Poster Figurative Prints

Screenprint in colours, 1991, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77 cm. (40.4...

Screen print and spray paint on hand torn archival art paper. Hand signed and numbered on front, thumb print on verso by the artist. Edition 19/75. Artwork size 30 x 22 inches. F...

Screen print and spray paint on hand torn archival art paper. Hand signed and numbered on front, thumb print on verso by the artist. Edition 6 of 15. Artwork size 30 x 22 inches. ...

20 color silkscreen on 310 gsm coventry rag paper with deckled edges. Hand-signed by the artist duo; numbered and stamp-dated on reverse Edition of 450. Frame size approx 31 x 27 ...

Screen Print on Munken Pure paper.. Hand signed and numbered by Ben Frost. From the edition of 36. Frame size approx 23 x 19 inches. Artwork is in exc...

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...

Classic Leroy Neiman poster of 'Royal Ascot' published June 4- June 26, 1976 by M. Knoedler & Co. Ltd. 143 New Bond Street, London Poster Sz: ...

In 2012, along with Adams’ completion of his 42 minute video Malraux’s Shoes, he was simultaneously referencing his own extensive library and archive documenting the intellectual climate of the 1960s. Entitled Tagging the Archive, this suite of 24 text pieces are montaged over revolutionary ephemera from the 60s as well as book covers such as Abbie Hoffman’s Steal this Book (1971), Franz Erhard Walther’s Objekte, benutzen (1968), Jean Luc Godard’s Le Petit Soldat, Claude Levi Strauss’s Tristes Tropiques, Henry Miller’s Black Spring, and others. This was Adams’ opportunity to formulate a critical dialogue filled with ambiguous clues. Juxtaposed against forerunners such as Broodthaer’s Departement des Aigles (1968-72), or Aby Warburg’s Mnemosyne Atlas (1866-1929), or Malraux’s Le Musee Imaginaire, or Richard Prince’s extensive personal library of vintage pulp...

Hand-painted with acrylic, stained silkscreen on heavy lenox 100 paper. Hand-signed by the artist duo; numbered and stamp-dated on reverse Edition of 250. Each is unique. Frame s...

From Poor Richard's Almanac portfolio. Hand signed and numbered by the artist. Lithograph on arches. Sheet size 25.5 x 19.5 inches. Image size approx 16.75 x 13.5 inches. From t...

GRAPHICTHERAPY is David Calderley: an Englishman in New York, Creative/Art Director, Graphic Designer and Illustrator. After graduating from the estee...

Hand painted, 1 layer varnished giclee print. Hand signed and numbered 1/1 by James Bullough. A unique, one of kind variant. Frame size approx 37 x ...

Reception by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 14 x 11.5 cm (5 ¹/₂ x 4 ¹/₂ inches) Initialed and titled in the plate Signed lower right, L...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Vintage Antique Poster R.Hurwic. Aux Lainnes Ecossaises, . 1928. Color lithograph. [Child sitting on a chair knitting]. 47 x 31 1/2"...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Portfolio with 6 color lithographs. Includes prints by Adami, Calder, Camacho, Miro (Mourlot 1099), Rebeyrolle and Tapies. Each hand signed by the author/poet, Carlos Franqui except ...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Color Lithograph. Ca. 1928. On Linen. Signed in Stone. Unable to make out signature. Advertising Part To Change Automobile Tire. Good condition with the exception of minor tear le...

Embossing (gaufrage) with typographical color printing. Fine impression with good embossing on simili-japon paper, printed to the edges of the sheet (as issued). The combination of techniqes is unusual and may be unique. Ref: Artistes et Theatre d'Avant-Garde Programmes illustres Paris 1890-1900 Aitken p 22 pl 11; Artists and the Avant-Garde Theatre in Paris 1887-1890 Boyer p.44 pl 9. Alexandre Charpentier was French sculptor, medalist, craftsman, and cabinet-maker. He experimented with a wide variety of formats and materials—tin, marble, wood, leather, and terra cotta work, the latter executed by ceramic artisan Emile Müller...

Graphic designer, co-founder of Les Ateliers du Nord, Lausanne. Member of the Alliance Graphique Internationale (AGI). Regular collaboration with an important number of cultural, social and commercial institutions, the Swiss Foundation for Photography in Zurich, the Collection de l’Art Brut, the Musée de l’Elysée, the Museum of fine arts Lausanne, le Museum of Ethnography Geneva (MEG), Geneva (OCG), the Photo gallery FNAC in Paris, Magnum Photos in Paris and Phaidon Press in London for whom he creates posters, the domain in which he achieved celebrity, He was the artistic director of communication for Weimar'99, Cultural Capital of Europe in 1999. Numerous national and international awards, amongst which the Award for exceptional Use of Photography in Graphic Design awarded by the International Center of Photography, New York, 1988; the First Prize for a new series of Swiss Bank...

Cette affiche fut réalisée pour la World Federation of United Nations Associations – WFUNA à l’occasion du 24 octobre 2020, soit la 75ème Journée des Nations Unies à Genève. Grégoire MATHIAS...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

The set of two screenprints in colours, 1967, on wove paper, with wax-paper collage, and AP aside from the edition of 70, the full sheets, 74 x 40.4 cm the two screenprints are attac...

"L'Estampe Moderne - David Barnett Gallery Exhibition, Feb. 18, 1978 - Mar. 25, 1978" is an offset poster limited edition, ed. 1/500. The poster...

"Merry Christmas" is an original color woodcut on paper by Sylvia Spicuzza. The artist stamped her signature lower right. This artwork features the an abstracted figure on orange p...

"Jacomo Monte-Carlo Open" is an original lithograph poster by Pierre Fix-Masseau. The artist signed the piece in the image lower right. This poster advertises a tennis competition fr...

"Sixieme Biennale de Peinture" is an vintage Picasso exhibition poster printed in 1966 by Mourlot. It depicts a Picasso painting from 1965 and advertises a Biennial exhibition of pai...

"Philadelphia Sunday Press" is an original figurative lithograph poster of black and red. 1895. 21.75" x 15.3125" art 28.5" x 22.75" framed George Brill was born August 27, 1867 in...

Ceravolo is one of The Hampton's most popular urban Pop artists whose work is collected by Elton John, Rod Stewart, and Alice Cooper among others. Ceravolo has been call the "Rock and Roll Painter" and "Painter of the Stars of Rock" by the media. This new very limited edition print is limited to only 10 images. This work is numbered 1/ 10. The art is titled "The Girl with Kaleidoscope Eyes...

A print by Shepard Fairey. “Alto Arizona” is a contemporary, popular culture screenprint in black, red, and white by American street artist Shepard Fairey. The artwork is signed iin pencil, lower right, "Shepard Fairey 10", lower middle, "EAY 10" (Ernesto Yerena...

Georges Braque - Original Lithograph 1963 Dimensions: 32 x 24 cm Andre Sauret, Monte Carlo The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote and Glass , then the packet envelope of tobacco Bock in 1912-1913, or an advertisement in Damier , 1913). Inputs and inclusions refer to an external object in the table, without “emulate” this object. Away from their appearances, objects are represented in closest essence of the objects in the real world sense. This is also the time of Synthetic Cubism that Braque invented paper sculpture. There are, unfortunately, and no one is living proof of a photograph makes it possible to realize: Paper and paperboard. Métamorphoses period(1961-1963). In 1961, Georges Braque worked on a Greek head for the Louvre, which obsesses him, and he wishes to free his mind. He tried several times to bring out the paint and the result was unsatisfactory. He thinks the ultimate metamorphosis its Greek head projected in three dimensions. He calls in his studio of Baron Heger Loewenfeld, master lapidary, and he communicates his enthusiasm during the “fateful encounter.” Nine months later, in honor of the eighty years of Georges Braque, Heger Loewenfeld offers the Master of the ring Circe: the famous Greek head finally exorcised, carved in an onyx. Braque Loewenfeld then asked to identify other issues that haunt him. From dated and signed by Georges Braque, Heger gouaches Loewenfeld shapes works in the fields of jewelery, lapidary art...

Screen print and stenciled spray pain on cream colored Archival art paper. Edition 61 of 100. Signed, dated, and numbered in pencil with artist's thumbprint in the back.

Screenprint with spray paint on cream Archival Art paper. Edition 90 of 100. Signed, dated, and numbered in pencil with artist's thumbprint in back.

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Hand signed and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 150. All reasonable offers will be considered.

Casablanca Bill Gold, American (1921–2018) Date: of Original: 1942 Reproduction Three Sheets Poster, numbered in pencil bottom left Edition of 199 Size: 86 x 46.5 in. (218.44 x 118.1...

Rain Dance: A Benefit for the African Emergency Relief Fund, 1985: Rare original 1980s Keith Haring & Jean-Michel Basquiat illustrated poster published on the occasion of a UNICEF benefit exhibition at 292 Lafayette Street (February 2-23 1985) & benefit party at Larry Levan’s legendary Paradise Garage (January 30, 1985). Organized & curated by Keith Haring on behalf of UNICEF’s African Emergency Relief Fund. Medium: Offset lithograph in colors on smooth wove paper. 1985. Dimensions: 22.5 x 30.5 inches. Very good overall vintage condition. Well-preserved. Featuring printed signatures by hosts: Keith Haring, Jean-Michel Basquiat,  Andy Warhol, Roy Lichtenstein, & Yoko Ono. From an edition of unknown. Scarce. Literature / References: Keith Haring: Posters (Jürgen and Osten). More on Keith Haring Rain Dance: Curated and organized by Keith Haring, Rain Dance was a 1985 benefit for UNICEF’s African Emergency Relief Fund. Participating artists famously included: Jean-Michel Basquiat, Larry Levan, Fred Brathwaite, Christo, Francesco Clemente, George Condo, Crash, Futura 2000, Jenny Holzer, John Lennon, Roy Lichtenstein, Robert Mapplethorpe, Brice Marden, Robert Morris, Yoko Ono, Lee Quiñones, Robert Rauschenberg, Kenny Scharf, Julian Schnabel, Richard Serra, Cindy Sherman, Tseng Kwong Chi, and Andy Warhol. Related Categories: Keith Haring figurative drawings. Keith Haring activist posters. Keith Haring Dancers. Street art. Graffiti. 1980s. Keith Haring Larry Levan. Keith Haring Paradise...

Shipped rolled in a tube, unframed. Accompanied with the certificate of authenticity. Exclusive limited edition, numbered out of 20 pieces. Litography in colour on fine art paper: H...

Agent X Eminem (Gold) (50 Years, Hip Hop, Rap, Iconic, Artist, Musician, Rapper, Anniversary, Legend, Pop Art) Archival Pigment Print with Archival Inks on 240 gsm Hahnemühle Paper 2...

Agent X Nicki Minaj (Pink) (50 Years, Hip Hop, Rap, Iconic, Artist, Musician, Rapper, Anniversary, Legend, Pop Art) Archival Pigment Print with Archival Inks on 240 gsm Hahnemühle Paper 2023 Size: 30x30in Edition: 200 Signed, dated and numbered by hand COA provided Ref.: 924802-1852 *Pricing for a Digital Unique Original on Canvas (50x50in) available upon request Tags: 50 Years, Hip Hop, Rap, Iconic, Artist, Musician, Rapper, Anniversary, Legend, Pop Art, Break Dance...

Agent X Notorious B.I.G (Black & White) (50 Years, Hip Hop, Rap, Iconic, Artist, Musician, Rapper, Anniversary, Legend, Pop Art) Archival Pigment Print with Archival Inks on 240 gsm ...

Agent X 2 Pac (Black & White) (50 Years, Hip Hop, Rap, Iconic, Artist, Musician, Rapper, Anniversary, Legend, Pop Art) Archival Pigment Print with Archival Inks on 240 gsm Hahnemühle Paper 2023 Size: 30x30in Edition: 250 Signed, dated and numbered by hand COA provided Ref.: 924802-1836 *Pricing for a Digital Unique Original on Canvas (50x50in) available upon request Tags: 50 Years, Hip Hop, Rap, Iconic, Artist, Musician, Rapper, Anniversary, Legend, Pop Art, Break Dance...

Agent X Ice Cube (Black & White) (50 Years, Hip Hop, Rap, Iconic, Artist, Musician, Rapper, Anniversary, Legend, Pop Art) Archival Pigment Print with Archival Inks on 240 gsm Hahnemü...

Agent X RUN DMC (Black & White) (50 Years, Hip Hop, Rap, Iconic, Artist, Musician, Rapper, Anniversary, Legend, Pop Art) Archival Pigment Print with Archival Inks on 240 gsm Hahnemüh...

Created in 2000, this color screenprint is hand-signed by Robert Rauschenberg (Port Arthur, 1925 - Captiva, 2008) in pencil in the lower left margin and is numbered from the edition ...

Framed in a bright yellow boarder, Roy Lichtenstein Reflections on Minerva, from Reflections, 1990 shows a distressed Minerva partially obscured by reflective lines. As if she is beh...

Guerrilla Girls: Vintage original 1989 poster for: Guerilla Girls: Do Women Have To Be Naked To Get Into the Met. Museum? Pictured here is the much i...

TECHNICAL INFORMATION: Andy Warhol Pete Rose Trial Proof 1985 Screenprint on Lenox Museum Board 39 3/8 x 31 1/2 in. Trial Proof Edition of 30 Pencil signed ...

Elizabeth Catlett “Man” 1975 (The Print Club of Cleveland Publication Number 83, 2005) Woodcut and Color Linocut Printed in 2003 at JK Fine Art Editions Co., Union City, New Jersey Signed and Dated By The Artist Lower Right Titled Lower Left Ed. of 250 Image Size: approx 18 x 12 inches Elizabeth Catlett (1915-2012) is regarded as one of the most important women artists and African American artists of our time. She believed art could affect social change and that she should be an agent for that change: “I have always wanted my art to service black people—to reflect us, to relate to us, to stimulate us, to make us aware of our potential.” As an artist and an activist, Catlett highlighted the dignity and courage of motherhood, poverty, and the working class, returning again and again to the subject she understood best—African American women. The work below, entitled, “Man”, is "carved from a block of wood, chiseled like a relief. Catlett, a sculptor as well as a printmaker, carves figures out of wood, and so is extremely familiar with this material. For ‘Man’ she exploits the grain of the wood, allowing to to describe the texture of the skin and form vertical striations, almost scarring the image. Below this intense, three-dimensional visage parades seven boys, printed repetitively from a single linoleum block in a “rainbow roll” that changes from gold to brown. This row of brightly colored figures with bare feet, flat like a string of paper dolls, raise their arms toward the powerful depiction of the troubled man above.” Biography: Elizabeth Catlett (1915-2012) Known for abstract sculpture in bronze and marble as well as prints and paintings, particularly depicting the female figure, Elizabeth Catlett is unique for distilling African American, Native American, and Mexican art in her work. She is "considered by many to be the greatest American black sculptor". . .(Rubinstein 320) Catlett was born in Washington D.C. and later became a Mexican citizen, residing in Cuernavaca Morelos, Mexico. She spent the last 35 years of her life in Mexico. Her father, a math teacher at Tuskegee Institute in Alabama, died before she was born, but the family, including her working mother, lived in the relatively commodious home of his family in DC. Catlett received a Bachelor of Arts degree from Howard University, where there was much discussion about whether or not black artists should depict their own heritage or embrace European modernism. She earned a Master of Fine Arts degree in 1940 from the University of Iowa, where she had gone to study with Grant Wood, Regionalist* painter. His teaching dictum was "paint what you know best," and this advice set her on the path of dealing with her own background. She credits Wood with excellent teaching and deep concern for his students, but she had a problem during that time of taking classes from him because black students were not allowed housing in the University's dormitories. Following graduation in 1940, she became Chair of the Art Department at Dillard University in New Orleans. There she successfully lobbied for life classes with nude models, and gained museum admission to black students at a local museum that to that point, had banned their entrance. That same year, her painting Mother and Child, depicting African-American figures won her much recognition. From 1944 to 1946, she taught at the George Washington Carver School, an alternative community school in Harlem that provided instruction for working men and women of the city. From her experiences with these people, she did a series of paintings, prints, and sculptures with the theme "I Am a Negro Woman." In 1946, she received a Rosenwald Fellowship*, and she and her artist husband, Charles White, traveled to Mexico where she became interested in the Mexican working classes. In 1947, she settled permanently in Mexico where she, divorced from White, married artist Francisco Mora...

Theatre Libre for Monsieur Bute. November 1890. Pochoir. Framed. Ref: Artistes et Theatres d'Avant-Garde Programmes illustres Paris 1890-1900 p.19; Artists and the Avant-Garde Thea...