Poster Figurative Prints

Zodiac Signs - Lion is original Black and white woodcut print, realized by Italian artist Piero C. Antinori. Excellent condition. Written on the lower left; Original woodcut by Pie...

National Theatre is an original poster realized by A.Krauze and M.Mroszczak (Katowice, 1950) in 1975s. Good condition. Hand-signed. Andrzej Krauze (born 7 March 1947) is a Polish-...

Original VOTEZ PRL: original political, antique, vintage French poster. Artist: Foro. Archival linen backed in fine condition, ready to frame. Over 75 years old lithograph. Or...

Zodiac Signs - The Two Fish is original Black and white woodcut, realized by Italian artist Piero C. Antinori. Excellent condition. Written on the lower left; Original woodcut of P...

Stone lithograph in custom frame by artist Gail Potocki. Artist insignia in lower right corner.

Original Vintage Airline Poster commissioned by the British Overseas Airways Corporation promoting its service to the British Territory in the Atlantic ...

Artist: Robert Indiana (1928-2018) Title: HOPE (Summer) Year: 2012 Medium: Silkscreen on Coventry Rag paper Edition: 18/125, plus proofs Size: 35.25 x 25.5 inches Condition: Excellen...

Country Town is an original colored screen print realized by Ivan Rabuzin in the 1990s. Hand-signed on the lower margin. Numbered on the lower left.143/150. This very fine print re...

Artist: Mimmo Rotella, Italian (1918 - 2006) Title: Omaggio a Marilyn Year: 2004 Medium: Serigraph with collage, signed and numbered in pencil Edition: PA Size: 38 x 28 inches

Color lithograph fundraising poster for Learning Through Art/ The Guggenheim Museum Children's Program. Numbered out of 350 and dated in pencil. Blindstamped in bottom right corner. ...

Fluire con Te - Diecicomeleditadiduemani is a color silk-screen print on acetates, realized in 1973 by the artist Ennio Pouchard (1928). Signed on plate on the lower right. Fr...

Richard Prince, Dude Ranch Nurse, Lithograph with Collage, 2008 Lithograph with collage with offset lithography, hand colouring, hand cutting and pencil F...

Image dimensions: 26x18.2 cm. S. Petrus is a beautiful colored lithograph on cardboard, realized by the Polish illustrator Franz Laskoff and printed aro...

FOSSEY (DATES UNKNOWN) EUGENE / ONDULATION PERMANENTE. 1926. Shee Size: 35 1/4x22 1/2 inches, 89 1/2 x 57 cm. C. Courtois, Paris. This is a gorgeous example of art deco artwork...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Ex Libris Aira Konu is an original Contemporary Artwork realized in the mid-20th Century. Original woodcut print on ivory-colored paper. On the upper side in inscripted in capital ...

Gabriele D'Annunzio Combattente al Servizio della Regia Marina (translated: Gabriele D'Annunzio Fighter at the Service of the Royal Marine) is an original woodcut print realized by a...

THE GREED DEPRESSION 18 inches by 24 inches Edition of 15/300 Silkscreen print Signed and Numbered by the artist in pencil, Shepard Fairey.

Parasite: “There’s a lot to unpack in Bong Joon Ho's PARASITE. It asks many questions and doesn’t give us comforting answers. For the poster, I wanted to capture that sense of discomfort and unease. A seemingly picture-perfect moment between the happily rich Parks completely oblivious to what’s unfolding around them, and the Kim family relegated to the shadows struggling with their own complex feelings toward such wealth and privilege. It’s a timely film, groundbreaking for a handful of reasons, and difficult to define. My hope is the poster art is just as mesmerizing and ambiguous as the film itself.” - Rory Kurtz...

Segno Zodiacale Acquario is an original screen print on grey paper realized by Sergio Barletta. Signed on the lower left margin. In good conditions e...

THE JOY OF MARILYN is a fine art exhibition poster by the renowned American photographer and film producer, Sam Shaw produced in 1986 in conjunction with Sam Shaw's photography exhibition in New York City. THE JOY OF MARILYN was printed in black and white duotone using offset lithography techniques on white satin finish paper, fine quality poster, copyright text printed below image on lower right. THE JOY OF MARILYN photo...

Poster of Stowackiego theater is an original offset print realized in 1975 for "Ulani". Signed on the lower right " M. Gorowski 75". Good conditions except for light and small cutt...

These beautiful and colorful lithographic posters were hand reproduced by the Mourlot Studio's Master Printer Henri Deschamps in 1969. They are not to be mistaken with later cheap di...

Smiercionosny Tadunek is a vintage offset poster realized by Jan Sawka (Poland, 1946 – 2012) in 1974. Good condition. Hand-signed and dated by the artist...

Portfolio with 6 color lithographs. Includes prints by Adami, Calder, Camacho, Miro (Mourlot 1099), Rebeyrolle and Tapies. Each hand signed by the author/poet, Carlos Franqui except ...

"Jacob's Ladder” from 1977 was a poster created to celebrate Chagall's retrospective of biblical paintings and artwork from the years 1966 – 1976 at the Musée National Message Bibliq...

A print by Shepard Fairey. “Alto Arizona” is a contemporary, popular culture screenprint in black, red, and white by American street artist Shepard Fairey. The artwork is signed iin pencil, lower right, "Shepard Fairey 10", lower middle, "EAY 10" (Ernesto Yerena...

Tristan Eaton SpaceX Silver Foil Print Art Human Kind set 2 print Silver Paper Set each print signed by Tristan Eaton 18 by 12 inches each Elon Musk commiss...

Artist: Giancarlo Impiglia, Italian/American (1940 - ) Title: Grand Tier Year: 1984 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 11/40 Image Size: 25 x 19.5 inch...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino...

Keith Haring USA Celebrates UNICEF, 1989 (Keith Haring UNICEF 1989): RARE original 1980s Keith Haring illustrated benefit poster for UNICEF. Keith Haring began working with UNICEF in 1985 when he famously organized, 'Rain Dance' - a then, benefit for UNICEF’s African Emergency Relief Fund. A seldom available Keith Haring activist poster that is not to be passed upon. Medium: Offset lithograph in colors on smooth wove paper. 1989. Dimensions: 17.5 x 22 inches Fair to Good overall vintage condition. Contains fold-lines as originally issued; minor signs of handling & age related wear; small tear & loss to upper edge; surface residue in a few areas. Stored & will be shipped flat. Printed signature, ‘K. Haring 1989’ on the mid right from an edition of unknown. Rarely comes to market. Literature / References: Keith Haring: Posters (Jürgen and Osten). “UNICEF was founded after World War II to bring help and hope to all children at risk or in need – no matter which country they lived in or what role that country played in the war. Our mission is no less urgent and universal today,” said UNICEF Executive Director Anthony Lake. “With so many children around the world in so much need, we are recommitting ourselves to delivering results for every child.” The organization was established by the United Nations General Assembly to help children in post-war Europe, China and the Middle East. Funded entirely through voluntary contributions from governments, civil society, the private sector and concerned citizens, it rapidly expanded its reach and by 1955 was working for children in more than 90 countries. Today, UNICEF is the world’s largest children’s organization, working with partners in 190 countries and territories and through the efforts of 13,000 national and international staff to reach every child. Related Categories: Keith Haring figurative drawings. Keith Haring activist posters. Keith Haring Dancers. Street art. Graffiti. 1980s. Keith Haring Larry Levan. Keith Haring Paradise Garage...

Vintage poster realized by Galleria Rondanini in 1978. Offset print. Excellent condition.

Artist: Seymour Chwast, American (1931 - ) Title: George's Car Wash Year: Circa 1978 Medium: Screenprint, signed and numbered in pencil Edition: 250, AP 50 Image Size: 30.5 x 23 ...

CAPPIELLO, LEONETTO (1875 - 1942) "Katabexine" Lithograph in color, linen-backed c. 1903 Sheet size: 54.25” x 39” Cap./GP, 252; Cap/StV, 4.22; DFP-II, 118; Schardt, pp. 174-5; PAI-V...

Robert Willson SCULTURE - VETRO - DEDICATA AL MAESTRI DEL VETRO DI MURANO ROBERT WILLSON, 1964 Offset lithograph on wove paper 27 1/2 × 20 1/2 inches Un...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino...

"Bal de l'AAAA Festival of Light" is an original lithograph poster by Paul Emile Pissarro. It depicts a silhouetted couple dancing in white, pink, and yellow ...

Like a Rolling Snowball (2019). Lithograph by Izumi Kato Limited edition of 300 numbered and signed by the artist 17 7/10 × 13 4/5 in 45 × 35.1 cm Edition 155/300 "Like a Rolling...

Original linen-backed NORWICH CASTLE vintage travel poster, printed in England in 1935 by artist C. W. Hobbis and published by Page Brothers (Norwich) Ltd. It features a city center ...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Schwarz, Arturo. The Complete Wo...

Musee National, Message Biblique, The Angel of Judgment Marc Chagall (after), Russian (1887–1985), an interpretative rendering of a lithograph executed by Charles Sorlier Date: 1974 Lithograph Poster, signed in marker Edition of 5000 Size: 30 in. x 20.5 in. (76.2 cm x 52.07 cm) Printer: Mourlot, Paris Publisher: Society of the Friends of the National Marc Chagall Biblical...

Mid-century French transatlantic liner menu with printed illustration by French artist Jean Adrien Mercier. Signed in the print, top left and dated 1956 inside centre. This highly c...

To see our other original vintage travel posters, many of which are from Switzerland, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Donald Brun...

Sybiraczka - Vintage Poster is a vintage poster realized by R.Socha, in 1974s. Mixed colored offset print. The artwork represented a Polish film poster. Excellent conditions. Si...

Original Mudd Club poster, New York 1979: A must have for any true Jean Michel Basquiat, Keith Haring collector - this piece is featured in the 2017 Jean-Michel Basquiat documentary, 'Boom For Real.' Promotional poster. 1979. Artwork Dimensions: 18x24 inches (19x25 inches). Very good overall vintage condition condition; some minor fading consistent with age. Provenance: Obtained directly from the original art designer. The Mudd Club was founded by filmmaker Steve Mass, art curator Diego Cortez, and downtown punk scene figure Anya Phillips...

This high-quality screen print is a reproduction of Pablo Picasso’s Toros en Vallauris, faithfully capturing the bold, expressive energy of his ori...

Original American Sephardi Federation New York Convention 1993, hand-signed, linen-backed vintage poster. Grade A- condition. Today, this poster is more challenging to locate beca...

This poster for the 1968 film Speedway is an energetic and playful work of graphic design. The poster is dominated by vibrant magenta and yellow, making the image of Elvis Presley an...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino...

To see our other original vintage public information posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Join QARANC – Queen Alexandra...

Ryan McGinness “Women: The Blacklight Paintings": Hand signed exhibition poster created by the artist for The Standard Hotel, 2010. Screen-print with b...

Original poster: United Behind The Service Star ; Great vibrant colors. Linen backed. All the various support organizations that backed up the soldiers and war relief during World War One. A-, B+ condition. Paper tear from the bottom about 10" professionally laid down. No paper loss. A large blue star appears over the flags, and below the image reads "United Behind the Service Star". The poster features American soldiers carrying the flags of seven major service organizations: the YMCA, the National Catholic War Council, the Jewish Welfare Board, the Salvation Army, War Camp Community Service, the American Library Association, and the YWCA. These organizations were instrumental in providing various forms of support, such as food, medical care, and morale-boosting services, both to soldiers and civilians. If you have ever looked to have a 'supreme' version of this great war poster...

When the cinematic Bond was born. The most complete account of the making of the first James Bond film, Dr. No (1962). “Bond, James Bond.” Since Sean Connery uttered those immortal...

This Wetland Powers print examines the repercussions of a Supreme Court largely in the pockets of big oil. Government is supposed to create the greatest good f...

Osmar Schindler, (German 1867-1927), Internationale Kunst Ausstellung, Dresden, 1897 Lithograph, signed (in the plate) (middle right), 96cm x 75cm (100...

Artist: Mimmo Rotella Title: Dame del Ritmo (Marilyn Monroe in Some Like it Hot) Year: 2004 Medium: Serigraph with Collage, signed in pencil l.r. Edition: PA Size: 38 x 28 inches / 1...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Original Ambassadeurs Les Cinq Demi-Vierges. Linen backed in B condition. It was folded at one time with the fold marks laid down during the linen backing process. There are som...

Original poster: BALLY, a.k.a. Bally Kick and Bally Globe. Artist: Bernard Villemot. Ready to frame. Note that this is the small format version of the poster. Museum linen backed. A poster that is a combination of both art and advertisement. This is one of the last posters that Villemot created. Grade A Condition. The image shows a woman kicking up her heel, while her shadow is that of a man's leg and shoe. The globe in the background shows that Bally is a worldwide company. Add a touch of elegance and nostalgia to your space with this stunning original Bally vintage poster...