Poster Figurative Prints

Original poster for "Katharina Sieverding", an exhibition about the German artist in Düsseldorf. The show took place at Galerie Oppenheim from 1 October 1973 - 1 November 1973.

Artist: Pierre Fix-Masseau, French (1905 - 1994) Title: Jacomo, Monte Carlo Open Year: 1985 Medium: Lithograph Poster, signed in pen Image Size: 30 x 21 inches Size: 33 x 24 in. (83....

Hand painted, 1 layer varnished giclee print. Hand signed and numbered 1/1 by James Bullough. A unique, one of kind variant. Frame size approx 37 x ...

This is a Silkscreen it is Titled Paul Cezanne, Post Impressionist, French. John Brower worked in Chicago as a billboard designer for 12 years. He taught art at Alverno College of Milwaukee, Wright Junior College in Chicago, the University of Illinois, and the University of Kentucky. A Pop Artist. In John Browers' work two important things come forward: the design and the image. In the painting "Indian 2" you are denied simply enjoying the background or the realistic figure in the foreground. They both on their own would make an interesting painting but Johns' insistence on putting them together leaves you with a picture scrubbed clean of indecision, so clear that you can hardly help yourself from needing to understand its meaning. John Browers' pictures are modern - no matter how instant they look you can tell they have been thought about and realized with a lot of calculation and intentionality. He has exhibited regularly in galleries throughout the country over the past 40 years and his work is in numerous collections, including the Metropolitan Museum of Art in NYC. Art After Art 1971. The exhibition featured works by contemporary artists who borrow and rework to their own ends famous paintings or traditional themes from the past.This exhibition consists of twenty-two paintings, drawings, sculptures, and graphics by 20th century artists , including Marcel Duchamp, Rene Magritte, John Clem Clarke, Tom Wesselmann, Roy Lichtenstein, Alain Jacquet, John Chamberlain, John Brower, Larry Rivers, Al Pounders, Joseph Cornell, Jose Luis Cuevas, and Sante Graziani...

Limited Edition Geclee Print 1 of 50 Edition, on Watercolor Paper , hand-embellished by watercolor. The size of geclee print is 11"X14" . Size with the white matt is 20″X16″. Frame ...

Hand signed and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 150. All reasonable offers will be considered.

Lawrence Weiner (1942-2021) We Are Ships at Sea Not Ducks on a Pond, 2017 Medium: Screenprint and luggage sticker on 300g paper Dimensions: 59.5 x 42 cm (23.4 x 16.5 in) Edition of 3...

Prints from this series are in the Permanent Collections of Konstmuseet i Skövde in Sweden and Durham University Art Collection in the UK. Stein's Armored for Today's Events print...

Mimmo Rotella, Le Luci della citta 2005 Slashed silk-screen print on canvas Edition of 60 Signed and numbered on the lower left 124 x 86 cm Mimmo Rotella is an Italian artist and poet known for his collages made from torn advertising posters, which he calls "double décollages". Born October 7, 1918 in Catanzaro, Italy, he studied at the Accademia di Belle Arti in Naples before settling in Rome in 1945 and getting closer to Lettrism. Alongside Raymond Hains...

4 layer Screen print on 300GSM Somerset Paper. Hand signed and numbered by the artist. From the edition of 100. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered. About the Artist: PREFAB77 a.k.a. Peter Manning...

Screen print and spray paint on hand torn archival art paper. Hand signed and numbered on front, thumb print on verso by the artist. Edition 6 of 15. Artwork size 30 x 22 inches. ...

Hand-painted with acrylic, stained silkscreen on heavy lenox 100 paper. Hand-signed by the artist duo; numbered and stamp-dated on reverse Edition of 250. Each is unique. Frame s...

Unsigned. Estate stamped on verso. Artwork is in excellent condition. Certificate of Authenticity included. Please do not hesitate to ask additional questions. All reasonable offers...

GRAPHICTHERAPY is David Calderley: an Englishman in New York, Creative/Art Director, Graphic Designer and Illustrator. After graduating from the estee...

Rupert Jasen Smith California Cooler, 1988 Screenprint in color HC 2/10 38 x 38 in. Signed and numbered in pencil

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Color silkscreen and collage. Framed. Hand signed, dated and numbered by the artist. Certificate of authenticity included. Edition PP 2/6. All reasonable offers will be considered.

Reception by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 14 x 11.5 cm (5 ¹/₂ x 4 ¹/₂ inches) Initialed and titled in the plate Signed lower right, L...

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

This is the poster published by the David Barnett Gallery for the first exhibition of Claude Weisbuch's artwork in the United States. It features...

The Chap-Book. Color lithograph/Price Cents /1895. Published by Stone & Kimball Chicago Designed by Claude F. Bragdon. On Linen .Minor wear at edges and at top of poster. Minor paper...

Hazenplug, Frank. Chap Book. Color Lithograph, 1895. 20 1/2 x 14" Frank Hazenplug, was an artist who made engravings, typography, and posters. He also illustrated books Hazenplug worked for Chicago firm Stone & Kimball and designed books for them, continuing with the company even after it became Herbert S. Stone. Hazenplug also designed books for other publishers, such as Fleming Revell, George Doran, A.C. McClurg, Reilly and Britton, Rand McNally, and John Lane...

Original Vintage 1956 Poster La Nouvelle Societe de Cinématographie Present Inspecteur Connait La Musique. Color Lithograph on Linen.

Color Lithograph. Ca. 1928. On Linen. Signed in Stone. Unable to make out signature. Advertising Part To Change Automobile Tire. Good condition with the exception of minor tear le...

Trieb, Anton. Gran Bodega Espanola Urania, Zurich Ca 1910.Color lithograph. On Linen. Anton Trieb was a watercolor painter , draftsman , illustrat...

Color lithograph, 1896. On Linen. Signed on the plate. Ref: Dad Plakat 501; American Poster Renaissance, Margolin p. 74 American Painter and Illustrator. Charles Herbert Wo...

PRICE, JULIUS "An Artist’s Model" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #1, 1896. Plate # 3 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters...

Limited Edition Geclee Print 1 of 50 Edition, on Watercolor Paper , hand-embellished by watercolor. The size of geclee print is 11"X14" . Size with the white matt is 20″X16″. Frame ...

Screenprint in colours, 1991, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77 cm. (40.4...

Vintage Keith Haring exhibition poster: Vintage original Exhibition poster for Keith Haring at San Francisco Museum of Modern Art, May 0...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Casablanca Bill Gold, American (1921–2018) Date: of Original: 1942 Reproduction Three Sheets Poster, numbered in pencil bottom left Edition of 199 Size: 86 x 46.5 in. (218.44 x 118.1...

Rain Dance: A Benefit for the African Emergency Relief Fund, 1985: Rare original 1980s Keith Haring & Jean-Michel Basquiat illustrated poster published on the occasion of a UNICEF benefit exhibition at 292 Lafayette Street (February 2-23 1985) & benefit party at Larry Levan’s legendary Paradise Garage (January 30, 1985). Organized & curated by Keith Haring on behalf of UNICEF’s African Emergency Relief Fund. Medium: Offset lithograph in colors on smooth wove paper. 1985. Dimensions: 22.5 x 30.5 inches. Very good overall vintage condition. Well-preserved. Featuring printed signatures by hosts: Keith Haring, Jean-Michel Basquiat,  Andy Warhol, Roy Lichtenstein, & Yoko Ono. From an edition of unknown. Scarce. Literature / References: Keith Haring: Posters (Jürgen and Osten). More on Keith Haring Rain Dance: Curated and organized by Keith Haring, Rain Dance was a 1985 benefit for UNICEF’s African Emergency Relief Fund. Participating artists famously included: Jean-Michel Basquiat, Larry Levan, Fred Brathwaite, Christo, Francesco Clemente, George Condo, Crash, Futura 2000, Jenny Holzer, John Lennon, Roy Lichtenstein, Robert Mapplethorpe, Brice Marden, Robert Morris, Yoko Ono, Lee Quiñones, Robert Rauschenberg, Kenny Scharf, Julian Schnabel, Richard Serra, Cindy Sherman, Tseng Kwong Chi, and Andy Warhol. Related Categories: Keith Haring figurative drawings. Keith Haring activist posters. Keith Haring Dancers. Street art. Graffiti. 1980s. Keith Haring Larry Levan. Keith Haring Paradise...

Shipped rolled in a tube, unframed. Accompanied with the certificate of authenticity. Exclusive limited edition, numbered out of 20 pieces. Litography in colour on fine art paper: H...

Agent X Eminem (Gold) (50 Years, Hip Hop, Rap, Iconic, Artist, Musician, Rapper, Anniversary, Legend, Pop Art) Archival Pigment Print with Archival Inks on 240 gsm Hahnemühle Paper 2...

Agent X Nicki Minaj (Pink) (50 Years, Hip Hop, Rap, Iconic, Artist, Musician, Rapper, Anniversary, Legend, Pop Art) Archival Pigment Print with Archival Inks on 240 gsm Hahnemühle Paper 2023 Size: 30x30in Edition: 200 Signed, dated and numbered by hand COA provided Ref.: 924802-1852 *Pricing for a Digital Unique Original on Canvas (50x50in) available upon request Tags: 50 Years, Hip Hop, Rap, Iconic, Artist, Musician, Rapper, Anniversary, Legend, Pop Art, Break Dance...

Agent X Notorious B.I.G (Black & White) (50 Years, Hip Hop, Rap, Iconic, Artist, Musician, Rapper, Anniversary, Legend, Pop Art) Archival Pigment Print with Archival Inks on 240 gsm ...

Agent X 2 Pac (Black & White) (50 Years, Hip Hop, Rap, Iconic, Artist, Musician, Rapper, Anniversary, Legend, Pop Art) Archival Pigment Print with Archival Inks on 240 gsm Hahnemühle Paper 2023 Size: 30x30in Edition: 250 Signed, dated and numbered by hand COA provided Ref.: 924802-1836 *Pricing for a Digital Unique Original on Canvas (50x50in) available upon request Tags: 50 Years, Hip Hop, Rap, Iconic, Artist, Musician, Rapper, Anniversary, Legend, Pop Art, Break Dance...

Agent X Ice Cube (Black & White) (50 Years, Hip Hop, Rap, Iconic, Artist, Musician, Rapper, Anniversary, Legend, Pop Art) Archival Pigment Print with Archival Inks on 240 gsm Hahnemü...

Agent X RUN DMC (Black & White) (50 Years, Hip Hop, Rap, Iconic, Artist, Musician, Rapper, Anniversary, Legend, Pop Art) Archival Pigment Print with Archival Inks on 240 gsm Hahnemüh...

Created in 2000, this color screenprint is hand-signed by Robert Rauschenberg (Port Arthur, 1925 - Captiva, 2008) in pencil in the lower left margin and is numbered from the edition ...

Framed in a bright yellow boarder, Roy Lichtenstein Reflections on Minerva, from Reflections, 1990 shows a distressed Minerva partially obscured by reflective lines. As if she is beh...

Banksy (after) Visit Historic Palestine Color Offset Lithograph on fine paper Year: 2018 Dry Stamp, Embossed Logo in the lower Left Corner Siz...

Guerrilla Girls: Vintage original 1989 poster for: Guerilla Girls: Do Women Have To Be Naked To Get Into the Met. Museum? Pictured here is the much i...

TECHNICAL INFORMATION: Andy Warhol Pete Rose Trial Proof 1985 Screenprint on Lenox Museum Board 39 3/8 x 31 1/2 in. Trial Proof Edition of 30 Pencil signed ...

Elizabeth Catlett “Man” 1975 (The Print Club of Cleveland Publication Number 83, 2005) Woodcut and Color Linocut Printed in 2003 at JK Fine Art Editions Co., Union City, New Jersey Signed and Dated By The Artist Lower Right Titled Lower Left Ed. of 250 Image Size: approx 18 x 12 inches Elizabeth Catlett (1915-2012) is regarded as one of the most important women artists and African American artists of our time. She believed art could affect social change and that she should be an agent for that change: “I have always wanted my art to service black people—to reflect us, to relate to us, to stimulate us, to make us aware of our potential.” As an artist and an activist, Catlett highlighted the dignity and courage of motherhood, poverty, and the working class, returning again and again to the subject she understood best—African American women. The work below, entitled, “Man”, is "carved from a block of wood, chiseled like a relief. Catlett, a sculptor as well as a printmaker, carves figures out of wood, and so is extremely familiar with this material. For ‘Man’ she exploits the grain of the wood, allowing to to describe the texture of the skin and form vertical striations, almost scarring the image. Below this intense, three-dimensional visage parades seven boys, printed repetitively from a single linoleum block in a “rainbow roll” that changes from gold to brown. This row of brightly colored figures with bare feet, flat like a string of paper dolls, raise their arms toward the powerful depiction of the troubled man above.” Biography: Elizabeth Catlett (1915-2012) Known for abstract sculpture in bronze and marble as well as prints and paintings, particularly depicting the female figure, Elizabeth Catlett is unique for distilling African American, Native American, and Mexican art in her work. She is "considered by many to be the greatest American black sculptor". . .(Rubinstein 320) Catlett was born in Washington D.C. and later became a Mexican citizen, residing in Cuernavaca Morelos, Mexico. She spent the last 35 years of her life in Mexico. Her father, a math teacher at Tuskegee Institute in Alabama, died before she was born, but the family, including her working mother, lived in the relatively commodious home of his family in DC. Catlett received a Bachelor of Arts degree from Howard University, where there was much discussion about whether or not black artists should depict their own heritage or embrace European modernism. She earned a Master of Fine Arts degree in 1940 from the University of Iowa, where she had gone to study with Grant Wood, Regionalist* painter. His teaching dictum was "paint what you know best," and this advice set her on the path of dealing with her own background. She credits Wood with excellent teaching and deep concern for his students, but she had a problem during that time of taking classes from him because black students were not allowed housing in the University's dormitories. Following graduation in 1940, she became Chair of the Art Department at Dillard University in New Orleans. There she successfully lobbied for life classes with nude models, and gained museum admission to black students at a local museum that to that point, had banned their entrance. That same year, her painting Mother and Child, depicting African-American figures won her much recognition. From 1944 to 1946, she taught at the George Washington Carver School, an alternative community school in Harlem that provided instruction for working men and women of the city. From her experiences with these people, she did a series of paintings, prints, and sculptures with the theme "I Am a Negro Woman." In 1946, she received a Rosenwald Fellowship*, and she and her artist husband, Charles White, traveled to Mexico where she became interested in the Mexican working classes. In 1947, she settled permanently in Mexico where she, divorced from White, married artist Francisco Mora...

Livre Russe et Francais, J.Povolozky/Editeur & Cie, Ca 1922. Color lithograph, signed in the stone. Rare Vintage Poster. As a painter, Natalia Gontcharova was, together with her ...

Theatre Libre for Monsieur Bute. November 1890. Pochoir. Framed. Ref: Artistes et Theatres d'Avant-Garde Programmes illustres Paris 1890-1900 p.19; Artists and the Avant-Garde Thea...