street; Yafo Road photo; Allenby Square; Suleiman Road. Laurence Salzmann is a native of Philadelphia who has worked as a photographer/ filmmaker since the early 1960's. His projects document the lives of little known groups in America and abroad. He looks at the lives of people ranging from occupants of single room occupancy hotels in New York City to transhumant shepherds in Transylvania, residents of a Mexican village, and Philadelphia Mummers. His photographic study of a nearly extinct Jewish community in Romania was published as The Last Jews of Radauti by Dial/Doubleday in 1983, with text by Ayse Gürsan-Salzmann. His most recent work in Cuba is soon to be published in book form by Blue Flower Press...

ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography, thus s...

Lovis Corinth (1858 Tapiau - 1925 Zandvoort), Rudolf von Rittner as Florian Geyer, 1924 (Müller 854), drypoint signed in pencil. 20.4 × 14.2 (plate size), 37.7 × 30.6 cm (sheet size). Published by Karl Nierendorf, Berlin. Framed in a passepartout. - Strong, precise impression. Frame a little bit rubbed and with two small damages. About the artwork The knight is a leitmotif in Lovis Corinth's work, culminating in his Self-Portrait in Armour of 1914. Of all the paintings on this theme, Corinth most often depicted Florian Geyer. Descended from a Franconian noble family, he fought for the freedom of the peasants during the peasant wars of the Reformation, first diplomatically and then militarily, leading the legendary Schwarzen Haufen (Black Troops). The name derives from the black uniforms with which Geyer dressed the peasants willing to fight. During the Napoleonic occupation, the freedom fighter Florian Geyer was sung about by the Romantics, and the free corps Die Schwarze Schaar, founded in 1813 by Major von Lützow, succeeded the Schwarzer Haufen. It was against this historical background that Gerhard Hauptmann wrote the revolutionary drama Florian Geyer, which premiered at the Deutsches Theater in Berlin in 1896. While the actor Rudolf Rittner, who would later appear in Fritz Lang's films, initially played the role of Schäferhans, he took over the leading role in the new production at Berlin's Lessing Theatre in 1904, again directed by Emil Lessing, which established his fame as an actor. Hauptmann himself praised the acting. He wrote to Hugo von Hofmannsthal: "It went quite well with Florian Geyer. In any case, I had the great pleasure of seeing the play again in an admirable performance". And Lovis Corinth was so taken with Rittner's performance that he painted an oil portrait of him in the role of Florian Geyer in 1906. After two further graphic versions in 1915 and 1920/21, Corinth returned to the painting a year before his death and almost twenty years after the oil painting to create this graphic version in 1924. Even the inscription in the picture was taken over. This proves all the more the importance of the knight and freedom fighter for Corinth's self-image. The oil painting, in particular, proclaims the single-minded determination to fight to the last for the values defended, manifested in the oil painting by the tattered flag held out to the enemy. There is a parallel with Rainer Maria Rilke's 1899 story The Cornet, in which the protagonist goes down with the flag that he first saved at the risk of his life. Consequently, the portrait is also a self-portrait, and the knight's armour is not an academic costume or an ironic refraction, but an expression of Corinth's self-image, which also includes his self-representation as an artist. The Secession poster...

"The Fisherman's Catch" is a signed (in pencil lower right and in plate lower left) etching by James Fagan. It depicts a fisherman walking on a beach in black and white. It is signed...

Artist: George Deem, American (1932 - 2008) Title: Bruna Sevini and Whistler's Mother Year: 1979 Medium: Lithograph, signed and numbered in pencil Edition: 300, AP 40 Image Size: 2...

A limited edition (out of 25) black and white photographic print. Framed with a black or white box frame and floated to the backboard. The dimensions of 33.5 x 47.2 cm is that of the...

Original lithograph, produced as part of a portfolio of images by Reynaldo Luza for the Parisian fur house, Revillon Freres. Paris, Draeger for Revill...

Serigraph by Mexican painter Rafael Coronel. Edition of 100. Certificate of authenticity included.

Hand signed and numbered by the artist. From Tom Sawyer Portfolio. Sheet size 25.5 x 19.5 inches. Image size approx 17 x 13 inches. Frame size approx 30 x 26 inches. From the editi...

Hand signed, dated and numbered by artist with pencil. Etching and aquatint. Edition of 90 prints plus 15 prints in Roman Numbers and 5 Artist's Proofs. Excellent condition.

Silkscreen on canvas with diamond dust. Hand signed, dated, and numbered on verso by the artist. Edition of 25. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered. About the Artist: Carole A. Feuerman is an American Hyper-Realist sculptor. Along with artists like Duane Hanson...

"Maria (Artist's Wife)" is an original etching by Moishe Smith, signed in the bottom right corner and numbered in the bottom left. The piece depicts a seated woman from the waist up,...

Young Blue Eyes Neg Edit Oversize Signed limited edition - Pop Art - Frank Sinatra by the London based contemporary pop art image creator and artist, BATIK. Measures approximately 40 x 30" inches / 101 x 76 cm paper size Edition 2/15 limited to 15 only this size. signed and numbered by the artist. certificate of authenticity provided. unframed. (Framing and Other Sizes available - please enquire) In 1938, a 23-year-old Frank Sinatra was arrested in Bergen County, N.J. on charges of seduction and adultery. According to the FBI reports, "On the second and ninth days of November 1938 at the Borough of Lodi" and "under the promise of marriage" Sinatra "did then and there have sexual intercourse...

This is an excellent example of the kind of portraiture produced by Castiglione during the early part of the 17th century. In the image, we see the visage of a man with a mustache, wearing a fur-lined hat topped with a feathery decoration. The image is reminiscent of the work of Rembrandt van Rijn, himself known for his portraits in the form of etchings. 4 x 3.5 inches, image 15.25 x 13.25 inches, frame Inscribed "GC" in the plate, lower left This impression is from the edition ca. 1825 from the original plate of ca. 1635. Unlike many Italian artists, Giovanni Benedetto Castiglione was profoundly influenced by foreigners. He first studied with local artists in his native Genoa, absorbing not only Tuscan Mannerism and Caravaggism but also the style of Peter Paul Rubens, who had worked in Genoa. From 1621 Castiglione also worked in Anthony van Dyck's Genoa studio. Early on, he was attracted to Flemish animal...

26" x 24" Framed Limited Edition Giclee Numbered of 295 Hand Signed by Ronnie Wood

2018 marks the centenary anniversary of Ferdinand Hodler’s death. In that 100 years time, the art world’s esteem of this important artist has proved fickle. It has shifted from extolling his artistic merits during his lifetime to showing something of a feigned disdain- more reflective of the world political order than a true change of heart for Hodler’s work. After years of Hodler being all but a footnote in the annals of art history and generally ignored, finally, the pendulum has righted itself once again. Recent retrospective exhibitions in Europe and the United States have indicated not only a joyful rediscovery of Hodler’s art but a firm conviction that his work and world view hold particular relevance today. DAS WERK FERDINAND HODLERS is not only a collection of printed work reflecting the best of all of his painted work created up to 1914 just before the outbreak of World War I, the portfolio itself is an encapsulation of Hodler’s ethos, Parallelisme. Hodler developed his philosophy of Parallelisme as a unifying approach to art which strips away detail in search of harmony. By means of abstraction, symmetry and repetition, Hodler sought ways to depict Nature’s essence and her fundamental, universal order. He believed these universal laws governing the natural, observable world extend to the spiritual realm. Symbolist in nature with Romantic undertones, his works are equally portraits of these universal concepts and feelings governing all life as they are a visual portrait in the formal sense. Whether his subject is a solitary tree, a moment in battle, mortal fear, despair, the awe inspired by a vast mountain range, a tender moment or even the collective conviction in a belief, Hodler unveils this guiding principle of Parallelisme. Several aspects of Hodler’s portfolio reinforce his tenets of Parallelisme. The Table of Contents clearly preferences a harmonious design over detail. The two columns, consisting of twenty lines each, list the images by order of appearance using their German titles. The abbreviated titles are somewhat cryptic in that they obscure the identities of the sitters. Like the image Hodler presents, they are distillations of the sitter without any extraneous details. This shortening was also done in an effort to maintain a harmonious symmetry of the Table of Contents, themselves, and keep titles to a one-line limit. The twenty-fourth title: “Bildnis des Schweizerischen Gesandten C.” was so long, even with abbreviation, that it required two lines; so, for the sake of maintaining symmetry, the fortieth title: “Bauernmadchen” was omitted from the list. This explains why the images are not numbered. Hodler’s reasoning is not purely esoteric. Symmetry and pattern reach beyond mere formal design principles. Finding sameness and imposing it over disorder goes to the root of Hodler’s identity and his art. A Swiss native, Hodler was bi-lingual and spoke German and French. Each printed image, even number forty, have titles in both of Hodler’s languages. Certainly, there was a market for Hodler’s work among francophones and this inclusion may have been a polite gesture to that end; however, this is the only place in the portfolio which includes French. With German titles at the lower left of each image, Hodler’s name at bottom center and corresponding French titles at the lower right of each image, there is a harmony and symmetry woven into all aspects of the portfolio. This holds true for the page design, as it applies to each printed image and as it describes the Swiss artist himself. Seen in this light, Hodler’s portfolio of printed work is the epitome of Hodler’s Parallelisme. DAS WERK FERDINAND HODLERS is also one of the most significant documents to best tell the story of how Hodler, from Switzerland, became caught between political cross-hairs and how the changing tides of nations directly impacted the artist during his lifetime as well as the accessibility of his art for generations to come. The Munich-based publisher of the portfolio, R. Piper & Co., Verlag, plays a crucial role in this story. Publishing on a wide range of subjects from philosophy and world religion to music, literature and the visual arts; the publisher’s breadth of inquiry within any one genre was equal in scope. Their marketing strategy to publish multiple works on Hodler offers great insight as to what a hot commodity Hodler was at that time. R.Piper & Co.’s Almanach, which they published in 1914 in commemoration of their first ten years in business, clearly illustrates the rapid succession- strategically calculated for achieving the deepest and broadest impact - in which they released three works on Hodler to hit the market by the close of 1914. DAS WERK FERDINAND HODLERS was their premier publication. It preceded C.A. Loosli’s Die Zeichnungen Ferdinand Hodlers, a print portfolio after 50 drawings by Hodler which was released in Autumn of 1914 at the mid-level price-point of 75-150 Marks; and a third less expensive collection of prints after original works by Hodler, which had not been included in either of the first two portfolios, was released at the end of that year entitled Ferdinand Hodler by Dr. Ewald Bender. The title and timing of DAS WERK FERDINAND HODLERS' debut leaves little doubt as to the connection it has with another avant-garde portfolio of art...

Etching realized by Félix Milius d'après Van Dyck in 1872. Very good condition.

Etching realized by Félix Milius d'après Van Dyck in 1872. Very good condition.

Etching realized by Félix Milius d'après Van Dyck in 1872. Very good condition.

Etching realized by Félix Milius d'après Van Dyck in 1872. Very good condition. 

"Creating Oneself" Photography 24" x 24" inch Edition of 15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. ...

12 x 16 inches - Edition 2 of 7 with 2 APs framing is an additional $265. Shot in New Orleans in 2011, background illustrated by Marco Ventura Inspired by Manet’s Olympia...

Only One Marilyn Oversize Signed limited edition - Pop Art - Marilyn Monroe by the London based contemporary pop art image creator and artist, BATIK. Measures approximately 24 x ...

ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography, thus s...

Page John Hardy, American (1923–2014) Date: circa 1980 Lithograph, signed and numbered in pencil Edition of 250 Size: 30 in. x 22.5 in. (76.2 cm x 57.15 cm)

This print, signed illegibly in pencil, centers on a portrait of a person with a gaunt face staring deeply into the eyes of the viewer. Their gender is indeterminate and their eyes a...

Emerald Marilyn Oversize Signed limited edition - Pop Art - Marilyn Monroe by the London based contemporary pop art image creator and artist, BATIK. Measures approximately 30 x 2...

Dream John Hardy, American (1923–2014) Date: 1979 Lithograph, signed and numbered in pencil Edition of 250 Image Size: 28 x 20 inches Size: 30 in. x 22.5 in. (76.2 cm x 57.15 cm)

Edition 8 of 20 "RBG," is one of DC-based artist, Samantha Viotty's most recent illustrations. This piece is a tribute to the late supreme court powerh...

Street John Hardy, American (1923–2014) Date: 1979 Lithograph, signed and numbered in pencil Edition of 250 Size: 22.5 in. x 30 in. (57.15 cm x 76.2 cm)

"Girl Puff," is a digital illustration by DC based artist Samantha Viotty. This piece, created from a found image, creates a portrait of a figure without facial features to allow for...

Gerald Leslie Brockhurst (1891-1978), The Dancer (Anais), 1925, etching, signed lower right and dedicated by the artist (to F.L. Berry, Esq.) lower left [also signed and dated in reverse in the plate lower left]. Reference: Fletcher 52, seventh state (of 7). From the edition of 107. In good condition, with slightest toning, with full margins and as issued and (not archivally) matted, 9 1/4 x 5 1/2, the sheet 15 3/8 x 9 3/8 inches. Provenance: F. L. Berry (not in Lugt, see note below) Roddy Willis has graciously provided an extensive background note on this provenance, which I quote from with permission: “Francis Berry...

Femme au Collier from The Reincarnations du Pere Ubu Georges Rouault, French (1871–1958) Date: 1928 Etching with Aquatint, signed in the plate Image Size: 12 x 8 inches Size: 17 x 13...

This original, limited edition etching, was realized by the esteemed American artist John E. Costigan, circa 1930. He is represented in the collections of the Metropolitan Museum, th...

'Stay please' Vanity Fair legal portrait of Mr Justice Field. Accompanied by original descriptive text. 380mm by 260mm (sheet)

'Plausible' Vanity Fair legal portrait of The Hon. Mr Justice Swinfen Eady. Accompanied by original descriptive text pasted onto a separate sheet. 380mm by 260mm (sheet)

Le Gamin (The Kid) Etching on laid paper, 1862 Signed in the plate upper left (see photo) As published in Theodore Duret, L'Histoire d'Edouard Manet et de Son Ouvre, 1902 (The first ...

Shipping Procedure Offest Ink on Linen Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an i...

Neg Edit Blondie by BATIK Archival pigment pop art print of pop culture icon Debbie Harry of punk rock glam band Blondie – signed & limited edition. Luxe 20×16″ inches / 51 x 41 c...

"RBG" is one of DC-based artist Samantha Viotty's most recent illustrations. This piece is a tribute to the late supreme court powerhouse Ruth Bader Ginsburg. Viotty pays her respect...

Marlon Castellanos (Cuba, ) 'Untitled (La Huella Múltiple)', 2002 engraving on paper 8.1 x 8.1 in. (20.5 x 20.5 cm.) Edition of 300 ID: HUE-212 Hand-signed by author

Eduardo Naranjo (Spain, 1944) 'El poeta llega… (Federico en Nueva York)', 2005 silkscreen on paper Image size: 23.8 x 19.9 in. (60.50 x 50.50 cm.) Surface size: 30.8 x 24.9 in. (78 x...

Edition 2 of 15 "RBG," is one of DC-based artist, Samantha Viotty's most recent illustrations. This piece is a tribute to the late supreme court powerhouse Ruth Bader Ginsburg. Viott...

Fun Loving Criminals III by BATIK Archival pigment pop art print of infamous criminal arrest mugshots of Tupac, Eminem, Vanilla Ice, Michael Jackson, Justin Bieber...

Blondie Blue by BATIK Archival pigment pop art print of pop culture icon Debbie Harry of punk rock glam band Blondie – Giant 60×40″ inches / 152 x 101 cm signed and numbered by ar...