Poster Figurative Prints

D'Horticulture de France. Ca 1899. Color lithograph. On Linen 47 x33". Bourgeois was a painter of landscapes and murals. Bourgeois received a bronze medal in1889 and 1900 ...

New for 2018 we are please to present Ceravolo's "Alphabet Series" of iconic portraits. Ceravolo has been a master of creating intriguing portraits of iconic personalities for mor...

Program for Les Fossiles. 29 November 1892. Second program for the 1892-1893 Theatre Libre season. Very light horizontal and vertical fold, otherwise in very good condition. Four-c...

"Font-Romeu (Tennis/Golfing Retreat)" is an original color lithograph poster by the designer Vincent Guerra. He signed the design in the lower left. This poster depicts a woman relaxing under a tree...

This is the poster published by the David Barnett Gallery for the first exhibition of Claude Weisbuch's artwork in the United States. It features...

Hand painted, 1 layer varnished giclee print. Hand signed and numbered 1/1 by James Bullough. A unique, one of kind variant. Frame size approx 37 x ...

A rare hand-dated and signed serigraph by world-renowned Giancarlo Impiglia. Part of his famous "Cafe Society" series immortalized in films such as Big and Boomerang, this is an oppo...

"Jacomo Monte-Carlo Open" is an original lithograph poster by Pierre Fix-Masseau. The artist signed the piece in the image lower right. This poster advertises a tennis competition fr...

In 2012, along with Adams’ completion of his 42 minute video Malraux’s Shoes, he was simultaneously referencing his own extensive library and archive documenting the intellectual climate of the 1960s. Entitled Tagging the Archive, this suite of 24 text pieces are montaged over revolutionary ephemera from the 60s as well as book covers such as Abbie Hoffman’s Steal this Book (1971), Franz Erhard Walther’s Objekte, benutzen (1968), Jean Luc Godard’s Le Petit Soldat, Claude Levi Strauss’s Tristes Tropiques, Henry Miller’s Black Spring, and others. This was Adams’ opportunity to formulate a critical dialogue filled with ambiguous clues. Juxtaposed against forerunners such as Broodthaer’s Departement des Aigles (1968-72), or Aby Warburg’s Mnemosyne Atlas (1866-1929), or Malraux’s Le Musee Imaginaire, or Richard Prince’s extensive personal library of vintage pulp...

In 2012, along with Adams’ completion of his 42 minute video Malraux’s Shoes, he was simultaneously referencing his own extensive library and archive documenting the intellectual climate of the 1960s. Entitled Tagging the Archive, this suite of 24 text pieces are montaged over revolutionary ephemera from the 60s as well as book covers such as Abbie Hoffman’s Steal this Book (1971), Franz Erhard Walther’s Objekte, benutzen (1968), Jean Luc Godard’s Le Petit Soldat, Claude Levi Strauss’s Tristes Tropiques, Henry Miller’s Black Spring, and others. This was Adams’ opportunity to formulate a critical dialogue filled with ambiguous clues. Juxtaposed against forerunners such as Broodthaer’s Departement des Aigles (1968-72), or Aby Warburg’s Mnemosyne Atlas (1866-1929), or Malraux’s Le Musee Imaginaire, or Richard Prince’s extensive personal library of vintage pulp...

Ceravolo is one of The Hampton's most popular urban Pop artists whose work is collected by Elton John, Rod Stewart, and Alice Cooper among others. Ceravolo has been call the "Rock and Roll Painter" and "Painter of the Stars of Rock" by the media. This new very limited edition print is limited to only 10 images. This work is numbered 1/ 10. The art is titled "The Girl with Kaleidoscope Eyes...

Vintage Exhibition Poster - Henri Matisse - Drawings - New-York after Henri MATISSE 1967 75 x 52 cm References : Poster for the 1967 exhibition at Albert LOEB & KRUGIER Gallery in N...

Alcazar d'Hiver is an 1896 chromolithograph of Choubrac's brilliant poster, printed at Imprimerie Chaix under the direction Ernest Maindron and G. Boudet for the lauded poster collec...

JEAN VICTOR DESMEURES - Paris International Colonial Exhibition - 1931 Robert Lang Paris Imp. 1931 Canvas and framed Good condition 100 x 62 cm 800 ...

Reut Harel is a Pop Art artist who works in Tel Aviv and creates colorful, optimistic, vibrant art that combines detailed elements and emotions. Her works a...

After Pablo Picasso The Human Comedy - Lithograph after an original drawing, as published in the journal "Verve" Printed signature and date Dimensions: 32 x 24 cm This ...

31" x 21" Unframed Limited Edition Serigraph of 275 Hand Signed by Melanie Taylor Kent 1992

Eduardo Arroyo - Homage to Braque - Original Lithograph 1984 Conditions: excellent Edition: 495 Dimensions: 37,3 x 58 cm Editions: Trinckvel

François Desnoyer - Free Child Original Lithograph Handsigned Dimensions: 38 x 28 cm François Desnoyer was a French visual artist who was born in ...

An original vintage advertising poster from Czechoslavakia for sea fish. The names of the sea fish are tattoo'd all over his body ...

Very rare original poster for Ed Ruscha's 2006 exhibition "Ed Ruscha: Photographer". The exhibition was held at Museum Ludwig from 2 September - 26 November in Köln (in cooperation w...

Georges Braque - Original Lithograph 1963 Dimensions: 32 x 24 cm Andre Sauret, Monte Carlo The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote and Glass , then the packet envelope of tobacco Bock in 1912-1913, or an advertisement in Damier , 1913). Inputs and inclusions refer to an external object in the table, without “emulate” this object. Away from their appearances, objects are represented in closest essence of the objects in the real world sense. This is also the time of Synthetic Cubism that Braque invented paper sculpture. There are, unfortunately, and no one is living proof of a photograph makes it possible to realize: Paper and paperboard. Métamorphoses period(1961-1963). In 1961, Georges Braque worked on a Greek head for the Louvre, which obsesses him, and he wishes to free his mind. He tried several times to bring out the paint and the result was unsatisfactory. He thinks the ultimate metamorphosis its Greek head projected in three dimensions. He calls in his studio of Baron Heger Loewenfeld, master lapidary, and he communicates his enthusiasm during the “fateful encounter.” Nine months later, in honor of the eighty years of Georges Braque, Heger Loewenfeld offers the Master of the ring Circe: the famous Greek head finally exorcised, carved in an onyx. Braque Loewenfeld then asked to identify other issues that haunt him. From dated and signed by Georges Braque, Heger gouaches Loewenfeld shapes works in the fields of jewelery, lapidary art...

Cette affiche fut réalisée pour la World Federation of United Nations Associations – WFUNA (Fédération Mondiale des Associations pour les Nations Unies), à l'occasion des 75ème anniversaire de la création de l'ONU à New-York. Il a eu lieu le 24 octobre 2021. Grégoire MATHIAS...

Prints from this series are in the Permanent Collections of Konstmuseet i Skövde in Sweden and Durham University Art Collection in the UK. Stein's Armored for Today's Events print...

Screen print and spray paint on hand torn archival art paper. Hand signed and numbered on front, thumb print on verso by the artist. Edition 19/75. Artwork size 30 x 22 inches. F...

Papercut, 2019, signed by the artist in pencil recto, from the edition of 250 (there were also 24 artist’s proofs), published by Taschen, London, 60 x 60 cm. (23.6 x 23.6 in.) Ai We...

During the pandemic, the artist stayed for 4 months in Oaxaca on a beach called San Aguistinillo, where he developed the Sana Distancia (safe distance) collection, he created each da...

Very rare original poster for Peter Doig's 2004 exhibition "Metropolitain" at Kestner Gesellschaft in Hanover. The show took place from 9 July - 12 September 2004. The exhibition po...

12 color screen print on 300 gsm somerset paper. Hand signed and dated lower right front by Kunstrasen. Hand numbered 9/100 lower left front. Artwork size 23.5 x 23.5 inches. Fra...

This is a Silkscreen it is Titled Paul Cezanne, Post Impressionist, French. John Brower worked in Chicago as a billboard designer for 12 years. He taught art at Alverno College of Milwaukee, Wright Junior College in Chicago, the University of Illinois, and the University of Kentucky. A Pop Artist. In John Browers' work two important things come forward: the design and the image. In the painting "Indian 2" you are denied simply enjoying the background or the realistic figure in the foreground. They both on their own would make an interesting painting but Johns' insistence on putting them together leaves you with a picture scrubbed clean of indecision, so clear that you can hardly help yourself from needing to understand its meaning. John Browers' pictures are modern - no matter how instant they look you can tell they have been thought about and realized with a lot of calculation and intentionality. He has exhibited regularly in galleries throughout the country over the past 40 years and his work is in numerous collections, including the Metropolitan Museum of Art in NYC. Art After Art 1971. The exhibition featured works by contemporary artists who borrow and rework to their own ends famous paintings or traditional themes from the past.This exhibition consists of twenty-two paintings, drawings, sculptures, and graphics by 20th century artists , including Marcel Duchamp, Rene Magritte, John Clem Clarke, Tom Wesselmann, Roy Lichtenstein, Alain Jacquet, John Chamberlain, John Brower, Larry Rivers, Al Pounders, Joseph Cornell, Jose Luis Cuevas, and Sante Graziani...

GALERIE WATERI EXHIBITION POSTER (Original) After Keith Haring 1983 Offset lithography on Japanese pearlescent paper 68.58 x 50.8 cm

The set of two screenprints in colours, 1967, on wove paper, with wax-paper collage, and AP aside from the edition of 70, the full sheets, 74 x 40.4 cm the two screenprints are attac...

And Now The Neighborhood Kids, Woodblock Print by Daniel Duford, 2013

But As I Say, Woodblock Print by Daniel Duford, 2013

Oh I Miss You, Woodblock Print by Daniel Duford, 2013

The World Is Altered, Woodblock Print by Daniel Duford, 2013

The Foreign Gifts, Woodblock Print by Daniel Duford, 2013

When I Return, Woodblock Print by Daniel Duford, 2013

Screen print and spray paint on hand torn archival art paper. Hand signed and numbered on front, thumb print on verso by the artist. Edition 6 of 15. Artwork size 30 x 22 inches. ...

From Poor Richard's Almanac portfolio. Hand signed and numbered by the artist. Lithograph on arches. Sheet size 25.5 x 19.5 inches. Image size approx 16.75 x 13.5 inches. From t...

Rupert Jasen Smith California Cooler, 1988 Screenprint in color HC 2/10 38 x 38 in. Signed and numbered in pencil

Classic Leroy Neiman poster of 'Royal Ascot' published June 4- June 26, 1976 by M. Knoedler & Co. Ltd. 143 New Bond Street, London Poster Sz: ...

Screen print and stenciled spray pain on cream colored Archival art paper. Edition 61 of 100. Signed, dated, and numbered in pencil with artist's thumbprint in the back.

Screenprint with spray paint on cream Archival Art paper. Edition 90 of 100. Signed, dated, and numbered in pencil with artist's thumbprint in back.

4 layer Screen print on 300GSM Somerset Paper. Hand signed and numbered by the artist. From the edition of 100. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered. About the Artist: PREFAB77 a.k.a. Peter Manning...

GRAPHICTHERAPY is David Calderley: an Englishman in New York, Creative/Art Director, Graphic Designer and Illustrator. After graduating from the estee...

Hand-painted with acrylic, stained silkscreen on heavy lenox 100 paper. Hand-signed by the artist duo; numbered and stamp-dated on reverse Edition of 250. Each is unique. Frame s...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Reception by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 14 x 11.5 cm (5 ¹/₂ x 4 ¹/₂ inches) Initialed and titled in the plate Signed lower right, L...

Pedro Friedeberg is an artist and designer from Mexico of Italian origin, known for his surreal work full of lines, colors, and ancient religious symbols. His best-known piece is the...

Hand signed and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 150. All reasonable offers will be considered.

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Original Vintage 1956 Poster La Nouvelle Societe de Cinématographie Present Inspecteur Connait La Musique. Color Lithograph on Linen.

Color Lithograph. Ca. 1928. On Linen. Signed in Stone. Unable to make out signature. Advertising Part To Change Automobile Tire. Good condition with the exception of minor tear le...

Benigni, Leo. Brides les Bains/En Savoie/La Station de la Femme Elegante, 1929. 24 1/2 x 39 1/2"; Color lithograph. On Linen. Small tear in middle of bottom poster, otherwise in v...

Embossing (gaufrage) with typographical color printing. Fine impression with good embossing on simili-japon paper, printed to the edges of the sheet (as issued). The combination of techniqes is unusual and may be unique. Ref: Artistes et Theatre d'Avant-Garde Programmes illustres Paris 1890-1900 Aitken p 22 pl 11; Artists and the Avant-Garde Theatre in Paris 1887-1890 Boyer p.44 pl 9. Alexandre Charpentier was French sculptor, medalist, craftsman, and cabinet-maker. He experimented with a wide variety of formats and materials—tin, marble, wood, leather, and terra cotta work, the latter executed by ceramic artisan Emile Müller...

Color lithograph, 1896. On Linen. Signed on the plate. Ref: Dad Plakat 501; American Poster Renaissance, Margolin p. 74 American Painter and Illustrator. Charles Herbert Wo...

Graphic designer, co-founder of Les Ateliers du Nord, Lausanne. Member of the Alliance Graphique Internationale (AGI). Regular collaboration with an important number of cultural, social and commercial institutions, the Swiss Foundation for Photography in Zurich, the Collection de l’Art Brut, the Musée de l’Elysée, the Museum of fine arts Lausanne, le Museum of Ethnography Geneva (MEG), Geneva (OCG), the Photo gallery FNAC in Paris, Magnum Photos in Paris and Phaidon Press in London for whom he creates posters, the domain in which he achieved celebrity, He was the artistic director of communication for Weimar'99, Cultural Capital of Europe in 1999. Numerous national and international awards, amongst which the Award for exceptional Use of Photography in Graphic Design awarded by the International Center of Photography, New York, 1988; the First Prize for a new series of Swiss Bank...